{"id":21468,"date":"2019-11-01T15:04:26","date_gmt":"2019-11-01T14:04:26","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=21468"},"modified":"2019-11-03T11:33:16","modified_gmt":"2019-11-03T10:33:16","slug":"sklad-panoramy-etiud-studenckich-2019","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-panoramy-etiud-studenckich-2019\/","title":{"rendered":"STUDENT ETUDES PANORAMA 2019 LINE-UP"},"content":{"rendered":"

<\/p>\n

Student Etudes Panorama<\/strong> is a non-competitive section at the International Festival of the Art of Cinematography EnergaCAMERIMAGE<\/strong> featuring student fiction shorts whose high visual and artistic qualities make them a must-see at our film festival.<\/p>\n

 <\/p>\n

AZAAR<\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

A tribe of women await their men’s return from war. Azaar, one of the last young girls in the village, is intertwined with her mother, grandmother and the rest of the tribe, as she comes to learn the true cost of womanhood.<\/p>\n

Director:<\/strong> Myriam Raja
\n Cinematographer:<\/strong> Michael Filocamo
\n School:<\/strong> NFTS – National Film and Television School
\n Country and year:<\/strong> UK, 2019<\/p>\n

\n BORDER CROSSING
\n <\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

The humming, sluggish summer of 1989. A car towing a caravan reaches the Czechoslovakian-Polish border and joins a long queue. Bees are buzzing in the grass. Enclosed in a small space, a family bickers as the atmosphere thickens. On the back seat, a little girl is absorbed by the world of nature. With her, we wade into the incomprehensible world of the adults, glimpsing a fear that grows as they approach the border.<\/p>\n

Original title: <\/strong>Przej\u015bcie graniczne
\n Director:<\/strong> Agnieszka Chmura
\n Cinematographer:<\/strong> Joanna Kakitek
\n School:<\/strong> AMA Film Academy
\n Country and year:<\/strong> Poland, 2019<\/p>\n

\n CACTUS BLOSSOM
\n <\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

To win back his wife\u2019s love, an old man transforms into the thing she loves the most: a cactus.<\/p>\n

Director:<\/strong> Samir Oliveros
\n Cinematographer:<\/strong> Teck Siang Lim
\n School:<\/strong> AFI – American Film Institute Conservatory
\n Country and year:<\/strong> USA, 2019<\/p>\n

\n CHOCOLATE MAN
\n <\/span><\/strong><\/span><\/p>\n

\n \"\"<\/p>\n

Ice-cold war photographer Melson gets excited when he enters a war-ravaged village, together with a few mercenaries. But, as he performs his duty, he discovers a little girl who was left behind between all the dead bodies. Through a bar of chocolate, he gains the trust of the seemingly normal girl. Later, he will realize his initial assessment was wrong.<\/p>\n

Director:<\/strong> Murat Ey\u00fcp G\u00f6n\u00fcltas
\n Cinematographer:<\/strong> Julian C. Steiner
\n School:<\/strong> GMBH- Filmakademie Baden-W\u00fcrttemberg
\n Country and year:<\/strong> Germany, 2018<\/p>\n

\n CRESCENDO<\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

Victoria is auditioning for the second violin position in the prestigious string quartet led by her teacher, Antonio Montenegro. The night before the audition, Victoria attends a cocktail party with the intention of remaining on his good side. When he tries to seduce her, she discovers that her talent will not be the only decisive factor in her getting the spot. Insecure and threatened by the sensual nature of Ren\u00e9e, her main competition, Victoria is forced to take part in a power-play, only to realize that her own freedom is at stake.<\/p>\n

Director:<\/strong> Percival Arg\u00fcero
\n Cinematographer:<\/strong> Camilo Moncada
\n School:<\/strong> CCC – Centro de Capacitaci\u00f3n Cinematogr\u00e1fica
\n Country and year:<\/strong> Mexico, 2019<\/p>\n

\n MISS INGA ISSUES
\n <\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

When Cimon seeks refuge from his life through his drag alter ego, Miss Inga Issues, nothing can touch him- not depression, nor escalating alcoholism, not even the taxman. He dramatically quits his job, and accepts a gig at a stag do. The mood intensifies among the men, and reality catches up with him in his transient dream life as Miss Inga Issues.<\/p>\n

Director:<\/strong> Dawid Ullgren
\n Cinematographer:<\/strong> Nils Cron\u00e9
\n School:<\/strong> SADA- Stockholm Academy of Dramatic Arts
\n Country and year:<\/strong> Sweden, 2019<\/p>\n

\n MY FASHION NIGHTMARE<\/span><\/strong>
\n <\/span><\/p>\n

\n \"\"<\/p>\n

My Fashion Nightmare<\/em> is an effortless story, inspired by an element of the fashion industry, which collides with young souls at the first stages of their careers in the material world, wrapped into a careless noir primitivism. When you become aware that you\u2019re only a product, your consciousness turns into a monster. But where a nightmare ends, a sweet dream always begins.<\/p>\n

Director:<\/strong> Nikita Kvasnikov
\n Cinematographer:<\/strong> Eugene Filatov
\n School:<\/strong> KNUKiT- Kyiv National I.K. Karpenko- Kary University of Theatre, Cinema and TV
\n Country and year:<\/strong> Ukraine, 2019<\/p>\n

\n NOT THE SADDEST STORY IN THE WORLD
\n <\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

Bar, a young girl in her late 20s, is trying to get over a breakup from the only guy she ever wanted. It is an intimate journey through which we are gently exposed to her inner world, asking questions about love, passion, femininity, about being a woman both among women and among men, about the longing for beauty and the search for an identity. This is a film about the lack of love, about wanting someone so truly and having no ability to communicate, about the mysterious power of attraction, about feminine sexuality and fantasy, and the ability to move on after your heart had been broken.<\/p>\n

Director:<\/strong> Bar Alon
\n Cinematographer:<\/strong> Shai Skiff
\n School:<\/strong> Tel-Aviv University – the Department of Film & Television
\n Country and year:<\/strong> Israel, 2019<\/p>\n

\n PENTHESILEA<\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

The transsexual Puerto Rican midwife Penthesila and the French baggage handler Latif discover the chance for love in one another, but first, they must free themselves. Latif, who has hopes of becoming a pilot, has to leave his old life behind him. Penthesilea is a lone wolf and has issues trusting Latif. When Latif\u2019s ex-girlfriend confronts her in a humiliation attempt, Penthesilea feels betrayed. Her inner fears, which she has been carrying around with her ever since she first confided in her mother, are resurrected. However, this time, she is seeking revenge.<\/p>\n

Director:<\/strong> Maximilian Villwock
\n Cinematographer:<\/strong> Cedric Retzmann
\n School:<\/strong> Filmuniversit\u00e4t Babelsberg KONRAD WOLF
\n Country and year:<\/strong> Germany, 2018<\/p>\n

\n PONYBOI<\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

Ponyboi is an inter-sex runaway. He works at a laundromat and hustles as a sex-worker. But after a mysterious encounter with the man of his dreams, he learns that perhaps he is worthy of leaving his seedy life in New Jersey behind. Ponyboi is a queer film about discovering self-redemption and love.<\/p>\n

Director:<\/strong> River Gallo
\n Cinematographer:<\/strong> Madeline Leach
\n School:<\/strong> USC School of Cinematic Arts
\n Country and year:<\/strong> USA, 2019<\/p>\n

\n SISTERS<\/span><\/strong><\/p>\n

\u00a0 \"\"<\/p>\n

Sisters<\/em> tells the tale of three sisters growing up in a dysfunctional family, a family without a mother. Sarah, Vera and Julia are at each other\u2019s mercy, and survive just as long as they are together. With their movements and imagination, they make their world bigger, more beautiful and more bearable. They play, tickle each other, and sometimes exclude one another, but one thing is certain: their connection is stronger than a diamond. But are the connection and the magic of their movements truly strong enough to overcome the reality of their existence?<\/p>\n

Director:<\/strong> Daphne Lucker
\n Cinematographer:<\/strong> Casper Van Oort
\n School:<\/strong> AHK – Netherlands Film Academy
\n Country and year:<\/strong> Netherlands, 2018<\/p>\n

\n TOMORROW AT DAWN
\n <\/span><\/strong><\/p>\n

\n \"\"<\/p>\n

1943. In a small village, Amerigo, due to his crippled leg, is the only man who hasn’t gone to war. He lives with his wife, Ida, and their daughter, Annetta, who is very sick and in urgent need of a medic. Ida would like to go to the closest village to search for a doctor, but Amerigo is scared.\u2026<\/p>\n

Original title:<\/strong> Domani All\u2019Alba
\n Director:<\/strong> Giulia Di Battista
\n Cinematographer:<\/strong> Mirko Ciabatti
\n School:<\/strong> CSC – Centro Sperimentale di Cinematografia – Scuola Nazionale di Cinema
\n Country and year:<\/strong> Italy, 2019<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Each year hundreds of students from all over the world come to EnergaCAMERIMAGE<\/strong>. For many of them, a week at the festival feels like they are taking part in a short yet extensive film course. It\u2019s like a knowledge given in a nutshell.<\/p>\n

\n We know how important, especially for young filmmakers, who are just at the beginning of this tough and demanding path is the opinion and advice of experienced filmmakers.<\/p>\n

\n That is why, this year, the Student Etudes Panorama<\/strong> will be followed by the Round Table session \u2013 equal and open discussion devoted to the cinema. The authors of presented films will be joined by the acclaimed filmmakers Oliver Stapleton, BSC<\/strong> and Stephen Lighthill, ASC<\/strong>.<\/p>\n

We believe that the participant of the very first Round Table will gain a valuable experience, and will get to know not only other fellow filmmakers but thanks to that they will have a unique chance for knowledge exchange.<\/p>\n

\n After each block of the Student Etudes Panorama<\/strong>, approx. 90 minutes discussion will be carried on, conducted by Oliver Stapleton, BSC<\/strong> and Stephen Lighthill, ASC<\/strong> and with participation of the authors of the screened etudes.<\/p>\n

(In English only)<\/strong><\/em><\/p>\n

 <\/p>\n

\"\"<\/p>\n

Oliver Stapleton, photo by fotografowie.com<\/em><\/p>\n

\"\"<\/p>\n

Stephen Lighthill, photo by fotografowie.com<\/em><\/p>\n

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