![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2019\/11\/SFP_eng.jpg\")
<\/a><\/center>ANNULAR ECLIPSE<\/span>
\n <\/strong><\/span><\/h1>\n<\/a>![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/10\/rsz_still_2-1024x412.jpg\")
<\/a><\/div>\n\nWhat is human identity made of if not the ever-expanding collection of memories of the things done, told and thought of; how a person loved, dreamt, despaired, and reacted to the failures of everyday life? Would people be who they seem to be without those snippets of the past that tell them who they are, or could they create themselves from scratch time and again? Our bodies also have a memory of sorts, but can they really function independently from our minds? And what if there was a technology that enabled injecting a body with someone else\u2019s memories? In the near future, in 2030\u2019s China, two assassins, Ge and Song, use their time to kill various targets sent to them by a mysterious organization. Ge, however, has not been himself lately. At night he is tormented by surreal nightmares, at day he experiences dreamlike visions \u2013 to the extent that he begins to question his identity. Could he be a product of the latest technology that had eliminated Alzheimer by allowing people to enter others\u2019 minds? Quite unexpectedly, during one of his assignments, Ge sees a photo of his victim and\u2026 himself.<\/p>\n<\/div>\n<\/div>\n
Original title: <\/strong>Ji Yi Qiu Long
\n Director: <\/strong>Zhang Chi
\n Cinematographer: <\/strong>Yi Fang
\n Produced by: <\/strong>Ning Bo Holy High Film Task Group
\n Country and year: <\/strong>China, 2021<\/p>\n\u00a0\u00a0<\/div>\n<\/div>\n\n<\/div>\n\n\nBACK TO THE WHARF<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/10\/rsz_backtothewharf_still_1-1024x530.jpg\")
<\/a><\/div>\nThe year is 2007, the previous two decades were marked by China\u2019s large-scale modernisation that had made the country a global player with countless nameless victims swept under the rug in the process. One of them was Song Hao. At the beginning of the 1990s, he is living in a small coastal fishing town and quickly becoming one of the best students. Everything is going as planned when his future is shattered to pieces \u2013 because of dirty politics and ubiquitous corruption he loses the opportunity to go to college. Furious, Song Hao accidentally kills an innocent man and then runs away, as far as he can, in order not to disgrace his family. It is the year 2007, Song Hao returns home to attend the funeral of his mother and finds the town significantly developed: visually, structurally and mentally. The authorities have changed, the people have changed, so have the standard of living. While trying to find a place for himself in this brave, new world, Song Hao will have to face his sins from the past. He will also have to deal with his father who helped him to escape all those years ago, and with the daughter of the man he killed.<\/p>\n<\/div>\n<\/div>\nOriginal title: <\/strong>Feng Ping Lang Jing
\n Director: <\/strong>Xiaofeng Li
\n Cinematographer: <\/strong>Songri Piao
\n Produced by: <\/strong>Xiamen Maoying Media, Tianjin Maoyan Weying Media, Fujian Pingtan Turan Movie, Shanghai Hanna Pictures, Tianjin Turan Movie, Shanghai Dashui Cultural Development
\n Country and year: <\/strong>China, 2020<\/p>\n\u00a0<\/div>\n\u00a0<\/div>\n\nBIPOLAR<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/10\/rsz_3-1024x711.jpg\")
<\/a><\/div>\n\nA nameless musician comes to Tibet to experience a pilgrimage of sorts that is supposed to help her free herself from the traumas of the past. Particularly the memories of a certain dead boy who she had once loved. This is no ordinary day, as it is her birthday. Waiting in a restaurant for a meal she has ordered, the girl notices a lobster with a beautiful rainbow shell \u2013 the animal, as she is led to believe by the restaurant\u2019s staff, is somehow sacred, maybe even magical. The musician cannot get over the imprisoned creature\u2019s apparent suffering; thus, she decides to go on an entirely new pilgrimage \u2013 its only purpose is to put the lobster back to the distant place where it was captured. Riding through the Tibetan wilderness, the protagonist meets a number of characters who are connected to her past in one way or another: a wig salesman, a poetry-loving monk, a pregnant woman, a horse rider, etc. She dives deep into the increasingly dreamlike odyssey where nothing, yet everything is real.<\/p>\n<\/div>\n
Director: <\/strong>Queena Li
\n Cinematographer: <\/strong>Yuming Ke
\n Produced by: <\/strong>Nameless Pictures
\n Country and year: <\/strong>China, 2020<\/p>\n\u00a0<\/div>\n\n\u00a0<\/div>\n<\/div>\n<\/div>\n<\/div>\n\nCHUPACABRA<\/span>
\n <\/strong><\/span><\/h1>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/10\/rsz_chupacabra_01-1024x429.jpg\")
<\/a><\/div>\nSurrounded by the harsh and ethereal beauty of the Black Sea lives a family that should not have become a family at all. Nine-year-old Andrey often wanders around the local wilderness, combing the rocky beaches and seaside caves in search of various objects to fill his spacious imagination with ideas that can quench his sense of desperate loneliness. The distant man whom he learned to call his dad is a drunk and does not feel any parental responsibility towards a boy he had fathered. Andrey\u2019s mother has problems with herself and is furious at the world for giving her another mouth to feed \u2013 she even considers sending the boy to a boarding school as far away from her and her problems as possible. Despite all these hardships, despite being aware that the world does not need nor want him, Andrey does not intend to give up. He is a survivor. The empty bottles found near the sea can be exchanged for a few dozen Russian roubles. The boy\u2019s older female friend, though already taken, has such a pretty face that just being near her is a reward in itself. And the stray dog found near the shore can be many things in Andrey\u2019s vivid imagination.
\n <\/em><\/div>\n\u00a0 <\/strong><\/div>\n<\/div>\nDirector: <\/strong>Grigory Kolomytsev
\n Cinematographer: <\/strong>Alexey Venzos
\n Produced by: <\/strong>Production Center VGIK-Debut
\n Country and year: <\/strong>Russia, 2020<\/p>\n\u00a0<\/div>\n\u00a0<\/p>\nNO MAN OF GOD<\/span>
\n <\/strong><\/span><\/h1>\n\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2021\/10\/rsz_nmog_r4_709_hd_lt_cc01mov04_04_58_22still001-1024x576.jpg\")
<\/a><\/div>\n<\/div>\nIt is mid-1980s. Bill Hagmaier, young, emphathetic, freshly appointed FBI profiler, begins an assignment that will radically change everything he was, is and will ever be. Trying to comprehend the driving force behind the killing spree of Ted Bundy, one of the most notorious serial killers of the 20th century who is currently awaiting the death penalty, Hagmaier starts talking to the man. One thing that makes him different from other more experienced agents who have tried to interrogate Bundy is that Bill does not try to control, dominate or intimidate the criminal. He wishes to understand him and treat the serial killer as an equal and in this way prepare himself for chasing others of his kind. What is more, he somehow connects to the man, and were it not for the reason of their meetings, their relationship could be even called friendly. The conversations between the good agent and the evil murderer do bring some answers, but at the same time leave several disturbing questions. Like, could Bundy have been a great profiler given different circumstances and Hagmaier a brutal serial killer himself?<\/div>\n\u00a0<\/div>\n<\/strong><\/strong>Polish title: <\/strong>Z\u0142o wcielone
\n Director: <\/strong>Amber Sealey
\n Cinematographer: <\/strong>Karina Silva
\n Produced by: <\/strong>Company X
\n Polish distributor:<\/strong> Media4Fun
\n Country and year: <\/strong>USA, 2020<\/div>\n
![<\/a>](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2020\/10\/rsz_arracht_kate_2k_boat_111.jpg\"){kind=link}
<\/a><\/div>\nWhat is human identity made of if not the ever-expanding collection of memories of the things done, told and thought of; how a person loved, dreamt, despaired, and reacted to the failures of everyday life? Would people be who they seem to be without those snippets of the past that tell them who they are, or could they create themselves from scratch time and again? Our bodies also have a memory of sorts, but can they really function independently from our minds? And what if there was a technology that enabled injecting a body with someone else\u2019s memories? In the near future, in 2030\u2019s China, two assassins, Ge and Song, use their time to kill various targets sent to them by a mysterious organization. Ge, however, has not been himself lately. At night he is tormented by surreal nightmares, at day he experiences dreamlike visions \u2013 to the extent that he begins to question his identity. Could he be a product of the latest technology that had eliminated Alzheimer by allowing people to enter others\u2019 minds? Quite unexpectedly, during one of his assignments, Ge sees a photo of his victim and\u2026 himself.<\/p>\n<\/div>\n<\/div>\n
Original title: <\/strong>Ji Yi Qiu Long Original title: <\/strong>Feng Ping Lang Jing A nameless musician comes to Tibet to experience a pilgrimage of sorts that is supposed to help her free herself from the traumas of the past. Particularly the memories of a certain dead boy who she had once loved. This is no ordinary day, as it is her birthday. Waiting in a restaurant for a meal she has ordered, the girl notices a lobster with a beautiful rainbow shell \u2013 the animal, as she is led to believe by the restaurant\u2019s staff, is somehow sacred, maybe even magical. The musician cannot get over the imprisoned creature\u2019s apparent suffering; thus, she decides to go on an entirely new pilgrimage \u2013 its only purpose is to put the lobster back to the distant place where it was captured. Riding through the Tibetan wilderness, the protagonist meets a number of characters who are connected to her past in one way or another: a wig salesman, a poetry-loving monk, a pregnant woman, a horse rider, etc. She dives deep into the increasingly dreamlike odyssey where nothing, yet everything is real.<\/p>\n<\/div>\n Director: <\/strong>Queena Li Director: <\/strong>Grigory Kolomytsev
\n Director: <\/strong>Zhang Chi
\n Cinematographer: <\/strong>Yi Fang
\n Produced by: <\/strong>Ning Bo Holy High Film Task Group
\n Country and year: <\/strong>China, 2021<\/p>\nBACK TO THE WHARF<\/span>
\n <\/strong><\/span><\/h1>\n<\/a><\/div>\n
\n Director: <\/strong>Xiaofeng Li
\n Cinematographer: <\/strong>Songri Piao
\n Produced by: <\/strong>Xiamen Maoying Media, Tianjin Maoyan Weying Media, Fujian Pingtan Turan Movie, Shanghai Hanna Pictures, Tianjin Turan Movie, Shanghai Dashui Cultural Development
\n Country and year: <\/strong>China, 2020<\/p>\nBIPOLAR<\/span>
\n <\/strong><\/span><\/h1>\n<\/a><\/div>\n
\n Cinematographer: <\/strong>Yuming Ke
\n Produced by: <\/strong>Nameless Pictures
\n Country and year: <\/strong>China, 2020<\/p>\nCHUPACABRA<\/span>
\n <\/strong><\/span><\/h1>\n<\/a><\/div>\n
\n <\/em><\/div>\n
\n Cinematographer: <\/strong>Alexey Venzos
\n Produced by: <\/strong>Production Center VGIK-Debut
\n Country and year: <\/strong>Russia, 2020<\/p>\nNO MAN OF GOD<\/span>
\n <\/strong><\/span><\/h1>\n<\/a><\/div>\n<\/div>\n
\n Director: <\/strong>Amber Sealey
\n Cinematographer: <\/strong>Karina Silva
\n Produced by: <\/strong>Company X
\n Polish distributor:<\/strong> Media4Fun
\n Country and year: <\/strong>USA, 2020<\/div>\n