\n <\/span>
\n The judging and awards are being organised with the co-operation of the ASC (American Society of Cinematographers), Imago (the International Federations of Cinematographers) and CSI (Colorist Society International).<\/span>
\n <\/span>
\n Roberto Schaefer<\/strong> (ASC AIC, Imago), said, \u201cFor years I have believed that as cinematographers we need to acknowledge that there is more to creating the best cinematography. The finished product is the work of many talented and artistic individuals who should be recognised in a wide, cross-departmental way. I hope that this will be a beginning.\u201d<\/span>
\n <\/span>
\n FilmLight<\/span>\u00a0has started to unveil the panel of industry luminaries who will evaluate the nominees. Renowned filmmakers and representatives of the film industry from all over the world accepted the invitation to participate. The applications sent by the colourists will be assessed by:\u00a0Danny Cohen<\/strong>,\u00a0Peter Doyle<\/strong>,\u00a0Beatriz Pineda<\/strong>,\u00a0Anthony Dod Mantle<\/strong>,\u00a0Nicola Daley<\/strong>,\u00a0Jet Omoshebi<\/strong>\u00a0and Simon Astbury<\/strong>.<\/span><\/p>\n
Oscar and BAFTA-nominated cinematographer\u00a0Danny Cohen<\/strong>\u00a0brings a unique creative perspective. \u201cHow a cinematographer and a colourist work together on a film is key,\u201d said Cohen. \u201cThere needs to be a sympathetic understanding of the project as so much hangs on the grading. For a colourist to be able to interpret what a DoP wants and then execute the look is vital.\u201d<\/span> Zak\u00a0Tucker<\/strong>, Co-Founder and CEO & President of HARBOR, said\u00a0\u201cI was pleased to hear of the launch of FilmLight\u2019s Colour Awards. The individual skills, passion and talent of\u00a0colourists contribute greatly to the stories we see on our screens today, so it is excellent for these artists to be recognized accordingly. For example, Harbor’s colourists are dedicated to finding that alpha \u2013 that extra turn which brings the image to the sublime. It is for this reason that I\u2019ll always support the recognition and celebration of their talent, along with the art and technique of colour.\u201d<\/p>\n \n Wolfgang Lempp<\/strong>, CEO of FilmLight said, \u201cWe conceived the idea of the Colour Awards because we wanted to emphasise the creative and collaborative role of the colourist in the whole industry, and this is boosted by the support we are receiving from the three leading professional bodies.<\/span> About FilmLight<\/strong> <\/p>","protected":false},"excerpt":{"rendered":" FilmLight\u00a0recently launched a new event honouring colourists and the art of colour worldwide, with winners due to be celebrated at\u00a0EnergaCAMERIMAGE…<\/p>\n","protected":false},"author":4,"featured_media":28203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[573,572],"tags":[],"class_list":["post-28262","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2021","category-energacamerimage-2021"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/28262"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=28262"}],"version-history":[{"count":8,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/28262\/revisions"}],"predecessor-version":[{"id":28288,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/28262\/revisions\/28288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/28203"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=28262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=28262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=28262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/08\/filmlight-jury.jpg\")
<\/a><\/p>\n
\n <\/span>
\n Peter Doyle<\/strong>\u00a0has formed long-term collaborations with DoPs such as Bruno Delbonnel, Seamus McGarvey and Philippe Rousselot, and directors such as Tim Burton, Joe Wright, Guy Ritchie and Peter Jackson. From using custom software to colour grade\u00a0The Matrix<\/span><\/em>\u00a0in the \u201990s, to commissioning the first of the DI grading packages for\u00a0The Lord of the Rings<\/span><\/em>\u00a0in the early 2000s, Peter now works with PostWorks NYC, contributing to the design of a new unified colour ecosystem from rushes through to final deliverables.<\/span>
\n <\/span>
\n Beatriz Pineda<\/strong>\u00a0is senior director, non-linear distribution and new technologies for HBO Latin America. She has helped companies such as HBO and Sony to optimise their media distribution pipelines, introducing innovative products in a highly demanding industry.<\/span>
\n <\/span>
\n The Oscar and BAFTA-winning cinematographer for\u00a0Slumdog Millionaire<\/em><\/span>,\u00a0Anthony Dod Mantle<\/strong>, is known for his collaboration with iconic directors such as Danny Boyle, Lars von Trier, Ron Howard, Oliver Stone, Thomas Vinterberg and Kevin MacDonald.<\/span>
\n <\/span>
\n Nicola Daley<\/strong>\u00a0is a world-renowned Australian cinematographer who has shot documentaries everywhere from Iraq to North Korea, and who now focuses on drama and commercials.<\/span>
\n <\/span>
\n Joining the judging as well is multi award-winning senior colourist\u00a0Jet Omoshebi<\/strong>\u00a0from Goldcrest Post Production Facilities in London. Collaborating with highly regarded DoPs, directors and agencies, Jet has contributed to acclaimed TV dramas and feature films in recent years, including\u00a0Fortitude<\/em><\/span>,\u00a0Rellik<\/em><\/span>,\u00a0The Night Manager<\/em><\/span>,\u00a0The Witcher<\/em><\/span>\u00a0and\u00a0The Terror<\/em><\/span>.<\/span>
\n <\/span>
\n The panel also includes\u00a0Simon Astbury<\/strong>, managing director at Juice in Shanghai. Starting as a rushes colourist for classic films such as\u00a0Notting Hill<\/em><\/span>\u00a0and\u00a0Shakespeare in Love<\/em><\/span>, he has worked with industry legends such as Jack Cardiff and Baz Luhrmann. Astbury commented, \u201cColourists have long toiled in the gloom, bringing their unique brand of magic to film and TV screens in relative anonymity. I\u2019m hugely looking forward to being a member of the jury for these awards, bringing colourists and their amazing work blinking into the daylight.\u201d<\/span>
\n <\/span><\/p>\n
\n <\/span>
\n \u201cI\u2019m sure that having both colourists and cinematographers, artists and technologists on the judging panel will spark some lively debates,\u201d Lempp added. \u201cI look forward to seeing the results of their deliberations, and honouring the best work.\u201d<\/span>
\n <\/span>
\n While\u00a0FilmLight\u00a0<\/span>is sponsoring and organising the\u00a0Colour Awards 2021<\/strong>, users of any grading technology are welcome to enter, as are colourists from the largest post facilities to home set-ups. The only criterion for success is that the technology should be used to create visually stimulating and satisfying imagery.<\/span>
\n <\/span>
\n Colourists or their sponsors still have time to enter the awards at\u00a0https:\/\/filmlight.awardcore.com<\/a><\/span>. Nominations will close on 15 September, with a shortlist announced in October and the winners revealed in November.<\/strong><\/p>\n
\n <\/span>
\n FilmLight<\/span> develops unique colour grading systems, image processing applications and workflow tools that are transforming film and video post-production and setting new standards for quality, reliability and performance. The company\u2019s streamlined metadata-based workflows employ robust products with cutting edge creative tools, allowing creative professionals to work at the forefront of the digital media revolution. Founded in 2002, FilmLight\u2019s core business is centred on the innovation, implementation and support of its products\u2014including Baselight, Prelight and Daylight\u2014in leading production companies, post-production facilities and film\/TV studios around the world. FilmLight is headquartered in London, where its research, design and manufacturing operations are centred. Sales and support are conducted through regional service centres and qualified partners worldwide. For more information, visit\u00a0<\/span>http:\/\/www.filmlight.ltd.uk<\/a><\/span><\/p>\n