{"id":14058,"date":"2017-11-06T22:40:05","date_gmt":"2017-11-06T21:40:05","guid":{"rendered":"http:\/\/archive.camerimage.pl\/?p=14058"},"modified":"2017-11-06T22:40:05","modified_gmt":"2017-11-06T21:40:05","slug":"pokazy-specjalne-filmow-dokumentalnych-na-camerimage-2017","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/pokazy-specjalne-filmow-dokumentalnych-na-camerimage-2017\/","title":{"rendered":"CAMERIMAGE 2017 DOCUMENTARY SPECIAL SCREENINGS"},"content":{"rendered":"

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We announce the Documentary<\/strong> Special Screenings<\/strong> of the 25th<\/sup> anniversary edition of the International Film Festival of the Art of Cinematography CAMERIMAGE.<\/strong><\/div>\n
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Bobbi Jene<\/span>
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After a decade of stardom in Israel, the American dancer Bobbi Jene takes intensity to a new level: she decides to leave her great mentor\/choreographer Ohad Nahardi and the love of her life behind to return to the US. Determined to establish herself, she creates her own violently personal and boundary-breaking performances. A woman\u2019s fight for independence and the dilemma of its consequences.<\/div>\n
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\n Director: Elvira Lind<\/strong>
\n Cinematographer: <\/strong>Elvira Lind<\/strong><\/div>\n
Produced by: Sonntag Pictures ApS<\/strong>
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Denmark, Sweden, Israel, USA, 2017<\/strong><\/div>\n
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Boli Bana<\/span>
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At night, the young boy Ama and his companions travel through the bush of Boli Bana. A herd of huge and at the same time benevolent cattle accompanies them. By day, the young girl Aissita is the centre of attention of Boli Bana village. A witch has arrived for a ritual. For Aissita this is the beginning of adulthood. It is a nomadic and mystic world that comes into being through the eyes of these children. A Fulani childhood in Burkina Faso.\n <\/div>\n

Director: Simon Gillard<\/strong>
\n Cinematographer: <\/strong>Simon Gillard
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Produced by: H\u00e9licotronc SPRL<\/strong><\/div>\n
Belgium, 2017<\/strong><\/span><\/div>\n
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City of Ghosts<\/span>
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A real-life international thriller, City of Ghosts<\/em> exposes a new type of warfare: a battle over ideas, a fight for hearts and minds, a conflict over clicks and views. Captivating in its immediacy, it follows the journey of \u2018Raqqa is Being Slaughtered Silently\u2019 \u2013 a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. With astonishing, deeply personal access, this is the story of a brave group of citizen journalists as they face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today.\n <\/div>\n
Polish title: Miasto duch\u00f3w<\/strong><\/div>\n

Director: Matthew Heineman<\/strong>
\n Cinematographer: Matthew Heineman
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Produced by: Our Time Projects<\/strong>
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Polish distributor: <\/strong>Mayfly Ltd
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USA, 2017<\/strong><\/div>\n
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Collection<\/span>
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Mieczys\u0142aw lives with his wife, Wladzia, in a small, lost village. Clinging to life, he lives a simple existence, taking care of his disabled wife. In his spare time, the old man tries to save relics of the past for future generations.\n <\/div>\n
Polish title: Kolekcja<\/strong><\/div>\n

Director: Marcin Polar<\/strong>
\n Cinematographer: <\/strong>Marcin Polar<\/strong><\/div>\n

Produced by: Film House Pawe\u0142 Wilko\u0142ek<\/strong>
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Polish distributor: Film House Pawe\u0142 Wilko\u0142ek<\/strong><\/div>\n
Poland, 2017<\/strong><\/div>\n
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Come Back Free<\/span>
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\n A poetic documentary about life in a war torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows graze calmly next to the cemetery and the children happily go about their business. The Chechens\u2019 parting words to one another are, \u2018May you come back free!\u2019<\/div>\n

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Director: Ksenia Okhapkina<\/strong>
\n Cinematographers: Vitaly Afanasiev, Maksim Drozdov, Ksenia Okhapkina
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Produced by: Vesilind OU<\/strong>
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Estonia, 2016<\/strong><\/div>\n
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David Lynch: The Art Life<\/span>
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David Lynch takes us on an intimate journey through the formative years of his life. From his idyllic upbringing in small-town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema\u2019s most enigmatic directors. David Lynch: The Art Life<\/em> is infused with Lynch\u2019s own art, music, and early films, shining a light into the dark corners of his unique world and giving audiences a better understanding of the man and the artist. As Lynch states, \u2018I think every time you do something, like a painting or whatever, you go with ideas and sometimes the past can conjure those ideas and colour them, even if they\u2019re new ideas, the past colours them.\u2019 We\u2019re invited in and given a private view from Lynch\u2019s compound and painting studio in the hills high above Hollywood as Lynch retells personal stories from his past that unfold like scenes from his films. Strange characters come into focus, only to fade again into the past, leaving an indelible mark on Lynch, the artist.\u00a0We become witnesses to the fears, misunderstandings and struggles that Lynch overcomes and along the way, meet the various people that have helped to mould him. It becomes evident early on in Lynch\u2019s life that he views the world differently, absorbing its shadows and weaving a dream-like tapestry for audiences worldwide to become tangled in. This film is dedicated to Lynch\u2019s youngest daughter and serves as a private memoir from father to daughter. By pulling back the curtains on the icon, we hope to uncover the individual, David Lynch.<\/p>\n

Director: Jon Nguyen<\/strong>
\n Cinematographer: <\/strong>Jason S.<\/strong>
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Produced by: Absurda, Duck Diver Films, Hideout Films, Kong Gulerod Film
\n <\/strong>USA, Denmark, 2017<\/strong><\/div>\n
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Dust<\/span>
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Dust<\/em> follows what happens to the body and belongings of a single, lonely person when they pass away. With its ascetic form, the film asks questions about the meaning of life, the importance of the individual, and the value of material goods.\n <\/div>\n
Polish title: Proch<\/strong><\/div>\n

Director: Jakub Radej<\/strong>
\n Cinematographer: J\u00f3zefina Gocman<\/strong>
\n <\/strong><\/div>\n

Produced by: Uniwersytet \u015al\u0105ski – Wydzia\u0142 Radia i Telewizji im. K. Kie\u015blowskiego (U\u015a WRiTV)<\/strong>
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Polish distributor: Uniwersytet \u015al\u0105ski – Wydzia\u0142 Radia i Telewizji im. K. Kie\u015blowskiego (U\u015a WRiTV)<\/strong><\/div>\n
Poland, 2017
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Eero Saarinen: the Architect Who Saw the Future<\/span>
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Explore the life of Finnish-American modernist architectural giant Eero Saarinen (1910\u20131961), whose visionary buildings include National Historic Landmarks such as St. Louis\u2019 iconic Gateway Arch and the General Motors Technical Center in Michigan. Saarinen also designed New York\u2019s TWA Flight Center at JFK International Airport, Yale University\u2019s Ingalls Rink and Morse and Stiles Colleges, Virginia\u2019s Dulles Airport, and modernist pedestal furniture like the Tulip chair. Eero\u2019s sudden death at the age of 51 cut short one of the most influential careers in American architecture. Today, Saarinen\u2019s work stands apart and continues to inspire, especially among renewed interest in twentieth-century architects and artists who exploded the comfortable constraints of the past to create a robust and daring American aesthetic.<\/div>\n

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Director: Peter Rosen<\/strong>
\n Cinematographer: Eric Saarinen
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Produced by: Peter Rosen Productions inc.<\/strong>
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USA, 2016<\/strong><\/div>\n
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Grace Jones: Bloodlight and Bami<\/span>
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Grace Jones: Bloodlight and Bami<\/em> is an electrifying journey through the private, public, and performance worlds of pop culture icon Grace Jones. Jones\u2019 bold aesthetic echoes throughout the film \u2013 director Sophie Fiennes creates a powerful cinematic experience, contrasting musical sequences with intimate personal footage to reach beyond the artist\u2019s iconic veneer.<\/div>\n
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Director: Sophie Fiennes<\/strong>
\n Cinematographer: Remko Schnorr
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Produced by: Blinder Films, Sligoville, Amoeba Film<\/strong>
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Ireland, UK, 2017
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Gray House<\/span>
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Gray House<\/em> is an experimental feature film by Austin Lynch and Matthew Booth, starring Denis Lavant (Holy Motors<\/em>; Beau Travail<\/em>), Dianna Molzan, and Aurore Cl\u00e9ment (Paris, Texas<\/em>; Lacombe, Lucien<\/em>). The film looks at places and ways of life across the United States, considering the spatial and metaphysical relationships between individuals and their environments. Constructed sequences filmed at a fisherman\u2019s bait camp on the Gulf Coast of Texas, an intentional community in rural Virginia, and a modern house in Los Angeles are intercut with documentary passages from an Oregon women\u2019s prison and a North Dakota oil field. Through sustained images of these politically and socially charged locations, observations of actors inhabiting their roles and their environments, and direct address interviews with oil field workers pursuing opportunity and inmates serving long-term sentences, Gray House<\/em> advances a conversation about nature, identity, and progress.<\/p>\n

Director: Austin Lynch<\/strong>
\n Cinematographer: Matthew Booth
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Produced by: Beechvibes, LLC<\/strong><\/div>\n
USA, 2017<\/strong><\/div>\n
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Gregory Crewdson: There But Not There<\/span>
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Still from GREGORY CREWDSON: THERE BUT NOT THERE (2017). <\/em><\/div>\n

Dir. Juliane Hiam.<\/em>
\n \u00a9 Gregory Crewdson. Courtesy Gagosian.<\/em><\/div>\n

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A decade after the completion of Gregory Crewdson\u2019s opus Beneath the Roses<\/em>, director Juliane Hiam offers a rare glimpse into the casting and artistic process behind the making of the series. Hiam, who worked as Crewdson\u2019s casting director at the time, gives viewers a personal insight into Crewdson\u2019s creative mind through the lens of previously unseen and intimate footage that places the viewer on set and often in the front seat of casting excursions for these works of art. We experience the magnitude of the production, including some images that required the cooperation of city departments and entire townships. Yet despite the productions\u2019 immense scale and the spectacle of the resulting artworks, the quiet, intimate moments behind the creation of the visual masterpieces is a revelation. We witness firsthand the lasting relationships between artist and subject matter, and feel the deep love for the place that gives inspiration to his artistic practice.<\/p>\n

Director: Juliane Hiam<\/strong>
\n Cinematographer: <\/strong>Juliane Hiam
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Produced by: Crewdson Studio
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USA, 2017<\/strong><\/span><\/div>\n
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Hotel Sunrise<\/span>
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Against the lethargic backdrop of a defunct rail transhipment station on the Slovakian\u2013Ukrainian border, we follow the stories of four protagonists who strive to break the vicious, immutable cycle of life on the periphery of society armed only with their unwavering desire for happiness. Desire alone does not guarantee success, nor the propriety of the protagonists\u2019 decisions. The characters in this film find their own ways to navigate the dysfunctional system, often skirting the law and common sense, but their stories are all the more genuine, expressive, and human for it. Their everyday life is the town of \u010cierna nad Tisou \u2013 once called the \u2018Golden Gate of Socialism\u2019, now little more than a smuggling den on the Eastern European border.\n <\/div>\n<\/div>\n
Original title: Hotel \u00dasvit<\/strong>
\n Director: M\u00e1ria Rumanov\u00e1<\/strong>
\n Cinematographers: Michal Fulier, Radka \u0160i\u0161ul\u00e1kov\u00e1
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Produced by: Punkchart Films<\/strong><\/div>\n

Slovakia, 2016<\/strong><\/p>\n

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Kodachrome Elegies, The<\/span>
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Kodachrome was a film stock noted for its rich tones and vibrant colours. The Kodachrome Elegies<\/em> is a short experimental documentary that evokes the bygone era of Kodachrome\u2019s pinnacle. While it is a paean to this lost film stock, the film suggests the end of an era and the loss of innocence.\n <\/div>\n

Director: Jay Rosenblatt<\/strong>
\n Cinematographer: 8 mm Kodachrome home movies shot by Jerome and Roberta Rosenblatt
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Produced by: Locomotion Films<\/strong>
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USA, 2017<\/strong><\/div>\n
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lebens[t]raum: Young Refugees in Germany<\/span>
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\n lebens[t]raum<\/em> portrays four young refugees from Iraq, Afghanistan, and Eritrea. Biniam, Dima, Saddam, and Imran are accompanied for one day in their new home of Amberg, granting the audience an intimate look into their thoughts, wishes, and dreams. The film also provides background information on their respective home countries, questions the current deportation policy of the federal government, and demands an improvement in integration. Clearly, the refugee \u2018crisis\u2019 is also a great opportunity for Germany.<\/div>\n

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Original title: lebens[t]raum: Gemeinsam. Junge Fl\u00fcchtlinge in Amberg<\/strong><\/p>\n
Directors: Nailja Luth, Simeon Sopp<\/strong>
\n Cinematographer: <\/strong>Simeon Sopp<\/strong><\/div>\n
Produced by: <\/strong>Nailja Luth<\/strong><\/div>\n
Germany, 2017<\/strong><\/div>\n
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Makala<\/span>
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A young man from a village in the Congo hopes to offer his family a better future. His only resources are his own two hands, the surrounding bush, and an iron will. When he sets out on an exhausting, perilous journey to sell the fruit of his labour, he discovers the true value of his efforts, and the price of his dreams.\n <\/div>\n

Director: Emmanuel Gras<\/strong>
\n Cinematographer: <\/strong>Emmanuel Gras<\/strong>
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Produced by: Bathysphere<\/strong>
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France, 2017<\/strong><\/div>\n
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Mifune: The Last Samurai<\/span>
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Mifune: The Last Samurai<\/em>, a new film by Academy Award-winning filmmaker Steven Okazaki, explores the accidental movie career of Toshiro Mifune, one of the true giants of world cinema. Mifune made 16 remarkable films with director Akira Kurosawa during the Golden Age of Japanese Cinema, including Rashomon<\/em>, Seven Samurai<\/em>, and Yojimbo<\/em>. Together they thrilled audiences and influenced filmmaking around the world, providing direct inspiration for not only The Magnificent Seven<\/em> and Sergio Leone and Clint Eastwood\u2019s breakthrough, A Fistful of Dollars<\/em>, but also George Lucas\u2019 Star Wars<\/em>.\n <\/div>\n

Director: Steven Okazaki<\/strong>
\n Cinematographers: <\/strong>Tohru Hina, Yasuyuki Ishikawa<\/strong>
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Produced by: <\/strong>Creative Associates Limited, Farallon Films<\/strong>
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Japan, 2016<\/strong><\/div>\n
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Nowhere<\/span>
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Home isn\u2019t a geographical term. Life doesn\u2019t revolve around a nuclear family. What drives a person is how, where, and with whom they choose to spend their short and valuable time.<\/div>\n
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\n Director: Alvi Pakarinen<\/strong>
\n Cinematographer: Alvi Pakarinen
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Produced by: Aalto-yliopisto Taiteiden suunnittelun korkeakoulu – Aalto University School of Arts, Design and Architecture<\/strong>
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Finland, 2017
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On the Road<\/span>
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On the Road<\/em> is a documentary that shows rugby players linked to the Builder\u2019s Team in \u0141\u00f3d\u017a. Although rugby is not a well-known sport in Poland, in \u0141\u00f3d\u017a a team of giant, muscular men play this complicated and uncommon sport that uses an egg-shaped ball. The team is made up of people who come after work to devote their time to the sport instead of spending that time with their children. Overcoming the problems of their everyday lives, they attempt to create a team of world-class players. Will they achieve their goal?\n <\/div>\n
Original title: W drodze<\/strong><\/div>\n<\/div>\n
Directors: Artur Fr\u0105tczak, Roman Ka\u0142u\u017ca-Wierzchos\u0142awski<\/strong>
\n Cinematographer: Roman Ka\u0142u\u017ca-Wierzchos\u0142awski
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Produced by: <\/strong>Roman Ka\u0142u\u017ca-Wierzchos\u0142awski<\/strong><\/div>\n
Poland, 2017<\/strong><\/div>\n
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Out of the Limelight<\/span>
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The new documentary by Rafael Lewandowski tackles the rich and fascinating story of Zygmunt Lubicz Zaleski \u2013 a philosopher, writer, and poet who spent most of his life in France. Like many other independence activists, he was forced to emigrate because of the political climate. He was active, but out of the limelight. In spite of this, he had a tremendous impact on the creation of a strong, independent Poland through cultural activities.\n <\/div>\n<\/div>\n
Original title: Z dala od orkiestry<\/strong>
\n Director: Rafael Lewandowski<\/strong>
\n Cinematographer: Piotr Niemyjski
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Produced by: Fundacja Zygmunt Zaleski Stichting, Vertigo<\/strong><\/div>\n

Poland, 2017<\/strong><\/p>\n

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Pomor Women<\/span>
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A film about the lives of three Pomeranian women: Pelagia, Martha, and Anastasia. They live on the shores of the White Sea in northern Russia. They are united: the harsh conditions of life, departed husbands, fishermen, and constant expectation. Is there a future for these people?\n <\/div>\n
Original title: Pomorskie Zhonki<\/strong><\/div>\n

Director: Anna Katorina<\/strong>
\n Cinematographer: Pavel Skvortsov
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Produced by: ATK-Studio Film Company<\/strong>
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Russia, 2016<\/strong><\/div>\n
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Raoul Coutard, From Saigon to Hollywood<\/span>
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\n Raoul Coutard invites us on a journey through his extraordinary career as the iconic cameraman of the \u201cNouvelle vague\u201d. From Saigon to Hollywood, from war to peace, the revolutionary cinematographer of Breathless<\/em> tells us his dreams, his adventures and his encounters with Jean-Luc Godard, Fran\u00e7ois Truffaut, Pierre Sch\u00f6ndorffer, Jacques Perrin, Jeanne Moreau, Brigitte Bardot\u2026 The writing of a great page of the history of cinematography.<\/div>\n

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Original title: Raoul Coutard, de Saigon a Hollywood<\/strong><\/p>\n
Director: Matthieu Serveau<\/strong>
\n Cinematographers: Philippe Breart, Matthieu Serveau
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Produced by: Yenta Production<\/strong>
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France, 2006<\/strong><\/div>\n
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Republika – Birth of a Legend<\/span>
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It is the mid-1970s. In Toru\u0144 there is an artistic circle gathered around the Od Nowa student club. Young people are trying out various forms of artistic activity. Theatres and music groups are being created; visual artists and performers can be seen around the city. In this artistic melting pot, a couple of friends form a band called Res Publica, later known as Republika. This is the beginning of a film recounting the first period of Republika\u2019s activity, which ended with its break-up in 1986. A number of interesting, little-known music and film records have been used in the picture. The audience will have the opportunity to listen to fragments of songs and see unpublished photographs of the band, and we will hear some thought-provoking interpretations of selected pieces by Republika. What they will also see in this story of friendship and the rise of a cultural phenomenon is the historical context of the creative turmoil that existed around the Od Nowa student club. Members of Republika and Res Publica appear in the film, as well as their friends and representatives of the music community.\n <\/div>\n
Original title: Republika – narodziny legendy<\/strong><\/div>\n

Director: Ryszard Kruk<\/strong>
\n Cinematographers: <\/strong>Wojciech Budny, Ryszard Kruk, Kajetan Pochylski<\/strong>
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Produced by: Fundacja Nie-Art<\/strong>
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Poland, 2017<\/strong><\/div>\n
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Volte<\/span>
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Twelve-year-old Zuzia has been practicing vaulting for two years and has an extraordinary role atop the acrobatic pyramid. She is a \u2018flyer\u2019, lifted by the stronger and more experienced vaulters, called the \u2018base\u2019.
\n Another intensive season begins. During training, it becomes apparent that the girl has lost some of her grace and lightness. At first the coach blames the base, but they finally admit that Zuzia is too big to lift. It has become clear that she is just \u2018growing\u2019, and her role is given to a younger girl.\n <\/div>\n
Original title: Wolta<\/strong><\/div>\n

Directors: Monika Kotecka, Karolina Poryza\u0142a<\/strong>
\n Cinematographer: <\/strong>Monika Kotecka<\/strong><\/div>\n

Produced by: <\/strong>Moth Films Magdalena Bryk<\/strong>
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Poland, 2017<\/strong><\/div>\n
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Water and Sugar: Carlo Di Palma, The Colours of Life<\/span>
\n <\/strong><\/span><\/h1>\n<\/div>\n

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This documentary is not only the story of the artistic life of Carlo Di Palma, director of photography and artist-craftsman, but also a veritable journey into Italian cinema through more than 100 films on which he collaborated \u2013 from the neorealism of Visconti, De Sica, and Rossellini, to the masterpieces that marked the history of world cinema, including Red Deser<\/em>t and Blow Up<\/em> by Michelangelo Antonioni, and Carlo Di Palma\u2019s long collaboration with Woody Allen.<\/div>\n
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Original title: Acqua e zucchero: Carlo Di Palma, i colori della vita<\/strong>
\n Director: Fariborz Kamkari<\/strong>
\n Cinematographer: Fabio Zamarion
\n <\/strong><\/div>\n
Produced by: Acek<\/strong>
\n <\/strong><\/div>\n
Italy, 2016
\n <\/strong><\/div>\n
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\n

Woman and the Glacier<\/span>
\n <\/strong><\/span><\/h1>\n
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The Lithuanian scientist Ausra Revutaite has spent 30 years in the Tian Shan mountain range in Central Asia, straddling the borders between Kazakhstan, Kyrgyzstan, and the autonomous Chinese region of Xinjiang. Some 3,500 meters above sea level with only her faithful dog and grey cat for company, she studies climate change on Tuyuksu Glacier at an old Soviet-era research station. She loves the solitude and silence that her painstaking work brings her. Magnificent shots of her surroundings and everyday work are interspersed with archive footage of the people who preceded her by a century. Not much seems to have changed.\n <\/div>\n
Original title: Moteris ir Ledynas<\/strong><\/div>\n<\/div>\n
Director: Audrius Stonys<\/strong>
\n Cinematographer: Audrius Keme\u017eys
\n <\/strong><\/div>\n
Produced by: Studio UKU<\/strong>
\n <\/strong><\/div>\n
Lithuania, 2016<\/strong><\/div>\n
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