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ACADIANA<\/span> May 2017. The city of Breaux Bridge, Louisiana, is the theatre of the mythic Crawfish Festival. It\u2019s just another day in America.<\/p>\n Directors: <\/strong>Guillaume Fournier, Samuel Matteau, Yannick Nolin \n ALONE TOGETHER<\/span> Ravit spends all her time sharing her love wherever it is needed. During the day, she cooks for hundreds of Tel Aviv\u2019s homeless, and in the evenings, she hugs abandoned babies in the postnatal ward. Without human touch and the warmth of a hug, the abandoned babies won\u2019t develop properly and can even die. Ravit always wanted children of her own, but life dictated otherwise. As she turns 50, she decides that she too wants to be on love\u2019s receiving end, but that may prove to be a lot harder to find.<\/p>\n Original title: <\/strong>Beyachad Levad \n BABENCO: TELL ME WHEN I DIE<\/span> \u201cI Have already lived my death, and now all that is left is to make a film about it.\u201d So said the filmmaker Hector Babenco to B\u00e1rbara Paz when he realised he did not have much time left. She accepted the challenge to fulfil her late partner\u2019s last wish: to be the main protagonist in his own death. Babenco made cinema his medicine and the nourishment that kept him alive. The film is about filming so as never to die.<\/p>\n Director:<\/strong> B\u00e1rbara Paz BLACK MUD<\/span> Zbigniew Jask\u00f3lski is a goat breeder, running his farm in an environmentally sustainable manner. He also struggles with bipolar disorder (BD). The key to successful treatment lies in correct diagnosis and careful selection of medications. Zbigniew discovered another effective medicine \u2013 the therapeutic effect the surrounding nature and contact with his beloved goats have on him. Respecting nature, he treats the world as a place of harmony that should develop in a sustainable way in order to ensure a healthy and safe future for all beings. Original title: <\/strong>Czarne b\u0142oto CAVE, THE<\/span> For besieged civilians, hope and safety lie underground inside the subterranean hospital known as the Cave, where paediatrician and managing physician Dr Amani Ballour and her colleagues Samaher and Dr Alaa have claimed the right to work as equals alongside their male counterparts, doing their jobs in a way that would be unthinkable in the oppressively patriarchal culture that exists above ground. Following the women as they contend with daily bombardments, chronic supply shortages, and the ever-present threat of chemical attacks, The Cave<\/em> paints a stirring portrait of courage, resilience, and female solidarity.<\/p>\n Polish title: <\/strong>Jaskinia CITY HALL<\/strong><\/span> <\/em>City government touches almost every aspect of our lives. Most of us are unaware of or take for granted these necessary services such as police, fire, sanitation, elder support, licensing of various professional activities, recordkeeping of birth, marriage, and death, as well as hundreds of other activities that support Boston residents and visitors. The film shows the Boston city government’s efforts to provide these services, as well as illustrates the variety of ways the city administration enters into civil discourse with Boston citizens.<\/p>\n Director:<\/strong> Frederick Wiseman EARTH IS BLUE AS AN ORANGE, THE<\/span> <\/em>To cope with the daily trauma of living in a warzone, Anna and her children make a film together about their life in the most surreal surroundings. The creative process raises the question of what kind of power the magical world of cinema could have du\u00acring times of disaster. How does one picture war through fiction? For Anna and her children, transforming trauma into a work of art is the ultimate way to stay human.<\/p>\n Polish title: <\/strong>Ziemia jest niebieska jak pomara\u0144cza <\/em>Waves come crashing down on a solitary wave breaker at the edge of the sea \u2013 this dramatic opening image conveys the spirit of a place that has withstood decades of external pressure. On the streets of Havana, residents of all ages share their views on living in a colonized country, as well as on the internal freedom they experience in spite of the severe sanctions. Academy Award\u00ae-nominated director and cinematographer Hubert Sauper offers an immersive and symbolic portrait of a postcolonial, \u201cutopian\u201d Cuba.<\/p>\n Polish title: <\/strong>Epicentrum <\/p>\n HOMECOMING – MARINA ABRAMOVIC AND HER CHILDREN<\/span> The occasion is The Cleaner<\/em>, a travelling retrospective exhibition with its final destination in Belgrade, the artist\u2019s hometown. It contemplates her whole life, including dilemmas from her youth in Belgrade, misguided love affairs, and a special kind of loneliness. It centres around reperformance as a phenomenon. Who are reperformers?<\/p>\n Original title: <\/strong>Povratak Ku\u0107i – Marina Abramovi\u0107 I Njena Deca \n HOPPER\/WELLES<\/strong><\/span><\/p>\n Hopper\/Welles<\/em> is an intimate and revelatory 1970 conversation between two film giants \u2013 Dennis Hopper, then riding high on the massive success of Easy Rider<\/em>, and Orson Welles, ever the iconoclast and offscreen interviewer of probing authority. Both had emerged from notoriety to change the face of cinema. It seems only natural that they would meet, so they did, over a long, boisterous dinner. Captured during the guerrilla shooting of Welles\u2019 troubled, long-in-the-making The Other Side of the Wind<\/em>, the back and forth yields two fascinatingly similar characters: the elder lion in winter and the younger firebrand headed for a fall from grace.<\/p>\n Director:<\/strong> Orson Welles KITES<\/span> <\/em>This documentary tries to get a closer look at kitesurfing and the people that practice it. In Poland, it can be captured specifically on the Hel peninsula, where enthusiasts cooperate with the unpredictable power of the wind to soar into the sky and, at least for a second, break away from the water\u2019s surface. For some, it\u2019s a passion, and for others, it\u2019s a matter of achieving professional success. The youngest of all have to face a big decision \u2013 whether to engage themselves in this dangerous and demanding but also impressive sport or to remain an observer.<\/p>\n Original title: <\/strong>Latawce \n LADY CAMERAMAN<\/span> <\/em>A feature documentary highlighting some of the leading women in cinematography and inspiring those of the future. Did you know there are less than 15 women out of more than 350 members of the American Society of Cinematographers? Lady Cameraman<\/em> is a documentary focused on the leading women in the industry and their struggles and successes of how they got there. It is a film about past challenges, present ambitions, and the future impacts women are making in the world of cinematography.<\/p>\n Director: <\/strong>Julia Swain \n MOTH<\/span> <\/em>Summer, 2016. The French region of Dr\u00f4me Proven\u00e7ale is invaded by swarms of white moths. As night approaches, everyone caulks at home. As the wave approaches, Lou discovers her feelings for her friend Sam. By the end of the season, the moth will have devastated the century-old box trees in the region, leaving behind a landscape of ruin.<\/p>\n Original title: <\/strong>Pyrale \n ONE MORE ORBIT<\/span> A daring team of astronauts and aviators fly a high-speed Gulfstream jet around the earth faster than anyone ever has to set the pole-to-pole circumnavigation record. Beginning their mission from the same spot Apollo 11 launched for the moon 50 years before, this tribute to the past, present, and future of space exploration breaks the boundaries of what was previously thought possible. Director:<\/strong> Terry Virts \n OVERSEAS<\/span> <\/em>In the Philippines, women are deployed abroad to work as domestic workers or nannies. In doing so, they frequently leave their own children behind before throwing themselves into the unknown. In one of the many training centres dedicated to domestic work, a group of trainees gets ready to face both homesickness and the possible abuses lying ahead. During role-playing exercises, they alternately play the roles of the employee and that of the employers.<\/p>\n Director:<\/strong> Sung-A Yoon \n PAINTER AND THE THIEF, THE<\/span> Barbora Kysilkova, a Czech painter living in Oslo, learns that two of her paintings displayed in a local gallery have been stolen. Footage from security cameras results in the criminals being quickly identified and arrested. Barbora appears at the trial and asks convicted Karl-Bertil Nordland for a meeting. Desperate to get her paintings back, she is also fascinated by the personality of the thief. She decides to paint his portrait. A thread of friendship soon develops between the painter and the thief.<\/p>\n Polish title: <\/strong>Malarka i z\u0142odziej \n REWILD<\/span>
\n <\/strong><\/span><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/Acadiana_3.jpg\")
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\n Cinematographer:<\/strong> Yannick Nolin
\n Produced by:<\/strong> Jean-Pierre V\u00e9zina
\n Country and year:<\/strong> Canada, 2019<\/p>\n
\n <\/strong><\/span><\/p>\nP<\/a>hoto by Einav Giat Goodman<\/em><\/p>\n
\n Director:<\/strong> Maya Tiberman
\n Cinematographer:<\/strong> Einav Goodman
\n Produced by:<\/strong> Sol Goodman
\n Country and year:<\/strong> Israel, 2019<\/p>\n
\n <\/strong><\/span><\/p>\n<\/a><\/p>\n
\n Cinematographers:<\/strong> Stefan Ciupek, Carolina Costa
\n Produced by:<\/strong> HB Filmes
\n Country and year:<\/strong> Brasil, 2019<\/p>\n
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\n Director:<\/strong> Ryszard Kruk
\n Cinematographers: <\/strong>J\u00f3zef Romasz, Ryszard Kruk, Kajetan Pochylski
\n Produced by:<\/strong> Ryszard Kruk
\n Country and year:<\/strong> Poland, 2020<\/p>\n
\n <\/span><\/strong><\/p>\n<\/a><\/p>\n
\n Director:<\/strong> Feras Fayyad
\n Cinematographers:<\/strong> Muhammed Khamir Al Shami, Mohammad Eyad, Samer Qweder Ammar Suleiman
\n Produced by:<\/strong> Danish Documentary Production
\n Country and year:<\/strong> Denmark, Germany, France, UK, USA, Qatar, Siria, 2019<\/p>\n
\n <\/strong><\/span><\/p>\n<\/a><\/p>\n
\n Cinematographer: <\/strong>John Davey
\n Produced by:<\/strong> Zipporah Films
\n Country and year:<\/strong> USA, 2020<\/p>\n
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\n Director:<\/strong> Iryna Tsilyk
\n Cinematographer:<\/strong> Yuri Gruzinov, Tsvetkov Vyacheslav
\n Produced by:<\/strong> Albatros Communicos, Moonmakers
\n Country and year: <\/strong>Ukraine, Lithuania, 2020<\/p>\n
\n EPICENTRO<\/span>
\n <\/span><\/strong><\/p>\n<\/a><\/p>\n
\n Director:<\/strong> Hubert Sauper
\n Cinematographer:<\/strong> Hubert Sauper
\n Produced by:<\/strong> Paolo Calamita, Gabriele Kranzelbinder, Daniel Marquet, Martin Marquet
\n Polish distributor:<\/strong> Against Gravity
\n Country and year:<\/strong> Austria, France, 2020<\/p>\n
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\n Director:<\/strong> Boris Miljkovic
\n Cinematographer:<\/strong> Andreja Leko
\n Produced by:<\/strong> Jovana Karaulic
\n Country and year:<\/strong> Serbia, 2020<\/p>\n<\/a><\/p>\n
\n Cinematographer:<\/strong> Gary Graver
\n Produced by:<\/strong> Royal Road Entertainment
\n Country and year:<\/strong> USA, 2020<\/p>\n
\n <\/strong><\/span><\/p>\n<\/a><\/p>\n
\n Directors:<\/strong> Franciszek D\u017awier\u017cy\u0144ski, \u0141ukasz Stryjewski
\n Cinematographer:<\/strong> Franciszek D\u017awier\u017cy\u0144ski
\n Produced by:<\/strong> Warsaw Film School
\n Polish distributor:<\/strong> Warsaw Film School
\n Kraj i rok:<\/strong> Poland, 2020<\/p>\n
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\n Cinematographer:<\/strong> Julia Swain, Teodora Totoiu
\n Produced by:<\/strong> Pamela Robinson, Julia Swain
\n Country and year:<\/strong> USA, 2019<\/p>\n
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\n Director:<\/strong> Roxanne Gaucherand
\n Cinematographer: <\/strong>Raimon Gaffier
\n Produced by:<\/strong> Quartett Production
\n Country and year:<\/strong> France, 2020<\/p>\n
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\n Cinematographer: <\/strong>James Neihouse
\n Produced by:<\/strong> Untitled
\n Country and year:<\/strong> USA, Qatar, Russia, Mauritius, 2019<\/p>\n
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\n Cinematographer:<\/strong> Thomas Schira
\n Produced by:<\/strong> Clin d’Oeil Films, Films de l\u2019Oeil Sauvage, Iota Production
\n Country and year: <\/strong>Belgium, France, 2019<\/p>\n
\n <\/strong><\/span><\/p>\n<\/a><\/p>\n
\n Director:<\/strong> Benjamin Ree
\n Cinematographers:<\/strong> Kristoffer Kumar, Benjamin Ree
\n Produced by:<\/strong> Ingvil Giske
\n Polish distributor:<\/strong> Against Gravity
\n Country and year:<\/strong> Norway, 2020<\/p>\n
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