{"id":32994,"date":"2022-10-19T20:03:47","date_gmt":"2022-10-19T18:03:47","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=32994"},"modified":"2022-10-21T11:38:16","modified_gmt":"2022-10-21T09:38:16","slug":"sklad-konkursu-glownego-energacamerimage-2022","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-glownego-energacamerimage-2022\/","title":{"rendered":"EnergaCAMERIMAGE 2022 Main Competition Line-up!"},"content":{"rendered":"<p><\/p>\n<p>The<strong> Main Competition<\/strong> with the <strong>Golden Frog Award<\/strong> has been the most important part of the <strong>EnergaCAMERIMAGE Festival<\/strong> from its beginning. The <strong>Competition<\/strong> exists since 1993 i.e. since the first edition of the Festival. From the very beginning the idea behind the competition is to present the feature films where the image significantly contributes to the way a story is told. The visual value of these films results from the cooperation between a director and a cinematographer and the unusual sensitivity of the author of a film image. The <strong>Main Competition<\/strong> emphasizes the enormous contribution of the cinematographer to the film work.<\/p>\n<p>The aim of the <strong>Main Competition<\/strong> is to present films with unique visual appeal which will then be evaluated by International Jury who will choose and award the authors of the best cinematography.<\/p>\n<p>Also this year we will present the most interesting phenomena of world&#8217;s cinematography, distinctive in terms of creative use of the image in film narration.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>ALL QUIET ON THE WESTERN FRONT<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33007\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21-1024x681.jpg\" alt=\"\" width=\"1024\" height=\"681\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21-1024x681.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21-768x511.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21-343x228.jpg 343w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_all_quiet_on_the_western_front_\u00a9reiner_bajo_21.jpg 1512w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>\u00a9Reiner Bajo<\/em><\/p>\n<p>The story follows teenagers Paul Baumer and his friends Albert and Muller, who voluntarily enlist in the German army, riding a wave of patriotic fervour that quickly dissipates once they face the brutal realities of life on the front. Paul&#8217;s preconceptions about the enemy and the rights and wrongs of the conflict soon crumble. However, amid the countdown to Armistice, Paul must carry on fighting until the end, with no purpose other than to satisfy the top brass&#8217; desire to end the war on a German offensive.<\/p>\n<p><strong>Original title:<\/strong> Im Westen nichts Neues<strong><br \/>\nPolish title: <\/strong>Na Zachodzie bez zmian<strong><br \/>\nDirector:<\/strong> Edward Berger<br \/>\n<strong>Cinematographer:<\/strong> James Friend<br \/>\n<strong>Produced by:<\/strong> Amusement Park Films, Rocket Science, Sliding Down Rainbows Entertainment<br \/>\n<strong>Polish distributor:<\/strong> Netflix<br \/>\n<strong>Country and year:<\/strong> Germany, USA, 2022<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>THE ANGEL IN THE WALL<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33054\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-1024x540.jpg\" alt=\"\" width=\"1024\" height=\"540\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-432x228.jpg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-1536x810.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002-1600x844.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-adm_framegrabs_002.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a> <br \/>\n<\/em><\/p>\n<p>Trieste. An old apartment in an old building. It\u2019s where Pietro lives out his weary life, until his solitary daily routine is shattered by an eviction order. But the old man doesn\u2019t want to leave, so he devises a strategy to continue living secretly inside the house: he builds a wall at the end of the long corridor that runs through the apartment and adds a grate to let air in, an aperture to simulate a skylight and a few peepholes so he can study the moves of the enemy (the owner and the potential new tenants) \u2013 a vertical hiding place into which he disappears. Then, one day, \u2018the enemy\u2019 actually arrives: a desperate mother who wants to guarantee her daughter a roof over her head. How will Pietro react? And what form will his war take?<\/p>\n<p><strong>Original title: <\/strong>L\u00b4Angelo dei Muri<strong><br \/>\nDirector:<\/strong> Lorenzo Bianchini<br \/>\n<strong>Cinematographer:<\/strong> Peter Zeitlinger<br \/>\n<strong>Produced by:<\/strong> Tucker Film<br \/>\n<strong>Country and year:<\/strong> Italy, 2021<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>BARDO, FALSE CHRONICLES OF A HANDFUL OF TRUTHS<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33005\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-1024x429.jpg\" alt=\"\" width=\"1024\" height=\"429\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-1024x429.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-300x126.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-768x322.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-544x228.jpg 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-1536x644.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r-1600x670.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_option_2_fullframe_v2r.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Courtesy of Netflix<\/em><\/p>\n<p><em>Bardo, False Chronicle of a Handful of Truths<\/em> is an epic, visually stunning and immersive experience set against the intimate and moving journey of Silverio, a renowned Mexican journalist and documentary filmmaker living in Los Angeles, who, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit. The folly of his memories and fears have decided to pierce through to the present, filling his everyday life with a sense of bewilderment and wonder. With both emotion and abundant laughter.<\/p>\n<p><strong>Polish title: <\/strong>BARDO, fa\u0142szywa kronika gar\u015bci prawd\u00a0<strong><br \/>\nDirector:<\/strong> Alejandro Gonz\u00e1lez I\u0144\u00e1rritu<br \/>\n<strong>Cinematographer:<\/strong> Darius Khondji<br \/>\n<strong>Produced by:<\/strong> Estudios Churubusco Azteca, REDRUM<br \/>\n<strong>Polish distributor:<\/strong> Netflix<br \/>\n<strong>Country and year:<\/strong> Mexico, 2022<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">BLONDE<\/span><br \/>\n<\/strong><br \/>\n<a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33009\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-1024x801.jpg\" alt=\"\" width=\"1024\" height=\"801\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-1024x801.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-300x235.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-768x601.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-292x228.jpg 292w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-1536x1201.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-2048x1602.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/Blonde_00_44_24_13_c_R2a1-1600x1251.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Netflix \u00a9 2022<\/em><\/p>\n<p>From director Andrew Dominik, and based on the bestselling novel by Joyce Carol Oates, <em>Blonde<\/em> boldly reimagines the life of one of Hollywood&#8217;s most enduring icons, Marilyn Monroe. From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, <em>Blonde<\/em> blurs the lines of fact and fiction to explore the widening split between her public and private selves.<\/p>\n<p><strong>Polish title: <\/strong>Blondynka<strong><br \/>\nDirector:<\/strong> Andrew Dominik<br \/>\n<strong>Cinematographer:<\/strong> Chayse Irvin<br \/>\n<strong>Produced by:<\/strong> Plan B Entertainment<br \/>\n<strong>Polish distributor:<\/strong> Netflix<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>ELVIS<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33004\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-1024x819.jpg\" alt=\"\" width=\"1024\" height=\"819\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-1024x819.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-300x240.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-768x614.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-285x228.jpg 285w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-1536x1229.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2-1600x1280.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-elvis-0074r_high_res_jpeg2.jpg 1720w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Photo by Hugh Stewart<\/p>\n<p><\/em><\/p>\n<p>Director-producer-cowriter Baz Luhrmann takes us on the moving journey of a rebel and an icon as America\u2019s cultural landscape evolved over more than 30 years. <em>Elvis<\/em> celebrates the extraordinary life of a trailblazing artist, the loves and poignant losses he faced as a man and the timeless music and groundbreaking performances he gave the world. The film explores how Presley\u2019s (Austin Butler) unprecedented rise to fame was sparked by larger-than-life manager Colonel Tom Parker (Tom Hanks), whose shortcomings were also primarily responsible for the singer\u2019s tragic demise.<\/p>\n<p><strong>Director:<\/strong> Baz Luhrmann<br \/>\n<strong>Cinematographer:<\/strong> Mandy Walker<br \/>\n<strong>Produced by:<\/strong> Bazmark, Jackal Group<br \/>\n<strong>Polish distributor:<\/strong> Warner Bros. Pictures<br \/>\n<strong>Country and year:<\/strong> USA, Australia, 2022<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">EMPIRE OF LIGHT<\/span><br \/>\n<\/strong><br \/>\n<em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-32896\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-1024x425.jpg\" alt=\"\" width=\"1024\" height=\"425\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-1024x425.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-768x319.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-549x228.jpg 549w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-1536x638.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-2048x850.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/20220727_marketing_still_Rec7091-1600x664.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>\u00a9 2022 20th Century Studios. All Rights Reserved.<\/em><\/p>\n<p>Set in an English seaside town in the early 1980s, <em>Empire of Light<\/em> is a powerful and poignant story about human connection and the magic of cinema from Academy Award\u00ae winning director Sam Mendes. <em>Empire of Light<\/em> features a stellar cast led by Academy Award\u00ae winner Olivia Colman (<em>The Favourite<\/em>, <em>The Lost Daughter<\/em>), BAFTA winner Micheal Ward (<em>Blue Story<\/em>, <em>Top Boy<\/em>) and Academy Award\u00ae winner Colin Firth (<em>The King\u2019s Speech<\/em>, <em>A Single Man<\/em>). It also reunites Mendes with Academy Award\u00ae winning cinematographer Roger Deakins (<em>1917<\/em>, <em>Skyfall<\/em>).<\/p>\n<p><strong>Polish title: <\/strong>Imperium \u015bwiat\u0142a<strong><br \/>\nDirector:<\/strong> Sam Mendes<br \/>\n<strong>Cinematographer:<\/strong> Roger A. Deakins<br \/>\n<strong>Produced by:<\/strong> Neal Street Productions, Searchlight Pictures<br \/>\n<strong>Polish distributor:<\/strong> The Walt Disney Company Polska<br \/>\n<strong>Country and year:<\/strong> UK, USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>LIVING<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33002\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-1536x1024.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-2048x1365.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1-1600x1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>1953. A London shattered by WWII is still recovering. Williams (Bill Nighy), a veteran civil servant, is an impotent cog within the city\u2019s bureaucracy as it struggles to rebuild. Buried under the paperwork at the office, lonely at home, his life has long felt empty and meaningless. Then, a shattering medical diagnosis forces him to take stock \u2013 and to try and grasp fulfilment before it goes beyond reach. At a seaside resort, chaperoned by a local decadent (Tom Burke), he flirts with hedonism before rejecting it as his solution. Back in London, he finds himself drawn to the natural vitality of Margaret (Aimee Lou Wood), a young woman who once worked under his supervision and is now determined to spread her wings. Then, one evening, he is struck by a revelation \u2013 one as simple as it is profound \u2013 and with a new energy, and the help of Peter (Alex Sharp), an idealistic new recruit to his department, he sets about creating a legacy for the next generation.<\/p>\n<p><strong>Director:<\/strong> Oliver Hermanus<br \/>\n<strong>Cinematographer:<\/strong> Jamie D. Ramsay<br \/>\n<strong>Produced by:<\/strong> TFP<br \/>\n<strong>Polish distributor:<\/strong> County Hall, Film4, Filmgate Films, Ingenious, Kurosawa Production Co., Lipsync Productions, Number 9 Films<br \/>\n<strong>Country and year:<\/strong> UK, Japan, 2022<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">THE PERFECT NUMBER<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33003\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-1024x445.jpg\" alt=\"\" width=\"1024\" height=\"445\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-1024x445.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-300x131.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-768x334.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-524x228.jpg 524w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif-1536x668.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_liczba_doskonala_3_fot_paulina_pawlowska_wfdif.jpg 1577w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>\u00a9Paulina Paw\u0142owska, WFDiF<\/em><\/p>\n<p><em>The Perfect Number<\/em> tells the story of a young mathematician David (played by Jan Marczewski), who subjected his whole life to the research on prime numbers, sacrificing his personal life to this work. The protagonist begins to gradually reevaluate his priorities after he meets his distant relative, Joachim (played by Andrzej Seweryn), a successful man who has achieved practically everything professionally and decides to spend the last years of his life in his native Poland. The meeting of these two will unexpectedly influence the fate of both, leading to reflection on the mysterious ways of life, its passing and meaning.<\/p>\n<p><strong>Original title: <\/strong>Liczba doskona\u0142a<strong><br \/>\nDirector:<\/strong> Krzysztof Zanussi<br \/>\n<strong>Cinematographer:<\/strong> Piotr Niemyjski<br \/>\n<strong>Produced by:<\/strong> WFDiF<br \/>\n<strong>Polish distributor:<\/strong> WFDiF<br \/>\n<strong>Country and year:<\/strong> Poland, Italy, Israel, 2022<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">T\u00c1R<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33001\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur-1024x429.jpg\" alt=\"\" width=\"1024\" height=\"429\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur-1024x429.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur-300x126.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur-768x322.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur-544x228.jpg 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_014_74b-1bsub010985_jb02_c1_ur.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Courtesy of Focus Features<\/em><\/p>\n<p>From producer-writer-director comes<em> T\u00e1r<\/em>, starring Cate Blanchett as the iconic musician Lydia T\u00e1r. <em>T\u00e1r<\/em> examines the changing nature of power, its impact and durability in our modern world. Lydia T\u00e1r, widely considered one of the greatest living composer\/conductors and first-ever female chief conductor of a major German orchestra. The film also features Mark Strong (<em>1917<\/em>, <em>Tinker, Tailor, Soldier, Spy<\/em>). The film is directed by three time Oscar\u00ae nominee Todd Field (<em>Little Children<\/em>, <em>In the Bedroom<\/em>).<\/p>\n<p><strong>Director:<\/strong> Todd Field<br \/>\n<strong>Cinematographer:<\/strong> Florian Hoffmeister<br \/>\n<strong>Produced by:<\/strong> EMJAG Productions, Focus Features, Standard Film Company<br \/>\n<strong>Polish distributor:<\/strong> UIP Polska<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>TOP GUN: MAVERICK<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33000\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-1024x429.jpg\" alt=\"\" width=\"1024\" height=\"429\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-1024x429.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-300x126.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-768x322.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-544x228.jpg 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-1536x644.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1-1600x670.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tgm-ff-f-001r1.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>After more than 30 years of service as one of the Navy&#8217;s top aviators, Pete &#8220;Maverick&#8221; Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.<\/p>\n<p><strong>Director:<\/strong> Joseph Kosinski<br \/>\n<strong>Cinematographer:<\/strong> Claudio Miranda<br \/>\n<strong>Produced by:<\/strong> Jerry Bruckheimer Films, Paramount Pictures, Skydance Media, Don Simpson\/Jerry Bruckheimer Films <br \/>\n<strong>Polish distributor:<\/strong> UIP Polska<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">WAR SAILOR<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33008\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-1024x633.jpg\" alt=\"\" width=\"1024\" height=\"633\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-1024x633.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-300x186.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-768x475.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-369x228.jpg 369w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-1536x950.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2-1600x990.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/a3902d97-ef1d-446c-94e0-23c53c1b5ae2.jpg 1772w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>When German submarines attack their merchant ship at the outbreak of WWII, two Norwegian sailors try to survive, in a hope to reunite with their families. Alfred Garnes is a working-class sailor, who has recently become the father of a third child. He and his childhood friend Sigbj\u00f8rn Kvalen (Wally) are working on a merchant ship in the middle of the Atlantic Ocean when World War II breaks out. They are unarmed civilians on the front lines of a war they never asked to join. The two men struggle for survival in a spiral of violence and death, where at any moment German submarines may attack their valuable vessels. The wartime sailors have one goal: to survive \u2013 and to return home. Meanwhile, Alfred\u2019s wife Cecilia struggles through the war alone in Bergen, raising three children on her own, not knowing whether she will ever see Alfred again. When British aircrafts attempt to bomb the German submarine bunker in Bergen, they hit the primary school at Laksev\u00e5g instead, as well as civilian homes at N\u00f8stet, resulting in hundreds of civilian deaths. When the news reaches Alfred and Wally in Canada, they wonder if they have anything left at home to return to.<\/p>\n<p><strong>Original title:<\/strong> Krigsseileren<br \/>\n<strong>Director:<\/strong> Gunnar Vikene<br \/>\n<strong>Cinematographer:<\/strong> Sturla Brandth Gr\u00f8vlen<br \/>\n<strong>Produced by:<\/strong> Falkun Films, Mer Film AS<br \/>\n<strong>Country and year:<\/strong> Norway, Germany, Malta, 2022<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>WHITE NOISE<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-32999\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-1536x1024.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr-1600x1067.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wg_20210820_04152_cr.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>Wilson Webb\/NETFLIX \u00a9 2022<\/em><\/p>\n<p><em>White Noise<\/em> dramatizes a contemporary American family&#8217;s attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.<\/p>\n<p><strong>Polish title: <\/strong>Bia\u0142y szum<strong><br \/>\nDirector:<\/strong> Noah Baumbach<br \/>\n<strong>Cinematographer:<\/strong> Lol Crawley<br \/>\n<strong>Produced by: <\/strong>BB Film Productions, Heyday Films, Netflix Studios, Passage Pictures<strong><br \/>\n<\/strong> <strong>Polish distributor:<\/strong> Netflix<br \/>\n<strong>Country and year:<\/strong> USA, UK, 2022<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The Main Competition with the Golden Frog Award has been the most important part of the EnergaCAMERIMAGE Festival from its&#8230;<\/p>\n","protected":false},"author":3,"featured_media":33001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[613],"tags":[],"class_list":["post-32994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2022"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/32994"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=32994"}],"version-history":[{"count":14,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/32994\/revisions"}],"predecessor-version":[{"id":33072,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/32994\/revisions\/33072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/33001"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=32994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=32994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=32994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}