\n
BY THE NAME OF TANIA<\/span><\/strong> \n The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors B\u00e9n\u00e9dicte Li\u00e9nard and Mary Jim\u00e9nez tell the story of a young woman, who winds up forced into prostitution when her initially hopeful attempt to escape the stifling limitations of village life goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns a voice and identity to that which has been rendered nameless. With its powerful imagery, the girl\u2019s traumatic odyssey embodies the horrific devastation visited upon the natural world by contemporary industrial society.<\/p>\n Original title:<\/strong> Sous le Nom de Tania <\/p>\n \n HONEYLAND<\/span><\/strong> \n Nestled in an isolated mountain region deep within the Balkans, Hatidze Muratova lives with her ailing mother in a village without roads, electricity, or running water. She\u2019s the last in a long line of Macedonian wild beekeepers, eking out a living farming honey in small batches to be sold in the closest city \u2013 a mere four hours\u2019 walk away. Hatidze\u2019s peaceful existence is thrown into upheaval by the arrival of an itinerant family, with their roaring engines, seven rambunctious children, and a herd of cattle. Hatidze optimistically meets the promise of change with an open heart, offering up her affections, her brandy, and her tried-and-true beekeeping advice.<\/p>\n Polish title:<\/strong> Kraina miodu<\/p>\n Directors:<\/strong> Ljubomir Stefanov, Tamara Kotevska Polish distribitutor:<\/strong> Against Gravity <\/p>\n \n HOUSE FOR YOU, A<\/span><\/strong> \n A 30-year old man from a faraway village in northern Iran is bankrupted, and at the same time, finds out he has progressive lung cancer. He makes a series of new decisions for continuing his life.<\/p>\n Director:<\/strong> Mehdi Bakhshi Moqadam <\/p>\n \n IN TOUCH<\/span><\/strong> \n In Touch<\/em> is a story about people from a little Polish village called Stare Juchy (in Polish \u2013 Old Blood). The village is located in Masuria, an area often referred to as \u201cThe Land of a Thousand Lakes\u201d. Around 400 people from this village (over half the population) have emigrated to Iceland since the 1980s and not one has returned. Those who stayed behind \u2013 most of them from the older generation \u2013 are hoping for a reunion. But by now their children and grandchildren have settled into new lives on the other side of Europe. The distance separating them is great and the journey expensive, so they don\u2019t get to hug each other very often. The best alternative is virtual meetings on Skype.<\/p>\n Director:<\/strong> Pawe\u0142 Ziemilski <\/p>\n \n LONG DAY TOMORROW<\/span><\/strong> \n Helena is a doctor who should have retired a long time ago due to poor health, but she finds herself unable to leave her patients. Thirty years ago, she moved from Poland to India, where she has worked at the Jeevodaya centre for leprosy patients and their children ever since. To her youngest patients, she is not only a doctor, but also a motherly figure, and everyone at the centre calls her \u2018mum\u2019. There is only one person who seems to have a problem with her: the new Head of the institution. Unwilling to accept Helena\u2019s authority among the patients, he has been trying to get rid of her. Despite being a Catholic priest, he does not appreciate her charitable work and has given her a derisive nickname, \u2018Mother Teresa\u2019.<\/p>\n Original title:<\/strong> Jutro czeka nas d\u0142ugi dzie\u0144 <\/p>\n \n MAGIC LIFE OF V, THE<\/span><\/strong> \n An intimate film about a young woman who uses the magic of LARPing (live-action role-playing) to address childhood trauma, protect and bring normalcy for her disabled brother, and become the hero of her own story.<\/p>\n Original title:<\/strong> Veeran maaginen el\u00e4m\u00e4<\/p>\n Polish title:<\/strong> Magiczne \u017cycie V <\/p>\n \n MAREK EDELMAN …AND THERE WAS LOVE IN THE GHETTO<\/span><\/strong> \n Imagine that the city where you were born is suddenly split in two, with a better half and a worse half. And you\u2019re enclosed in the latter, by a wall 3 metres high, with broken glass and rolls of barbed wire along the top. If you cross it, they\u2019ll kill you. If you stay, you\u2019ll slowly die of starvation anyway. That is precisely what happened in Eastern Europe, in Poland\u2019s capital city of Warsaw in the 1940s. \u201cWhy does nobody ask me if there was love in the ghetto? Why is nobody interested?\u201d asked Marek Edelman, resistance fighter and the last leader of the Warsaw Ghetto Uprising, shortly before his death in 2009. In this film, he answers that very question, telling us that good and beauty did exist in the hell of the ghetto. And there was love, too. That was of the greatest value \u2013 even greater than life itself. A strong, unconditional love where you are prepared to make the ultimate sacrifice and give yourself completely to another person, body and soul.<\/p>\n Original title: <\/strong>Marek Edelman …i by\u0142a mi\u0142o\u015b\u0107 w getcie <\/p>\n \n MIDNIGHT FAMILY<\/span><\/strong> \n The Ochoa family runs a for-profit ambulance service in Mexico City, competing with other EMTs for patients in need of urgent help. While making a living in this cut-throat industry, they struggle to keep their financial needs from jeopardising the people in their care. When a crackdown by corrupt police forces the family to try to legitimise their operation, their desperate financial situation pushes them into questionable practices, even as they continue providing essential emergency medical services. In humanising the Ochoas\u2019 ethically compromised business, Midnight Family explores important questions around healthcare, the failings of government, and the complexity of personal responsibility.<\/p>\n Director: <\/strong>Luke Lorentzen <\/p>\n \n NAKED KING – 18 FRAGMENTS ON REVOLUTION, THE<\/span><\/strong> \n 1979 – revolution in Iran. 1980 – revolution in Poland. The fall of the Shah, the “King of Kings” in Iran, mass strikes and the “Solidarnosc” movement in Poland. What happened in the minds of the young men and women who were involved in the revolutions of that time? What happened to them when the revolution was suppressed or – as in Iran – when a religious authoritarian elite took power? The director Andreas Hoessli lived in Poland as a research fellow. There, he met the reporter Ryszard Kapuscinski, who reported on the revolution in Iran. Kapuscinski’s notes are the starting point of the film\u2019s narrative, in which the director also collects the Polish secret service\u2019s files about himself, where he discovers that he is to be recruited as an informant under the name “Hassan” for the secret services of the Polish People’s Republic.<\/p>\n Original title: <\/strong>Der nackte K\u00f6nig – 18 Fragmente \u00fcber Revolution<\/p>\n Polish title:<\/strong> Nagi kr\u00f3l – 18 fragment\u00f3w o rewolucji <\/p>\n Director:<\/strong> Andreas Hoessli <\/p>\n \n NIGHTINGALES HIDE NO SECRETS<\/span><\/strong> \n <\/em>This film was shot over a period of 10 years, as the personal diary of the director\/cinematographer and his wife, Ewa. The 16mm spring camera footage turns into a family story spanning over a decade – the story of time passing, describing the difference between the two worlds of children and adults, touching life and its unexpected end. Family. Different worlds.<\/p>\n Original title:<\/strong> Tajemnic nie kryj\u0105 s\u0142owiki<\/p>\n Director:<\/strong> Pawe\u0142 Sobczyk <\/p>\n <\/p>\n SAKAWA<\/strong><\/span> \n <\/em>We have all received those e-mails from strangers announcing that you have won the lottery or that an attractive woman would like to chat with you\u2026 But who are the people that try to deceive us? What human stories lie behind this phenomenon of internet fraud? In Ghana, there is a high rate of youth unemployment. This has led many young men and women to practice internet fraud, with the help of animism\/voodoo to earn a living. Sakawa is the name given to this practice. Sakawa<\/em> is a film about a new generation in Africa dealing with a digital world in their very own way. Ama is a young mother and a newcomer on the scamming scene. OneDollar tries to save the money he earns so that he can travel to Italy. Francis, the most experienced of them all, teaches the youngsters the tricks of the trade. These stories are intertwined with the path of E-Waste. What starts as Western waste dumped in Ghana ends up as the means for the Ghanaian youth to make money. A circle that shows the resilience of this generation.<\/p>\n Director: <\/strong>Ben Asamoah <\/p>\n <\/p>\n WHERE WE BELONG<\/strong><\/span> \n <\/em>Parents split up, and a family falls apart. Two separate worlds emerge from what once was considered unity. In constant transition, children now live between two homes. Where We Belong broaches their reality and focuses not only on how fragile children are, but also how brave and smart, and how humorously they respond to their situation.<\/p>\n Director:<\/strong> Jacqueline Z\u00fcnd <\/p>","protected":false},"excerpt":{"rendered":" We announce the line-up of the Documentary Features Competition “IMAGE OF THE WORLD AND WORLD IN IMAGES” of the 27th…<\/p>\n","protected":false},"author":3,"featured_media":21014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[469],"tags":[],"class_list":["post-21011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energa-camerimage-2019"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/21011"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=21011"}],"version-history":[{"count":8,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/21011\/revisions"}],"predecessor-version":[{"id":21136,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/21011\/revisions\/21136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/21014"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=21011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=21011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=21011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/by-the-name-of-tania-1024x540.jpg\")
<\/p>\n
\n Directors:<\/strong> B\u00e9n\u00e9dicte Li\u00e9nard, Mary Jim\u00e9nez
\n Cinematographer:<\/strong> Virginie Surdej
\n Produced by:<\/strong> Clin d’Oeil Films
\n Country and year:<\/strong> Peru, Belgium, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/honeyland-kraina-miodu-1024x683.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Fejmi Daut, Samir Ljuma
\n Produced by: <\/strong>Apolo Media, Trice Films<\/p>\n
\n Country and year:<\/strong> Macedonia, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/house-for-you-a-1024x515.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Mohamad Hadadi
\n Produced by:<\/strong> Documentary Film Center of Soureh Cinema Org
\n Country and year:<\/strong> Iran, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/in-touch-1024x576.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Filip Dro\u017cd\u017c
\n Produced by:<\/strong> NUR
\n Country and year:<\/strong> Poland, Iceland, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/long-day-tomorrow-jutro-czek-1024x576.jpg\")
<\/p>\n
\n Director:<\/strong> Pawe\u0142 Wysocza\u0144ski
\n Cinematographer:<\/strong> Bartosz Bieniek
\n Produced by:<\/strong> Black and White Productions
\n Country and year:<\/strong> Poland, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/magic-life-of-v-the-1024x682.jpg\")
<\/p>\n
\n Director:<\/strong> Tonislav Hristov
\n Cinematographer:<\/strong> Alexander Stanishev
\n Produced by: <\/strong>Making Movies Oy, Soul Food Films
\n Country and year:<\/strong> Finland, Denmark, Bulgaria, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/marek-edelman-and-there-was-1024x554.jpg\")
<\/p>\n
\n Director:<\/strong> Jolanta Dylewska
\n Cinematographers:<\/strong> Jakub Kijowski, Jolanta Dylewska
\n Produced by:<\/strong> Otter Films
\n Country and year:<\/strong> Poland, Germany, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/midnight-family1-1024x540.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Luke Lorentzen
\n Produced by:<\/strong> Hedgehog Films
\n Country and year:<\/strong> Mexico, USA, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/naked-king-18-fragments-on-r-1024x576.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Peter Zwierko
\n Produced by:<\/strong> Centrala, Mira Film, TM Film
\nPolish distributor:<\/strong> Centrala
\n Country and year:<\/strong> Switzerland, Poland, Germany, 2019<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/nightingales-hide-no-secrets--1024x756.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Pawe\u0142 Sobczyk
\n Produced by:<\/strong> Miracle Worker
\n Country and year:<\/strong> Poland, 2019<\/p>\n<\/div>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/sakawa-1024x429.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Jonathan Wannyn
\n Produced by:<\/strong> Inti Films
\n Country and year:<\/strong> Belgium, 2018<\/p>\n
\n <\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/10\/where-we-belong-1024x429.jpg\")
<\/p>\n
\n Cinematographer:<\/strong> Nikolai von Graevenitz
\n Produced by:<\/strong> Real Film GmbH
\n Country and year:<\/strong> Switzerland, 2019<\/p>\n