{"id":39692,"date":"2024-10-17T09:50:07","date_gmt":"2024-10-17T07:50:07","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=39692"},"modified":"2024-10-17T09:50:07","modified_gmt":"2024-10-17T07:50:07","slug":"sklad-konkursu-debiutow-operatorskich-2024","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-debiutow-operatorskich-2024\/","title":{"rendered":"Cinematographers’ Debuts Competition 2024 Lineup!"},"content":{"rendered":"

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Cinematographers\u2019 Debuts Competition<\/strong> was initiated in 2010 due to the Festival\u2019s increasing openness to the noteworthy artists and the new film phenomena they create. The selection committee nominates first or second non-documentary feature films made by young directors and cinematographers. The idea of creating additional competition sections was a natural consequence of our previous activities. For years we have been promoting innovative projects that combine intellectual freedom, remarkable insight into world affairs and a desire to inspire other artists of the screen.<\/p>\n<\/div>\n
Cinematographers\u2019 Debuts Competition<\/strong> brings new discoveries: great movies of high artistic value and great filmmakers whose new ventures surprise not only the Jury members but all audiences around the world as well.<\/div>\n
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Competition is under the patronage of Polish Filmmakers Association<\/strong>.<\/center>
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BANZO<\/span>
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1907. Afonso starts life anew on a tropical island off the African coast, as a plantation physician. He is tasked with treating servants \u201cinfected\u201d by Banzo, a profound homesickness fatal to many enslaved people who succumb to starvation or take their own lives. To prevent spreading, the group is sent to a secluded hill encircled by a forest. Afonso tries to heal them, but understanding their spirits is a challenge stronger than any medical intervention.<\/p>\n<\/div>\n<\/div>\n

Director: <\/strong>Margarida Cardoso
\nCinematographer:<\/strong> Leandro Ferr\u00e3o
\nProduced by: <\/strong>Uma Pedra no Sapato
\nCountry and year: <\/strong>Portugal, France, Netherlands, 2024<\/p>\n

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BRIEF HISTORY OF A FAMILY<\/span>
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After an incident at their high school, Wei, an outgoing only son from a middle-class family, and Shuo, his quiet, perceptive classmate, find themselves connected through some mysterious energy that draws them intimately into each other\u2019s lives. Wei soon introduces his friend to his father, a cell biologist, and his mother, a former flight attendant. Learning that Shuo comes from a troubled background, Wei\u2019s parents welcome this boy with an enigmatic charm to spend more time in their home. Slowly integrating himself into Wei\u2019s family life, Shuo discovers that their comfortable existence is shadowed by unspoken secrets, unmet expectations, and untended emotions. A tragic incident further complicates their lives, putting past wounds and present anxieties under the microscope.<\/p>\n<\/div>\n<\/div>\n

Original title: <\/strong>Jia ting jian shi
\nDirector: <\/strong>Jianjie Lin
\nCinematographer: <\/strong>Jiahao Zhang
\nProduced by: <\/strong>First Light Films
\nCountry and year: <\/strong>China, France, Denmark, Qatar, 2024<\/p>\n

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EDGE OF SUMMER<\/span>
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11-year-old Evie arrives in Cornwall expecting a girls\u2019 holiday with her mum. But when she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. As they begin to question what is real and imagined in their lives above ground, childhood narratives unravel and a darker, more complex picture of the adult world takes shape.<\/p>\n<\/div>\n

Director: <\/strong>Lucy Cohen
\nCinematographer: <\/strong>Rachel Clark
\nProduced by:<\/strong> Dorothy St Pictures
\nCountry and year: <\/strong>UK, 2024<\/p>\n

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LOS FRIKIS<\/span>
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Inspired by true events, Los Frikis is a powerful coming-of-age story set in early 90s Cuba, centring around 18-year-old Gustavo who idolises his older brother Paco and his punk, \u201cFrikis\u201d bandmates. When word reaches the Frikis of a potential reprieve from the effects of the economic crisis, they do the now unthinkable: deliberately inject themselves with HIV to live at a government-run treatment home. It\u2019s there that these teenagers create their own utopia full of joy, rock\u2019n\u2019roll, and freedom.<\/div>\n
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Directors: <\/strong>Tyler Nilson, Michael Schwartz
\nCinematographer:<\/strong> Santiago Gonzalez
\nProduced by:<\/strong> Lord Miller
\nCountry and year:<\/strong> USA, Dominican Republic, Cuba, 2024<\/p>\n

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MY PLACE IS HERE<\/strong><\/span><\/h1>\n
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Marta, a single mother promised to an older farmer in the aftermath of WWII, forges an unlikely friendship with Lorenzo, the village\u2019s openly gay \u201cwedding planner.\u201d In the conservative backdrop of rural Southern Italy, Lorenzo introduces her to a hidden community of gays, sparking Marta\u2019s journey to challenge societal prejudices. Against the historical backdrop of the first year of women\u2019s suffrage in Italy, Marta navigates her evolving role as a woman, breaking barriers and finding her place in a changing world.<\/div>\n
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Directors: <\/strong>Cristiano Bortone, Daniela Porto
\nCinematographer:<\/strong> Emilio Maria Costa
\nProduced by: <\/strong>Goldkind Filmproduktion, Orisa Produzioni
\nCountry and year: <\/strong>Italy, Germany, 2024<\/div>\n
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THE QUEEN’S ORPHANS<\/strong><\/span><\/h1>\n
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Raised as Catholics by the Queen of Portugal, the orphans Leonor, Brites, and M\u00e9cia are sent to the Brazilian colony with the order to get married. The harsh adaptation to the precariousness of the New World is felt differently by each of them. Leonor is the one who resists the new reality the most and writes letters to the queen, requesting permission to return. However, the response never arrives. As time passes, she falls in love with her husband, Escobar, has children with him, and comes to admire the Jewish religion. Brites, on the other hand, does everything to win over her violent husband, Tales, and give him a child. Meanwhile, M\u00e9cia, rejected due to a physical disability, falls in love with one of the indigenous people. The sisterhood is put to the test when the Inquisitor arrives in the colony in 1591, spreading fear and suspicion among the inhabitants.<\/div>\n
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Original title:<\/strong> As \u00d3rf\u00e3s da Rainha
\nDirector:<\/strong> Elza Cataldo
\nCinematographer:<\/strong> Fernanda Tanaka
\nProduced by:<\/strong> Persona Filmes
\nCountry and year:<\/strong> Brazil, 2023<\/div>\n
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TATAMI<\/span>
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Iranian female judokas Leila and her coach Maryam travel to the World Judo Championships, intent on bringing home Iran\u2019s first gold medal. Midway through the World Judo Championships, they receive an ultimatum from the Islamic Republic ordering Leila to fake an injury and lose, or she will be branded a traitor of the state. With her own and her family\u2019s freedom at stake, Leila is faced with an impossible choice: comply with the Iranian regime as her coach Maryam implores her to do, or fight on, for the gold.<\/p>\n

Directors: <\/strong>Zar Amir Ebrahimi, Guy Nattiv
\nCinematographer: <\/strong>Todd Martin
\nProduced by: <\/strong>Keshet Studios
\nCountry and year:<\/strong> USA, Georgia, 2023<\/p>\n<\/div>\n

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WHO DO I BELONG TO<\/span>
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Aicha lives in the isolated north of Tunisia with her husband and youngest son. The family lives in anguish after the departure of the eldest sons Mehdi and Amine into the violent embrace of war. When Mehdi unexpectedly returns home with a mysterious pregnant wife, a darkness emerges, threatening to consume the entire village. Aicha is caught between her maternal love and her search for the truth.<\/div>\n
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Original title:<\/strong> M\u00e9 el A\u00efn
\nDirector: <\/strong>Meryam Joobeur
\nCinematographer:<\/strong> Vincent Gonneville
\nProduced by: <\/strong>Instinct Bleu, Midi La Nuit, Tanit Films
\nCountry and year:<\/strong> Tunisia, France, Canada, 2024<\/div>\n<\/div>\n<\/div>\n

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