{"id":16190,"date":"2018-10-18T19:47:47","date_gmt":"2018-10-18T17:47:47","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=16190"},"modified":"2018-10-25T20:53:19","modified_gmt":"2018-10-25T18:53:19","slug":"energacamerimage-2018-first-look-konkurs-pilotow-seriali","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/energacamerimage-2018-first-look-konkurs-pilotow-seriali\/","title":{"rendered":"ENERGACAMERIMAGE 2018 FIRST LOOK \u2013 TV PILOTS COMPETITION LINE-UP"},"content":{"rendered":"<p><\/p>\n<p><span>We present the line-up of our this year&#8217;s First Look &#8211; TV Pilots Competition. Cinematographers of ten television projects will compete for the festival&#8217;s prize.<\/span><\/p>\n<p style=\"text-align: center;\">Competition under the patronage of <strong>Jakbyniepacze\u0107<\/strong><\/p>\n<p> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002-1024x283.jpg\" alt=\"\" class=\"aligncenter wp-image-16192\" width=\"600\" height=\"166\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002-1024x283.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002-300x83.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002-768x212.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002-1600x442.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Jakbyniepaczec_logo-page-002.jpg 1939w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 36pt; color: #d29600;\">Cacciatore &#8211; The Hunter<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Cacciatore-\u00a9Cross-Productions-srl-1024x576.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16603\" width=\"1024\" height=\"576\" \/><\/p>\n<p>The setting is Sicily, in the 1990s. There\u2019s a resurgence of the mafia wars, which took thousands of lives throughout previous decades. Enter the scene an ambitious young prosecutor with a head full of wild ideas, a will of iron, and an awareness that to achieve results, he\u2019ll have to get his hands dirty on more than one occasion. His actions will reverberate for years to come and lead to even more bloodshed. This is a world in which angry boys become furious men \u2013 and cannon fodder at the same time. Initially, the prosecutor battles aggressively with his surroundings and the Italian government for his piece of the pie, but ultimately the man becomes a true fighter for justice who wants the world to be a little bit safer. This is not yet another television series about a superhero in the guise of a moral crusader who faces numerous obstacles and fights the archetypical bad guys \u2013 no, this is a story based on real events, and it explores the ever-changing definition of what is right and what is wrong.<\/p>\n<p><strong>Original title:<\/strong> Il Cacciatore: Nel Bosco<br \/>\n <strong>Polish title:<\/strong> Il Cacciatore: Polowanie na mafi\u0119<br \/>\n <strong>Director:<\/strong> Stefano Lodovichi<br \/>\n <strong>Cinematographer:<\/strong> Benjamin Maier<br \/>\n <strong>Produced by:<\/strong> Cross Productions<br \/>\n <strong>Distributor:<\/strong> Beta Film GmbH<br \/>\n <strong>Polish distributor:<\/strong> Platforma nc+<br \/>\n <strong>Country and year:<\/strong> Italy, 2018<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Dark: Secrets<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/dark-5-1024x576.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16193\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/dark-5.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/dark-5-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/dark-5-768x432.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Our story centres around a small German town that would look exactly like dozens of other small German towns, situated near a vast forest, if it wasn\u2019t for the imposing nuclear power plant that seems to stretch beyond the horizon. The plant holds a mystery of such magnitude that it has permeated through everything and everyone in town, poisoning the minds of both the generation who remember what it was all about, and their descendants \u2013 who were raised in a completely different world. The series tells the story of four influential families whose members will have to face not only physical obstacles and threats, but also their inner demons, hidden beneath masks of normalcy. Adults commit suicide, children go missing, massacred cadavers appear out of nowhere, and there are unnerving lights and sounds in a mysterious forest cave leading to god knows where. The past intertwines with the present and marks the future; while time, whimsical as always, waits for no man. No one will leave the town unharmed.<\/p>\n<p><strong>Original title:<\/strong> Dark: Geheimnisse<br \/>\n <strong>Polish title:<\/strong> Dark: Tajemnice<br \/>\n <strong>Director:<\/strong> Baran bo Odar<br \/>\n <strong>Cinematographer:<\/strong> Nikolaus Summerer<br \/>\n <strong>Produced by:<\/strong> Wiedemann &amp; Berg Television GmbH &amp; Co. KG<br \/>\n <strong>Distributor:<\/strong> Netflix<br \/>\n <strong>Polish distributor:<\/strong> Netflix<br \/>\n <strong>Country and year:<\/strong> Germany, 2017<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Miniaturist, The<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-miniaturist-1-1024x685.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16198\" width=\"1024\" height=\"685\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-miniaturist-1.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-miniaturist-1-300x201.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-miniaturist-1-768x514.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>In the 16th century, the Netherlands was a place of social, religious and political upheaval that made resourceful people rich and the less industrious fall from grace. Petronella is a young woman who agrees to marry a wealthy merchant to pay off the family debt. Little does she know that this decision will affect all the people around her. The problems begin when she travels to Amsterdam to live in her husband\u2019s impressive house only to find that she will be sharing it with the man\u2019s enigmatic sister. In addition, as a wedding gift, Petronella receives a doll\u2019s house designed as a miniature of the very house she lives in, fully furnished, together with replicas of the members of the household. It also appears that the gift has some rather unsettling characteristics, well beyond what may be considered rational, and it becomes a symbolic representation of the many mysteries surrounding Petronella\u2019s new life. The girl devotes herself to better understanding this distressing and exciting world she has entered.<\/p>\n<p><strong>Polish title:<\/strong> Miniaturzystka<br \/>\n <strong>Director:<\/strong> Guillem Morales<br \/>\n <strong>Cinematographer:<\/strong> Gavin Finney<br \/>\n <strong>Produced by:<\/strong> British Broadcasting Corporation, The Forge Entertainment<br \/>\n <strong>Distributor:<\/strong> all3media international<br \/>\n <strong>Polish distributor:<\/strong> Platforma nc+<br \/>\n <strong>Country and year:<\/strong> UK, 2017<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Mystery Road<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Mystery-Roads-3-1024x576.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16604\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Mystery-Roads-3-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Mystery-Roads-3-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Mystery-Roads-3-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Mystery-Roads-3.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>A mysterious event in the small town of Patterson in Western Australia \u2013 two young men go missing in somewhat unusual circumstances \u2013 makes the strained relations between the white inhabitants and the Aboriginal community even more tense. The investigation is led by a white local cop Emma James but she chooses to use the experience of the veteran detective Jay Swan, an Aborigine whose decision to join the police force made him open to a different kind of ostracism from his native community. Two extremely different worlds collide while both protagonists follow the trail that will eventually lead them to question the existing fragile status quo, born out of some traumatic events of the town\u2019s distant past, as well as to revalue their priorities in life. All the characters are surrounded by the wild and uncompromising, yet poetically beautiful land which has throughout the years become a silent witness to many more similar tragedies of the flawed human beings.<\/p>\n<p>Director: Rachel Perkins<br \/>\n Cinematographer: Mark Wareham<br \/>\n Produced by: Bunya Productions<br \/>\n Distributor: all3media international<br \/>\n Country and year: Australia, 2017<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Patrick Melrose: Bad News<\/span><\/p>\n<p>\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/patrick-melrose-1-1024x683.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16195\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/patrick-melrose-1.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/patrick-melrose-1-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/patrick-melrose-1-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Patrick Melrose was born into wealth and privilege, but his childhood was definitely not a happy one, and as an adult he became addicted to alcohol and drugs. However, now he wants to purify himself and start a new chapter of his life. As it happens, his proud and cruel father, who abused and manipulated young Patrick, died recently overseas. This is, of course, a good opportunity to get wasted and reminisce about the bad old days. But Patrick wants to stop drinking and taking drugs. He abandons his everyday Sisyphean struggle with booze, needles and mobile numbers of friendly dealers, and he flies to New York to recover his father\u2019s ashes. Although the city that never sleeps tries to tempt him, Patrick really wants to change \u2026 something \u2026 somewhere. Even if only to stop thinking all the time that something needs to change. Will he succeed in turning his life around?<\/p>\n<p><strong>Polish title:<\/strong> Patrick Melrose: Z\u0142e wie\u015bci<br \/>\n <strong>Director:<\/strong> Edward Berger<br \/>\n <strong>Cinematographer:<\/strong> James Friend<br \/>\n <strong>Produced by:<\/strong> Sky Vision, Two Cities Television<br \/>\n <strong>Distributor:<\/strong> Home Box Office, Inc.<br \/>\n <strong>Polish distributor:<\/strong> HBO Polska Sp. z o.o.<br \/>\n <strong>Country and year:<\/strong> UK, 2018<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Plague, The<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-plague-juliovergne-2-1024x683.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16199\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-plague-juliovergne-2.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-plague-juliovergne-2-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-plague-juliovergne-2-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Sixteenth century Spain under the Habsburgs was still a global empire to be envied, but the country was suffocating from internal problems, raging corruption and the growing disproportion between rich and poor. When the famous city of Sevilla, known as the gateway to the New World, sees the return of the Black Death, many influential people try to hide this fact and continue making money from ships returning from the Americas. Mateo, a man hiding a dark past, arrives at the increasingly chaotic city to pay off his debts. He\u2019ll be released from them if he can find a certain boy, but his actions alert the Inquisition, with which he once had a bone to pick. While trying to accomplish his mission without getting caught, Mateo plunges into the city\u2019s dark underbelly, where the plague is only one of the many things to fear. Time is running out, and history will be written by those who know how to survive long enough.<\/p>\n<p><strong>Original title:<\/strong> La Peste: La Palabra<br \/>\n <strong>Polish title:<\/strong> Zaraza: S\u0142owo<br \/>\n <strong>Director:<\/strong> Alberto Rodr\u00edguez<br \/>\n <strong>Cinematographer:<\/strong> Pau Esteve Birba<br \/>\n <strong>Produced by:<\/strong> Atipica Films, MOVISTAR +<br \/>\n <strong>Distributor:<\/strong> MOVISTAR +<br \/>\n <strong>Polish distributor:<\/strong> Epic Drama<br \/>\n <strong>Country and year:<\/strong> Spain, 2018<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Rojst<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/rojst3-1024x428.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16197\" width=\"1024\" height=\"428\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/rojst3.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/rojst3-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/rojst3-768x321.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>The story is set in Poland, in the 1980s. A double homicide committed in a nearby forest arouses intense emotions and leads people to come up with wild theories as to what may have happened. A well-known and influential Communist Party member was found murdered together with a local prostitute. The police force of the People\u2019s Republic of Poland acts swiftly and decisively and captures the murderer before anyone can even properly analyse the crime. But not all of the citizens rest assured. A young reporter who has just started working at the local newspaper does not trust the official investigation and starts his own. He is reluctantly assisted by an older colleague, a veteran reporter who has seen everything and knows that crossing the police may cause them to turn on you. This is only the beginning of a series of gruesome events that will help the two realise the state of moral decay the world they know is in. Will journalistic ethos win over self-preservation?<\/p>\n<p><strong>Director:<\/strong> Jan Holoubek<br \/>\n <strong>Cinematographer:<\/strong> Bart\u0142omiej Kaczmarek<br \/>\n <strong>Produced by:<\/strong> Showmax Polska<br \/>\n <strong>Polish distributor:<\/strong> Showmax Polska<br \/>\n <strong>Country and year:<\/strong> Poland, 2018<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Terror, The: Go For Broke<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-terror_1-1024x683.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16200\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-terror_1.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-terror_1-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/the-terror_1-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>In 1845, two splendidly equipped Royal Navy ships, HMS Terror and HMS Erebus, ventured into the inhospitable Arctic waters to discover what lies beneath the infamous and impenetrable Northwest Passage. A group of whalers witnessed the ships entering the treacherous, icy labyrinth, but this is where facts give way to assumption, supposition and legend, for not a single member of either crew came back alive. The series tells the story of the hardships experienced by the sailors, based on notes and various other findings made throughout the next century and a half. It\u2019s the story of brave adventurers reaching their physical and mental limits, of starvation warping their behaviour, as nature annihilates the intruders one by one. Or maybe \u2013 just maybe \u2013 the Englishmen encountered something far more sinister, something straight out of the creepiest of nightmares &#8230;<\/p>\n<p><strong>Polish title:<\/strong> Terror<br \/>\n <strong>Director:<\/strong> Edward Berger<br \/>\n <strong>Cinematographer:<\/strong> Florian Hoffmeister<br \/>\n <strong>Produced by:<\/strong> EMJAG Productions, AMC Studios, Entertainment 360, Scott Free Productions<br \/>\n <strong>Distributor:<\/strong> AMC Studios<br \/>\n <strong>Polish distributor:<\/strong> AMC Studios<br \/>\n <strong>Country and year:<\/strong> USA, 2018<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">When Heroes Fly<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/When-Heroes-Fly-3-1024x683.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16184\" width=\"1024\" height=\"683\" \/><\/p>\n<p>Set in Israel in modern times, this is the story of four men \u2013 once confident, active members of the special forces who are now war veterans unable to deal with the traumatic memories of the failed mission they all were a part of eleven years ago. Four brothers in arms who were ready to die for one another, nowadays cannot even have a normal conversation without bursting out in anger. Four bittersweet stories, about to reach a poignant conclusion, turn with an unexpected twist of fate that makes the concept of a second chance more real than ever before. Will having a common objective help the former buddies restore the friendship that supported them throughout the hell of war? Will these people, who spent many years hurting themselves and their loved ones, ever be able to heal and feel whole once more? Can you cure a man\u2019s soul without tending to the demons that preoccupy his mind?<\/p>\n<p><strong>Director:<\/strong> Omri Givon<br \/>\n <strong>Cinematographer:<\/strong> Nitai Netzer<br \/>\n <strong>Produced by:<\/strong> Spiro Films<br \/>\n <strong>Distributor:<\/strong> Menemsha Films, Keshet International<br \/>\n <strong>Country and year:<\/strong> Israel, 2017<\/p>\n<p style=\"text-align: center;\">\n <span style=\"color: #d29600; font-size: 36pt;\">Yellowstone: Daybreak<\/span><\/p>\n<p style=\"text-align: center;\">\n <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2018\/10\/Yellowstone1-1024x683.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-16187\" width=\"1024\" height=\"683\" \/><\/p>\n<p>For six generations, the Duttons have owned an enormous ranch in Montana USA stretching well beyond the horizon. Throughout that time, they have come to symbolise what is best and worst in the history of the white man in America and his development of land belonging to the indigenous peoples: the quest for progress, breeding violence; traditions paid for with the blood of the innocent; and a defiant attitude against big-city mass culture at the expense of cultural diversity. However, the head of the Dutton clan, John, an old-school rancher more prone to an Old Testament vendetta than listening to the politically correct voices of modernity, will have to face a joint invasion upon his family\u2019s core values. On one hand, John is pressured by an influential land developer who wishes to turn part of the Duttons\u2019 land into a business and tourist attraction, and on the other, a wealthy casino owner is fighting for a brighter future for the indigenous Americans. As if this weren\u2019t enough, the Duttons begin to clash with each other\u2026<\/p>\n<p><strong>Director:<\/strong> Taylor Sheridan<br \/>\n <strong>Cinematographer:<\/strong> Ben Richardson<br \/>\n <strong>Produced by:<\/strong> Linson Entertainment, Paramount Network, Treehouse Films<br \/>\n <strong>Distributor:<\/strong> Paramount Network, Viacom International Media Networks<br \/>\n <strong>Country and year:<\/strong> USA, 2018<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We present the line-up of our this year&#8217;s First Look &#8211; TV Pilots Competition. Cinematographers of ten television projects will&#8230;<\/p>\n","protected":false},"author":3,"featured_media":16187,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[402],"tags":[],"class_list":["post-16190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-camerimage-2018"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/16190"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=16190"}],"version-history":[{"count":18,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/16190\/revisions"}],"predecessor-version":[{"id":16627,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/16190\/revisions\/16627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/16187"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=16190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=16190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=16190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}