Captain, The<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_captain_strona.jpg\")
<\/div>\n\u00a0<\/div>\nIn the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain\u2019s uniform. Impersonating an officer, the man quickly takes on the monstrous identity of the perpetrators he is trying to escape from.<\/div>\n\u00a0<\/div>\nOriginal title: Der Hauptmann<\/strong>
\n Director: Robert Schwentke<\/strong>
\n Cinematographer: Florian Ballhaus
\n <\/strong><\/div>\nProduced by: Filmgalerie 451, Alfama Films, Opus Film Sp. z o. o.<\/strong>
\n Polish distributor: <\/strong>Opus Film Sp. z o. o.<\/strong><\/div>\nGermany, Poland, Portugal, France, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nCustody<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_custody_strona-1.jpg\")
<\/div>\n<\/p>\n
Myriam and Antoine Besson have divorced. Myriam seeks sole custody of their son Julien to protect him from his father, whom she claims is violent. Antoine pleads his case as a scorned father and the judge rules in favour of joint custody. Held hostage to the escalating conflict between his parents, Julien is pushed to the edge to prevent the worst from happening.\n <\/div>\nOriginal title: Jusqu’a la garde<\/strong><\/div>\nPolish title: Jeszcze nie koniec<\/strong>
\n Director: Xavier Legrand<\/strong>
\n Cinematographer: <\/strong>Nathalie Durand
\n <\/strong><\/div>\nProduced by: KG Productions<\/strong>
\n Polish distributor: <\/strong>Solopan Sp. z o. o.<\/strong><\/span><\/div>\nFrance, 2017<\/strong><\/span><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nGentle Creature, A<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_gentle_strona.jpg\")
<\/div>\n\u00a0<\/div>\nInspired by Dostoyevsky\u2019s novella, the story takes us into a realm of crime without punishment. Somewhere in the modern Russian countryside lives a woman with a particularly enchanting, serene visage. A parcel she previously sent to her incarcerated husband is returned to sender without any explanation. The woman resolves to personally visit her beloved. Following his trail, she ends up in a Kafkaesque prison-city. The officials refuse to divulge any details about the inmate. The only answer the wife receives is \u2018classified information\u2019.
\n Her path leads through consecutive circles of a figurative hell, represented here by Russia itself, morally and institutionally corrupt at every level. Is there anyone left she can trust?\n <\/div>\nOriginal title: Krotkaya<\/strong><\/div>\nPolish title: \u0141agodna<\/strong>
\n Director: Sergei Loznitsa<\/strong>
\n Cinematographer: Oleg Mutu
\n <\/strong><\/div>\nProduced by: Slot Machine<\/strong>
\n <\/strong><\/div>\nPolish distributor: Against Gravity Sp. z o. o.<\/strong><\/div>\nFrance, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nGet Gone<\/span>
\n <\/strong><\/span><\/h1>\n\n\n\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_get_strona.jpg\")
<\/div>\n<\/div>\n<\/div>\n<\/div>\n\u00a0<\/div>\nAfter three years, Aaron returns to his old estate after hearing about the death of his younger brother Tom. Aaron soon crosses paths with his old circles, learning that his cousin Ryan is in debt to Shane Waldron. Aaron knows Shane only too well, having dealt drugs for him in the past. He takes on Ryan\u2019s debt in order to stop Shane from taking their Grandma\u2019s house. Aaron finds himself back in a life of crime just to raise the money. In a race against the clock and with obstacles in his way, he seeks help from his ex-girlfriend Danielle and cousin Ryan. Aaron pulls out all the stops, but in the process he uncovers some dark secrets about his past.\n <\/div>\nDirector: Gurmit Samra<\/strong>
\n Cinematographer: Lucas Tucknott
\n <\/strong><\/div>\nProduced by: Branded G Productions<\/strong>
\n <\/strong><\/div>\nUK, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nHannah<\/span>
\n <\/strong><\/span><\/h1>\n\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_hannah_strona.jpg\")
<\/div>\n<\/div>\n
\n Hannah<\/em> is the intimate portrait of a woman\u2019s loss of identity as she teeters on the edge of denial and reality. Left alone to grapple with the consequences of her husband\u2019s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern-day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.<\/p>\nDirector: Andrea Pallaoro<\/strong>
\n Cinematographer: Chayse Irvin
\n <\/strong><\/div>\nProduced by: PMI<\/strong>
\n <\/strong><\/div>\nItaly, Belgium, France, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nHappy End<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_happy_strona.jpg\")
<\/div>\n<\/p>\n
\u2018All around us, the world, and we, in its midst, blind.\u2019
\n A snapshot from the life of a bourgeois European family.\n <\/div>\nDirector: Michael Haneke<\/strong>
\n Cinematographer: <\/strong>Christian Berger<\/strong>
\n <\/strong><\/div>\nProduced by: France 3 Cinema, Wega Film, arte France Cin\u00e9ma, X-Filme Creative Pool GmbH, Les Films du Losange, X Filme Creative Pool GmbH<\/strong>
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nFrance, Austria, Germany, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\nI Am Not a Witch<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimge_i_am_strona.jpg\")
<\/div>\n<\/p>\n
Nine-year-old Shula is sent to a detention camp for \u2018witches\u2019. Women who end up being shunned by the community are isolated there, forced into hard labour, and treated as a tourist attraction. Each witch has a white sash strapped to her back to guarantee she won’t fly off. The movie itself is heavily grounded in realism, which ensures that the fairy-tale, mystical world feels authentic. Exoticism is well-balanced with homeliness, symbolism with real-life drama, and a dash of folk poetics with humour. The movie also owes much of its character to the young and phenomenal Maggie Mulubwa in the leading role. All these elements create a magical cinematic mixture that is sure to keep the audience captivated long after they have left the theatre.\n <\/div>\nPolish title: Nie jestem czarownic\u0105<\/strong>
\n Director: Rungano Nyoni<\/strong>
\n Cinematographer: <\/strong>David Gallego<\/strong>
\n <\/strong><\/div>\nProduced by: Soda Pictures, Clandestine films<\/strong>
\n Polish distributor: New Horizons Association
\n <\/strong><\/div>\nUK, France, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nJupiter’s Moon<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_jupiter_news.jpg\")
<\/p>\n
A young immigrant is shot down while illegally crossing the border. Terrified and in shock, the wounded Aryan can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by the cynical Dr Stern, who is intent on exploiting this extraordinary secret. Pursued by enraged camp director Laszlo, the fugitives remain on the move in search of safety and money. Inspired by Aryan\u2019s amazing powers, Stern takes a leap of faith in a world where miracles are trafficked for small change…<\/div>\n\u00a0<\/div>\nOriginal title: Jupiter Holdja<\/strong><\/div>\nPolish title: Ksi\u0119\u017cyc Jowisza<\/strong>
\n Director: Korn\u00e9l Mundrucz\u00f3<\/strong>
\n Cinematographer: Marcell R\u00e9v
\n <\/strong><\/div>\nProduced by: The Match Factory<\/strong>
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nHungary, Germany, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nWedding, A<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"http:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/10\/camerimage_wedding_strona.jpg\")
<\/div>\n\u00a0<\/div>\nZahira, an 18-year-old Belgian-Pakistani, is very close to everyone in her family \u2013 until she is forced into a traditional marriage. Torn between the demands of her parents, her Western lifestyle, and desire to be free, she counts on the support of her older brother and confidant, Amir.\n <\/div>\nOriginal title: Noces
\n <\/strong><\/div>\nDirector: Stephan Streker<\/strong>
\n Cinematographer: Grimm Vandekerckhove
\n <\/strong><\/div>\nProduced by: Daylight<\/strong>
\n <\/strong><\/div>\nBelgium, France, Luxembourg, Pakistan, 2016<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"
We announce the line-up of the European Panorama section of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":12613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-12612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=12612"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions"}],"predecessor-version":[{"id":12628,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions\/12628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/12613"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=12612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=12612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=12612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/div>\n\n Director: Robert Schwentke<\/strong>
\n Cinematographer: Florian Ballhaus
\n <\/strong><\/div>\n
\n Polish distributor: <\/strong>Opus Film Sp. z o. o.<\/strong><\/div>\n
Custody<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
Myriam and Antoine Besson have divorced. Myriam seeks sole custody of their son Julien to protect him from his father, whom she claims is violent. Antoine pleads his case as a scorned father and the judge rules in favour of joint custody. Held hostage to the escalating conflict between his parents, Julien is pushed to the edge to prevent the worst from happening.\n <\/div>\nOriginal title: Jusqu’a la garde<\/strong><\/div>\nPolish title: Jeszcze nie koniec<\/strong>
\n Director: Xavier Legrand<\/strong>
\n Cinematographer: <\/strong>Nathalie Durand
\n <\/strong><\/div>\nProduced by: KG Productions<\/strong>
\n Polish distributor: <\/strong>Solopan Sp. z o. o.<\/strong><\/span><\/div>\nFrance, 2017<\/strong><\/span><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nGentle Creature, A<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n\u00a0<\/div>\nInspired by Dostoyevsky\u2019s novella, the story takes us into a realm of crime without punishment. Somewhere in the modern Russian countryside lives a woman with a particularly enchanting, serene visage. A parcel she previously sent to her incarcerated husband is returned to sender without any explanation. The woman resolves to personally visit her beloved. Following his trail, she ends up in a Kafkaesque prison-city. The officials refuse to divulge any details about the inmate. The only answer the wife receives is \u2018classified information\u2019.
\n Her path leads through consecutive circles of a figurative hell, represented here by Russia itself, morally and institutionally corrupt at every level. Is there anyone left she can trust?\n <\/div>\nOriginal title: Krotkaya<\/strong><\/div>\nPolish title: \u0141agodna<\/strong>
\n Director: Sergei Loznitsa<\/strong>
\n Cinematographer: Oleg Mutu
\n <\/strong><\/div>\nProduced by: Slot Machine<\/strong>
\n <\/strong><\/div>\nPolish distributor: Against Gravity Sp. z o. o.<\/strong><\/div>\nFrance, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nGet Gone<\/span>
\n <\/strong><\/span><\/h1>\n\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\u00a0<\/div>\nAfter three years, Aaron returns to his old estate after hearing about the death of his younger brother Tom. Aaron soon crosses paths with his old circles, learning that his cousin Ryan is in debt to Shane Waldron. Aaron knows Shane only too well, having dealt drugs for him in the past. He takes on Ryan\u2019s debt in order to stop Shane from taking their Grandma\u2019s house. Aaron finds himself back in a life of crime just to raise the money. In a race against the clock and with obstacles in his way, he seeks help from his ex-girlfriend Danielle and cousin Ryan. Aaron pulls out all the stops, but in the process he uncovers some dark secrets about his past.\n <\/div>\nDirector: Gurmit Samra<\/strong>
\n Cinematographer: Lucas Tucknott
\n <\/strong><\/div>\nProduced by: Branded G Productions<\/strong>
\n <\/strong><\/div>\nUK, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nHannah<\/span>
\n <\/strong><\/span><\/h1>\n\n<\/div>\n<\/div>\n
\n Hannah<\/em> is the intimate portrait of a woman\u2019s loss of identity as she teeters on the edge of denial and reality. Left alone to grapple with the consequences of her husband\u2019s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern-day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.<\/p>\nDirector: Andrea Pallaoro<\/strong>
\n Cinematographer: Chayse Irvin
\n <\/strong><\/div>\nProduced by: PMI<\/strong>
\n <\/strong><\/div>\nItaly, Belgium, France, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nHappy End<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
\u2018All around us, the world, and we, in its midst, blind.\u2019
\n A snapshot from the life of a bourgeois European family.\n <\/div>\nDirector: Michael Haneke<\/strong>
\n Cinematographer: <\/strong>Christian Berger<\/strong>
\n <\/strong><\/div>\nProduced by: France 3 Cinema, Wega Film, arte France Cin\u00e9ma, X-Filme Creative Pool GmbH, Les Films du Losange, X Filme Creative Pool GmbH<\/strong>
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nFrance, Austria, Germany, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\nI Am Not a Witch<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
Nine-year-old Shula is sent to a detention camp for \u2018witches\u2019. Women who end up being shunned by the community are isolated there, forced into hard labour, and treated as a tourist attraction. Each witch has a white sash strapped to her back to guarantee she won’t fly off. The movie itself is heavily grounded in realism, which ensures that the fairy-tale, mystical world feels authentic. Exoticism is well-balanced with homeliness, symbolism with real-life drama, and a dash of folk poetics with humour. The movie also owes much of its character to the young and phenomenal Maggie Mulubwa in the leading role. All these elements create a magical cinematic mixture that is sure to keep the audience captivated long after they have left the theatre.\n <\/div>\nPolish title: Nie jestem czarownic\u0105<\/strong>
\n Director: Rungano Nyoni<\/strong>
\n Cinematographer: <\/strong>David Gallego<\/strong>
\n <\/strong><\/div>\nProduced by: Soda Pictures, Clandestine films<\/strong>
\n Polish distributor: New Horizons Association
\n <\/strong><\/div>\nUK, France, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\nJupiter’s Moon<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
A young immigrant is shot down while illegally crossing the border. Terrified and in shock, the wounded Aryan can now mysteriously levitate at will. Thrown into a refugee camp, he is smuggled out by the cynical Dr Stern, who is intent on exploiting this extraordinary secret. Pursued by enraged camp director Laszlo, the fugitives remain on the move in search of safety and money. Inspired by Aryan\u2019s amazing powers, Stern takes a leap of faith in a world where miracles are trafficked for small change…<\/div>\n\u00a0<\/div>\nOriginal title: Jupiter Holdja<\/strong><\/div>\nPolish title: Ksi\u0119\u017cyc Jowisza<\/strong>
\n Director: Korn\u00e9l Mundrucz\u00f3<\/strong>
\n Cinematographer: Marcell R\u00e9v
\n <\/strong><\/div>\nProduced by: The Match Factory<\/strong>
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nHungary, Germany, 2017<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\n\nWedding, A<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n\u00a0<\/div>\nZahira, an 18-year-old Belgian-Pakistani, is very close to everyone in her family \u2013 until she is forced into a traditional marriage. Torn between the demands of her parents, her Western lifestyle, and desire to be free, she counts on the support of her older brother and confidant, Amir.\n <\/div>\nOriginal title: Noces
\n <\/strong><\/div>\nDirector: Stephan Streker<\/strong>
\n Cinematographer: Grimm Vandekerckhove
\n <\/strong><\/div>\nProduced by: Daylight<\/strong>
\n <\/strong><\/div>\nBelgium, France, Luxembourg, Pakistan, 2016<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"
We announce the line-up of the European Panorama section of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":12613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-12612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=12612"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions"}],"predecessor-version":[{"id":12628,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions\/12628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/12613"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=12612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=12612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=12612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/div>\n<\/p>\n
Original title: Jusqu’a la garde<\/strong><\/div>\n Original title: Krotkaya<\/strong><\/div>\n Director: Gurmit Samra<\/strong> <\/p>\n Director: Michael Haneke<\/strong> <\/p>\n Polish title: Nie jestem czarownic\u0105<\/strong> Original title: Noces <\/p>","protected":false},"excerpt":{"rendered":" We announce the line-up of the European Panorama section of the 25th anniversary edition of the International Film Festival of…<\/p>\n","protected":false},"author":3,"featured_media":12613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-12612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=12612"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions"}],"predecessor-version":[{"id":12628,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/12612\/revisions\/12628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/12613"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=12612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=12612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=12612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n Director: Xavier Legrand<\/strong>
\n Cinematographer: <\/strong>Nathalie Durand
\n <\/strong><\/div>\n
\n Polish distributor: <\/strong>Solopan Sp. z o. o.<\/strong><\/span><\/div>\nGentle Creature, A<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n Her path leads through consecutive circles of a figurative hell, represented here by Russia itself, morally and institutionally corrupt at every level. Is there anyone left she can trust?\n <\/div>\n
\n Director: Sergei Loznitsa<\/strong>
\n Cinematographer: Oleg Mutu
\n <\/strong><\/div>\n
\n <\/strong><\/div>\nGet Gone<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n Cinematographer: Lucas Tucknott
\n <\/strong><\/div>\n
\n <\/strong><\/div>\nHannah<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/div>\n
\n Hannah<\/em> is the intimate portrait of a woman\u2019s loss of identity as she teeters on the edge of denial and reality. Left alone to grapple with the consequences of her husband\u2019s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern-day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.<\/p>\n
\n Cinematographer: Chayse Irvin
\n <\/strong><\/div>\n
\n <\/strong><\/div>\nHappy End<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n A snapshot from the life of a bourgeois European family.\n <\/div>\n
\n Cinematographer: <\/strong>Christian Berger<\/strong>
\n <\/strong><\/div>\n
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nI Am Not a Witch<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n Director: Rungano Nyoni<\/strong>
\n Cinematographer: <\/strong>David Gallego<\/strong>
\n <\/strong><\/div>\n
\n Polish distributor: New Horizons Association
\n <\/strong><\/div>\nJupiter’s Moon<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n<\/p>\n
\n Director: Korn\u00e9l Mundrucz\u00f3<\/strong>
\n Cinematographer: Marcell R\u00e9v
\n <\/strong><\/div>\n
\n Polish distributor: Gutek Film Sp. z o. o.
\n <\/strong><\/div>\nWedding, A<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n
\n <\/strong><\/div>\n
\n Cinematographer: Grimm Vandekerckhove
\n <\/strong><\/div>\n
\n <\/strong><\/div>\n