APOKAWIXA<\/strong><\/span><\/p>\n Kamil, a soon-to-be high school graduate, organizes the party of a lifetime at the seaside estate of his millionaire father. A bunch of his friends arrive at the party, eager, just like him, to let off steam after the lockdown caused by the pandemic. At first, everything goes well: young people enjoy the beauty of the beach, drink alcohol, dance, have sex, and experience emotional excitement and dilemmas. It is only nature that sends worrying signals: strange infections abound, the concentration of cyanobacteria in the Baltic Sea reaches high levels. As time goes by, the fun spins out of control. This, however, will not be the worst of it. It is the first Polish zombie film, which is a bit of a horror story, but mainly a visionary moral film, with references to ecology and a good deal of humor. \u201cIt is an entertaining, psychedelic and adventure film, about young people, but not only for young people,\u201d said the director of Apokawixa<\/em> Xawery \u017bu\u0142awski.<\/p>\n Director:<\/strong> Xawery \u017bu\u0142awski BELOW THE SURFACE<\/strong><\/span><\/p>\n 1940. While the evacuation of Allied troops is underway at Dunkirk, the Polish submarine ORP \u201cOrze\u0142\u201d sails into the North Sea on a risky mission. The threat from the navy and air force of the enemy \u2013 Nazi Germany \u2013 is the greatest, but not the only one awaiting the crew commanded by Capt. Jan Grudzi\u0144ski. The authors pay a lot of attention to depicting the experiences of the submarine\u2019s crew, who, crowded into its cramped, sultry, half-dark interior, are forced to confront claustrophobia and physical and mental exhaustion. The \u201cOrze\u0142\u201d sailors have no pompous slogans on their lips \u2013 they just want to do their task well. And to survive.<\/p>\n Original title: <\/strong>Orze\u0142. Ostatni patrol \nBRIGITTE BARDOT FOREVER<\/strong><\/span><\/p>\n In mid-20th-century socialist Poland, Adam, who is just a few years old, lives with his mother. He dreams of the return of his father, a pilot, whom he never met, because he fought during World War II in Great Britain and disappeared without a trace. Security Service officers visit Adam\u2019s mother at home. They are also interested in Adam himself, who even at his elementary school is forced to resist ideological indoctrination. When Adam becomes a teenager, he is magically transferred at the cinema to Brigitte Bardot\u2019s boudoir and from there to the mysterious Hotel, where he meets other icons of mass culture of his time, like Elizabeth Taylor, Raquel Welch and the Beatles. This part of the film especially, which is kept in the convention of a dream, refers to the Homeric motif of Telemachus wandering in search of his father. It is also rich in references to classic cinema masterpieces.<\/p>\n Original title: <\/strong>Brigitte Bardot cudowna BROAD PEAK<\/span><\/p>\n <\/strong> In 1988, Maciej Berbeka participates in an expedition of Polish Himalayan mountaineers who want to climb K2, the highest mountain in the Karakoram, in winter. This goal turns out to be unreachable, but another eight-thousander, Broad Peak, is tempting nearby. Although the idea of climbing does not come from Berbeka, it is he who, overcoming extreme hardships, reaches the summit. From there the triumphant news flows to the base camp and to the whole world. Upon his return to the country, Berbeka is greeted like a hero. Then, one day, he comes across a certain newspaper article about his achievement… Broad Peak<\/em> is a fact-based, epic film about extreme climbing enthusiasts who confront the elements of nature and their own weaknesses in high mountains. It is also, above all, about one of the most dramatic episodes in the history of Polish Himalayan climbing. The story of Maciej Berbeka still raises controversies in the community of mountaineers. The film was shoot in the authentic scenery of the Karakoram and in the Swiss, French and Italian Alps.<\/p>\n Director:<\/strong> Leszek Dawid \n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_foto2_apokawixa.jpg\")
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\nCinematographer:<\/strong> Marian Prokop
\nProduced by:<\/strong> TVN Warner Bros. Discovery
\nPolish distributor:<\/strong> Next Film
\nCountry and year:<\/strong> Poland, 2022<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Jacek B\u0142awut
\nCinematographer:<\/strong> Jolanta Dylewska
\nProduced by:<\/strong> Aura Films
\nPolish distributor:<\/strong> Kino \u015awiat
\nCountry and year:<\/strong> Poland, 2022<\/p>\n<\/a><\/em><\/p>\n
\nDirector:<\/strong> Lech Majewski
\nCinematographer:<\/strong> Lech Majewski, Pawe\u0142 Tybora
\nProduced by:<\/strong> Angelus Silesius
\nPolish distributor:<\/strong> TVP
\nCountry and year:<\/strong> Poland, 2022<\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> \u0141ukasz Gutt
\nProduced by:<\/strong> East Studio
\nPolish distributor:<\/strong> Netflix
\nCountry and year:<\/strong> Poland, 2022<\/p>\n