{"id":36552,"date":"2023-10-23T23:12:35","date_gmt":"2023-10-23T21:12:35","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=36552"},"modified":"2023-10-26T15:25:35","modified_gmt":"2023-10-26T13:25:35","slug":"sklad-konkursu-seriali-telewizyjnych-energacamerimage-2023","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-seriali-telewizyjnych-energacamerimage-2023\/","title":{"rendered":"EnergaCAMERIMAGE 2023 TV Series Competition Line-up!"},"content":{"rendered":"<p><\/p>\n<p>We announce the line-up of the <strong>TV Series Competition of the 31<sup>st<\/sup> edition of <span style=\"color: #d29600;\">EnergaCAMERIMAGE International Film Festival<\/span><\/strong>.<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>ALL THE LIGHT WE CANNOT SEE<br \/>\n<\/strong><\/span><br \/>\n<a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36557\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-1536x1024.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2-1600x1067.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_atl_101_unit_03948rc2.jpg 1800w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Cr. Katalin Vermes\/Netflix \u00a9 2023<\/em><\/p>\n<p>Based on the Pulitzer Prize-winning novel, <em>All the Light We Cannot See<\/em> is a groundbreaking limited series that follows the story of Marie-Laure, a blind French girl and her father, Daniel LeBlanc, who flee German-occupied Paris with a legendary diamond to keep it from falling into the hands of the Nazis. Relentlessly pursued by a cruel Gestapo officer who seeks to possess the stone for his own selfish means, Marie-Laure and Daniel soon find refuge in St. Malo, where they take up residence with a reclusive uncle who transmits clandestine radio broadcasts as part of the Resistance. Yet here in this once-idyllic seaside city, Marie-Laure\u2019s path also collides with the unlikeliest of kindred spirits: Werner, a brilliant teenager enlisted by Hitler\u2019s regime to track down illegal broadcasts, who instead shares a secret connection to Marie-Laure as well as her faith in humanity and the possibility of hope.<\/p>\n<p><strong>Polish title: <\/strong>\u015awiat\u0142o, kt\u00f3rego nie wida\u0107<strong><br \/>\nDirector:<\/strong> Shawn Levy<br \/>\n<strong>Cinematographer:<\/strong> Tobias Schliessler<br \/>\n<strong>Production:<\/strong> 21 Laps Entertainment<br \/>\n<strong>Distribution:<\/strong> Netflix<br \/>\n<strong>Country and year: <\/strong>USA, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 24pt; color: #d29600;\">BLOODY HEART<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36556\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_still_4.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><em>Bloody Heart<\/em> tells the story of a fictional king, Lee Tae, who has to give up everything in order to hold on to power in his kingdom, even the woman he loves. Lee Tae believes any action is justifiable to achieve his goal. He wants to rule as an absolute monarch. Lee Tae is trying to achieve his goal, but he is met with opposition from Park Gye Won, a powerful politician who helped his father overthrow the previous king. Meanwhile, Yoo Jung is forced to become the queen in order to survive the bloody battle at the palace.<\/p>\n<p><strong>Original title: <\/strong>Bulg-eun dansim<strong><br \/>\nPolish title: <\/strong>Krwawe serce<strong><br \/>\nDirector:<\/strong> Young-Eun Yoo<br \/>\n<strong>Cinematographer:<\/strong> Keeha Choi<br \/>\n<strong>Production:<\/strong> Seongmin Oh<br \/>\n<strong>Distribution:<\/strong> Disney+<br \/>\n<strong>Country and year:<\/strong> South Korea, 2022<\/p>\n<p style=\"text-align: center;\">\n<span style=\"color: #d29600; font-size: 24pt;\"><strong>A BODY THAT WORKS<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36561\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/opt__DYP6074CustomDoronPeled.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>A woman longs to be a mother, but she can\u2019t carry a pregnancy to full term. Another woman, in desperate financial need, is able to grant the gift of life on the other\u2019s behalf. Their hopelessness unites them. As it develops, the transaction is far from simple. The woman who dreamed of carrying her own child must let go. While her dream dies, the other woman relinquishes control over her body for nine months. That woman hasn\u2019t yet been able to pursue her own dreams. Complications only grow from there. Synchronizing both women\u2019s bodies is a matter of biology, but the psychological impact can\u2019t be measured or controlled. The point at which their failures and dreams intersect ignites a spark &#8211; one capable of tearing both of their worlds apart.<\/p>\n<p><strong>Director:<\/strong> Shay Capon<br \/>\n<strong>Cinematographer:<\/strong> Uri Ackerman<br \/>\n<strong>Production:<\/strong> Kuma Studios<br \/>\n<strong>Distribution:<\/strong> Keshet International<br \/>\n<strong>Country and year:<\/strong> Israel, 2023<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 24pt; color: #d29600;\"><strong>FOUNDATION: IN SELDON&#8217;S SHADOW<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36560\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-1024x427.jpg\" alt=\"\" width=\"1024\" height=\"427\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-1024x427.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-768x320.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-547x228.jpg 547w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-1536x640.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-2048x854.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foundation_201_Photo_020105-1600x667.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>Based on the award-winning novels by Isaac Asimov, <em>Foundation<\/em> chronicles a band of exiles on their monumental journey to save humanity and rebuild civilization amid the fall of the Galactic Empire.<\/p>\n<p><strong>Polish title: <\/strong>Fundacja: W cieniu Seldona<strong><br \/>\nDirector:<\/strong> Alex Graves<br \/>\n<strong>Cinematographer:<\/strong> Cathal Watters<br \/>\n<strong>Production:<\/strong> Skydance Television<br \/>\n<strong>Distribution:<\/strong> Apple TV+<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE LOST FLOWERS OF ALICE HART: BLACK FIRE ORCHID<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36559\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-1024x426.jpg\" alt=\"\" width=\"1024\" height=\"426\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-1024x426.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-768x320.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-548x228.jpg 548w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-1536x640.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1-1600x666.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/LOST-FLOWERS-1.jpg 1919w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><em>The Lost Flowers of Alice Hart <\/em>tells the emotionally compelling story of Alice Hart. When Alice, aged 9, tragically loses her parents in a mysterious fire, she is taken to live with her grandmother June at Thornfield flower farm, where she learns that there are secrets within secrets about her and her family\u2019s past. Set against Australia\u2019s breath-taking, natural landscape, and with native wildflowers and plants providing a way to express the inexpressible, this enthralling family drama spans decades. Alice&#8217;s journey as she grows from her complicated past builds to an emotional climax when she finds herself fighting for her life against a man she loves.<\/p>\n<p><strong>Polish title: <\/strong>Wszystkie kwiaty Alice Hart: Czarna orchidea ognista<strong><br \/>\nDirector:<\/strong> Glendyn Ivin<br \/>\n<strong>Cinematographer:<\/strong> Sam Chiplin<br \/>\n<strong>Production:<\/strong> Amazon MGM Studios, Made Up Stories<br \/>\n<strong>Distribution: <\/strong>Amazon Prime Video<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>MOTH HUNTING<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36555\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pogrom1905_13092021_odc1_067.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Warsaw, May 1905. A young girl connected with independence movement is unexpectedly released from prison. It turns out that Czarny paid for her release. He is a pimp who deals in human trafficking. She is to be sent to Argentina. However, due to the girl&#8217;s beauty, it is more profitable for Czarny to put her in the most luxurious Warsaw brothel of Franciszka Szlimakowska and earn margin from her profits. On the same day, a bomb detonated by the PSP explodes near the Szlimakowska\u2019s establishment. This is yet another explosion directed against the Russians. Szlimakowska, stunned by the girl&#8217;s beauty and refinement, takes her in to work at her brothel and names her Yvette. Yvette, having nowhere to go, seeks lodging with Szczerb, an independence activist and friend of her fianc\u00e9, J\u00f3zef, who, she learns, has been exiled to Siberia. Yvette decides to earn money to find her fianc\u00e9. Meanwhile, at Szczerb&#8217;s, she meets Marcel, a PSP courier who was passing the bomb and was injured in the explosion.<\/p>\n<p><strong>Original title: <\/strong>Polowanie na \u0107my<strong><br \/>\nDirector:<\/strong> Micha\u0142 Rogalski<br \/>\n<strong>Cinematographer:<\/strong> Maciej Lisiecki<br \/>\n<strong>Production:<\/strong> Akson Studio, Telewizja Polska S.A.<br \/>\n<strong>Distribution:<\/strong> Telewizja Polska S.A.<br \/>\n<strong>Country and year:<\/strong> Poland, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">THE OFFER: A SEAT AT THE TABLE<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36558\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT-1024x687.jpg\" alt=\"\" width=\"1024\" height=\"687\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT-1024x687.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT-300x201.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT-768x515.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT-340x228.jpg 340w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/OFF-epi0101_NW_5675_RT.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>Cr: Nicole Wilder\/Paramount+ <\/em><br \/>\n<em>\u00a92022 Paramount Pictures. All Rights Reserved.<\/em><\/p>\n<p>Film and television producer Albert S. Ruddy sets out to make the 1972 film<em> The Godfather<\/em> with Francis Ford Coppola amid numerous production setbacks and run-ins with the Italian-American mob.<\/p>\n<p><strong>Polish title: <\/strong>The Offer: Miejsce przy stole<strong><br \/>\n<\/strong><strong>Director:<\/strong> Dexter Fletcher<br \/>\n<strong>Cinematographer:<\/strong> Salvatore Totino<br \/>\n<strong>Production:<\/strong> Paramount Television Studios<br \/>\n<strong>Distribution:<\/strong> Paramount +<br \/>\n<strong>Polish distribution:<\/strong> SkyShowtime<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\">\n<p><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE STROKE. A DRAMEDY<br \/>\n<\/strong><\/span><br \/>\n<em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36553\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fot_udar_karolina_grabowska_telemark_viaplaygroup_2023_monika_frajczykagentka_jacek_poniedzialekjacek.jpg 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is &#8220;the only real Polish city&#8221;, quite cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today \u2013 a vital madman who believes the best is yet to come.<\/p>\n<p><strong>Original title: <\/strong>Udar<strong><br \/>\nDirector:<\/strong> Pawe\u0142 Demirski<br \/>\n<strong>Cinematographer:<\/strong> Pawe\u0142 Flis<br \/>\n<strong>Production:<\/strong> Telemark Sp. z o.o.<br \/>\n<strong>Distribution:<\/strong> Viaplay Group<br \/>\n<strong>Polish distribution:<\/strong> Viaplay Group<br \/>\n<strong>Country and year:<\/strong> Poland, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 24pt; color: #d29600;\"><strong>THE WOMAN IN THE WALL: BACK TO LIFE<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36554\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_twitw_101_sdr_rec709_still_05.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>When serial sleepwalker Lorna Brady wakes to find the corpse of a strange woman in her house, she has no idea if she is responsible for the apparent murder. Unable to recall last night&#8217;s events and losing her grip on reality, Lorna embarks on an investigation in which she plays both detective and prime suspect. Meanwhile, Dublin detective Colman Akande arrives in town pursuing the case of a murdered priest. Before long, Colman is digging into Lorna\u2019s past at the town\u2019s Magdalene Laundry. The unravelling mystery threatens to expose Ireland\u2019s darkest, most shocking secrets.<\/p>\n<p><strong>Director:<\/strong> Harry Wootliff<br \/>\n<strong>Cinematographer:<\/strong> Si Bell<br \/>\n<strong>Production:<\/strong> Motive Pictures<br \/>\n<strong>Distribution:<\/strong> Paramount Global Content Distribution<br \/>\n<strong>Country and year:<\/strong> UK, 2023<\/p>\n<p style=\"text-align: center;\">\u00a0<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We announce the line-up of the TV Series Competition of the 31st edition of EnergaCAMERIMAGE International Film Festival. ALL THE&#8230;<\/p>\n","protected":false},"author":3,"featured_media":36926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[752],"tags":[],"class_list":["post-36552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36552"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=36552"}],"version-history":[{"count":7,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36552\/revisions"}],"predecessor-version":[{"id":36939,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/36552\/revisions\/36939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/36926"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=36552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=36552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=36552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}