{"id":15917,"date":"2018-10-09T18:46:45","date_gmt":"2018-10-09T16:46:45","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=15917"},"modified":"2018-10-14T23:29:47","modified_gmt":"2018-10-14T21:29:47","slug":"najlepsze-etiudy-akademii-teatru-radia-filmu-i-telewizji-uniwersytet-w-lublanie","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/najlepsze-etiudy-akademii-teatru-radia-filmu-i-telewizji-uniwersytet-w-lublanie\/","title":{"rendered":"BEST OF THE ACADEMY OF THEATRE, RADIO, FILM AND TELEVISION, UNIVERSITY OF LJUBLJANA"},"content":{"rendered":"

<\/p>\n

The Academy of Theatre, Radio, Film and Television (AGRFT)<\/strong> was founded in 1945. Since 1975, it has been one of the 26 members of the University of Ljubljana. The teaching process at the Academy<\/strong> combines artistic and research activities, and is strongly based on individual tutoring.<\/p>\n

Study programmes at the Academy<\/strong> are designed in line with an artistic, creative, and practical foundation. Their objective is to train students in the provision and implementation of various art projects in their respective fields.<\/p>\n

Each year, students present their practical work in numerous theatre productions, short films, and television dramas. The productions are open to the general public, while the films directed by our students are regularly broadcast on national television.<\/p>\n

Undergraduate studies \u2013 1st cycle<\/span>
\n The duration of the Film and Television study programme is three years. It covers three modules: Film and Television Directing, Cinematography for Film and Television, and Film and Television Editing. Graduates will learn how to face the challenges of their own creativity and aim to achieve professional high-tech standards.<\/p>\n

Postgraduate studies \u2013 2nd cycle<\/span>
\n The duration of the Film and Television Arts study programme is two years. It offers six modules: Film Directing, Television Directing, Editing, Cinematography, Screenplay Writing, and Production. The aim of the programme is to enable its MA graduates to be competent in the artistic and professional tasks required for the most demanding audio-visual projects.<\/p>\n

\n \"\"<\/p>\n

\n The duration of the Film and Television Studies study programme is two years. It provides students with an in-depth knowledge of audio-visual media and their content from the viewpoint of media as art as well as in terms of psychological, sociological, economic, and public administration policies.<\/p>\n

The Academy<\/strong> is actively involved in the international community through its educational, artistic, and research activities, and is a member of several prominent international professional associations, such as the F\u00e9d\u00e9ration internationale pour la recherche th\u00e9\u00e2trale \u2013 International Federation for Theatre Research (FIRT\/IFTR), the European League of Institutes of the Arts (ELIA), the International Association of Film and Television Schools (CILECT), and others.<\/p>\n

The review of the films shot by the Academy’s<\/strong> students will be accompanied by Framing in Cinematography seminar during which prof. Igor Kor\u0161i\u010d will talk about an unusual meeting of approx. 150 directors of photography that took place in 1990 in Denmark. Stay tuned for more information about the event.<\/p>\n

\n

The review’s partner:<\/p>\n

\n \"\"<\/p>\n

\n During Camerimage<\/strong> we will screen the following films:<\/p>\n

\n

Anja Ganja<\/span><\/p>\n

\n \"\"<\/p>\n

A young couple is in crisis because of the boyfriend\u2019s constant smoking. When he starts to change into a human herb, their love life starts to take a wild spin.<\/p>\n

Director:<\/strong> Peter Bizjak
\n Cinematographer:<\/strong> Boj Nuvak<\/p>\n

\n Back to the Memories<\/span><\/p>\n

\n \"\"<\/p>\n

At the end, we tend to return to our childhood, our roots, but the only things that remain are stumps from once blossoming cherries, and photographs that soon won\u2019t make sense anymore. After a stroke, \u0160tefka can\u2019t even remember her name, but one night a memory from her early childhood vividly returns. When she was only three, her grandmother showed her a photograph of her children. \u0160tefka visits her sister Zorka, a blind photographer, who may know more about the photograph. Time wrinkled their skin and completely changed the places in the photographs, but their memories are still alive, as are the photographs, resisting time.<\/p>\n

Original title:<\/strong> Domov k spominu
\n Director:<\/strong> Neli Mara\u017e
\n Cinematographer:<\/strong> Rok Kajzer Nagode<\/p>\n

\n Benjamin<\/span><\/p>\n

\n \"\"<\/p>\n

The documentary follows a 12-year-old autistic boy named Benjamin. He isn\u2019t trapped in social norms and learned behavioural patterns, so his guidance in life is through what he feels. Benjamin is authentic and direct, but people quite often misunderstand him. He loves trains and numbers, so he spends lots of time at the Ljubljana train station with his mother Maja. Maja drives a city bus, which is not only her work, but also her time to relax. She is the link between Benjamin and his brother Tadej, who loves Benjamin, but has a hard time with him too.<\/p>\n

Director:<\/strong> Katarina Morano
\n Cinematographer:<\/strong> Maksimiljan Su\u0161nik<\/p>\n

\n Bordered<\/span><\/p>\n

\n \"\"<\/p>\n

I am bordered, You are bordered, We are all bordered. It sounds like a children\u2019s song. But it is not. Ciao, I am Leo, nice to meet you!<\/p>\n

Original title:<\/strong> Zamejen
\n Director:<\/strong> Leo \u010cernic
\n Cinematographer:<\/strong> Rok Kajzer Nagode<\/p>\n

\n C.H.A.O.S.<\/span><\/p>\n

\n \"\"<\/p>\n

A group of teenagers breaks into a swimming pool complex. Youthful playfulness soon transforms into wild chaos that leads to an accident. The situation suddenly changes.<\/p>\n

Original title:<\/strong> K.A.O.S.
\n Director:<\/strong> Nikolaj Vodo\u0161ek
\n Cinematographer:<\/strong> Rok Kajzer Nagode<\/p>\n

\n

Duck Hunting<\/span><\/p>\n

\n \"\"<\/p>\n

Two sons wait for their father on the day he is released from prison. They go duck hunting together, like they did before he was locked up. But instead of a shotgun, the father is presented with a shovel, and instead of a duck, his two sons shoot him.<\/p>\n

Original title:<\/strong> Lov na race
\n Director:<\/strong> Rok Bi\u010dek
\n Cinematographer:<\/strong> Simon Tansek<\/p>\n

\n Little Fish<\/span><\/p>\n

\n \"\"<\/p>\n

BRINA: Hey, Bor. Grandpa told me there are fish in this lake that could bite off half your leg.
\n BOR: Oh. I only see little fish.
\n BRINA: Yes, but the little fish look after the big fish. They\u2019re the ones who bite off your leg.<\/p>\n

Original title: Male ribe
\n Director: Maja Kri\u017enik
\n Cinematographer: Maksimiljan Su\u0161nik<\/p>\n

\n Ljubljana – Munchen 15:27<\/span><\/p>\n

\n \"\"<\/p>\n

Mala is working in a print shop temporarily until she finds a better job. Jure is working in construction temporarily to earn some money until he finds something better. They are living in a small attic flat temporarily until things settle down and they find a nicer place to live. Just two more months and little Rubi will enter their temporary world. The film explores the moment when you realise that everything you thought was temporary suddenly becomes permanent.<\/p>\n

Original title:<\/strong> Ljubljana – M\u00fcnchen 15:27
\n Director:<\/strong> Katarina Morano
\n Cinematographer:<\/strong> Domen Martincic<\/p>\n

\n Springtime Sleep, The<\/span><\/p>\n

\n \"\"<\/p>\n

All of a sudden, the world has become very different for Jasna, or has it always been this way? She doesn\u2019t try to find out, but rather lives in the present as it is. Doing so, she meets the young boy Pero, who she finds a little untrustworthy but intriguing, and together they go on a journey to find the meaninglessness of what was and what will be.<\/p>\n

Original title:<\/strong> Prespana pomlad
\n Director:<\/strong> Dominik Mencej
\n Cinematographer:<\/strong> Rok Kajzer Nagode<\/p>\n

\n Trieste Is Ours!<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

\n In 2009, a group of partisan soldiers led by Commander France decide to free the Italian city of Trieste. Most of all, France is worried because the younger generation, among whom is his daughter Mateja, doesn\u2019t want to accept partisan history and the values of many generations before them. Which side will Mateja choose and will the Italian city of Trieste be Slovenian again?<\/p>\n

Original title:<\/strong> Trst je na\u0161!
\n Director:<\/strong> \u017diga Virc
\n Cinematographer:<\/strong> Jure \u010cernec<\/p>\n

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