{"id":26997,"date":"2020-10-28T22:18:42","date_gmt":"2020-10-28T21:18:42","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=26997"},"modified":"2020-11-11T22:39:59","modified_gmt":"2020-11-11T21:39:59","slug":"przeglad-kina-panstw-nadbaltyckich-2020","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/przeglad-kina-panstw-nadbaltyckich-2020\/","title":{"rendered":"BALTIC CINEMA REVIEW 2020"},"content":{"rendered":"<p><\/p>\n<p><strong>The Baltic Cinema Review<\/strong> was established in 2015 to promote the film industry of the <strong>Baltic Sea<\/strong> region among the international audience of the <strong>EnergaCAMERIMAGE<\/strong> festival. During the several editions of the<strong> Review<\/strong> we have established a broad network of contacts, through which we are able to reach the most interesting and visually stunning film productions from the region and other cooperating countries. Our intent is to select films that, in addition to their visual values, explore subjects important to the inhabitants of the region and take into account phenomena relevant to the cinematography of a given country. We invite you to watch films from the <strong>Baltic Sea<\/strong> countries. Here is the line-up of this year\u2019s <strong>Review<\/strong>:<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span><strong><span style=\"color: #d29600; font-size: 18pt;\">ABOUT ENDLESSNESS<\/span><br \/>\n <\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1-1024x576.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27020\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/AboutEndlessness-MotorFailure-1_Rec709G22-48nits_02093103-1.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>A mosaic of short etudes filmed with a static camera in a single shot (with only one exception) depicts seemingly trivial situations and dramatic events in modern, historical, realisticyet- absurd, and metaphysical scenes. Most of these visually ascetic and simultaneously perfect images are commented on from outside the frame by the female voice of today\u2019s Scheherazade. All of them make up a melancholic panorama of different shades of life, submerged in subdued colours of autumn and silence, rarely interrupted by music.<\/p>\n<p><strong>Original title: <\/strong>Om det o\u00e4ndliga<strong><br \/>\n Polish title: <\/strong>O niesko\u0144czono\u015bci<strong><br \/>\n Director: <\/strong>Roy Andersson<br \/>\n <strong>Cinematographer:<\/strong> Gergely P\u00e1los<br \/>\n <strong>Produced by:<\/strong> 4 1\/2 Film AS, Essential Filmproduktion, Roy Andersson Filmproduktion<br \/>\n <strong>Polish distributor:<\/strong> Aurora Films<br \/>\n <strong>Country and year:<\/strong> Sweden, Germany, Norway, France, 2019<\/p>\n<p style=\"text-align: center;\">\n <span><strong><span style=\"color: #d29600; font-size: 18pt;\">ANOTHER ROUND<\/span><br \/>\n <\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten-1024x576.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27018\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/002-Druk-Mads-Mikkelsen-Photo-By-Henrik-Ohsten.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><br \/>\n <em><\/em><span style=\"color: #fc2c37; font-size: 18pt;\"><strong>FILM UNAVAILABLE ONLINE<\/strong><\/span><\/p>\n<p>There is a theory according to which even a small dose of alcohol in a person\u2019s body makes them more outspoken, creative, and vigorous. Why not give this thesis a go? Especially if you feel old, exhausted, and burned out, and are surrounded with people with high expectations \u2013 like the film\u2019s main character, a high school teacher named Martin. The man and his three friends decide to start drinking \u2013 in moderation, but on a daily basis. At first, the results of this experiment seem promising, but this does not last long&#8230;<\/p>\n<p><strong>Original title: <\/strong>Druk<strong><br \/>\n Polish title: <\/strong>Na rauszu<strong><br \/>\n Director:<\/strong> Thomas Vinterberg<br \/>\n <strong>Cinematographer:<\/strong> Sturla Brandth Gr\u00f8vlen<br \/>\n <strong>Produced by:<\/strong> Zentropa Entertainments<br \/>\n <strong>Country and year:<\/strong> Denmark, 2019<\/p>\n<p style=\"text-align: center;\">\n <span><strong><span style=\"color: #d29600; font-size: 18pt;\">HOPE<\/span><br \/>\n <\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1-1024x384.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27019\" width=\"1024\" height=\"384\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1-1024x384.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1-300x113.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1-768x288.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1-607x228.jpg 607w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/HOPE-Family-meeting-Copyright-Motlys-photo-by-Manuel-Claro-1.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Anja and Tomas are two adults with artistic backgrounds. They live in a civil partnership, raising five children: three of their own and two from Tomas\u2019s previous marriage. Consumed by work, the spark of happiness between the two is gone. They also face the consequences of not having paid enough attention to their children. However, it will be but a trifle when faced with a dramatic situation which will make the family face a serious challenge, ironically during the joy of Christmas time. The film is a true story presented naturally by convincing actors.<\/p>\n<p><strong>Original title: <\/strong>H\u00e5p<strong><br \/>\n Polish title: <\/strong>Nadzieja<strong><br \/>\n Director:<\/strong> Maria S\u00f8dahl<br \/>\n <strong>Cinematographers:<\/strong> Manuel Alberto Claro<br \/>\n <strong>Produced by:<\/strong> Motlys, Oslo Pictures<br \/>\n <strong>Polish distributor:<\/strong> Aurora Films<br \/>\n <strong>Country and year:<\/strong> Norway, Sweden, 2019<\/p>\n<p style=\"text-align: center;\"><span><strong><span style=\"color: #d29600; font-size: 18pt;\">MOTHERLAND<\/span><br \/>\n <\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1-1024x429.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27017\" width=\"1024\" height=\"429\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1-1024x429.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1-300x126.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1-768x322.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1-544x228.jpg 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/20180425_Motherland_STILLS_4K__3.34.1-1.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Soon after the fall of the Soviet Union, following her extended stay in the US, 40-year-old Victorija returns home to Lithuania with Kovas, her son, born overseas. The boy experiences his mother\u2019s motherland for the first time. Through his eyes, we see Victorija\u2019s efforts to reassimilate to the country that has drastically changed while she was gone and to claim her family\u2019s estate. This storytelling provides both subtlety and lyricism, clearly captured in the beautiful cinematography of the deceased Audrius Keme\u017eys.<br \/>\n <strong><\/strong><\/p>\n<p><strong>Original title: <\/strong>Gimtin\u00e9<strong><br \/>\n Director:<\/strong> Tomas Vengris<br \/>\n <strong>Cinematographer: <\/strong>Audrius Keme\u017eys<br \/>\n <strong>Produced by:<\/strong> Heimathafen Film, Locomotive Productions, Studio Uljana Kim<br \/>\n <strong>Country and year:<\/strong> Lithuania, Latvia, Germany, Greece, 2019\n <\/p>\n<p style=\"text-align: center;\"><strong><span><span style=\"color: #d29600; font-size: 18pt;\">SPY, THE<\/span><br \/>\n <\/span><\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5-1024x433.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27022\" width=\"1024\" height=\"433\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5-1024x433.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5-300x127.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5-768x325.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5-539x228.jpg 539w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/The-Spy-5.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>World War II is raging when Sonja Wigert, a Norwegian theatre and movie diva, sparks the interest of German Nazis. They hope to use her for their propaganda, promising her the role of her dreams. At the same time, anti-fascist intelligence wants to recruit Sonja to spy on an important Nazi figure &#8211; the same man who has a say in her career and shows an interest in more than just her art. Which side will Sonja pick when she needs to make her resolve clear? The film is a refined thriller based on facts disclosed 15 years ago.<\/p>\n<p><strong>Original title: <\/strong>Spionen<strong><br \/>\n Polish title: <\/strong>Agentka<strong><br \/>\n Director:<\/strong> Jens Jonsson<br \/>\n <strong>Cinematographer:<\/strong> Anton Mertens<br \/>\n <strong>Produced by:<\/strong> 4 1\/2 Fiksjon, B-Reel Films, Film i V\u00e4st, Nordisk Film<br \/>\n <strong>Polish distributor:<\/strong> Mayfly<br \/>\n <strong>Country and year:<\/strong> Norway, 2019<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>TRUTH AND JUSTICE<\/strong><\/span><span><strong><br \/>\n <\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1-1024x426.jpg\" alt=\"\" class=\"aligncenter size-large wp-image-27023\" width=\"1024\" height=\"426\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1-1024x426.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1-768x320.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1-548x228.jpg 548w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/11\/3_Truth_and_Justice_stills_Allfilm-1.jpg 1100w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><em><\/em>A young farmer named Andres and his wife Kr\u00f5\u00f5t settle in a godforsaken part of Estonia. The man believes that with hard work and God\u2019s grace, he can achieve happiness. However, personal drama and a long-lasting quarrel with a hot-blooded neighbour impede his plans. Losing himself in work, searching obsessively for truth and justice, Andres is torn between home, church, court, and a tavern, tormented by destructive emotions. An epic adaptation of a novel by the classic author of Estonian realist literature, Anton Hansen Tammsaare, the film commands attention with its visual representation of humanity\u2019s ties to nature and landscape, owing much to the cinematographer Rein Kotov.<\/p>\n<p><strong>Original title: <\/strong>T\u00f5de ja \u00f5igus<strong><br \/>\n Director:<\/strong> Tanel Toom<br \/>\n <strong>Cinematographer: <\/strong>Rein Kotov<br \/>\n <strong>Produced by:<\/strong> Allfilm<br \/>\n <strong>Country and year:<\/strong> Estonia, 2019<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The Baltic Cinema Review was established in 2015 to promote the film industry of the Baltic Sea region among the&#8230;<\/p>\n","protected":false},"author":3,"featured_media":27017,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[525],"tags":[],"class_list":["post-26997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage2020"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/26997"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=26997"}],"version-history":[{"count":4,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/26997\/revisions"}],"predecessor-version":[{"id":27041,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/26997\/revisions\/27041"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/27017"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=26997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=26997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=26997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}