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BLACK BLACK NIGHT <\/span><\/strong><\/p>\n A middle-aged man and an eccentric teen Ilona are two strangers meeting at night. Together they seek to find an escape from personal loneliness.<\/p>\n Director:<\/strong> Laura Udra \nCRAZY CRABS FROM OUTER SPACE<\/span><\/strong><\/p>\n Pirjo, still stuck in her past, gets kidnapped by her pet crab Sebastian who turns out to be an alien. Sebastian wants to save her since the world is about to end at 10 o\u2019clock today. However, Pirjo refuses to leave the planet without a memento of her beloved Ester and Sebastian won\u2019t leave without his friend. The clock is ticking.<\/p>\n Director:<\/strong> Magdaleena Jakkila \nGET HOME SAFE Maya is a volunteer at the Way-Home-Phone, a service for anyone who feels unsafe on the way home at night and would like a reassuring voice to accompany them through the night. One evening, she receives a call from Lea, who shortly before had an unpleasant encounter with a stranger. At first Maya wants to have the usual conversation with her, but soon it turns out that Lea is being followed by the stranger.<\/p>\n Director:<\/strong> Tamara Deni\u0107 \nKOMM, WIR GEHEN 1968. Four friends spend a summer together at the lake, filled with dreams, love, music and life-changing decisions. More than 50 years later, the last wish of their best friend lures the old couple into the abandoned house by the lake for the last time. Because one question was never answered: what if…<\/p>\n Director:<\/strong> Anna Unterweger \nOUT OF WATER<\/span><\/strong><\/p>\n Zosia is a 13-year-old CODA girl \u2013 the hearing child of deaf parents. Together with her dad, she heads off to fight for participation in the swimming competition she has dreamed of, which, due to her father\u2019s oversight, she was not allowed to enter. Along the way, they face complications that put Zosia in the role of an interpreter and intermediary between her deaf dad and the rest of the world. Having a voice becomes not only a privilege for the girl, but also a burden.<\/p>\n Original title: <\/strong>Dzieci i ryby \nROSE IN THE DARK A dark quiet basement and an ordinary sunny day behind its windows. A young woman enters the space and looks for her grandmother. The grandmother does not reply and keeps hiding. What is she doing down there? Is she mentally okay? Is she hiding something? And is everything really the way it seemed at the very beginning?<\/p>\n Director:<\/strong> Vojt\u011bch Kone\u010dn\u00fd \nSABINA After a bad evening, spent in the company of her younger lover, 50-year-old Sabina gets into a cab. Moments later, a blue-haired girl, Anka, runs out onto the road and asks Sabina for help.<\/p>\n Director:<\/strong> Diana Zamojska \nSHE NEEDS IT A short movie about troubles with skin and love aging.<\/p>\n Original title: <\/strong>B\u0119dziesz tego potrzebowa\u0142a \nTHE SHOW Famous activist-couple Max and Lou go to extreme lengths to make a statement and get irreversibly sterilised together. They don\u2019t want to have children in a world where humanity keeps on destroying the planet. They are about to have their first TV-appearance after their sterilisation, when Max confesses something to Lou: Shortly before the procedure, he got cold feet and couldn\u2019t go through with the vasectomy…<\/p>\n Director:<\/strong> Frederic Kau \nTO FLY IN SOLITUDE A young woman Lily is an obstetrician in training, who still affected by the complicated relationship she has with her father. While assisting a delivery, her attention is directed more towards the father-to-be than towards the baby. Back in her childhood home, she\u2019s confronted with a dilemma: is she going to let her guard down by confronting her father, knowing she might again be let down; or is she going to stay silent.<\/p>\n Director:<\/strong> Noen Brouwer \nTONY AND THE TREE \u00a0 A young boy who has established a wholesome friendship with a sentient tree is enlightened by the horrifying truths of his virulent living conditions.<\/p>\n Director:<\/strong> Pacey Hansen \nWHERE BURNING COLD LIES<\/span><\/strong><\/p>\n![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2022\/10\/rsz_black_black_night_still3.jpg\")
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\nCinematographer:<\/strong> Nikolas Verseckas
\nSchool: <\/strong>Lithuanian Music and Theatre Academy (LMTA)
\nCountry and year:<\/strong> Lithuania, 2022<\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Aleksis Riehakainen
\nSchool:<\/strong> ELO Film School of Aalto University
\nCountry and year:<\/strong> Finland, 2022<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Oliver Kiedos
\nSchool:<\/strong> Hamburg Media School (HMS)
\nCountry and year:<\/strong> Germany, 2021<\/p>\n
\n<\/span><\/strong><\/span><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Felix Seitlinger
\nSchool:<\/strong> University of Applied Sciences Salzburg (FH Salzburg)
\nCountry and year: <\/strong>Austria, 2021<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Gracjana Piechula
\nCinematographer:<\/strong> Aleksandra Kami\u0144ska
\nSchool:<\/strong> Krzysztof Kie\u015blowski Film School
\nCountry and year:<\/strong> Poland, 2022<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Filip H\u00e1jek
\nSchool:<\/strong> Film and TV School of the Academy of Performing Arts in Prague (FAMU)
\nCountry and year:<\/strong> Czech Republic, 2022<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Beata Rakoczy
\nSchool:<\/strong> Gdynia Film School
\nCountry and year:<\/strong> Poland, 2022<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Jan Cisiecki
\nCinematographer:<\/strong> Jan Cisiecki
\nSchool:<\/strong> \u0141\u00f3d\u017a Film School
\nCountry and year:<\/strong> Poland, 2021<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Alexander Gruber
\nSchool:<\/strong> Hamburg Media School (HMS)
\nCountry and year:<\/strong> Germany, 2021<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Juri De Wolf
\nSchool:<\/strong> Netherlands Film Academy (AHK)
\nCountry and year:<\/strong> Netherlands, 2021<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Gabby Carbone
\nSchool:<\/strong> Florida State University College of Motion Picture, Television and Recording Arts (FSU)
\nCountry and year:<\/strong> USA, 2022<\/p>\n