{"id":36650,"date":"2023-10-17T21:52:19","date_gmt":"2023-10-17T19:52:19","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=36650"},"modified":"2023-11-16T15:30:16","modified_gmt":"2023-11-16T14:30:16","slug":"oglaszamy-nominacje-w-konkursie-wideoklipow-2023","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/oglaszamy-nominacje-w-konkursie-wideoklipow-2023\/","title":{"rendered":"2023 Music Videos Competition Line-up Announced"},"content":{"rendered":"<p><\/p>\n<p>We are proud to announce<strong><span style=\"color: #d29600;\"> EnergaCAMERIMAGE 2023<\/span> Music Videos Competition<\/strong> line-up.<\/p>\n<p>Out of more than 300 submissions and recommendations received from all over the world, 20 music videos have been selected and nominated for <strong>Best Music Video <\/strong>award.<\/p>\n<p>The set of nominated videos will be presented at a special screening for the Jury and the festival audience in <strong>CKK Jordanki\u2019s Main Screening Room<\/strong>. The winners will be announced during the <strong>Festival&#8217;s Closing Ceremony<\/strong> on <span style=\"text-decoration: underline;\">Saturday, 18th November<\/span>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HERE ARE THE 20 NOMINATED VIDEOS: <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>ANTHONY WILLS &#8220;4 MY DAWGS&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36665\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-1024x635.jpg\" alt=\"\" width=\"1024\" height=\"635\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-1024x635.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-300x186.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-768x476.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-368x228.jpg 368w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-1536x953.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03-1600x993.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_4_my_days_still_03.jpg 1741w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Konrad Losch<br \/>\n<strong>Director:<\/strong> Timm Gillner<br \/>\n<strong>Label:<\/strong> Anthony Willis<br \/>\n<strong>Production company:<\/strong> TRUST N TRY<br \/>\n<strong>Country and year:<\/strong> Germany, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>THE BEACH BOYS &#8220;GOD ONLY KNOWS&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36664\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-1024x427.jpg\" alt=\"\" width=\"1024\" height=\"427\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-1024x427.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-768x321.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-546x228.jpg 546w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-1536x641.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03-1600x668.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_god_only_knows_still_03.jpg 1775w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Adam Bentel<br \/>\n<strong>Director:<\/strong> Andrew Litten<br \/>\n<strong>Label:<\/strong> Steven Gottlieb<br \/>\n<strong>Production company:<\/strong> Gatehouse Commercials, Stink Films<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>BONGEZIWE MABANDLA &#8220;SOZE&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36663\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-1024x704.jpg\" alt=\"\" width=\"1024\" height=\"704\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-1024x704.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-300x206.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-768x528.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-332x228.jpg 332w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-1536x1056.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04-1600x1100.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_soze_still_04.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Deon van Zyl<br \/>\n<strong>Director:<\/strong> Zee Ntuli<br \/>\n<strong>Label:<\/strong> Black Major<br \/>\n<strong>Production company:<\/strong> Darling Films<br \/>\n<strong>Country and year:<\/strong> Republic of South Africa, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>CERO ISMAEL &#8220;WY&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36671\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-1024x768.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-300x225.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-768x576.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-304x228.jpg 304w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-1536x1152.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01-1600x1200.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Wy_still-01.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Boas van Milligen Bielke<br \/>\n<strong>Director:<\/strong> Folkert Verdoorn<br \/>\n<strong>Label:<\/strong> Timo<br \/>\n<strong>Production company:<\/strong> Tebbernekkel<br \/>\n<strong>Country and year:<\/strong> Netherlands, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>FARVEBLIND &#8220;CROOKS&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36662\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-1024x428.jpg\" alt=\"\" width=\"1024\" height=\"428\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-1024x428.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-768x321.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-546x228.jpg 546w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-1536x641.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-2048x855.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crooks_still_03-1600x668.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Kristoffer Engholm Aabo<br \/>\n<strong>Director:<\/strong> Snorre Fuglsang Ruhe<br \/>\n<strong>Label:<\/strong> Wife Management<br \/>\n<strong>Production company:<\/strong> Hobby Film<br \/>\n<strong>Country and year:<\/strong> Denmark, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>HARRY STYLES &#8220;DAYLIGHT&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36661\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01-1024x443.jpg\" alt=\"\" width=\"1024\" height=\"443\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01-1024x443.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01-300x130.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01-768x332.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01-527x228.jpg 527w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_daylight_still_01.jpg 1502w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Nikita Kuzmenko<br \/>\n<strong>Director:<\/strong> Tanu Muino<br \/>\n<strong>Label:<\/strong> Bryan Younce, Columbia Records<br \/>\n<strong>Production company:<\/strong> UnderWonder Content<br \/>\n<strong>Country and year:<\/strong> UK, USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>KIMBRA &#8220;FOOLISH THINKING&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36670\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-1024x713.jpg\" alt=\"\" width=\"1024\" height=\"713\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-1024x713.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-300x209.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-768x535.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-327x228.jpg 327w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-1536x1070.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-2048x1426.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Foolish-Thinking_still-02-1600x1114.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Jay Swuen<br \/>\n<strong>Director:<\/strong> Alex Cook<br \/>\n<strong>Label:<\/strong> Mataderos Projects<br \/>\n<strong>Production company:<\/strong> Crimson Edge<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>LANA DEL REY FT. JON BATISTE &#8220;CANDY NECKLACE&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36669\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-1024x423.jpg\" alt=\"\" width=\"1024\" height=\"423\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-1024x423.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-300x124.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-768x317.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-552x228.jpg 552w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-1536x634.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-2048x845.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Candy-Necklace_still-01-1600x661.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Christopher Probst<br \/>\n<strong>Director:<\/strong> Rich Lee<br \/>\n<strong>Label:<\/strong> Universal Music Group<br \/>\n<strong>Production company:<\/strong> Synapse<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>METALLICA &#8220;SCREAMING SUICIDE&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36659\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-1024x425.jpg\" alt=\"\" width=\"1024\" height=\"425\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-1024x425.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-768x319.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-549x228.jpg 549w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-1536x637.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-2048x850.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Screaming-Suicide_still-02-1600x664.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Joshua Zucker-Pluda<br \/>\n<strong>Director:<\/strong> Tim Saccenti<br \/>\n<strong>Label: <\/strong>Q Prime<br \/>\n<strong>Production company: <\/strong>RadicalMedia<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 18pt;\"><strong><span style=\"color: #d29600;\">MILEY CYRUS &#8220;FLOWERS&#8221;<\/span><\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36658\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02-1024x377.jpg\" alt=\"\" width=\"1024\" height=\"377\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02-1024x377.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02-300x110.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02-768x283.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02-619x228.jpg 619w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_flowers_still_02.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Marcell R\u00e9v<br \/>\n<strong>Director:<\/strong> Jacob Bixenman<br \/>\n<strong>Label: <\/strong>Columbia Records<br \/>\n<strong>Production company: <\/strong>Freenjoy<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>MODERAT &#8220;PORC#1&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36657\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03-1024x553.jpg\" alt=\"\" width=\"1024\" height=\"553\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03-1024x553.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03-300x162.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03-768x415.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03-422x228.jpg 422w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_porc1_still_03.jpg 1499w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Julian C. Steiner<br \/>\n<strong>Director:<\/strong> Kai Kurve<br \/>\n<strong>Label:<\/strong> Monkeytown Music<br \/>\n<strong>Production company:<\/strong> Kurve Entertainment<br \/>\n<strong>Country and year:<\/strong> Germany, 2022<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>REN &#8220;HI REN&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36656\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_hi_ren_still_02.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Samuel Perry-Falvey<br \/>\n<strong>Director:<\/strong> Ren Gill<br \/>\n<strong>Label:<\/strong> Connor<br \/>\n<strong>Country and year:<\/strong> UK, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>RITA ORA &#8220;PRASING YOU&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36668\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rita-Ora_PraisingYou_still-01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Matthew J. Lloyd<br \/>\n<strong>Director: <\/strong>Taika Waititi<br \/>\n<strong>Label:<\/strong> BMG<br \/>\n<strong>Production company:<\/strong> Untold Studios<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>ROI KEIDAR &#8220;EVERYBODY KNOWS&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36660\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02-1024x621.jpg\" alt=\"\" width=\"1024\" height=\"621\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02-1024x621.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02-300x182.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02-768x466.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02-376x228.jpg 376w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_everybody_knows_still_02.jpg 1433w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Daria Geller<br \/>\n<strong>Director:<\/strong> Daria Geller<br \/>\n<strong>Label:<\/strong> Danielle Angel<br \/>\n<strong>Production company:<\/strong> No Man&#8217;s Land<br \/>\n<strong>Country and year:<\/strong> Israel, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 18pt;\"><strong>THE ROLLING STONES &#8220;ANGRY&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36655\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-1920x1080.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Rolling-Stones_Angry_still-03.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Christopher Ripley<br \/>\n<strong>Director:<\/strong> Francois Rousselet<br \/>\n<strong>Label:<\/strong> Polydor Records<br \/>\n<strong>Production company:<\/strong> Riff Raff Films<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>SON LUX &#8220;UNDERTOW&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36667\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-1024x617.jpg\" alt=\"\" width=\"1024\" height=\"617\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-1024x617.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-300x181.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-768x463.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-378x228.jpg 378w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-1536x926.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-2048x1234.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Undertow_still-01-1600x964.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Drew Bienemann<br \/>\n<strong>Director:<\/strong> Alex Cook<br \/>\n<strong>Label:<\/strong> This Is Meru<br \/>\n<strong>Production company:<\/strong> Crimson Edge<br \/>\n<strong>Country and year:<\/strong> USA, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>THIRSTY EYES &#8220;POP SENT (YAMAHA)&#8221;<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36654\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01-1024x512.jpg\" alt=\"\" width=\"1024\" height=\"512\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01-1024x512.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01-300x150.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01-768x384.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01-456x228.jpg 456w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_pop_sent_yamaha_still_01.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Florian Noever<br \/>\n<strong>Director:<\/strong> Alexander Worsch<br \/>\n<strong>Label:<\/strong> Philipp Moosbrugger<br \/>\n<strong>Country and year:<\/strong> Austria, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>TOVE LO &#8220;BORDERLINE&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36666\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Borderline_still-01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Pierre de Kerchove<br \/>\n<strong>Director:<\/strong> Fernando Nogari<br \/>\n<strong>Label:<\/strong> Pretty Swede Records<br \/>\n<strong>Production company:<\/strong> Iconoclast<br \/>\n<strong>Country and year:<\/strong> \u00a0USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>VIVIR QUINTANA &#8220;TE MERECES UN AMOR&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36653\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-1024x640.jpg\" alt=\"\" width=\"1024\" height=\"640\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-1024x640.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-300x188.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-768x480.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-365x228.jpg 365w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-1536x960.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-2048x1280.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_vivir_quintana_-_te_mereces_un_amor_still_02-1600x1000.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Carolina Costa<br \/>\n<strong>Director: <\/strong>David Pablos<br \/>\n<strong>Label:<\/strong> Fernanda Rodriguez<br \/>\n<strong>Country and year:<\/strong> Mexico, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18pt; color: #d29600;\"><strong>ZEF &#8220;U\u017d JE \u010cAS&#8221;<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-36652\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_uz_je_cas_still_01.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><strong>Cinematographer:<\/strong> Anna Smoro\u0148ov\u00e1<br \/>\n<strong>Director:<\/strong> Jay Walker<br \/>\n<strong>Label:<\/strong> Josef Reznik<br \/>\n<strong>Production company:<\/strong> Boycott<br \/>\n<strong>Country and year:<\/strong> Czech Republic, 2022<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We are proud to announce EnergaCAMERIMAGE 2023 Music Videos Competition line-up. 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