{"id":11324,"date":"2017-10-12T13:55:38","date_gmt":"2017-10-12T11:55:38","guid":{"rendered":"http:\/\/archive.camerimage.pl\/?p=11324"},"modified":"2017-10-12T14:46:16","modified_gmt":"2017-10-12T12:46:16","slug":"sklad-konkursu-etiud-studenckich-camerimage-2017","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-etiud-studenckich-camerimage-2017\/","title":{"rendered":"CAMERIMAGE 2017 STUDENT ETUDES COMPETITION LINE-UP!"},"content":{"rendered":"

<\/p>\n

We announce the line-up of the Student Etudes Competition of the 25th<\/sup> anniversary edition of the International Film Festival of the Art of Cinematography CAMERIMAGE.<\/strong><\/div>\n
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First held in 1997, Student Etudes Competition<\/strong> supports the development of novice filmmakers and provides unique opportunity to confront cinematic achievements of students from various parts of the world. Each year, a growing number of film schools submit their best etudes for consideration of the Camerimage<\/strong> selection committee. The winners are chosen by an international jury of prominent filmmakers and industry professionals.<\/p>\n

The author of the best cinematography wins the coveted Laszlo Kovacs Student Award – The Golden Tadpole<\/strong>. Silver and Bronze Tadpoles are awarded for the second and third place respectively. Additionally, Polish Filmmakers Association<\/strong> will award the winner of the Student Etudes Competition<\/strong> a cheque for PLN 10 000.<\/p>\n<\/div>\n

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Across the Street<\/span>
\n <\/strong><\/span><\/h1>\n
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Rose spends her entire days spying on her neighbours trying to find a criminal among them. Her husband quietly endures his wife\u2019s insanity until one day her paranoia seems to become reality…<\/div>\n
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Original title: En face<\/strong>
\n Director: Jeanne Privat<\/strong>
\n Cinematographer: Tom Durand
\n <\/strong><\/div>\n
School: Institut National Superieur des Arts du Spectacle et des Techniques de Diffusion (INSAS)<\/strong>
\n Belgium, 2016<\/strong><\/div>\n
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All of Us<\/span>
\n <\/strong><\/span><\/h1>\n
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For almost a decade, Kenya has been targeted by Al-Shabaab\u2019s terrorist attacks. An atmosphere of anxiety and mistrust between Muslims and Christians is growing. That is, until December 2015, when Muslim bus passengers show that solidarity can prevail.<\/div>\n
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Original title: Watu Wote<\/strong>
\n Director: Katja Benrath<\/strong>
\n Cinematographer: Felix Striegel
\n <\/strong>School: Hamburg Media School (HMS)
\n <\/strong>Namibia, Germany, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Benny Got Shot<\/span>
\n <\/strong><\/span><\/h1>\n
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When Naomi, a young autopsy assistant at the LA County Coroner\u2019s office, realises her brother has gone missing on the night of a police shooting, she is forced to confront her worst fear \u2013 that his body may be in the morgue.<\/div>\n
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Director: Malcolm Washington<\/strong>
\n Cinematographer: Kristen Correll
\n <\/strong>School: American Film Institute Conservatory
\n <\/strong>USA, 2016<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Black Hours<\/span>
\n <\/strong><\/span><\/h1>\n
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Frank burns himself to death at work in protest against the inhumane working conditions there. Two stories emerge from this tragic incident. L\u00e9a, Frank\u2019s wife, who is searching for the truth; and Igor, an employee who finds the dead body and steals the letter of protest for fear of losing his job.<\/div>\n
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Original title: Les Heures-Encre<\/strong>
\n Director: Wendy Pillonel<\/strong>
\n Cinematographer: Ram\u00f3n K\u00f6nigshausen
\n <\/strong>School: Z\u00fcrcher Hochschule der K\u00fcnste – Zurich University of the Arts (ZHdK)
\n <\/strong>Switzerland, 2016<\/strong><\/p>\n<\/div>\n

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Car Called Victory, A<\/span>
\n <\/strong><\/span><\/h1>\n
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The late \u201940s. A boy ignores his parents\u00b4 warnings and talks to a stranger in a brand-new GAZ-M20 \u2018Victory\u2019 who promises to teach him to drive. But this promise has severe consequences.<\/div>\n

Original title: Pobeda<\/strong>
\nDirector: Vladislav Mukovnin<\/strong>
\nCinematographer: Ermins Baltais
\n <\/strong>School: Tallinn University Baltic Film, Media, Arts and Communication School (BFM)
\n <\/strong>Estonia, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Chocolate Soldier, The<\/span>
\n <\/strong><\/span><\/h1>\n
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In the twilight of the Second World War, a young refugee girl makes an unlikely connection with an enemy soldier.<\/div>\n
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Director: Jackson Smith<\/strong>
\n Cinematographer: Seannie Bryan
\n <\/strong>School: Dodge College of Film and Media Arts at Chapman University
\n <\/strong>USA, 2017<\/strong><\/p>\n<\/div>\n

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Come Out of the Woods<\/span>
\n <\/strong><\/span><\/h1>\n
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Three brothers living in rural Scotland struggle to find intimacy and stability as they attempt to navigate their survival around a corrupt local police officer and the mysterious appearance of a girl\u2019s body on their land.\u00a0<\/div>\n
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Director: Jonny Blair<\/strong>
\n Cinematographer: Anna MacDonald
\n <\/strong>School: National Film and Television School (NFTS)
\n <\/strong>UK, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Craftsman, A<\/span>
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Herman\u2019s home has never felt so empty: the things she left behind; the cold side of her bed; the loss of his late wife \u2013 his life \u2013 seeps through every inch of the space they once shared. Overcome with grief, Herman, a skilled woodworker, begins to build the coffin that will be his final resting place. A neighbour visits.<\/p>\n

Director: Sanford Jenkins<\/strong>
\n Cinematographers: <\/strong>Tanmay Chowdhary, Madeline Leach
\n <\/strong>School: University of Southern California (USC) School of Cinematic Arts<\/strong>
\n USA, 2017<\/strong><\/p>\n

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Dreaming of Warsaw<\/span>
\n <\/strong><\/span><\/h1>\n
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One day in the life of three people who are on a collision course. A father and a son leave an immigration camp and move to Warsaw. A young thug, following his father\u2019s orders, tries to take over a car park. Their encounter leads to tragedy.<\/div>\n
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Original title: Sen o Warszawie<\/strong>
\n Director: Mateusz Czuchnowski<\/strong>
\n Cinematographer: Mateusz Czuchnowski
\n <\/strong>School: Szko\u0142a Filmowa w \u0141odzi
\n <\/strong>Poland, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Earthly People<\/span>
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Twelve-year-old \u00c1bel has to face the fact that his parents are living in two completely different galaxies in the universe. Now he has to decide which one he belongs to.<\/div>\n
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Original title: F\u00f6ldiek<\/strong>
\n Director: \u00c1d\u00e1m Freund<\/strong>
\n Cinematographer: M\u00e1ty\u00e1s Gyuricza
\n <\/strong>School: Sz\u00ednh\u00e1z- \u00e9s Filmm\u0171v\u00e9szeti Egyetem – University of Theatre and Film Arts in Budapest (SZFE)
\n <\/strong>Hungary, 2017<\/strong><\/p>\n<\/div>\n

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From Mars and Venus<\/span>
\n <\/strong><\/span><\/h1>\n
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Gijs (17) sails together with his father on an internship from the Netherlands to Wallonia. It has been a long time since the father and son were dependent on each other. On the deck, their communication flows naturally, but words are not as easily found in their personal conversations. Sometimes Gijs feels the need to dress as a woman. He hides this part of himself, afraid of what others might think.<\/div>\n
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Original title: Van Mars en Venus<\/strong>
\n Director: Kevin Kok<\/strong>
\n Cinematographer: Olaf Van Dam
\n <\/strong>School: Hogeschool voor de Kunsten Utrecht – University of the Arts Utrecht (HKU)
\n <\/strong>Netherlands, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Harevan<\/span>
\n <\/strong><\/span><\/h1>\n
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Constrained by her shyness, Clemence struggles to build relationships with others. To help, she spends time with her Armenian neighbour, in whom she finds a confidant.<\/div>\n
\n Director: Marilou Caravecchia-Pelletier<\/strong>
\n Cinematographer: Marianne Fortier
\n <\/strong><\/div>\n<\/div>\n
School: \u00c9cole des m\u00e9dias l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM)<\/strong>
\n Canada, 2017<\/strong><\/div>\n
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Heimat<\/span>
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A short story about five members of a very specific family. They meet at the police station. Three grown up children have to testify against the man who assaulted their father.<\/div>\n
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Director: Emi Buchwald<\/strong>
\n Cinematographer: Tomasz Gajewski
\n <\/strong>School: Szko\u0142a Filmowa w \u0141odzi
\n <\/strong>Poland, 2017<\/strong><\/p>\n<\/div>\n<\/div>\n

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L\u00e9o<\/span>
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Desperate to make money, L\u00e9o accepts a job smuggling a refugee couple through France. However, L\u00e9o and the couple have separate expectations concerning their destination. He\u2019s forced to confront the couple, his boss, and himself to understand how far he\u2019s really willing to go for these people he never intended to help.<\/div>\n
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Director: Julian Alexander<\/strong>
\n Cinematographer: Luis Zarzo Escabias
\n <\/strong>School: Northern Film School, Leeds Beckett University
\n <\/strong>France, UK, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Like Father, Like Son<\/span>
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On the eve of his child\u2019s birth, James returns to his childhood home and is overwhelmed by the memories of his workaholic father, Matt, who he finally walked out on when he was 20. James lived, worked, and became successful without much contact with his father. One night he receives a call from a doctor telling him that his father is sick. James visits him one last time and finds that he doesn\u2019t have anyone to help him.<\/div>\n
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Director: Kristen Correll<\/strong>
\n Cinematographer: Han-Seok Yoon
\n <\/strong>School: American Film Institute Conservatory
\n <\/strong>USA, 2016<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Lucha: Fight, Wrestle, Struggle<\/span>
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After the death of his father, Mexican luchador (pro wrestler) Jorge returns to the gym where he grew up, facing the violence and memories he long tried to forget.<\/div>\n
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Original title: LUCHA<\/strong>
\n Director: Eddie Rubio<\/strong>
\n Cinematographer: Emiliano Alcazar
\n <\/strong>School: Centro de Capacitaci\u00f3n Cinematogr\u00e1fica (CCC)
\n <\/strong>Mexico, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n

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Manners of Dying<\/span>
\n <\/strong><\/span><\/h1>\n
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Harry Parlington, the warden of a death row facility, has supervised many executions. He separated himself from the emotions the prisoners evoked by hiding behind a wall of procedures and lies repeated so often that he has started to believe them. It is young convict Kevin Barlow who holds the keys to his humanity.<\/div>\n
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Polish title: Rodzaje umierania<\/strong><\/div>\n

Director: Bo-You Niou<\/strong>
\n Cinematographer: Jessica Pantoja
\n <\/strong>School: American Film Institute Conservatory
\n <\/strong>USA, 2016<\/strong>
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Origin<\/span>
\n <\/strong><\/span><\/h1>\n
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A young boy in rural Yugoslavia is raised to fear the world outside by his war-weary father. As their living conditions deteriorate, the boy begins to doubt his father’s sanity and resist his rigid authority.<\/div>\n
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Polish title: Geneza<\/strong>
\n Director: Jordan Nikolic<\/strong>
\n Cinematographer: Lasse Tolb\u00f8ll
\n <\/strong>School: New York University (NYU) – Tisch School of the Arts, Institute of Film and TV
\n <\/strong>USA, 2016<\/strong>
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Rocco<\/span>
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Carlos\u2019 crisis seems to get worse when he gets home and finds out that his dog, Rocco, bit the neighbours\u2019 son. Although his son, Luis, tries to prove his dog is innocent, Carlos\u2019 neighbours threaten him with the possibility of removing the dog from the building. It seems that Luis is the only one who can save Rocco by telling the truth…<\/p>\n

Director: Gerard Nogueira<\/strong>
\n Cinematographer: <\/strong>Mart\u00edn Urrea
\n <\/strong>School: Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC)
\n <\/strong>Spain, 2017<\/strong>
\n <\/strong><\/div>\n<\/div>\n

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S\u00e4de<\/span>
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Tristan is a single father in his 30s who has spent the past few years in prison for causing a house fire that seriously injured his little daughter. On the day of his release and return home, he aims to meet his 8-year-old daughter, whom he hasn’t seen since the accident, and ask for her forgiveness.<\/div>\n
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Director: Rebeka Rummel<\/strong>
\n Cinematographer: Peter Kollanyi
\n <\/strong>School: Tallinn University Baltic Film, Media, Arts and Communication School (BFM)
\n <\/strong>Estonia, 2017<\/strong><\/p>\n<\/div>\n

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Time to Go<\/span>
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Marta works at her father\u2019s auto repair shop. After her boyfriend is arrested, Marta is faced with a difficult choice: to stay loyal to her father, or to do what it takes to get her boyfriend released. Marta\u2019s situation is complicated by a secret that she needs to reveal to both of the men in her life.<\/div>\n
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Original title: Koniec widzenia<\/strong>
\n Director: Grzegorz Mo\u0142da<\/strong>
\n Cinematographer: Maciej Miller
\n <\/strong>School: Gdy\u0144ska Szko\u0142a Filmowa
\n <\/strong>Poland, 2017<\/strong>
\n <\/strong><\/p>\n<\/div>\n<\/div>\n

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We Take You<\/span>
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Aminah, a Syrian woman, flees from her human traffickers in South Tyrol. A young couple in a camper van take her with them. However, the young tourist is pregnant, so the attempt to smuggle Aminah across the border is particularly risky.<\/p>\n

Director: David Wagner<\/strong>
\n Cinematographer: Johannes Kaczmarczyk
\n <\/strong>School: Hamburg Media School (HMS)
\n <\/strong>Austria, Germany, 2017<\/strong><\/p>\n<\/div>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

We announce the line-up of the Student Etudes Competition of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":11328,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-11324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11324"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=11324"}],"version-history":[{"count":12,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11324\/revisions"}],"predecessor-version":[{"id":11364,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11324\/revisions\/11364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/11328"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=11324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=11324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=11324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}