{"id":14341,"date":"2017-11-12T10:46:23","date_gmt":"2017-11-12T09:46:23","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=14341"},"modified":"2026-09-21T03:38:43","modified_gmt":"2026-09-21T01:38:43","slug":"red-na-camerimage-2017","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/red-na-camerimage-2017\/","title":{"rendered":"RED AT CAMERIMAGE 2017"},"content":{"rendered":"

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Join RED<\/strong> seminars at the 25th<\/sup> anniversary edition of the Camerimage International Film Festival of the Art of Cinematography<\/strong>, and don’t hesitate to visit their booth at Camerimage Market<\/strong> in Opera Nova!<\/div>\n
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MONDAY 13th<\/sup> Nov<\/p>\n

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16:00-18:00
\n <\/strong> MCK Orze\u0142 Cinema<\/p>\n

<\/strong>RED SEMINAR: The Future of Digital Formats with Christopher Probst, ASC and Markus F\u00f6rderer, BVK
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\n Cinematographers Christopher Probst<\/strong>, ASC and Markus F\u00f6rderer<\/strong>, BVK will discuss \u201cThe Future of Digital Formats.\u201d From music videos to feature films and original TV series, Christopher<\/strong> and Markus<\/strong> will share their process for evaluating tools, and approach to choosing a camera and lenses. Attendees will also learn how their progressive filmmaking, combined with the high resolution, large format and flexibility of RED<\/strong> cameras, helped to produce the desired results for their latest endeavors.<\/p>\n

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WEDNESDAY 15th<\/sup> Nov<\/span><\/strong><\/h3>\n

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16:45-18:45<\/strong><\/div>\n
MCK Orze\u0142 Cinema<\/strong><\/div>\n
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RED SEMINAR: High Resolution Image Process Pipeline<\/strong><\/div>\n
\n Light Iron Colorist Ian Vertovec<\/strong> and RED\u2019s Dan Duran<\/strong> will discuss RED\u2019s<\/strong> “High Resolution Image Processing Pipeline.\u201d Attendees will learn about the color science behind RED\u2019s<\/strong> Image Processing Pipeline (IPP2), which offers a completely overhauled workflow experience featuring enhancements such as better management of challenging colors, an improved demosaicing algorithm, smoother highlight roll-off, and more. Light Iron will also be featuring modern high resolution workflow, HDR, and its unique color grade used in the Netflix original series, GLOW<\/em><\/span>.
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