Amok<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_amok_strona.jpg\")
<\/div>\n\u00a0<\/div>\nIt was one of the most thrilling events in Polish literature\u2026 and in Polish forensics. Young writer Krystian Bala described a terrible crime in his novel Amok in 2003. Some time later, he was accused of committing the same crime! It led to a sensational case filled with many twists and turns that was covered by media from all over the world. The movie Amok<\/em> is a psychological thriller inspired by real events. The plot centres around the confrontation between two dark, ambiguous characters: the writer\/alleged murderer and the policeman who is trying to solve his case.<\/p>\n Director: Katarzyna Adamik<\/strong>
\n Cinematographer: Tomasz Naumiuk
\n <\/strong><\/div>\nProduced by: K&K Selekt SP. z o. o.<\/strong>
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nPoland, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nArt of Loving, The. Story of Michalina Wislocka<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_art_strona-1.jpg\")
<\/div>\n<\/p>\n
The Art of Loving<\/em> by Dr Michalina Wis\u0142ocka is a book that created great turmoil (in the positive sense of the word) in Polish minds like no other. This erotic guidebook published in 1978 (during the communist era, which, despite its slogans, was a very strict time in terms of sexuality) broke taboos and sold nearly 7 million copies. The movie reveals the interesting life of the author, her amazing character, and her struggle to publish her book in the face of political and religious obstacles.\n <\/div>\nOriginal title: Sztuka kochania. Historia Michaliny Wis\u0142ockiej<\/strong>
\n Director: Maria Sadowska<\/strong>
\n Cinematographer: Micha<\/strong>\u0142 Soboci\u0144ski
\n <\/strong><\/div>\nProduced by: Watchout Productions Sp. z o. o.<\/strong>
\n Polish distributor: <\/strong>NEXT FILM Sp. z o. o.<\/strong><\/span><\/div>\nPoland, 2017<\/strong><\/span><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nBeyond Words<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_beyond_strona.jpg\")
<\/div>\n\u00a0<\/div>\nMichael is a 28-year-old lawyer who lives and works in Berlin and speaks German fluently. Aside from some personal beliefs, he is practically identical to his friend and boss, Frantz. However, every Friday he stops speaking German and becomes who he really is: Micha\u0142ek, the Pole. He spends a weekend with his father, Stanis\u0142aw, to meet him for the first time. This psychological drama shows the spiritual and emotional life of an emigrant. It presents, directly and indirectly, the problem of one\u2019s roots and alienation in a different culture.\n <\/div>\nOriginal title: Pomi\u0119dzy s\u0142owami<\/strong>
\n Director: Urszula Antoniak<\/strong>
\n Cinematographer: Lennert Hillege
\n <\/strong><\/div>\nProduced by: Opus Film Sp. z o. o.<\/strong>
\n <\/strong><\/div>\nPoland, Netherlands, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nBirds Are Singing in Kigali<\/span>
\n <\/strong><\/span><\/h1>\n\n\n\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_ptaki_strona.jpg\")
<\/div>\n<\/div>\n<\/div>\n<\/div>\nfot. Ewa \u0141ow\u017cy\u0142, materia\u0142y KOSFILM<\/em><\/div>\n\u00a0<\/div>\nRoughly 800,000\u20131,000,000 deaths in 100 days \u2013 according to various sources, that\u2019s the number of people killed during the unimaginable massacre that took place in the spring and summer of 1994 in Rwanda, when the Hutu militia slaughtered the Tutsi population in cold blood. This film does not try to reconstruct those events, nor to find their causes. It is a psychological drama that shows the trauma of a young Tutsi woman who nearly died during the genocide and the Polish ornithologist who saved her and took her to Poland. This is a story about friendship, the struggle for a normal life, and the problems faced by refugees.\n <\/div>\nOriginal title: Ptaki \u015bpiewaj\u0105 w Kigali<\/strong>
\n Directors: Joanna Kos-Krauze, Krzysztof Krauze<\/strong>
\n Cinematographers: J\u00f3zefina Gocman, Krzysztof Ptak, Wojciech Staro\u0144
\n <\/strong><\/div>\nProduced by: Joanna Kos-Krauze KOSFILM<\/strong>
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nPoland, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nDamned One, The<\/span>
\n <\/strong><\/span><\/h1>\n\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_damned_strona.jpg\")
<\/div>\n<\/div>\n
\n \u2018Damned soldiers\u2019 is the term that describes Polish soldiers from the resistance who didn\u2019t stop fighting after World War II and took up guerrilla warfare against the new communist government installed by the Polish-Soviet security service. Their actions were morally ambiguous, and to this day are a source of much controversy among historians and publicists.
\n The hero of this Konrad \u0141\u0119cki movie is based on the character of one of the last damned soldiers \u2013 J\u00f3zef Franczek, aka \u2018Lalek\u2019 or \u2018Lalu\u015b\u2019.<\/p>\n
Original title: Wykl\u0119ty<\/strong>
\n Director: Konrad \u0141\u0119cki<\/strong>
\n Cinematographer: Karol \u0141akomiec
\n <\/strong><\/div>\nProduced by: Fundacja Mi\u0119dzy S\u0142owami<\/strong>
\n Polish distributor: Kondrat-Media Sp. z o. o.
\n <\/strong><\/div>\nPoland, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\nI’m a Killer<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_i_am_strona.jpg\")
<\/div>\n<\/p>\n
They called him the \u2018Zag\u0142\u0119bie vampire\u2019. He murdered fourteen women in cold blood in Silesia from 1964 to 1970, and attempted to murder another seven. Yet it\u2019s still unclear whether he really committed those monstrous crimes. The movie tells the story of a detective from the Civic Militia. His superiors manipulate him because they want to catch and sentence the alleged criminal for political reasons. I\u2019m a Killer is not only a thriller, but also a moral dilemma that presents Polish social reality from before the fall of communism.\n <\/div>\nOriginal title: Jestem morderc\u0105<\/strong>
\n Director: Maciej Pieprzyca<\/strong>
\n Cinematographer: <\/strong>Pawe<\/strong>\u0142 Dyllus
\n <\/strong><\/div>\nProduced by: RE Studio<\/strong>
\n Polish distributor: NEXT FILM Sp. z o. o.
\n <\/strong><\/div>\nPoland, 2016<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nReconciliation, The<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_reconciliation_strona.jpg\")
<\/p>\n
Ania, Erwin, Franek: young, beautiful, full of life. Before the war, in 1939, they promised each other lifelong friendship and that nothing would break them apart. They were wrong. They meet again in 1945, just before the surrender of the Third Reich, in a former Nazi concentration camp that has been turned by the new Polish authorities into a place of suffering for all who dare to stand against the country\u2019s glorious future. Poles, Silesians, Germans \u2013 the camp consists of everyone who collaborated in any form with the Nazis, or simply those who do not fit into the new order of things. Thus, the meeting is far from joyful, the old promises are meaningless. Ania and Erwin are imprisoned there, while Franek works as a camp guard, one of many Poles who seek revenge for their war suffering. Initially the man has noble intentions \u2013 he would like to help Ania escape and marry her \u2013 but each subsequent day in the camp changes him into a human beast, not dissimilar to the ones that recently vanished.<\/div>\n\u00a0<\/div>\nOriginal title: Zgoda<\/strong>
\n Director: Maciej Sobieszcza\u0144ski<\/strong>
\n Cinematographer: Walentyn Wasjanowicz
\n <\/strong><\/div>\nProduced by: Studio Filmowe KALEJDOSKOP<\/strong>
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nPoland, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nSpoor<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_pokot_strona.jpg\")
<\/div>\n\u00a0<\/div>\nJanina Duszejko is a retired engineer, a vegetarian, and a passionate animal lover. She lives alone in the mountains and believes in astrology. An eccentric figure with a strong personality. One winter night, she finds the body of her neighbour, a poacher, surrounded only by roe deer tracks. The police are powerless to do anything, so she starts her own investigation. She meets with hostility, but also finds a few allies. The movie is an adaptation of the novel Drive Your Plough over the Bones of the Dead<\/em> by Olga Tokarczuk. It presents picturesque landscapes and combines different genres, from thriller to comedy.\n <\/div>\nOriginal title: Pokot
\n <\/strong><\/div>\nDirectors: Agnieszka Holland, Katarzyna Adamik<\/strong>
\n Cinematographers: Jolanta Dylewska, Rafa\u0142 Paradowski
\n <\/strong><\/div>\nProduced by: Heimatfilm, \u010cesk\u00e1 Televize – Czech Television, Studio Filmowe TOR. Nutprodukce<\/strong>
\n Polish distributor: NEXT FILM Sp. z o. o.
\n <\/strong><\/div>\nSweden, Poland, Czech Republic, Germany, Switzerland, 2017<\/strong><\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"
We announce the line-up of the Polish Films Competition of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":11655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-11654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=11654"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654\/revisions"}],"predecessor-version":[{"id":11665,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654\/revisions\/11665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/11655"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=11654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=11654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=11654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/div>\n Director: Katarzyna Adamik<\/strong> <\/p>\n Original title: Sztuka kochania. Historia Michaliny Wis\u0142ockiej<\/strong> Original title: Pomi\u0119dzy s\u0142owami<\/strong> Original title: Ptaki \u015bpiewaj\u0105 w Kigali<\/strong> <\/p>\n Original title: Jestem morderc\u0105<\/strong> Original title: Pokot <\/p>","protected":false},"excerpt":{"rendered":" We announce the line-up of the Polish Films Competition of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":11655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-11654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=11654"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654\/revisions"}],"predecessor-version":[{"id":11665,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/11654\/revisions\/11665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/11655"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=11654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=11654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=11654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n Cinematographer: Tomasz Naumiuk
\n <\/strong><\/div>\n
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nArt of Loving, The. Story of Michalina Wislocka<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n Director: Maria Sadowska<\/strong>
\n Cinematographer: Micha<\/strong>\u0142 Soboci\u0144ski
\n <\/strong><\/div>\n
\n Polish distributor: <\/strong>NEXT FILM Sp. z o. o.<\/strong><\/span><\/div>\nBeyond Words<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n Director: Urszula Antoniak<\/strong>
\n Cinematographer: Lennert Hillege
\n <\/strong><\/div>\n
\n <\/strong><\/div>\nBirds Are Singing in Kigali<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n Directors: Joanna Kos-Krauze, Krzysztof Krauze<\/strong>
\n Cinematographers: J\u00f3zefina Gocman, Krzysztof Ptak, Wojciech Staro\u0144
\n <\/strong><\/div>\n
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nDamned One, The<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/div>\n
\n \u2018Damned soldiers\u2019 is the term that describes Polish soldiers from the resistance who didn\u2019t stop fighting after World War II and took up guerrilla warfare against the new communist government installed by the Polish-Soviet security service. Their actions were morally ambiguous, and to this day are a source of much controversy among historians and publicists.
\n The hero of this Konrad \u0141\u0119cki movie is based on the character of one of the last damned soldiers \u2013 J\u00f3zef Franczek, aka \u2018Lalek\u2019 or \u2018Lalu\u015b\u2019.<\/p>\n
\n Director: Konrad \u0141\u0119cki<\/strong>
\n Cinematographer: Karol \u0141akomiec
\n <\/strong><\/div>\n
\n Polish distributor: Kondrat-Media Sp. z o. o.
\n <\/strong><\/div>\nI’m a Killer<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n Director: Maciej Pieprzyca<\/strong>
\n Cinematographer: <\/strong>Pawe<\/strong>\u0142 Dyllus
\n <\/strong><\/div>\n
\n Polish distributor: NEXT FILM Sp. z o. o.
\n <\/strong><\/div>\nReconciliation, The<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
\n Director: Maciej Sobieszcza\u0144ski<\/strong>
\n Cinematographer: Walentyn Wasjanowicz
\n <\/strong><\/div>\n
\n Polish distributor: KINO \u015aWIAT Sp. z o. o.
\n <\/strong><\/div>\nSpoor<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n <\/strong><\/div>\n
\n Cinematographers: Jolanta Dylewska, Rafa\u0142 Paradowski
\n <\/strong><\/div>\n
\n Polish distributor: NEXT FILM Sp. z o. o.
\n <\/strong><\/div>\n