{"id":39636,"date":"2024-10-15T09:46:52","date_gmt":"2024-10-15T07:46:52","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=39636"},"modified":"2024-10-15T09:46:52","modified_gmt":"2024-10-15T07:46:52","slug":"wielkie-kino-na-energacamerimage-2","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/wielkie-kino-na-energacamerimage-2\/","title":{"rendered":"GREAT CINEMA AT EnergaCAMERIMAGE"},"content":{"rendered":"

<\/p>\n

We are only five weeks away from meeting you in Toru\u0144 during the 32nd<\/sup>\u00a0edition of EnergaCAMERIMAGE Film Festival<\/strong> <\/span>and celebrating together the most impressive achievements in the art of cinematography. Thus, today we want to present the first three films that we will screen in November in the Main Competition<\/strong>. All three titles we are presenting today showcase different women’s stories.<\/p>\n

Here are the first three Golden Frog nominees:<\/span><\/p>\n

 <\/p>\n

EMILIA P\u00c9REZ<\/strong><\/span><\/p>\n

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Rita (Zoe Saldana<\/strong>), an underappreciated lawyer, receives an offer she can\u2019t refuse from drug lord Manitas: to organize gender reassignment formalities for him. Rita handles everything perfectly and eventually meets the title character, Emilia P\u00e9rez (Karla Sof\u00eda Gasc\u00f3n<\/strong>), who is the antithesis of Manitas \u2013 a tender, charismatic philanthropist fighting for a peaceful Mexico. But can a bloody past be truly erased? Emilia P\u00e9rez<\/em> is a whimsical fairy tale about the essence of freedom, the beauty of transformation, and female solidarity. Jacques<\/strong> Audiard<\/strong> masterfully blends wild Latin dance with a touching story of love and acceptance, featuring standout performances from a stellar cast.<\/p>\n

Cinematography<\/strong>: Paul Guilhaume
\nDirector<\/strong>: Jacques Audiard
\nProduction<\/strong>: Page 114
\nCountry<\/strong>: France, USA
\nYear<\/strong>: 2024<\/p>\n

 <\/p>\n

* * * * * * * * * *<\/p>\n

THE GIRL WITH THE NEEDLE<\/strong><\/span><\/p>\n

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Karoline (Victoria Carmen Sonne<\/strong>), a young factory worker, finds herself abandoned and pregnant while striving to climb out of poverty in post WW1 Copenhagen. Amidst her struggles, she meets Dagmar (Trine Dyrholm<\/strong>), a charismatic woman running a hidden adoption agency within a candy store, helping poor mothers in finding foster homes for their unwanted children. To escape poverty, Karoline takes on the role of wet-nurse. A strong connection is formed between the two women, yet Karoline\u2019s world shatters as she stumbles upon the dreadful revelation of the nightmarish fate she unknowingly embraces.<\/p>\n

Cinematography<\/strong>: Micha\u0142 Dymek
\nDirector<\/strong>: Magnus von Horn
\nProduction<\/strong>: Creative Alliance
\nCountry<\/strong>: Denmar, Poland, Sweden
\nYear<\/strong>: 2024<\/p>\n

* * * * * * * * * *<\/p>\n

THE FIRE INSIDE<\/span><\/strong><\/p>\n

\"\"<\/a><\/p>\n

The Fire Inside<\/em><\/span> is the inspirational true story of Claressa Shields (Ryan<\/strong> Destiny<\/strong>), arguably the greatest female boxer of all time. Claressa, a high school Junior from Flint, Michigan, aided by her tough-love coach, Jason Crutchfield (Brian<\/strong> Tyree<\/strong> Henry<\/strong>), pushes past all limitations to become the first American woman to win an Olympic gold medal in boxing. But even at the pinnacle of success, Claressa has to reckon with the fact that not all dreams are created equal, and the real fight has only just begun.<\/p>\n

Cinematography<\/strong>: Rina Yang
\nDirector<\/strong>: Rachel Morrison
\nProduction<\/strong>: Metro Goldwyn Mayer
\nCountry<\/strong>: USA
\nYear<\/strong>: 2024<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

We are only five weeks away from meeting you in Toru\u0144 during the 32nd\u00a0edition of EnergaCAMERIMAGE Film Festival and celebrating…<\/p>\n","protected":false},"author":32,"featured_media":39717,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[829,851],"tags":[],"class_list":["post-39636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-energacamerimage-2024","category-https-camerimage-pl-archiwum-wiadomosci-energacamerimage-2024-energacamerimage-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39636"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=39636"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/39717"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=39636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=39636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=39636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}