![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/11\/header.png\")
<\/div>\nCANON EOS C300 MARK II WORKSHOP<\/span>
\n<\/span><\/strong><\/h3>\nWorkshop Center, University of Economics (WSG), Building M
\nMonday, 13th November, 11.00am-2.30pm<\/strong><\/div>\n
\n<\/strong>Learn from a master of low light shooting. During this workshop Stephen Goldblatt (A.S.C. B.S.C.)<\/strong>, the multiple Academy and Emmy Award nominated DoP, will discuss and demonstrate how he used the Canon C300 Mk II<\/strong> camera, as well as his hard-won experience and Ingenuity to solve challenging low light issues on Our Souls at Night<\/em><\/span>, the acclaimed romantic drama starring Jane Fonda<\/strong> and Robert Redford.<\/strong><\/div>\n
\n<\/strong>\u201cThe purpose of the workshop is to talk about and demonstrate the photographic and dramatic problems of making a movie where the principal intent of the material is to capture the intimate conversation between a couple at night, especially when the actors are famous movie stars.\u201d
\n<\/strong><\/div>\n\n\nStephen Goldblatt<\/p>\n<\/strong><\/div>\n
\u00a0<\/div>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/11\/golblatt_spacer.jpg\")
<\/strong><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n\u00a0<\/div>\nSCREENING OF MCCULLIN IN KOLKATA
\nPOST-SCREENING Q&A WITH DIRECTOR CLIVE BOOTH <\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nWednesday, 15 November, 2.45pm-3.00pm<\/strong><\/div>\n\nMcCullin in Kolkata<\/em><\/span>, directed by renowned filmmaker Clive Booth<\/strong>, documents legendary British photojournalist Sir Don McCullin\u2019s<\/strong> recent trip to shoot Kolkata. It uncovers the colour and chaotic energy of the city, as well as revealing the veteran lensman\u2019s fascinating views on photography and life. \u2018The years just disappeared and his reactions were phenomenally quick,\u2019 says Clive<\/strong>. \u2018He was like a caged animal in the car, champing at the bit to get started.\u2019<\/div>\n\u00a0<\/div>\n
\nPost-screening Q&Q with Director Clive Booth and DOP Chris Clarke<\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nWednesday, 15 November, 3.00pm – 3.45pm<\/strong><\/div>\n
\n<\/strong>Director Clive Booth<\/strong> and DoP Chris Clarke<\/strong> will answer your questions about shooting and editing the project, with a special focus on the pioneering HDR and remote workflows they employed. If you want to revolutionise your post-production processes, this is not to be missed.
\n<\/strong><\/p>\n\u00a0<\/div>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/11\/kolkata_cover.jpg\")
<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\nSCREENING OF STUMP
\nPOST-SCREENING Q&A WITH DIRECTOR TOMMY BOULDING<\/p>\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nThursday, 16 November, 1.00pm<\/strong><\/div>\n
\n<\/strong>A short film focusing on the dysfunctional relationship between two brothers. To the outside world, one seems to be the very definition of success \u2013 handsome, fit and disciplined, while the other is overweight, slobby and wheelchair bound. But appearances, as well as relationships, can be deceiving. \u2018In making any film, it\u2019s important you have a subject that appeals to the audience, that reveals the subject in an interesting structure or way, and relates to the material honestly,\u2019 says Stump<\/em> <\/span>Producer Matthew James Wilkinson<\/strong>. \u2018The story is about two very different brothers and the filmmakers enlisted very different techniques to illustrate these two characters.\u2019<\/div>\n\u00a0<\/div>\n
\nPost-screening Q&Q with Director Tommy Boulding<\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nThursday, 16 November, 1.45pm<\/strong><\/div>\n
\n<\/strong>Director of Stump<\/em><\/span>, Tommy Boulding<\/strong>, will break down how you get a short film made, covering off everything from coming up with a story and getting funding to shooting on the Canon EOS C700<\/strong>, as well as editing and promoting your film. If you\u2019re trying to get your first film off the ground, this will be an invaluable source of advice that will help you realise your creative vision.
\n<\/strong><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/11\/stump_cover.jpg\")
<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\nCANON SEMINAR<\/strong><\/div>\n
\nOpera Nova Congress Centre, First Floor, Seminar Room
\nFriday 17 November, 11.00am<\/strong><\/div>\n
\n<\/strong>This is your chance to ask the Canon<\/strong> team any questions you have about the features and uses of the EOS C200.
\n<\/strong><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2017\/11\/canon_seminar.jpg\")
<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"
Join\u00a0Canon events at the 25th anniversary edition of the Camerimage International Film Festival of the Art of Cinematography, and don’t…<\/p>\n","protected":false},"author":3,"featured_media":14234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-14233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=14233"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233\/revisions"}],"predecessor-version":[{"id":14239,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233\/revisions\/14239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/14234"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=14233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=14233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=14233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMonday, 13th November, 11.00am-2.30pm<\/strong><\/div>\n
\n<\/strong>Learn from a master of low light shooting. During this workshop Stephen Goldblatt (A.S.C. B.S.C.)<\/strong>, the multiple Academy and Emmy Award nominated DoP, will discuss and demonstrate how he used the Canon C300 Mk II<\/strong> camera, as well as his hard-won experience and Ingenuity to solve challenging low light issues on Our Souls at Night<\/em><\/span>, the acclaimed romantic drama starring Jane Fonda<\/strong> and Robert Redford.<\/strong><\/div>\n
\n<\/strong>\u201cThe purpose of the workshop is to talk about and demonstrate the photographic and dramatic problems of making a movie where the principal intent of the material is to capture the intimate conversation between a couple at night, especially when the actors are famous movie stars.\u201d
\n<\/strong><\/div>\n
<\/strong><\/div>\n
<\/strong><\/div>\n\nPOST-SCREENING Q&A WITH DIRECTOR CLIVE BOOTH <\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nWednesday, 15 November, 2.45pm-3.00pm<\/strong><\/div>\n
\nPost-screening Q&Q with Director Clive Booth and DOP Chris Clarke<\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nWednesday, 15 November, 3.00pm – 3.45pm<\/strong><\/div>\n
\n<\/strong>Director Clive Booth<\/strong> and DoP Chris Clarke<\/strong> will answer your questions about shooting and editing the project, with a special focus on the pioneering HDR and remote workflows they employed. If you want to revolutionise your post-production processes, this is not to be missed.
\n<\/strong><\/p>\n
<\/div>\nSCREENING OF STUMP MCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street CANON SEMINAR<\/strong><\/div>\n <\/p>","protected":false},"excerpt":{"rendered":" Join\u00a0Canon events at the 25th anniversary edition of the Camerimage International Film Festival of the Art of Cinematography, and don’t…<\/p>\n","protected":false},"author":3,"featured_media":14234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-14233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=14233"}],"version-history":[{"count":1,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233\/revisions"}],"predecessor-version":[{"id":14239,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14233\/revisions\/14239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/14234"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=14233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=14233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=14233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPOST-SCREENING Q&A WITH DIRECTOR TOMMY BOULDING<\/p>\n
\nThursday, 16 November, 1.00pm<\/strong><\/div>\n
\n<\/strong>A short film focusing on the dysfunctional relationship between two brothers. To the outside world, one seems to be the very definition of success \u2013 handsome, fit and disciplined, while the other is overweight, slobby and wheelchair bound. But appearances, as well as relationships, can be deceiving. \u2018In making any film, it\u2019s important you have a subject that appeals to the audience, that reveals the subject in an interesting structure or way, and relates to the material honestly,\u2019 says Stump<\/em> <\/span>Producer Matthew James Wilkinson<\/strong>. \u2018The story is about two very different brothers and the filmmakers enlisted very different techniques to illustrate these two characters.\u2019<\/div>\n
\nPost-screening Q&Q with Director Tommy Boulding<\/strong><\/div>\n
\nMCK, Orze\u0142 Cinema, 12-14 Marcinkowskiego Street
\nThursday, 16 November, 1.45pm<\/strong><\/div>\n
\n<\/strong>Director of Stump<\/em><\/span>, Tommy Boulding<\/strong>, will break down how you get a short film made, covering off everything from coming up with a story and getting funding to shooting on the Canon EOS C700<\/strong>, as well as editing and promoting your film. If you\u2019re trying to get your first film off the ground, this will be an invaluable source of advice that will help you realise your creative vision.
\n<\/strong><\/p>\n<\/div>\n
\nOpera Nova Congress Centre, First Floor, Seminar Room
\nFriday 17 November, 11.00am<\/strong><\/div>\n
\n<\/strong>This is your chance to ask the Canon<\/strong> team any questions you have about the features and uses of the EOS C200.
\n<\/strong><\/p>\n<\/div>\n