{"id":37038,"date":"2023-10-30T09:50:24","date_gmt":"2023-10-30T08:50:24","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=37038"},"modified":"2023-10-31T14:20:27","modified_gmt":"2023-10-31T13:20:27","slug":"pokazy-specjalne-dokumentow-na-energacamerimage-2023","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/pokazy-specjalne-dokumentow-na-energacamerimage-2023\/","title":{"rendered":"EnergaCAMERIMAGE 2023 Documentary Special Screenings"},"content":{"rendered":"<p><\/p>\n<p>We announce the <strong>Documentary Special Screenings<\/strong> of the <strong>31<sup>st<\/sup> edition of <span style=\"color: #d29600;\">EnergaCAMERIMAGE Film Festival<\/span>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">ALEXANDER<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37037\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Aleksander_still01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Documentary portrait of the Polish artist Aleksander D\u0119tko\u015b.<\/p>\n<p><strong>Original title: <\/strong>Aleksander<strong><br \/>\nDirector: <\/strong>Dariusz Gackowski<br \/>\n<strong>Cinematographers:<\/strong> Dariusz Gackowski, Artur Homan<br \/>\n<strong>Produced by:<\/strong> Dariusz Gackowski<br \/>\n<strong>Country and year:<\/strong> Poland, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">AND THE KING SAID, WHAT A FANTASTIC MACHINE!<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37030\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_fantastic_machine_photo_by_alexander_tikhomirov.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>photo by Alexander Tikhomirov<\/em><\/p>\n<p>A film journey through the historically vast ocean of contemporary media culture, where we can find out how the camera obscura was created, watch the first moving image demonstration, see the invention of the webcam, visit today\u2019s Hollywood and learn more about a world filled with 45 billion cameras. The documentary broadens our understanding of the visual world we now live in, asking questions about humanity\u2019s uncontrollable obsession with the image and the social consequences it entails.<\/p>\n<p><strong>Director:<\/strong> Axel Danielson, Maximilien Van Aertryck<br \/>\n<strong>Produced by:<\/strong> Plattform Produktion<br \/>\n<strong>Country and year:<\/strong> Denmark, Sweden, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">ANSELM<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37029\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-1024x768.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-300x225.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-768x576.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-304x228.jpg 304w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-1536x1152.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03-1600x1200.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_anselm_still_03.jpg 1772w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>The portrait of German artist Anselm Kiefer presented at Cannes is like his large-scale sculptures &#8211; monumental yet still embracing the human perspective. And it is certainly not a conventional documentary featuring talking heads. After the memorable <em>Pina<\/em>, Wim Wenders offers another immersive film experience, allowing us to enter the world of the artist and his works. Fictionalized scenes, archival footage, and 3D shots from the gigantic studio contribute to a nuanced portrayal of a man struggling with post-war collective amnesia.<\/p>\n<p><strong>Director:<\/strong> Wim Wenders<br \/>\n<strong>Cinematographers:<\/strong> Franz Lustig<br \/>\n<strong>Produced by:<\/strong> Road Movies Filmproduktion<br \/>\n<strong>Polish distributor:<\/strong> Stowarzyszenie Nowe Horyzonty<br \/>\n<strong>Country and year:<\/strong> Germany, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">CROWS ARE WHITE<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37028\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-1024x540.jpg\" alt=\"\" width=\"1024\" height=\"540\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-432x228.jpg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-1536x810.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory-1600x844.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_crows_are_white_still_01copyright_memory.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>\u00a9MEMORY<\/em><\/p>\n<p>For more than a thousand years, a mysterious Buddhist sect of monks has inhabited an isolated monastery in Japan, where it practices acts of extreme physical endurance in pursuit of enlightenment. The director, who comes from a Muslim family, in an attempt to find answers about his faith and personal life, sets out to the monastery in search of answers about the sense and purpose of these mysterious practices. He wants to document them, but when he arrives there, he finds out his presence is not welcomed.<\/p>\n<p><strong>Polish title: <\/strong>A wrony s\u0105 bia\u0142e<strong><br \/>\nDirector:<\/strong> Ahsen Nadeem<br \/>\n<strong>Cinematographer: <\/strong>Matthew Nauser<br \/>\n<strong>Produced by:<\/strong> Argent Pictures, Memory, Normal Content<br \/>\n<strong>Polish distributor:<\/strong> Against Gravity<br \/>\n<strong>Country and year:<\/strong> Japan, Ireland, USA, 2022<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">FAREWELL SAVAGE<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37027\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01-1024x553.jpg\" alt=\"\" width=\"1024\" height=\"553\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01-1024x553.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01-300x162.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01-768x415.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01-422x228.jpg 422w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_farewell_savage_still01.jpg 1499w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>In Colombia, the \u201cWhites\u201d think that the Indian of Amazonia does not feel anything because there are no words in his language to express feelings. Is it possible that a whole people feel nothing and have no words to speak of love? Director Sergio Guataquira Sarmiento, himself a descendant of an almost extinct indigenous Colombian community, went to meet the C\u00e1cuas, to talk about their feelings, their loves, their loneliness.<\/p>\n<p><strong>Original title: <\/strong>Adieu Sauvage<strong><br \/>\nDirector:<\/strong> Sergio Guataquira Sarmiento<br \/>\n<strong>Cinematographer:<\/strong> David Garcia<br \/>\n<strong>Produced by:<\/strong> Fox the Fox Productions, Grand Angle Productions<br \/>\n<strong>Country and year:<\/strong> Belgium, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>GRASSHOPPER REPUBLIC<\/strong><\/span><strong><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37026\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-1024x536.jpg\" alt=\"\" width=\"1024\" height=\"536\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-1024x536.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-300x157.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-768x402.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-436x228.jpg 436w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-1536x804.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-2048x1072.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_grasshopper_republic_still-1600x838.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>In the high stakes world of grasshopper trapping, a group of young Ugandans risking it all for a chance to escape poverty, upset the balance between nature and humanity.<\/p>\n<p><strong>Director:<\/strong> Daniel McCabe<br \/>\n<strong>Cinematographers: <\/strong>Daniel McCabe, Michael McCabe, Michele Sibiloni<br \/>\n<strong>Produced by:<\/strong> XTR<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>HIDDEN LETTERS<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37036\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Hidden-Letters_still-01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Film tells the story of two Chinese women trying to balance their lives as independent women in modern China while confronting the traditional identity that defines but also oppresses them. Connected through their love for Nushu \u2013 a centuries-old secret text shared amongst women \u2013 each of them transforms through a pivotal period of their lives and takes a step closer to becoming the individuals they know they can be.<\/p>\n<p><strong>Polish title: <\/strong>Sekretny alfabet<strong><br \/>\nDirector:<\/strong> Violet Du Feng<br \/>\n<strong>Cinematographers:<\/strong> Tiebin Feng, Wei Gao<br \/>\n<strong>Produced by:<\/strong> EST Studios, Fish + Bear Pictures<br \/>\n<strong>Country and year: <\/strong>China, Norway, USA, 2022<\/p>\n<p style=\"text-align: center;\"><br style=\"font-size: 18pt; color: #d29600;\" \/><br \/>\n<strong><span style=\"color: #d29600; font-size: 24pt;\">A HOUSE FOR WANDERING SOULS<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37024\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-1024x426.jpg\" alt=\"\" width=\"1024\" height=\"426\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-1024x426.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-300x125.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-768x320.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-547x228.jpg 547w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-1536x640.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-2048x853.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/House-for-Wandering-Souls_still05-1600x666.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>In a small village in Galicia in northern Spain, Pablo\u2019s family lives attached to their ancient traditions and beliefs. Feeling that he did not fit into their world, Pablo left 20 years ago to become a filmmaker. But, as both he and his family are growing older, a restless feeling in him starts to get stronger, urging him to go back home to confront the ghosts of the past and find answers, in the limited time they still have together.<\/p>\n<p><strong>Original title: <\/strong>O auto das \u00e1nimas<strong><br \/>\nDirector:<\/strong> Pablo Lago Dantas<br \/>\n<strong>Cinematographer:<\/strong> Pablo Lago Dantas<br \/>\n<strong>Produced by:<\/strong> DianaToucedo Films<br \/>\n<strong>Country and year:<\/strong> Spain, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">MIECZYS\u0141AW JAHODA. THE MAGICIAN FROM CRACOW<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37025\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_mieczyslaw_jahoda_still_01_main.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>A film profile of Mieczys\u0142aw Jahoda \u2013 a cinematographer, pioneer of new cinematography techniques, director of the first Polish films in the CinemaScope system and on Eastmancolor film stock, explorer of modern methods of shaping the film image in Polish cinema. The film is an attempt to save his achievements, creative efforts and reflections for future generations.<\/p>\n<p><strong>Original title: <\/strong>Mieczys\u0142aw Jahoda. Sztukmistrz z Krakowa<strong><br \/>\nDirector:<\/strong> Wiktor Skrzynecki<br \/>\n<strong>Cinematographer:<\/strong> Tomasz Samosionek<br \/>\n<strong>Produced by:<\/strong> Grupa Filmowa, Telewizja Polska, Wytw\u00f3rnia Film\u00f3w Dokumentalnych i Fabularnych (WFDiF)<br \/>\n<strong>Country and year:<\/strong> Poland, 2022<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>MRS. IRAN&#8217;S HUSBAND<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37035\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Mrs.-Irans-Husband_still01.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Sultan Mohammad\u2019s quest for power and expansion puts the burden on his two wives: Iran and Sara, to maintain his prestige and assets. As the ruler of a mountain kingdom with 11 children and a flock of sheep, he seeks to marry for the third time, but the changing world brings new challenges for his wives who are fighting for their basic rights.<\/p>\n<p><strong>Director:<\/strong> Marjan Khosravi<br \/>\n<strong>Cinematographer:<\/strong> Mehdi Azadi<br \/>\n<strong>Produced by:<\/strong> Seven Springs Pictures<br \/>\n<strong>Country and year:<\/strong> Iran, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">NORTH CIRCULAR<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37034\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-1024x554.jpg\" alt=\"\" width=\"1024\" height=\"554\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-1024x554.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-300x162.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-768x415.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-422x228.jpg 422w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-1536x830.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01-1600x865.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/North-Circular_still-01.jpg 1998w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>A documentary musical that travels the length of Dublin\u2019s North Circular Road, from the Phoenix Park to Dublin Port, exploring the history, music and streetscapes of a street that links some of the country\u2019s most beloved and infamous places. The film also includes musical performances from artists local to the North Circular, including John Francis Flynn, S\u00e9an \u00d3 T\u00faama, Eoghan O\u2019Ceannabh\u00e1in, Ian Lynch &amp; Gemma Dunleavy.<\/p>\n<p><strong>Director:<\/strong> Luke McManus<br \/>\n<strong>Cinematographers:<\/strong> Evan Barry, Jamie Goldrick, Patrick Jordan, Richard Kendrick, Luke McManus<br \/>\n<strong>Produced by:<\/strong> Madhouse Films<br \/>\n<strong>Country and year:<\/strong> Ireland, 2022<\/p>\n<p style=\"color: #d29600; font-size: 18pt;\">\u00a0<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">PIANOFORTE<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37033\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-1024x683.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-300x200.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-768x512.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-342x228.jpg 342w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-1536x1024.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-2048x1366.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Pianoforte_still-01-1600x1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a>photo by Darek Golik<\/em><\/p>\n<p>There are 160 competitors in the preliminary round, with only 12 making it to the finals. The Chopin Competition is the oldest event of this rank in the world. It is held every 5 years in Warsaw, and it has been attended by the most famous pianists. There is always huge excitement, both on the stage and among the audience, and for the performers it is great opportunity that happens once in a lifetime. The protagonists of the film are several young contestants from various parts of the world, whose lives have been subordinated to playing the piano since childhood.<\/p>\n<p><strong>Director: <\/strong>Jakub Pi\u0105tek<br \/>\n<strong>Cinematographer:<\/strong> Filip Dro\u017cd\u017c<br \/>\n<strong>Produced by:<\/strong> Telemark<br \/>\n<strong>Polish distributor:<\/strong> Against Gravity<br \/>\n<strong>Country and year: <\/strong>Poland, 2023<\/p>\n<p style=\"color: #d29600; font-size: 18pt;\">\u00a0<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">PLANET OF THE HUMANS<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37032\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-1024x575.jpg\" alt=\"\" width=\"1024\" height=\"575\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-1024x575.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-300x168.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-768x431.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-406x228.jpg 406w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-1536x862.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-2048x1150.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-1920x1080.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Planet-of-the-Humans_still01-1600x898.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p><em>Planet of the Humans<\/em> dares to say what no one else will, that we are losing the battle to stop climate change on planet Earth because we are following leaders who have taken us down the wrong road \u2014 selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement\u2019s answer is to push for techno-fixes and band-aids. It\u2019s too little, too late.<\/p>\n<p><strong>Director:<\/strong> Jeff Gibbs<br \/>\n<strong>Cinematographer: <\/strong>Jeff Gibbs<br \/>\n<strong>Produced by:<\/strong> Huron Mountain Films<br \/>\n<strong>Country and year:<\/strong> USA, 2020<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 24pt; color: #d29600;\"><strong>Q<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37023\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-1024x539.jpg\" alt=\"\" width=\"1024\" height=\"539\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-1024x539.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-768x404.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-433x228.jpg 433w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-1536x809.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01-1600x843.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_q_still01.jpg 1728w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>An intimate and haunting portrayal of a quest for love and acceptance at any cost, depicts the insidious influence of a matriarchal religious order in Lebanon on three generations of women in the Chehab family. Filmmaker Jude Chehab potently documents the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A masterful portrait of the toll that decades of unrequited love, lost hope, abuse, and despair takes on a person, Q is a tale of the eternal search for meaning.<\/p>\n<p><strong>Original title: <\/strong>\u0642<strong><br \/>\nDirector:<\/strong> Jude Chehab<br \/>\n<strong>Cinematographer: <\/strong>Jude Chehab<br \/>\n<strong>Produced by:<\/strong> Chehab Films<br \/>\n<strong>Country and year:<\/strong> Lebanon, USA, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">RYUICHI SAKAMOTO | OPUS<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37039\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-1024x540.jpg\" alt=\"\" width=\"1024\" height=\"540\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-1024x540.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-300x158.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-768x405.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-432x228.jpg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-1536x810.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc-1600x844.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_01_main_official_1st_still_-_ryuichi_sakamoto___opus_\u00a9\ufe0f_2022_kab_inc.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><em>\u00a9\ufe0f2022 Kab Inc<\/em><\/p>\n<p>On March 28th 2023, legendary composer Ryuichi Sakamoto passed away after his struggle against cancer. In the years leading up to his death, Sakamoto could no longer perform live. Single concerts, not to mention sprawling global tours, were too taxing. Despite this, in late 2022, Sakamoto mustered all of his energy to leave the world with one final performance: a concert film, featuring just him and his piano. Curated by Sakamoto himself and presented in his chosen order, the twenty pieces performed in the film wordlessly narrate his life through his music.<\/p>\n<p><strong>Director:<\/strong> Neo Sora<br \/>\n<strong>Cinematographer:<\/strong> Bill Kirstein<br \/>\n<strong>Produced by:<\/strong> Bitters End, KAB America<br \/>\n<strong>Country and year: <\/strong>Japan, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">SUPERPOWER<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37021\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-1024x512.jpg\" alt=\"\" width=\"1024\" height=\"512\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-1024x512.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-300x150.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-768x384.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-456x228.jpg 456w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-1536x768.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr-1600x800.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_iot_screenshot_37-gigapixel-hq-scale-4_00x-popr.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>When Sean Penn began filming <em>Superpower<\/em> in late 2021, a full scale invasion of Ukraine by Vladimir Putin was a looming, if seemingly distant, threat. Penn traveled to Ukraine to learn more about Volodymyr Zelensky, the actor and comedian who played an unlikely presidential candidate on television before becoming the actual President of Ukraine. But on February 24, 2022, while Penn was filming in Kyiv, Putin\u2019s invasion took the world by storm. As explosions rocked the city, he became an inadvertent front-row witness to this historic \u2018David and Goliath\u2019 struggle. The film is a heart wrenching glimpse into a country fighting for its freedom.<\/p>\n<p><strong>Director:<\/strong> Aaron Kaufman, Sean Penn<br \/>\n<strong>Cinematographers:<\/strong> Aaron Kaufman, James Mills, Serhiy Morgunov, Austin Otto, J. B. Rutagarama, Lauren Terp, William Voermann<br \/>\n<strong>Produced by:<\/strong> Aldamisa Entertainment, Endeavor Content, Projected Picture Works, See It Now Studios, VICE News, Vice Studios<br \/>\n<strong>Country and year:<\/strong> USA, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">THEATRE OF VIOLENCE<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37020\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN-406x228.jpg 406w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Theatre-of-Violence_still01-MAIN.jpg 1526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/em><\/p>\n<p>Dominic Ongwen was just 9 years old when the Lord Resistance Army terrorist group abducted him and killed his parents. The group then tortured, brainwashed and forced the boy to kill others. 30 years later, Ongwen surrendered to the authorities and now stands accused of crimes against humanity at the International Criminal Court in The Hague, the first former child soldier ever to do so. The charges range from murder to slavery. But can the adult man be separated from his traumatic past when it comes to sentencing?<\/p>\n<p><strong>Polish title: <\/strong>W teatrze przemocy<strong><br \/>\nDirectors:<\/strong> \u0141ukasz Konopa, Emil Langballe<br \/>\n<strong>Cinematographer:<\/strong> Kacper Czubak<br \/>\n<strong>Produced by:<\/strong> Made in Copenhagen<br \/>\n<strong>Country and year: <\/strong>Denmark, Germany, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>WHO TELLS THE STORY?<\/strong><\/span><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37019\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01-1024x577.jpg\" alt=\"\" width=\"1024\" height=\"577\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01-1024x577.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01-768x433.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/rsz_who_tells_the_story_still_01.jpg 1218w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><br \/>\n<\/em><\/p>\n<p>This short film centers around a debate between three important activist artists: Haskell Wexler &#8211; legendary cinematographer and filmmaker, Hubert Sauper &#8211; award winning documentarian, and Susan Meiselas &#8211; world renowned photojournalist. What\u2019s truth? Is it truth, fact or fiction? Who tells the story? Whose story is it? Interspersed with their films and photographs.<\/p>\n<p><strong>Directors:<\/strong> Alan Barker, Joan Churchill<br \/>\n<strong>Cinematographers:<\/strong> Alan Barker, Joan Churchill<br \/>\n<strong>Produced by:<\/strong> Joan Churchill<br \/>\n<strong>Country and year: <\/strong>USA, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>A WOMAN<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-37031\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01-1600x900.jpg 1600w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2023\/10\/Woman-A_still-01.jpg 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><br \/>\n<\/em><\/p>\n<p><em>A Woman<\/em> is a documentary essay, a very personal look into the life of a French orphan, that starts on the coast of the Sa\u00f4ne in Burgundy and ends on the shores of the R\u00edo de la Plata in Argentina. A film about emigration, remembering and forgetting.<\/p>\n<p><strong>Original title: <\/strong>Eine Frau<strong><br \/>\nDirector:<\/strong> Jeanine Meerapfel<br \/>\n<strong>Cinematographer:<\/strong> Johann Feindt<br \/>\n<strong>Produced by:<\/strong> unafilm<br \/>\n<strong>Country and year: <\/strong>Germany, Argentina, 2021<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We announce the Documentary Special Screenings of the 31st edition of EnergaCAMERIMAGE Film Festival. &nbsp; &nbsp; ALEXANDER Documentary portrait of&#8230;<\/p>\n","protected":false},"author":3,"featured_media":37077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[752],"tags":[],"class_list":["post-37038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/37038"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=37038"}],"version-history":[{"count":2,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/37038\/revisions"}],"predecessor-version":[{"id":37083,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/37038\/revisions\/37083"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/37077"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=37038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=37038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=37038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}