{"id":15805,"date":"2018-10-08T00:41:42","date_gmt":"2018-10-07T22:41:42","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=15805"},"modified":"2018-10-14T23:30:04","modified_gmt":"2018-10-14T21:30:04","slug":"icg-eca-winners-show-na-camerimage-3","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/icg-eca-winners-show-na-camerimage-3\/","title":{"rendered":"ICG ECA WINNERS SHOW AT CAMERIMAGE"},"content":{"rendered":"<p><\/p>\n<p>The cooperation of <strong>CAMERIMAGE Festival<\/strong> and the <strong>International Cinematographers Guild (ICG)<\/strong> results in the next presentation of the winners of <strong>ICG&#8217;s Emerging Cinematographers Awards<\/strong>. <strong>ICG ECA<\/strong> is a short film competition open to all<strong> ICG<\/strong> members who are not professional cinematographers. Camerimage will present the best films entered into the competition this year.<\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/eca-2018-logo-blk-e1538389671747.jpg\" alt=\"\" class=\"alignnone size-full wp-image-15730\" width=\"300\" height=\"166\" \/><\/p>\n<p>\n Nurturing talent and giving promising cinematographers the crucial exposure they need to succeed in the Motion Picture Industry lies at the heart of the <strong>International Cinematographers Guild&#8217;s<\/strong> annual <strong>Emerging Cinematographer Awards<\/strong>. The annual competition was first launched in 1996, through an idea proposed by <strong>Rob Kositchek<\/strong>, who was an assistant cameraman at the time.<\/p>\n<p style=\"text-align: center;\">\n<p> <span style=\"font-size: 36pt; color: #d29600;\">Baby Steps<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction.jpg\" alt=\"\" class=\"size-full wp-image-15808 aligncenter\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/08_BabyStepsProduction-1600x900.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>Every year, on the anniversary of his father\u2019s suicide, Kenny\u2019s growing depression haunts what he fears will be his destiny. As children, Kenny and Pete were best friends. Neither had a sibling, so they were like brothers. Kenny was the one who always looked out for and defended Pete. However, their roles switch dramatically later in life, brought on by Kenny\u2019s accidentally witnessing his father\u2019s suicide. As an adult, Pete is caught between the needs of his family and those of his best friend.<\/p>\n<p><strong>Director:<\/strong> Eric A. Dyson<br \/>\n <strong>Cinematographer:<\/strong> Clifford Jones<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Demon<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002.jpg\" alt=\"\" class=\"size-full wp-image-15846 aligncenter\" width=\"2880\" height=\"1440\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002.jpg 2880w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002-300x150.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002-768x384.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002-1024x512.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/002-1600x800.jpg 1600w\" sizes=\"(max-width: 2880px) 100vw, 2880px\" \/><\/p>\n<p><span style=\"color: #d29600;\"><em>Demon<\/em><\/span> is the story of Marco, an injured stranger that finds a pitch-black secret on his rescuer\u2019s property.<\/p>\n<p><strong>Director:<\/strong> Caleb Slain<br \/>\n <strong>Cinematographer:<\/strong> Drew Dawson<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Detroit Diamond<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd.png\" alt=\"\" class=\"size-full wp-image-15847 aligncenter\" width=\"3360\" height=\"2100\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd.png 3360w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd-300x188.png 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd-768x480.png 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd-1024x640.png 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/01_DetroitDiamondProd-1600x1000.png 1600w\" sizes=\"(max-width: 3360px) 100vw, 3360px\" \/><\/p>\n<p>A young, single mother, Diamond, has lost everything to her heroin addiction. With just a day left before she is thrown out of her house, she must make one last-ditch effort to visit the only person in her life left to love: her three-year-old son, Elliott. But to regain custody she first has to face a stern, no-nonsense Child Protective Services agent and her own past.<\/p>\n<p><strong>Director:<\/strong> Hamoody Jaafar<br \/>\n <strong>Cinematographer:<\/strong> Tommy Daguanno<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Embalmer<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1.jpg\" alt=\"\" class=\"size-full wp-image-15852 aligncenter\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Sacks_EmbalmerFrames_1.1.1-1600x900.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p><span style=\"color: #d29600;\"><em>Embalmer<\/em><\/span> follows the story of a veteran mortician and his apprentice. While preparing a body for burial, he muses over life, death and what it means to prepare for one\u2019s passing.<\/p>\n<p><strong>Director:<\/strong> Jimmy Moreno<br \/>\n <strong>Cinematographer:<\/strong> Gus Sacks<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Goldblooded<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04.jpg\" alt=\"\" class=\"size-full wp-image-15850 aligncenter\" width=\"4320\" height=\"1620\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04.jpg 4320w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04-300x113.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04-768x288.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04-1024x384.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/moody_frame_grab_04-1600x600.jpg 1600w\" sizes=\"(max-width: 4320px) 100vw, 4320px\" \/><\/p>\n<p><span style=\"color: #d29600;\"><em>Goldblooded<\/em><\/span> is a dark psychological thriller that centres on a desperate, homeless man who accidentally discovers that his blood contains traces of pure gold. He must stay one step ahead of those who would kill him to harvest it.<\/p>\n<p><strong>Director:<\/strong> Tom Botchii<br \/>\n <strong>Cinematographer:<\/strong> Martin Moody<\/p>\n<p style=\"text-align: center;\">\n<p> <span style=\"color: #d29600; font-size: 36pt;\">Intergalactic Samurai<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Samurai_2.jpg\" alt=\"\" class=\"alignnone size-full wp-image-15853\" width=\"1440\" height=\"900\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Samurai_2.jpg 1440w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Samurai_2-300x188.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Samurai_2-768x480.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Samurai_2-1024x640.jpg 1024w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>Lia\u2019s younger sister, Daniella, was born with straight hair. Their mother and the entire Ethiopian community believe she was born as a blessing from God, but Lia vehemently denies this theory and takes her sister on a dangerous journey in the hope of proving to everyone that God does not exist.<\/p>\n<p><strong>Director:<\/strong> Hagar Ben-Asher<br \/>\n <strong>Cinematographer:<\/strong> David Stragmeister<\/p>\n<p style=\"text-align: center;\">\n <span style=\"font-size: 36pt; color: #d29600;\">Internet Gangsters<\/span><\/p>\n<p>\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab.jpg\" alt=\"\" class=\"size-full wp-image-15849 aligncenter\" width=\"4096\" height=\"2160\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab.jpg 4096w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/05_Robbins_InternetGangsters_FrameGrab-1600x844.jpg 1600w\" sizes=\"(max-width: 4096px) 100vw, 4096px\" \/><\/p>\n<p>Two New York hitmen sent to whack an informant hiding out in Los Angeles discover that technology is actually the Mob\u2019s real enemy.<\/p>\n<p><strong>Director:<\/strong> Sam Friedlander<br \/>\n <strong>Cinematographer:<\/strong> Alicia Robbins<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Intrusions<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/03_FitzgeraldIntrusions.jpg\" alt=\"\" class=\"size-full wp-image-15848 aligncenter\" width=\"900\" height=\"375\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/03_FitzgeraldIntrusions.jpg 900w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/03_FitzgeraldIntrusions-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/03_FitzgeraldIntrusions-768x320.jpg 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/p>\n<p>A man uses custom-built software to augment his lucid dreams in an attempt to relive an alternate version of his past.<\/p>\n<p><strong>Director:<\/strong> David Nolin Bouley<br \/>\n <strong>Cinematographer:<\/strong> Thomas Acton Fitzgerald<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Peacock Killer<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT.jpg\" alt=\"\" class=\"size-full wp-image-15851 aligncenter\" width=\"1920\" height=\"803\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT-768x321.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT-1024x428.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Peacock_Killer_DAY_INT-1600x669.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p><span style=\"color: #d29600;\"><em>Peacock Killer<\/em><\/span> is an unlikely story of reconciliation between a man and his dog. Adapted from a short story by Pulitzer Prize-winning playwright and Oscar\u00ae-nominated actor, Sam Shepard. The film stars Shea Whigham (<em>Boardwalk Empire<\/em>, <em>Silver Linings Playbook<\/em>) and Elizabeth Marvel (<em>House of Cards<\/em>, <em>Homeland<\/em>).<\/p>\n<p><strong>Director:<\/strong> Boyd Holbrook<br \/>\n <strong>Cinematographer:<\/strong> Hunter Robert Baker<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The cooperation of CAMERIMAGE Festival and the International Cinematographers Guild (ICG) results in the next presentation of the winners of&#8230;<\/p>\n","protected":false},"author":3,"featured_media":15808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[402],"tags":[],"class_list":["post-15805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-camerimage-2018"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/15805"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=15805"}],"version-history":[{"count":2,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/15805\/revisions"}],"predecessor-version":[{"id":15856,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/15805\/revisions\/15856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/15808"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=15805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=15805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=15805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}