{"id":33086,"date":"2022-10-21T17:50:45","date_gmt":"2022-10-21T15:50:45","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=33086"},"modified":"2022-11-04T22:13:13","modified_gmt":"2022-11-04T21:13:13","slug":"pokazy-specjalne-energacamerimage-2022","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/pokazy-specjalne-energacamerimage-2022\/","title":{"rendered":"EnergaCAMERIMAGE 2022 SPECIAL SCREENINGS"},"content":{"rendered":"<p><\/p>\n<p>We announce the <strong>Special Screenings <\/strong>of the 30th edition of<strong> EnergaCAMERIMAGE Film Festival.<\/p>\n<p><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>THE BANSHEES OF INISHERIN<br \/>\n<\/strong><\/span><br \/>\n<em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33084\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_the-banshees-of-inisherin-004_banshees_11-10-21_0314_copy_rgb.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Photo by Jonathan Hession. Courtesy of Searchlight Pictures. <br \/>\n\u00a9 2022 20th Century Studios All Rights Reserved.<\/em><\/p>\n<p>Set on a remote island off the west coast of Ireland, <em>The Banshees of Inisherin<\/em> follows lifelong friends P\u00e1draic (Colin Farrell) and Colm (Brendan Gleeson), who find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned P\u00e1draic, aided by his sister Siobh\u00e1n (Kerry Condon) and troubled young islander Dominic (Barry Keoghan), endeavours to repair the relationship, refusing to take no for an answer. But P\u00e1draic\u2019s repeated efforts only strengthen his former friend\u2019s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences.<\/p>\n<p><strong>Polish title: <\/strong>Duchy Inisherin<strong><br \/>\nDirector:<\/strong> Martin McDonagh<br \/>\n<strong>Cinematographer:<\/strong> Ben Davis<br \/>\n<strong>Produced by:<\/strong> Blueprint Pictures, Film 4, Metropolitan Films International, Searchlight Pictures<br \/>\n<strong>Polish distributor: <\/strong>The Walt Disney Company Polska<br \/>\n<strong>Country and year:<\/strong> Ireland, UK, USA, 2022<\/p>\n<p>\n<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>THE BATMAN<br \/>\n<\/strong><\/span><br \/>\n<em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33083\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rev-1-tbm-56056jorv4_high_res_jpeg.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Jonathan Olley\/\u2122 &amp; \u00a9 DC Comics<\/em><br \/>\n<em>\u00a9 2022 Warner Bros. Entertainment Inc. All Rights Reserved.<\/em><\/p>\n<p>Two years of stalking the crime-riddled streets as The Batman, striking fear into the hearts of criminals, have turned Bruce Wayne into a nocturnal animal, driving him deep into the shadows of Gotham. Amidst the city\u2019s corrupt network of officials and high-profile figures, he has established himself as the sole embodiment of vengeance. When a sadistic killer leaves behind clues addressed to the lone vigilante, the revelations shock him to his core. And as the evidence begins to lead closer to home and the scale of the perpetrator\u2019s plans becomes clear, he must overcome his scars to become the hope Gotham needs.<\/p>\n<p><strong>Polish title:<\/strong> BATMAN<strong><br \/>\nDirector:<\/strong> Matt Reeves<br \/>\n<strong>Cinematographer:<\/strong> Greig Fraser<br \/>\n<strong>Produced by:<\/strong> 6th &amp; Idaho, Dylan Clark Productions<br \/>\n<strong>Polish distributor: <\/strong>Warner Bros. Pictures<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>BLACK PANTHER: WAKANDA FOREVER<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33082\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-1024x428.jpg\" alt=\"\" width=\"1024\" height=\"428\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-1024x428.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-768x321.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-546x228.jpg 546w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-1536x641.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r-1600x668.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_rom1020_trl_comp_ilm_v00161060_r.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Photo courtesy of Marvel Studios. <br \/>\n\u00a9 2022 MARVEL.<\/em><\/p>\n<p>Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M\u2019Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje (including Florence Kasumba) fight to protect their nation from intervening world powers in the wake of King T\u2019Challa\u2019s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong\u2019o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.<\/p>\n<p><strong>Polish title:<\/strong> Czarna Pantera: Wakanda w moim sercu<br \/>\n<strong>Director:<\/strong> Ryan Coogler<br \/>\n<strong>Cinematographer:<\/strong> Autumn Durald Arkapaw<br \/>\n<strong>Produced by:<\/strong> Marvel Studios, Precision Aerial Filmworks, Walt Disney Pictures<br \/>\n<strong>Polish distributor: <\/strong>The Walt Disney Company Polska<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>CRIES AND WHISPERS<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33077\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-1024x810.jpg\" alt=\"\" width=\"1024\" height=\"810\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-1024x810.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-300x237.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-768x608.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-288x228.jpg 288w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-1536x1215.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001-1600x1266.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_viskningar_och_rop_001.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Still courtesy of Swedish Film Institute. <\/em><br \/>\n<em>\u00a9 AB Svensk Filmindustri<\/em><\/p>\n<p>Three sisters meet in a large empty house \u2013 the women, despite their relationship, are complete strangers to each other, separated by a wall of indifference and convention. The meeting takes place because one of them, Agnes, is dying of cancer in excruciating pain, and custom dictates they be with the dying. However, even at such a moment, the sisters are unable to overcome their alienation. For Agnes, the sisters\u2019 presence is an additional torture, bringing an awareness of heart-breaking loneliness. In the diary she keeps secretly, which is the only patient confidant of her pain, Agnes desperately tries to find moments of understanding and closeness to another human being in her life.<\/p>\n<p><strong>Original title: <\/strong>Viskningar Och Rop<strong><br \/>\nPolish title: <\/strong>Szepty i krzyki<strong><br \/>\nDirector: <\/strong>Ingmar Bergman<br \/>\n<strong>Cinematographer:<\/strong> Sven Nykvist<br \/>\n<strong>Produced by:<\/strong> Cinematograph Ab, Swedish Film Institute<br \/>\n<strong>Polish distributor:<\/strong> Fundacja FILMOWA WARSZAWA<br \/>\n<strong>Country and year:<\/strong> Sweden, 1972<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 24pt; color: #d29600;\"><strong>EO<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33079\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-1536x1025.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-2048x1366.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_io_12-1600x1068.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>The working title of this latest film by Jerzy Skolimowski is <em>Baltazar<\/em>, which is a direct reference to Robert Bresson\u2019s <em>Au Hasard Balthazar<\/em> (1966). Both filmmakers made the journey of the good-natured donkey the canvass for parabolic stories about the world and its human inhabitants. In the Polish director\u2019s film, the donkey named EO, admittedly does meet sympathetic people as he is being passed from hand to hand \u2013 one of whom is a young caretaker from the circus \u2013 but what prevails, are clashes between the innocent, defenceless animal and the arrogance, the heartlessness and the mindless cruelty of humans, sometimes also of a particular social environment. Skolimowski does not duplicate Bresson\u2019s original. In its stylistic aspect alone, his film, being a poetic reflection with digressions, narratively similar to a road movie, is situated on the antipodes of formal asceticism for which the work of the French maestro is famous. It is a reflection that was born, as the closing credits proclaim, out of love for animals and nature.<\/p>\n<p><strong>Original title: <\/strong>IO<strong><br \/>\nDirector:<\/strong> Jerzy Skolimowski<br \/>\n<strong>Cinematographer:<\/strong> Micha\u0142 Dymek<br \/>\n<strong>Produced by:<\/strong> Recorded Picture Company, Skopia Film<br \/>\n<strong>Polish distributor:<\/strong> GUTEK Film<br \/>\n<strong>Country and year:<\/strong> Poland, Italy, 2022<\/p>\n<p>\n<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>EXHIBITION<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33099\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz-1024x681.jpg\" alt=\"\" width=\"1024\" height=\"681\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz-1024x681.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz-768x511.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz-343x228.jpg 343w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_063_wystawka_klaudia_janas_robert_mroz.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>&#8211; A diminutive word to describe an art exhibition;<br \/>\n&#8211; Most often furniture or other things considered useless or unwanted by one person, but sought after and valuable to those, who are willing to offer them a second life;<br \/>\n&#8211; To mislead or stand someone up<br \/>\nThe film <em>Exhibition<\/em> is a story about Jerzy, a young painter, who is looking for both his personal and artistic paths in life. It is also a film about a young couple in love who are about to graduate from the university in Torun, and about growing up, during which one must verify their attitudes to life.<\/p>\n<p><strong>Original title: <\/strong>Wystawka<strong><br \/>\nDirector:<\/strong> Ryszard Kruk <br \/>\n<strong>Cinematographers:<\/strong> Piotr Bartos, Ryszard Kruk <br \/>\n<strong>Produced by:<\/strong> Fundacja Bia\u0142y Kruk<br \/>\n<strong>Country and year:<\/strong> Poland, 2022<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>GLASS ONION: A KNIVES OUT MYSTERY<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33081\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-1024x540.jpg\" alt=\"\" width=\"1024\" height=\"540\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-432x228.jpg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-1536x810.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr-1600x844.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_a009c006_210630_rp7p108347_4kr.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Courtesy of Netflix \u00a9 2022.<\/em><\/p>\n<p>Rian Johnson&#8217;s latest crime story sees Benoit Blanc returning to solve yet another mystery. This time the fearless detective investigates in a sumptuous mansion on a Greek island, though neither he, nor the audience knows how and why he got there. Soon, Blanc acquaints himself with a motley crew of people who came to the place at the invitation of billionaire Miles Bron. The guest list includes Miles&#8217;s former business partner Andi Brand, the current Connecticut governor Claire Debella, a successful scientist Lionel Toussaint, fashion designer and former model Birdie Jay, her trusted assistant Peg, as well as Duke Cody the influencer with his girlfriend called Whiskey.<\/p>\n<p><strong>Polish title: <\/strong>Glass Onion: Film z serii &#8220;Na no\u017ce&#8221;<strong><br \/>\nDirector:<\/strong> Rian Johnson<br \/>\n<strong>Cinematographer:<\/strong> Steve Yedlin<br \/>\n<strong>Produced by:<\/strong> Lionsgate, T-Street<br \/>\n<strong>Polish dystrybutor: <\/strong>Netflix<br \/>\n<strong>Kraj i rok:<\/strong> USA, 2022<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>INLAND EMPIRE<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33080\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_hd_ie_selected_stills_24fps1350.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Courtesy of Netflix \u00a9 2022.<\/em><\/p>\n<p>The married actress Nikki Grace (outstanding Laura Dern) plays in a remake of a film about love, betrayal and revenge, the production of which was interrupted by the death of the two main actors. The actress is having an affair with her film partner, the married actor Devon Berk. It is difficult for them to hide their relationship from their spouses. The fiction in the film starts to resemble reality and strange things begin to happen on the set. <em>Inland Empire<\/em> is a film shot partly in Poland, with the assistance of people connected with the Camerimage Film Festival, featuring Polish actors. The surprising, extraordinary and expressive cinematography was made by David Lynch himself.<\/p>\n<p><strong>Director:<\/strong> David Lynch<br \/>\n<strong>Cinematographer:<\/strong> David Lynch<br \/>\n<strong>Produced by:<\/strong> Asymmetrical Productions, Fundacja TUMULT, Inland Empire Productions, StudioCanal<br \/>\n<strong>Polish dystrybutor: <\/strong>The Walt Disney Company Polska<br \/>\n<strong>Kraj i rok:<\/strong> France, USA, Poland, 2006<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 24pt; color: #d29600;\">NOTRE-DAME ON FIRE<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33078\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_Smickael_lefevre_bspp_2021-065-1125.jpg 1368w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>On Monday, April 15, 2019, just a week before Easter, the world is hit with dramatic news: Notre-Dame Cathedral in Paris is on fire! Catholics are not the only ones holding their breath as they watch hundreds of fire-fighters standing to battle the flames. Conditions are extremely difficult, as the fire is spreading through the hard-to-reach attic, and the stakes are immensely high, as it is not only a matter of saving one of the most magnificent religious buildings on Earth, but also its priceless relics. Among other things, Christ\u2019s crown of thorns is kept in the Cathedral\u2019s reliquary.<\/p>\n<p><strong>Original title: <\/strong>Notre-Dame br\u00fble<strong><br \/>\nPolish title: <\/strong>Notre-Dame p\u0142onie<strong><br \/>\nDirector:<\/strong> Jean-Jacques Annaud<br \/>\n<strong>Cinematographer:<\/strong> Jean-Marie Dreujou<br \/>\n<strong>Produced by:<\/strong> Path\u00e9, Reperage, Vend\u00f4me Production<br \/>\n<strong>Polish distributor: <\/strong>Monolith Films<br \/>\n<strong>Country and year:<\/strong> France, Italy, UK, USA, 2022<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE SON<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33075\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_111.jpg 1352w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>\u00a9Shanna Besson<\/em><\/p>\n<p>A drama that follows a family as it struggles to reunite after falling apart. The Son centres on Peter (Jackman), whose hectic life with his infant and new partner Beth (Kirby) is upended when his ex-wife Kate (Dern) appears with their son Nicholas (McGrath), who is now a teenager. The young man has been missing from school for months and is troubled, distant, and angry. Peter strives to take care of Nicholas as he would have liked his own father to have taken care of him while juggling work, his and Beth\u2019s new son, and the offer of his dream position in Washington. However, by reaching for the past to correct his mistakes, he loses sight of how to hold onto Nicholas in the present.<\/p>\n<p><strong>Director:<\/strong> Florian Zeller<br \/>\n<strong>Cinematographer:<\/strong> Ben Smithard<br \/>\n<strong>Produced by:<\/strong> Cin\u00e9@, Embankment Films, Film4, Ingenious Media, Neddy Dean Productions, Orange Studio, See-Saw Films<br \/>\n<strong>Polish distributor: <\/strong>UIP Polska<br \/>\n<strong>Country and year:<\/strong> France, 2021<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THIRTEEN LIVES<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33074\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-1536x1024.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-2048x1365.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_tl_04257_rc-1600x1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Credit: Vince Valitutti \/ Metro Goldwyn Mayer Pictures<\/em><\/p>\n<p>In the true story of <em>Thirteen Lives<\/em>, twelve boys and the coach of a Thai soccer team explore the Tham Luang cave when an unexpected rainstorm traps them in a chamber inside the mountain. Entombed behind a maze of flooded cave tunnels, they face impossible odds. A team of world-class divers navigate through miles of dangerous tunnels to discover that finding the boys is only the beginning.<\/p>\n<p><strong>Polish title:<\/strong> Trzynastu<br \/>\n<strong>Director:<\/strong> Ron Howard<br \/>\n<strong>Cinematographer:<\/strong> Sayombhu Mukdeeprom<br \/>\n<strong>Produced by:<\/strong> Bron Studios, Imagine Entertainment, Magnolia Mae Films, Metro Goldwyn Mayer, Storyteller Productions<br \/>\n<strong>Polish distributor: <\/strong>Amazon Studios<br \/>\n<strong>Country and year:<\/strong> UK, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>uRodziny<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33558\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-1024x540.jpg\" alt=\"\" width=\"1024\" height=\"540\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-432x228.jpg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-1536x810.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111-1600x844.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_1urodziny_111.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>The film tells the story of a dancer who had to give up her passion to take care of her daughter Karolina, who suffers from Rett syndrome. The woman bravely overcomes the adversities of everyday life, which intensifies her bond with her child. As a consequence, the main character is increasingly troubled by loneliness and a strong longing, which builds in her the hope that someday everything is going to get back to what it used to be.<\/p>\n<p><strong>Director:<\/strong> Marianna Korman<br \/>\n<strong>Cinematographer:<\/strong> Marianna Korman<br \/>\n<strong>Produced by:<\/strong> Niko Niakas<br \/>\n<strong>Country and year:<\/strong> Poland, 2022<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>WOMEN TALKING<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-33088\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_wt_00885_rc4.jpg 1125w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>Photo credit: Michael Gibson<br \/>\n\u00a92022 Orion Releasing LLC. All Rights Reserved.<\/em><\/p>\n<p>In <em>Women Talking<\/em>, a group of women, many of whom disagree on essential things, have a conversation to figure out how they might move forward together to build a better world for themselves and their children. Though the backstory behind the events in <em>Women Talking<\/em> is violent, the film is not. We never see the violence that the women have experienced. We see only short glimpses of the aftermath. Instead, we watch a community of women come together as they must decide, in a very short space of time, what their collective response will be.<\/p>\n<p><strong>Director:<\/strong> Sarah Polley<br \/>\n<strong>Cinematographer:<\/strong> Luc Montpellier<br \/>\n<strong>Produced by:<\/strong> Hear\/Say Productions, Plan B Entertainment<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We announce the Special Screenings of the 30th edition of EnergaCAMERIMAGE Film Festival. &nbsp; THE BANSHEES OF INISHERIN Photo by&#8230;<\/p>\n","protected":false},"author":3,"featured_media":33081,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[613],"tags":[],"class_list":["post-33086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2022"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/33086"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=33086"}],"version-history":[{"count":13,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/33086\/revisions"}],"predecessor-version":[{"id":33562,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/33086\/revisions\/33562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/33081"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=33086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=33086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=33086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}