LONDON \u2014 25 July 2023:\u00a0<\/strong>FilmLight has finalised the 2023\u00a0FilmLight Colour Awards<\/a><\/strong><\/span>\u00a0jury, made up of high-profile creatives from across the world, and appointed renowned cinematographer, Lawrence Sher, ASC, as this year\u2019s president. Due to popular demand, the awards deadline has also been extended, with submissions now closing to the global colourist community at 23:59 BST on 7 August 2023.<\/p>\n The FilmLight Colour Awards are open to colourists on any grading platform and entries are judged by an independent panel of cinematographers, colourists and creatives who bring their understanding of how an image is made, and how its light and shade creates a mood and a dynamic.<\/p>\n Lawrence Sher, ASC, is an award-winning American cinematographer and film director best known for his work on\u00a0Joker<\/em>\u00a0(2019),\u00a0Godzilla: King of the Monsters\u00a0<\/em>(2019),\u00a0War Dogs<\/em>\u00a0(2016),\u00a0The Hangover\u00a0<\/em>(2009),\u00a0Garden State\u00a0<\/em>(2004) as well as Dua Lipa\u2019s music video,\u00a0Don’t Start Now<\/em>\u00a0(2019).<\/p>\n \u201cI\u2019m very excited to be president of the FilmLight Colour Awards,\u201d comments Sher. \u201cColouring and colourists are as fundamental to modern filmmaking as any lighting or camera tool. As someone who started their career colour timing movies the \u2018old fashioned\u2019 way, I was an early adopter and champion of the Digital Intermediate as I could see its potential.<\/p>\n \u201cI believe the colour tools we have today are perhaps (along with the digital sensor) the most transformative change in filmmaking in the last 50 years. My relationship and collaboration with my colourists is as important as any relationship I have with my camera, grip and lighting teams. I am very excited to see the great work from this year\u2019s submissions and shine a spotlight on their creative inputs to their projects.\u201d<\/p>\n The final 2023 FilmLight Colour Awards\u00a0jury\u00a0<\/a><\/strong><\/span>is as follows:<\/p>\n Lawrence Sher<\/strong><\/span>, ASC, Cinematographer & Film Director;\u00a0Greig Fraser<\/strong>, ACS, ASC, Cinematographer;\u00a0Natasha Braier<\/strong>, ASC, ADF, Cinematographer;\u00a0Simone Appleby<\/strong>, Head of Film & Digital Restoration Lab, CNC;\u00a0Eben Bolter<\/strong>, BSC, Cinematographer;\u00a0Daniela Caj\u00edas<\/strong>, AEC, Cinematographer;\u00a0Eve M Cohen<\/strong>, Cinematographer;\u00a0Thomas Eberschveiler<\/strong>,\u00a0Image Workflow Supervisor, MPC Paris;\u00a0Yinka Edward<\/strong>, Cinematographer;\u00a0Ana Escorse<\/strong>, Senior Colourist;\u00a0Ricky Gausis<\/strong>, Senior Colourist & Creative Partner, TRAFIK;\u00a0Adam Glasman<\/strong>, Senior DI Colourist, Goldcrest;\u00a0Michael Goi<\/strong>, ASC, ISC, Cinematographer & Film Director;\u00a0Michael Hatzer<\/strong>, VP of Creative Colour Finishing, Picture Shop;\u00a0Aljoscha<\/strong> Hoffmann<\/strong>, Senior Colourist;\u00a0Dave Hussey<\/strong>, Senior Colourist, Company 3;\u00a0Takuro Ishizaka<\/strong>, JSC, Cinematographer;\u00a0Stephen Lighthill<\/strong>, ASC, Cinematographer & Head of Discipline, Cinematography at the American Film Institute (AFI) Conservatory;\u00a0Marjolaine Mispelaere<\/strong>, Senior Colourist;\u00a0Luke Morrison<\/strong>, Head of Colour, Electric Theatre Collective;\u00a0Wade Odlum<\/strong>, Senior Colourist & Partner at alter ego;\u00a0Swapnil Patole<\/strong>, Chief Colourist, Famous Studios;\u00a0Ahmet Sesigurgil<\/strong>, Cinematographer.<\/p>\n Award-winning Australian cinematographer ACS, ASC, Greig Fraser \u2013\u00a0Zero Dark Thirty<\/em>\u00a0(2012),\u00a0Lion\u00a0<\/em>(2016),\u00a0Dune\u00a0<\/em>(2021),\u00a0The Batman<\/em>\u00a0(2022) and more \u2013 comments: \u201cWe live in a space where often films are based on a trend or previous ideas. In this year\u2019s Colour Award entries, I\u2019m looking for original vision.\u201d<\/p>\n Jacqueline Loran, Director at FilmLight, commented: \u201cI have worked with colourists across the world for many years and I know how hard working and creative the community is. They are crucial to the creation of great visual content and we are honoured to be able to provide them with a platform to receive the recognition that they truly deserve.\u201d<\/p>\n \u201cWe\u2019ve been overwhelmed by the response and support for the awards so far and we are incredibly grateful to everyone involved, including the talented jury, without which the awards could not take place,\u201d says Loran.<\/p>\n The call for entries will now close on Monday 7 August 2023. A shortlist will be announced in the autumn, with the winners unveiled in November at\u00a0EnergaCAMERIMAGE<\/span><\/strong>.<\/p>\n The Colour Awards are lead and organised by FilmLight, in conjunction with\u00a0EnergaCAMERIMAGE<\/strong><\/span>, and are supported by prominent international groups such as the ASC (The American Society of Cinematographers), the BSC (British Society of Cinematographers), the AFC (The French Society of Cinematographers), CSI (Colorist Society International), CNSC (Chinese Society of Cinematographers), Imago (the International Federation of Cinematographers), the Polish Society of Cinematographers (PSC) and more.<\/p>\n For more information or to enter, visit:\u00a0www.filmlightcolourawards.com<\/a>\/<\/span><\/strong><\/p>\n About FilmLight<\/strong><\/p>\n FilmLight develops unique colour grading systems, image processing applications and storage and workflow tools that are transforming film and video post-production and setting new standards for quality, reliability and performance. The company\u2019s streamlined metadata-based workflows employ robust products with cutting edge creative tools, allowing creative professionals to work at the forefront of the digital media revolution. Founded in 2002, FilmLight\u2019s core business is centred on the innovation, implementation and support of its products – including Baselight, Daylight and Baselight Editions – in leading production companies, post-production facilities and film\/TV studios around the world. FilmLight is headquartered in London, where its research, design and manufacturing operations are centred. Sales and support are conducted through regional service centres and qualified partners worldwide. For more information, visit\u00a0http:\/\/www.filmlight.ltd.uk\u00a0<\/a><\/strong><\/span><\/p>\n FilmLight Contacts<\/p>\n ALEXA MAZA<\/strong><\/p>\n ALEXA@FILMLIGHT.LTD. \nCAROLINE SHAWLEY<\/strong><\/p>\n CAROLINES@FILMLIGHT.LTD. <\/p>","protected":false},"excerpt":{"rendered":" Esteemed jury finalised with American cinematographer and film director Lawrence Sher, ASC, at the helm LONDON \u2014 25 July 2023:\u00a0FilmLight…<\/p>\n","protected":false},"author":18,"featured_media":36171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[751,752],"tags":[],"class_list":["post-36168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-energacamerimage-2023","category-wiadomosci-energacamerimage-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36168"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=36168"}],"version-history":[{"count":17,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36168\/revisions"}],"predecessor-version":[{"id":36192,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36168\/revisions\/36192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/36171"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=36168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=36168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=36168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/08\/FilmLight-2-EN-1024x1024.jpg\")
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