<\/p>\n
A BULL CALLS<\/span><\/strong>\u00a0<\/span><\/strong><\/p>\n Haunted by dreams of her family’s bull, a woman living in Berlin returns after many years to her hometown in Venezuela to visit her father and settle old scores with her siblings.<\/p>\n Original title:\u00a0<\/strong>Un toro llama CARGO<\/strong><\/span><\/p>\n Ewa works as a delivery truck driver. It is only during the course of her next assignment that she realizes she is performing a task she would never have agreed to before.<\/p>\n Original title: <\/strong>\u0141adunek CHIUITA PICONERA<\/span><\/strong><\/p>\n After the death of her youngest daughter, Carmen unable to get over the loss, lives with the haunting spirit of the deceased. She tries to emerge from her mourning to the rhythm of traditional Spanish dance, led by the hand by her older daughter.<\/p>\n Director:<\/strong> Mey Montero \nCOME SIT WITH US<\/span><\/strong><\/span><\/p>\n Lola ends up sitting on a bench with local women on Midsummer Eve. At first, the women’s troubles are alien to her, but as the evening progresses, she begins to question her current perspectives, and the more time she spends with the women, the more she begins to resemble them, undergoing an inner transformation.<\/p>\n Original title: <\/strong>\u00c4ra ole uhke HEIR OF THE GALAXY<\/strong><\/span><\/p>\n The film follows two days in the life of a former child star who rose to fame nearly 20 years ago in a major sci-fi blockbuster. Overwhelmed by media attention and school issues, he quit acting. Now, he’s trying to redefine himself amidst hate comments, public recognition, journalists, and constant comparisons to a colleague from the film set. Adding to his challenges is his controlling mother, who always had high expectations of him.<\/p>\n Original title:<\/strong>Als er ein Star war \nHONEY BUNNY A retired firefighter who breeds fluffy rabbits discovers that his beloved wife, with whom he hasn\u2019t shared a bedroom in a long time, has started working at a paid hugging salon. In order to win her back, he will have to confront not only her, but also his own sexuality and needs.<\/p>\n Director:<\/strong> Gracjana Piechula \nJUST A TOUCH OF SUGAR<\/span><\/strong><\/p>\n Sixty-something Marie struggles with relentless wrinkles and the fact that she is increasingly invisible to those around her. Except for her daughter Sara, who, despite her adult age, is still dependent on her mother’s help. A story about a gesture of love that can change everything.<\/p>\n Original title: <\/strong>Trocha cukru \nTHE LUMBER ROOM<\/span><\/strong><\/p>\n Imani is on the run, but no matter how hard she tries, she cannot escape what is chasing her. The hotel she is staying in is slowly turning into a surreal nightmare and the storm that threatens to destroy everything is getting closer and closer.<\/p>\n Director:<\/strong> Alejandro Math\u00e9 \nA NEW GARDEN Twelve-year-old Luca steals away from her family and the daily struggle with her autistic sister. While wandering through her new neighbourhood, she befriends a girl from a farm and pins all her hopes on this new friendship.<\/p>\n Original title:<\/strong>Die lauteste Zeit \nPAPILLON<\/span><\/strong><\/p>\n The memory of an intimate friendship between two boys.<\/p>\n Original title: <\/strong>Papillon \nRESONANCE<\/span><\/strong><\/p>\n A sci-fi drama that follows Margot and Robert, two scientists roped into a covert experiment investigating a mysterious sound on an isolated ranch. While at first brought together to try to decode the disturbing, interactive frequencies, they are drawn into a deeper story of magnetic attraction.<\/p>\n Director:<\/strong> Asher Kaplan \nSEPARATION SEASON<\/span><\/strong><\/p>\n In June, the graduation month, a college graduate Ting experiences a sudden separation from her close cousin Jane. During a series of rituals, Ting tries to defend Jane\u2019s choice against their family and seeks an answer to Jane\u2019s suicide and the meaning of life.<\/p>\n Original title:<\/strong>Bie Li De Ji Jie SPLINTER<\/strong><\/span><\/p>\n The splinter in Fenix’s shoulder hurts more intensely with every setback. Fenix survived an armed attack on the local queer caf\u00e9 and has been struggling for every breath since. Between the fighting spirit and fear, Fenix radically demands clarification. But the response to Fenix’s uncompromising stance is hatred and further threats, until even Fenix’s own community begins to oppose him. How do we then fight for ourselves?<\/p>\n Original title: <\/strong>Splitter THE STOLEN RIDE<\/strong><\/span><\/p>\n After receiving a bike as a birthday present from her older brother, 14-year-old Alicia is accused of theft at school. Confronted with a moral dilemma, she must decide whether to betray her brother, who already has a criminal record or take the blame for a crime she did not commit.<\/p>\n Original title: <\/strong>Ein Fahrrad f\u00fcr Alicia TINY APOCALYPSE<\/strong><\/span><\/p>\n When Daria hears that her grandmother is dying, she starts praying to the Sacred Tree.<\/p>\n Original title: <\/strong>Male\u0144ka apokalipsa <\/p>\n Each year hundreds of students from all over the world come to EnergaCAMERIMAGE<\/strong><\/span>. For many of them, a week at the festival feels like they are taking part in a short yet extensive film course. It\u2019s like a knowledge given in a nutshell.<\/p>\n We know how important, especially for young filmmakers, who are just at the beginning of this tough and demanding path is the opinion and advice of experienced filmmakers.<\/p>\n That is why, the Film and Art School Etudes Panorama<\/strong> will be followed once again by the Round Table session \u2013 equal and open discussion devoted to the cinema. The authors of presented films will be joined by the acclaimed filmmakers to discuss their projects.<\/p>\n We believe that the participant of the Round Table will gain a valuable experience, and will get to know not only other fellow filmmakers but thanks to that they will have a unique chance for knowledge exchange.<\/p>\n After each block of the Film and Art School Etudes Panorama<\/strong>, approx. 90 minutes discussion will be carried on with participation of the authors of the screened etudes.<\/p>\n (in English only)<\/em><\/strong><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Film and Art School Etudes Panorama is a non-competitive section at the EnergaCAMERIMAGE International Film Festival featuring student fiction shorts…<\/p>\n","protected":false},"author":32,"featured_media":39515,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[829,851],"tags":[],"class_list":["post-39436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-energacamerimage-2024","category-https-camerimage-pl-archiwum-wiadomosci-energacamerimage-2024-energacamerimage-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39436"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=39436"}],"version-history":[{"count":19,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39436\/revisions"}],"predecessor-version":[{"id":39536,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39436\/revisions\/39536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/39515"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=39436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=39436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=39436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/A-Bull-Calls_still01.jpg\")
<\/a><\/p>\n
\nDirector:<\/strong> Nelson Algomeda
\nCinematographer:<\/strong> Luis Hartmann
\nSchool:<\/strong>German Film and Television Academy Berlin (DFFB)
\nCountry and year:<\/strong> Germany, Venezuela, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Tymoteusz Ka\u0142u\u017cewski
\nCinematographer:<\/strong> Vincent Prochoroff
\nSchool:<\/strong> \u0141\u00f3d\u017a Film School
\nCountry and year:<\/strong> Poland, 2024<\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Carlos Cuervo
\nSchool:<\/strong> TAI School of Arts
\nCountry and year:<\/strong> Spain, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Elis Rumma
\nCinematographer:<\/strong> Joosep Ivask
\nSchool:<\/strong> Baltic Film, Media and Arts School (BFM) of Tallinn University
\nCountry and year: <\/strong>Estonia, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Daniel Holzberg
\nCinematographer:<\/strong> Ferdinand Koestler
\nSchool:<\/strong> Institut f\u00fcr Film und Fernsehen – Filmakademie Wien
\nCountry and year:<\/strong> Austria, 2024<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Aleksandra Kami\u0144ska
\nSchool:<\/strong> Krzysztof Kie\u015blowski Film School
\nCountry and year:<\/strong> Poland, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Timon W. Duda
\nCinematographer:<\/strong> Vojt\u011bch Kapounek
\nSchool:<\/strong> Tomas Bata University in Zlin, Faculty of Multimedia Communications
\nCountry and year:<\/strong> Czech Republic, 2024<\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Luis Mayr Nin
\nSchool:<\/strong> Internationale Filmschule K\u00f6ln (IFS)
\nCountry and year:<\/strong> Germany, 2024<\/p>\n
\n<\/span><\/strong><\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Lea Marie Lembke
\nCinematographer:<\/strong> Leon H\u00f6rtrich
\nSchool:<\/strong> Filmakademie Baden-W\u00fcrttemberg
\nCountry and year:<\/strong> Germany, 2024<\/p>\n<\/a><\/p>\n
\nDirectors:<\/strong> Helena Szoda-Wo\u017aniak, Merlijn Willemsen
\nCinematographer:<\/strong> Merlijn Willemsen
\nSchool:<\/strong> \u0141\u00f3d\u017a Film School
\nCountry and year: <\/strong>Poland, 2024<\/p>\n<\/a><\/p>\n
\nCinematographer:<\/strong> Conrad Holzman
\nSchool:<\/strong> Dodge College of Film and Media Arts at Chapman University
\nCountry and year:<\/strong> USA, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> I-Ju Lin
\nCinematographer:<\/strong> Tei Lee
\nSchool:<\/strong> Film and TV School of the Academy of Performing Arts in Prague (FAMU)
\nCountry and year:<\/strong> Czech Republic, 2023<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Paul Scheufler
\nCinematographer:<\/strong> Lenn Lamster
\nSchool:<\/strong> Film University Babelsberg KONRAD WOLF
\nCountry and year:<\/strong> Germany, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Masha Mollenhauer
\nCinematographer:<\/strong> Alex Jaffar
\nSchool:<\/strong> Hamburg Media School (HMS)
\nCountry and year:<\/strong> Germany, 2024<\/p>\n<\/a><\/p>\n
\nDirector:<\/strong> Izabela Zubrycka
\nCinematographer:<\/strong> Daniel Tubylewicz
\nSchool:<\/strong> \u0141\u00f3d\u017a Film School
\nCountry and year:<\/strong> Poland, 2024<\/p>\n
\n