\n <\/p>\n
TUESDAY 14th<\/sup> Nov<\/span><\/strong><\/h3>\n<\/div>\n\u00a0<\/div>\n\n11:30-13:00<\/span><\/strong><\/div>\nOpera Nova Congress Centre
\n Seminar Room, 1st<\/sup> floor<\/strong><\/div>\n
\n ARRI SEMINAR: Creativity in Motion \u2013 use of TRINITY with Joerg Schenten<\/strong><\/span><\/div>\n\u00a0<\/div>\nARRI TRINITY CAMERA STABILIZER TRINITY<\/strong>, flagship of ARRI\u2019s<\/strong> CSS (Camera Stabilizer Systems) product range, is the first hybrid camera stabilizer to combine mechanical stabilization with active electronic gimbal stabilization. This results in five axes of control and enables uniquely fluid and precisely controlled movements for total creative freedom. <\/span><\/div>\n\u00a0<\/div>\nAttendees at this seminar will get a hands-on overview of the TRINITY<\/strong> stabilizer and a live demonstration of its many application possibilities. Case studies will be presented, with clips screened from showreel and training videos. Direct audience interaction will be encouraged via a Q&A session. <\/span><\/div>\n\u00a0<\/div>\nJoining ARRI<\/strong> Product Manager Curt Schaller<\/strong> will be camera operator Joerg Schenten SOA, BVK<\/strong>, who has used TRINITY<\/strong> on numerous professional shoots in his native Germany, including the feature films Spielmacher<\/span> <\/em>and Mittelreich<\/em><\/span>, and the TV series Pastewka<\/em> <\/span>and Sankt Maik<\/em><\/span>. \u201cAs a professional I like to utilize the best tools out there and the TRINITY<\/strong> is exactly that,\u201d says Schenten. \u201cIt allows me to move the camera in such an unrestricted and beautifully elegant way, like no other bodymounted stabilization system could do. Classic mechanical stabilization had reached its peak and ARRI<\/strong> was willing to take the next step. The challenge is to build an understanding of the unique natur e of this tool and how it can be used.\u201d
\n <\/span><\/div>\n\u00a0<\/div>\n <\/p>\n
\nWEDNESDAY 15th<\/sup> Nov<\/span><\/strong><\/h3>\n14:00-15:30<\/strong><\/div>\nOpera Nova Congress Centre
\n Seminar Room, 1st<\/sup> floor<\/strong><\/div>\n\u00a0<\/div>\nARRI SEMINAR: International Support Program<\/strong><\/div>\n\u00a0<\/div>\n\u201cLet\u2019s Work Together\u201d <\/strong><\/div>\nA seminar on how ARRI supports new filmmakers with director Wanuri Kahiu (Rafiki) & DP Toby Oliver ACS (Wildling) <\/strong><\/div>\n\u00a0<\/div>\nINTERNATIONAL SUPPORT PROGRAM<\/strong><\/div>\n\u00a0<\/div>\nARRI\u2019s Mandy Rahn<\/strong> gives an overview of the International Support Program<\/strong>, a global initiative to help launch the next generation of cinematic storytellers. Through the program, producers can apply for multifaceted support from ARRI<\/strong>, from co-production, development and state-of-the-art equipment to postproduction and international sales.<\/div>\n\u00a0<\/div>\nBoth of the feature films to have been assisted by the program since its launch in 2016 will be examined in the seminar. Kenyan director Wanuri Kahiu<\/strong> will discuss her movie Rafiki<\/em><\/span>, shot by Christopher Wessels<\/strong>, while cinematographer Toby Oliver ACS<\/strong> will talk about his collaboration with first-time director Fritz B\u00f6hm<\/strong> on Wildling<\/em><\/span>.<\/div>\n\u00a0<\/div>\nKahiu\u2019s<\/strong> debut feature, From A Whisper<\/em><\/span>, won prizes at the Africa Movie Academy Awards, the Zanzibar International Film Festival and the Kenya Film and TV Awards. Her recent short Pumzi<\/em><\/span> picked up awards at the Carthage and Cannes Independent Film Festivals. Australian-born Oliver<\/strong>, whose work encompasses feature films, documentaries and television, was named by Variety as one of 10 cinematographers to watch in 2017. His recent credits include Get Out<\/em><\/span> (screening at Camerimage<\/strong>), Happy Death Day<\/em> <\/span>and The Darkness<\/em><\/span>.<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n18:00-19:15<\/span><\/strong><\/div>\nOpera Nova Congress Centre
\n Main Auditorium
\n <\/strong><\/div>\n
\n ARRI BIG SCREEN EVENT
\n <\/strong><\/span><\/div>\n
\n The Filmmaker\u2019s View <\/strong><\/span><\/div>\nAn interview-based documentary <\/span><\/strong><\/div>\nCelebrating 100 years of ARRI<\/strong> <\/span><\/div>\n\u00a0<\/div>\nThis documentary film, specially edited for Camerimage<\/strong>, draws on just some of the more than 200 video interviews ARRI<\/strong> conducted with international filmmakers in the lead-up to its centenary celebrations in 2017. <\/span><\/div>\n\u00a0<\/div>\nIn September 1917, August Arnold<\/strong> and Robert Richte<\/strong>r rented a small former shoemaker\u2019s store on T\u00fcrkenstrasse in Munich and set up shop as a film technology firm. Taking the first two letters of their surnames, they christened their new enterprise ARRI<\/strong>. <\/span><\/div>\n\u00a0<\/div>\nOn the occasion of its 100th<\/sup> anniversary, ARRI<\/strong> reached out to cinematographers, directors, lighting technicians, inventors and historians. The response was overwhelming \u2013 hundreds of people came forward to be interviewed. They spoke about their passion for telling stories, their love of film and their individual experiences with ARRI<\/strong>. <\/span><\/div>\n\u00a0<\/div>\nAll of the interviews are available to view on the ARRI<\/strong> website, alongside an interactive timeline that allows visitors to explore the history of ARRI<\/strong> products, services, end users and milestone productions. Linking every anecdote and historical event is ARRI\u2019s<\/strong> belief in empowering storytellers to realize their vision.<\/span><\/div>\n\u00a0<\/div>\n That philosophy still defines the company on its 100th<\/sup> birthday; it always will.
\n <\/span><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/div>\n\nTHURSDAY 16th<\/sup> Nov<\/span><\/strong><\/h3>\n<\/div>\n\u00a0<\/div>\n\n11:30-16:00<\/span><\/strong><\/div>\nWorkshops Center<\/span><\/strong><\/div>\n University of Economy Building M<\/span><\/strong><\/div>\n<\/div>\n
\n ARRI WORKSHOPS: How to light, shoot and post for HDR<\/strong><\/span><\/div>\n\u00a0<\/div>\nHow to light, shoot and post for HDR <\/span><\/strong><\/div>\nWith Karl Walter Lindenlaub ASC <\/span><\/strong><\/div>\nA complete overview of High Dynamic Range workflows <\/span><\/strong><\/div>\n\u00a0<\/div>\nARRI ACADEMY HDR MASTER CLASS<\/strong> <\/span><\/div>\n\u00a0<\/div>\nDuring the first section of this ARRI Academy Master Class, cinematographer Karl Walter Lindenlaub ASC<\/strong> will demonstrate how to light and shoot a built set with HDR deliverables in mind. Experts from ARRI and FilmLight will then work with the footage shot by Lindenlaub<\/strong>, showing how to postproduce images for final viewing on HDR TV or cinema screens. <\/span><\/div>\n\u00a0<\/div>\nCurrently shooting Driven<\/em><\/span> with director Nick Hamm<\/strong>, Lindenlaub\u2019s<\/strong> other recent work includes Underworld: Blood Wars<\/em><\/span>, Revolt<\/span><\/em> and the two-part television movie Houdini<\/em><\/span>, for which he received an Emmy nomination. He is also known for Michael Caton-Jones\u2019<\/strong> Rob Roy<\/em><\/span>, Garry Marshall\u2019s<\/strong> The Princess Diaries<\/em><\/span>, Jon Avnet\u2019s<\/strong> Up Close and Personal<\/em><\/span>, Roland Emmerich\u2019s<\/strong> Independence Day<\/em><\/span> and Stargate<\/em><\/span>, Jan de Bont\u2019s<\/strong> The Haunting<\/span><\/em>, Paul Verhoeven\u2019s<\/strong> Black Book<\/em> <\/span>and Andrew Adamson\u2019s<\/strong> The Chronicles of Narnia<\/em><\/span>. <\/span><\/div>\n\u00a0<\/div>\n\u201cHDR is here, whether we like it or not, and needs to be understood by cinematographers,\u201d says Lindenlaub<\/strong>. \u201cThe most important issue for us is to stay in control of the image across all deliverables. We should be able to decide what is visible in the highlights and what is supposed to be black. The more we learn about this new display format, the better we can take advantage of it.\u201d <\/span><\/div>\n\u00a0<\/div>\nDue to the nature of this Master Class and of the venue, seating is limited and will be available on a first-come, first-served basis.
\n <\/span><\/div>\n\u00a0<\/div>\n\u00a0<\/div>\n<\/p>","protected":false},"excerpt":{"rendered":"
Join ARRI seminars and workshops at the 25th anniversary edition of the Camerimage International Film Festival of the Art of…<\/p>\n","protected":false},"author":3,"featured_media":13772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-14277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=14277"}],"version-history":[{"count":2,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277\/revisions"}],"predecessor-version":[{"id":14463,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277\/revisions\/14463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/13772"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=14277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=14277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=14277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Opera Nova Congress Centre <\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Join ARRI seminars and workshops at the 25th anniversary edition of the Camerimage International Film Festival of the Art of…<\/p>\n","protected":false},"author":3,"featured_media":13772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[141],"tags":[],"class_list":["post-14277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=14277"}],"version-history":[{"count":2,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277\/revisions"}],"predecessor-version":[{"id":14463,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/14277\/revisions\/14463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/13772"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=14277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=14277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=14277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n Seminar Room, 1st<\/sup> floor<\/strong><\/div>\n
\n ARRI SEMINAR: Creativity in Motion \u2013 use of TRINITY with Joerg Schenten<\/strong><\/span><\/div>\n
\n <\/span><\/div>\nWEDNESDAY 15th<\/sup> Nov<\/span><\/strong><\/h3>\n
\n Seminar Room, 1st<\/sup> floor<\/strong><\/div>\n
\n Main Auditorium
\n <\/strong><\/div>\n
\n ARRI BIG SCREEN EVENT
\n <\/strong><\/span><\/div>\n
\n The Filmmaker\u2019s View <\/strong><\/span><\/div>\n
\n <\/span><\/div>\nTHURSDAY 16th<\/sup> Nov<\/span><\/strong><\/h3>\n<\/div>\n
\n ARRI WORKSHOPS: How to light, shoot and post for HDR<\/strong><\/span><\/div>\n
\n <\/span><\/div>\n