{"id":17472,"date":"2018-10-30T20:47:30","date_gmt":"2018-10-30T19:47:30","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=17472"},"modified":"2018-10-31T12:31:44","modified_gmt":"2018-10-31T11:31:44","slug":"pokazy-specjalne-energacamerimage-2018","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/pokazy-specjalne-energacamerimage-2018\/","title":{"rendered":"EnergaCAMERIMAGE 2018 SPECIAL SCREENINGS"},"content":{"rendered":"

<\/p>\n

We announce the Special Screenings <\/strong>of the 26th edition of EnergaCAMERIMAGE Film Festival.<\/strong><\/p>\n

 <\/p>\n

Alpha<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Welcome to Europe, twenty thousand years ago, when the continent was entirely different and the human species was taking its first steps on the path to civilization. Young Keda is not interested in the world around him; he\u2019s focused on the here and now. We meet him as he passes the first of the many rites of passage that will make him a man. During a hunting trip he becomes stranded in the wild and has to fight to survive in an unfamiliar environment. However he befriends a wolf that will change his life forever and make him appreciate the world as it is. Director\u2019s cut will be screened at EnergaCAMERIMAGE<\/p>\n

Polish title: <\/strong>Alfa
\n Director:<\/strong> Albert Hughes
\n Cinematographer:<\/strong> Martin Gschlacht
\n Produced by:<\/strong> Studio 8
\n Polish distributor:<\/strong> United International Pictures Sp. z o.o. (UIP Polska)
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n Black Panther<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Prince T\u2019Challa, son of T\u2019Chaka, king of Wakanda, returns to his technologically advanced kingdom hidden from the eyes of the world of white colonisers, to lead the nation after the tragic death of his father. He does not pay attention to the fact that the rest of the world is falling to pieces; his only desire is to preserve the existing status quo. But T\u2019Challa will not be able to stay neutral for long, as the filth of the surrounding world suddenly appears at Wakanda\u2019s doorstep. He will have to assume the identity of the Black Panther, become a superhero capable of defending his people from the invaders, and fulfil his destiny.<\/p>\n

Polish title: <\/strong>Czarna Pantera
\n Director:<\/strong> Ryan Coogler
\n Cinematographer:<\/strong> Rachel Morrison
\n Produced by:<\/strong> Walt Disney Pictures, Marvel Studios
\n Polish distributor:<\/strong> Warner Bros. Entertainment Polska Sp. z o.o.
\n Country and year:<\/strong> USA, Republic of South Africa, South Korea, Australia, 2018<\/p>\n

 <\/p>\n

\n BlacKkKlansman<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Based on a true story, this is the tale of Ron Stallworth, who not only became the first black detective in the history of the Colorado Springs Police Department, but also made fools out of the self-mythologising, not-so-grand Ku Klux Klan. As Stallworth engages in more and more phone conversations with high-ranking Klan members, he sends a white colleague \u2013 his Jewish friend Flip Zimmerman \u2013 to the Klan meetings. Facing challenges they never suspected to exist as well as some surprising defects of the human spirit, both police officers prove that nothing is impossible.<\/p>\n

Polish title: <\/strong>Czarne bractwo. BlacKkKlansman
\n Director:<\/strong> Spike Lee
\n Cinematographer:<\/strong> Chayse Irvin
\n Produced by:<\/strong> 40 Acres & a Mule Filmworks, Blumhouse Productions, Monkeypaw Productions, QC Entertainment
\n Perfect World Pictures, Legendary Entertainment
\n Polish distributor:<\/strong> UIP Polska
\n Country and year:<\/strong> USA, 2018<\/p>\n

 <\/p>\n

\n Crazy Rich Asians<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Rachel grew up in unenviable conditions, but ultimately she was able to change her fortune and become a respectable university lecturer. She is happy with what she has achieved in her life, especially because her lovely boyfriend Nick is like a dream come true. The problem is, Rachel\u2019s chosen one has a tiny secret to confess and decides that the best moment to share it would be during his best friend\u2019s wedding in distant Singapore. It turns out, Nick\u2019s family is crazy rich and highly influential, which in turn means that some of its members are not very keen on seeing him fall in love with a girl from the lower classes \u2026<\/p>\n

Polish title: <\/strong>Bajecznie bogaci Azjaci
\n Director:<\/strong> Jon M. Chu
\n Cinematographer:<\/strong> Vanja Cernjul
\n Produced by:<\/strong> Color Force, Warner Bros., SK Global
\n Polish distributor:<\/strong> Warner Bros. Entertainment Polska Sp. z o.o.
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n Destroyer<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Erin Bell was a promising young FBI agent with a bright future in law enforcement. She could have saved many people from suffering. She could have made the life of countless criminals utterly miserable. She could have, but didn\u2019t. Almost twenty years ago a traumatic event caused her to have a breakdown from which she never fully recovered. She still works in the force but only because it gives her something to do in her life; however, at the same time she still believes one day she will be able to enact revenge on the person responsible for her fall. Will she be able to administer justice after so many years? And if so, will she be able to find a new purpose in life?<\/p>\n

Director:<\/strong> Karyn Kusama
\n Cinematographer:<\/strong> Julie Kirkwood
\n Produced by:<\/strong> Automatik, 30West
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n Elephant Sitting Still, An<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Time and again several inhabitants of a city in northern China lose the uphill struggle of dealing with their monotonous lives \u2013 lives that are seemingly without any purpose or perspective. They live their dreamless existences against the backdrop of crippling loneliness and in the shadow of violence they can do nothing about, stifling the debilitating anger that must be released somehow. They try to cope with feelings of remorse and regret for actions performed by certain people close to them. They look for empathy and support in an increasingly cynical society, but they do not cease to fight against the overwhelming lethargy around them, believing someone will finally give them a second chance.<\/p>\n

Original title:<\/strong> Da xiang xi di er zuo
\n Director:<\/strong> Hu Bo
\n Cinematographer:<\/strong> Fan Chao
\n Produced by:<\/strong> Dongchun Films
\n Country and year:<\/strong> China, 2018<\/p>\n

\n I Think We’re Alone Now<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

This is the story of Del \u2013 once a dedicated librarian marginalised by mainstream society, and now the only survivor in a town that has suffered an apocalyptic event. He has come to accept the solitary life, even learned to love it. The man\u2019s relatively tranquil existence is interrupted by the appearance of the loud and irritating Grace, who constantly irritates Del and questions every decision he makes. There is a chance these two mismatched human beings are the last two people on Earth, which begs the question \u2013 will they be able to learn to live happily with one another?<\/p>\n

Director:<\/strong> Reed Morano
\n Cinematographer:<\/strong> Reed Morano
\n Produced by:<\/strong> Automatik, Estuary Films, Exhibit, Slater Hall Pictures
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n If Beale Street Could Talk<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

Teenager Tish loves her darling Fonny with all her heart, and the feeling is reciprocated \u2013 Tish is Fonny\u2019s whole world. Unfortunately, they get separated when Fonny is accused of raping a Puerto Rican woman and thrown in jail. Fonny has a perfect alibi, but the colour of his skin makes it somehow inadmissible. Tish and Fonny still love each other more than anything; they are even expecting a child, and the girl together with her world-weary mother try different things to help Fonny regain his freedom. Will love and family solidarity be enough to soothe the trauma of living in prison for a long period of time?<\/p>\n

Director:<\/strong> Barry Jenkins
\n Cinematographer:<\/strong> James Laxton
\n Produced by:<\/strong> Plan B Entertainment, Annapurna Pictures, PASTEL
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n Incredibles 2<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

In Incredibles 2<\/em>, Helen (voice of Holly Hunter) is called on to lead a campaign to bring Supers back, while Bob (voice of Craig T. Nelson) navigates the day-to-day heroics of \u201cnormal\u201d life at home with Violet (voice of Sarah Vowell), Dash (voice of Huck Milner) and baby Jack-Jack\u2014whose super powers are about to be discovered. Their mission is derailed, however, when a new villain emerges with a brilliant and dangerous plot that threatens everything. But the Parrs don\u2019t shy away from a challenge, especially with Frozone (voice of Samuel L. Jackson) by their side. That\u2019s what makes this family so Incredible.<\/p>\n

Polish title:<\/strong> Iniemamocni 2
\n Director:<\/strong> Brad Bird
\n Cinematographer:<\/strong> Mahyar Abousaeedi, Erik Smitt
\n Produced by:<\/strong> Walt Disney Pictures, Pixar Animation Studios
\n Polish distributor:<\/strong> The Walt Disney Company Polska
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n The <\/span>Old Man & the Gun<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

It appears that, in his youth, Forrest Tucker decided that he would do anything to avoid boredom in his life. Through the subsequent decades he has become a notorious bank robber who has perfected the art of gentlemanly theft. What is more, each time that he has been locked up in prison, he has miraculously escaped only to start his lawless adventures anew. Now, in 1981, Tucker is in his seventies but does not intend to quit his day job, which he is still very passionate about. Will someone or something be able to change this old man\u2019s ways: maybe a dedicated police officer, or a certain charming widow?<\/p>\n

Polish title: <\/strong>Gentleman z rewolwerem
\n Director:<\/strong> David Lowery
\n Cinematographer:<\/strong> Joe Anderson
\n Produced by:<\/strong> Endgame Entertainment, Wildwood Enterprises, Inc., Conde Nast Entertainment, Sailor Bear, Identity Films
\n Polish distributor: <\/strong>M2Films
\n Country and year:<\/strong> USA, 2018<\/p>\n

\n Silverado<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

What would happen if you brought together a laconic gunslinger straight out of prison, his young and reckless cowboy brother, a black man seeking to avenge his father, and a perpetual loner whose greatest dream would be to stay eternally in some well-supplied saloon? An ill-matched, testosterone-filled bunch not to be messed with \u2013 that\u2019s what you\u2019d get. But this is also a group of noble men who will become the last chance for the town of Silverado, which is ruled by a corrupt sheriff and his henchmen. Before they get there, the protagonists will quarrel, fight, reflect on the old ways, defeat some nasty villains and ride into the sunset at the end of the day.<\/p>\n

Director:<\/strong> Lawrence Kasdan
\n Cinematographer:<\/strong> John Bailey
\n Produced by:<\/strong> Columbia Pictures Corporation, Delphi IV Productions, Eaves Movie Ranch
\n Country and year:<\/strong> USA, 1985<\/p>\n

\n Truth About the Harry Quebert Affair, The: Episode 1&2<\/span>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

In seeking a cure for his writers block, Marcus Goldman, a successful writer who is trying to pen his second novel seek council from his former professor, Harry Quebert, at his home in Maine. Shortly after the visit, Marcus discovers that Quebert, his mentor, has been indicted for the murder of a young girl who has been missing for many years after her body is found buried on his property. Goldman does not believe that Quebert is guilty and starts his own investigation, but soon discovers that the truth is far more surprising than even the most inventive literary creation.<\/p>\n

Polish title: <\/strong>Sprawa Harry’ego Queberta: Episode 1&2
\n Director:<\/strong> Jean-Jacques Annaud
\n Cinematographer:<\/strong> Jean-Marie Dreujou
\n Produced by:<\/strong> MGM Television, Eagle Pictures, Barbary Films
\n Polish distributor:<\/strong> Showmax
\n Country and year:<\/strong> USA, 2018<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

We announce the Special Screenings of the 26th edition of EnergaCAMERIMAGE Film Festival.   Alpha Welcome to Europe, twenty thousand…<\/p>\n","protected":false},"author":3,"featured_media":17481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[402],"tags":[],"class_list":["post-17472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-camerimage-2018"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/17472"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=17472"}],"version-history":[{"count":4,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/17472\/revisions"}],"predecessor-version":[{"id":17895,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/17472\/revisions\/17895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/17481"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=17472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=17472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=17472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}