{"id":39904,"date":"2024-10-29T09:50:41","date_gmt":"2024-10-29T08:50:41","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=39904"},"modified":"2024-10-29T09:50:41","modified_gmt":"2024-10-29T08:50:41","slug":"pokazy-specjalne-dokumentow-na-energacamerimage-2024","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/pokazy-specjalne-dokumentow-na-energacamerimage-2024\/","title":{"rendered":"EnergaCAMERIMAGE 2024 Documentary Special Screenings"},"content":{"rendered":"<p><\/p>\n<p>We announce the <strong>Documentary Special Screenings<\/strong> of the <strong>32<sup>nd<\/sup>\u00a0edition of <span style=\"color: #d29600;\">EnergaCAMERIMAGE Film Festival<\/span>.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">AFTERWAR<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Afterwar_still01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39906 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Afterwar_still01-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1844\" \/><\/a><\/p>\n<p>The children transform into adults before our eyes. Yet they remain in limbo, haunted by memories, and dreaming of a better future. Combining raw realism and staged performance, <em>Afterwar<\/em> is a meditation on the long-term repercussions of war &#8211; a cinematic testament created over a period of 15 years.<\/p>\n<p><strong>Director:<\/strong> Birgitte St\u00e6rmose<br \/>\n<strong>Cinematographers:<\/strong> Troels N&#8217;koya-Jensen, Marek Septimus Wieser<br \/>\n<strong>Produced by:<\/strong> Danish Film Institute (DFI), Kabineti, Magic Hour Films, Oy Bufo, Vilda Bomben Film<br \/>\n<strong>Country and year:<\/strong> Denmark, Kosovo, Sweden, Finland, 2024<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">AGENT OF HAPPINESS<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Agent-of-Happiness_still01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39909 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Agent-of-Happiness_still01-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" \/><\/a><\/p>\n<p>There is a tiny country in the Himalayas the ruler of which decides to measure the level of happiness of his people. Traveling around the country, 40-year-old Amber is tasked with surveying its inhabitants to determine the averaged level of their well-being. The film humorously tells the story of such an elusive and difficult-to-classify emotion, raising questions about whether feelings can be measured at all. Can the mere pursuit of happiness already be a state of happiness? The people of Bhutan have the answer to that.<\/p>\n<p><strong>Directors:<\/strong> Arun Bhattarai, Dorottya Zurb\u00f3<br \/>\n<strong>Cinematographers<\/strong>: Arun Bhattarai, Dorottya Zurb\u00f3<br \/>\n<strong>Produced by:<\/strong> BNB Film, Match Frame Productions<br \/>\n<strong>Country and year:<\/strong> Bhutan, Hungary, 2024<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">AS THE TIDE COMES IN<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/As-the-Tide-Comes-In_still01-\u00a9-Nicolai-Dybdal-Moller-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39910 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/As-the-Tide-Comes-In_still01-\u00a9-Nicolai-Dybdal-Moller-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1629\" \/><\/a><\/p>\n<p>The 27 residents of the Danish Wadden Sea island of Mand\u00f8 experience the forces of climate change in the form of severe weather and the risk of flooding. However, they stubbornly cling to their identity as islanders, as they have done for generations.<\/p>\n<p><strong>Original title:<\/strong> F\u00f8r Stormen<strong><br \/>\nDirector:<\/strong> Juan Palacios<br \/>\n<strong>Cinematographers:<\/strong> Juan Palacios<br \/>\n<strong>Produced by:<\/strong> Elk Film<br \/>\n<strong>Country and year:<\/strong> Denmark, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">THE BASEMENT<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39911 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Basement-The_still01-1600x900.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p>On the 3rd of March 2022, nearly 400 people of the Ukrainian village Yahidne are locked by Russian troops in a 160 square meters school basement for 27 days. The livestock is killed, the farms devastated. One year later everything appears peaceful. The dogs are running around and the gardens are green, but the wounds have barely healed. The children play war; the adults fluctuate between getting on with things and remembering. A testimony to strength and solidarity.<\/p>\n<p><strong>Director:<\/strong> Roman Blazhan<br \/>\n<strong>Cinematographer:<\/strong> Andriy Noha, Mikhail Volkov<br \/>\n<strong>Produced by:<\/strong> Elda Productions, Minimal Movie<br \/>\n<strong>Country and year:<\/strong> France, Ukraine, 2024<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">ECHO OF YOU<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39912 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-300x225.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-1024x768.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-768x576.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-304x228.jpg 304w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-1536x1152.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-Echo-of-You_still01-photo-by-Jacob-Sofussen-1600x1200.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p>When 86-year-old Rene buys flowers, he always thinks about what color his wife would have chosen if she were alive. Like most people in this film, he spent more time with his partner than without. Through candid, revealing interviews, <em>Echo of You<\/em> presents a group of Danish men and women, all aged 80+. With poignant openness and honesty, they share their thoughts on their life partnerships; lost loves who, one way or another, are no longer with them. They discuss the heartbreak of losing a life partner, and the ways in which life goes on.<\/p>\n<p><strong>Original title<\/strong>: Ekko af k\u00e6rlighed<strong><br \/>\nDirector:<\/strong> Zara Zerny<br \/>\n<strong>Cinematographer:<\/strong> Jacob Sofussen<br \/>\n<strong>Produced by:<\/strong> Manna Film<br \/>\n<strong>Country and year:<\/strong> Denmark, 2023<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>LIFE AND DEATHS OF MAX LINDER<\/strong><\/span><strong><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39913 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01.jpeg\" alt=\"\" width=\"1024\" height=\"813\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01.jpeg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01-300x238.jpeg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01-768x610.jpeg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANE-I-Am-Max_still01-287x228.jpeg 287w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>After 8 years of frame by frame work using AI, neural networks, and other state-of-the-art technology, Life and Deaths of Max Linder is finally completed. The film was made as if it had been shot by an unknown filmmaker 100 years ago and rediscovered today. The entire work is based on carefully researched documentation. The story depicts Max Linder, the pioneer of early silent film comedy who was a mentor to Charlie Chaplin and first international screen star once revered in France, throughout Europe, and in Hollywood.<\/p>\n<p><strong>Original title:<\/strong> Vie et morts de Max Linder<strong><br \/>\nDirector:<\/strong> Edward Porembny<br \/>\n<strong>Cinematographers:<\/strong> Joo Joostberens<br \/>\n<strong>Produced by:<\/strong> AMP Polska Edward Porembny<br \/>\n<strong>Country and year:<\/strong> Poland, 2024<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>LOOK INTO MY EYES<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39914 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01.jpeg\" alt=\"\" width=\"2048\" height=\"1080\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01.jpeg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-300x158.jpeg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-1024x540.jpeg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-768x405.jpeg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-432x228.jpeg 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-1536x810.jpeg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Look-Into-My-Eyes_still01-1600x844.jpeg 1600w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/a><\/p>\n<p>Whether we believe in the possibility of communicating with the spirits of the dead or not, this film will not leave us feeling indifferent. Besides, it\u2019s not about believing. The director doesn\u2019t even attempt to convince us that the seven psychics the story is about are actually endowed with supernatural powers. What they are able to do is sit across from a stranger and give them a clear thought, direct them on a track to help them analyse their problems. What makes people pay for their services? This question also hangs in the air. The documentary cleverly shifts between irony and frank openness, telling the story of the everyday work of a psychic.<\/p>\n<p><strong>Director:<\/strong> Lana Wilson<br \/>\n<strong>Cinematographers:<\/strong> Stephen Maing<br \/>\n<strong>Produced by:<\/strong> A24, Drifting Cloud Productions<br \/>\n<strong>Country and year: <\/strong>USA, 2024<\/p>\n<p style=\"text-align: center;\"><br style=\"font-size: 18pt; color: #d29600;\" \/><br \/>\n<strong><span style=\"color: #d29600; font-size: 24pt;\">THE LOST LEGACY OF TONY GAUDIO<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Lost-Legacy-of-Tony-Gaudio-The_still01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39916 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Lost-Legacy-of-Tony-Gaudio-The_still01-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" \/><\/a><\/p>\n<p>In 1906, Gaetano \u201cTony\u201d Gaudio, a young man from Calabria, set out for the American Dream. Under the shadow of the Statue of Liberty, he quickly strengthened his passion for cinematography. He contributed to the founding of Hollywood, where his revolutionary talent was honored in 1937 with an Oscar\u00ae, the first in history for an Italian. Today, that statuette is missing. 75 years later, his descendants in Los Angeles and a detective begin the search for that precious award, piecing together the fascinating life of Tony Gaudio in the hope of reclaiming the lost legacy.<\/p>\n<p><strong>Director:<\/strong> Alessandro Nucci<br \/>\n<strong>Cinematographer:<\/strong> Gianluca Gattabria, Alessandro Nucci<br \/>\n<strong>Produced by:<\/strong> Open Fields Productions<br \/>\n<strong>Country and year:<\/strong> Italy, 2023<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">NEW KIND OF WILDERNESS<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANY-New-Kind-of-Wilderness-A_still01-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39917 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PREFEROWANY-New-Kind-of-Wilderness-A_still01-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1440\" \/><\/a><\/p>\n<p>For years, a family of parents and their four children enjoy a self-sufficient life on a Norwegian farm, away from the hustle and bustle of the city, in harmony with nature. Then an unexpected tragedy turns their lives upside down. Their compassion for each other also extends to their animals, house and the surrounding nature. Personal photos and home video footage intertwined with the film\u2019s narrative emphasize the psychological dimension of the passage of time. The film raises the question of how to manage oneself and one\u2019s family in times of sorrow. It highlights the need to accept change and find a new path in life.<\/p>\n<p><strong>Director:<\/strong> Silje Evensmo Jacobsen<br \/>\n<strong>Cinematographers:<\/strong> Silje Evensmo Jacobsen, Karine Fosser, Espen Gjermundr\u00f8d, Line K. Lyngstadaas, Natalja Safronova, Fred Arne Wergeland<br \/>\n<strong>Produced by:<\/strong> A5 Film<br \/>\n<strong>Country and year:<\/strong> Norway, 2024<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE NEW MAN<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39918 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01.jpg\" alt=\"\" width=\"2048\" height=\"858\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01.jpg 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-300x126.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-1024x429.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-768x322.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-544x228.jpg 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-1536x644.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/New-Man-The_still01-1600x670.jpg 1600w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/a><\/p>\n<p>Quirino, 77, has lived for more than 30 years in an abandoned village in Cabo Verde, at the bottom of a deep valley, between the sea and the mountains. The film takes us on a journey through the days and nights of the past, present and future of a village, a land and a man, and finally, meditates on our ontological relationship with the finitude of time and space.<\/p>\n<p><strong>Original title:<\/strong> Omi Nobu<strong><br \/>\nDirector:<\/strong> Carlos Yuri Ceuninck<br \/>\n<strong>Cinematographer:<\/strong> Arilson Almeida<br \/>\n<strong>Produced by:<\/strong> Autentika Films, Black Balance Artistic Production, Korikaxoru Films, Neon Rouge Production<br \/>\n<strong>Country and year:<\/strong> Cape Verde, Belgium, Sudan, Germany, 2023<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">NO OTHER LAND<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/No-Other-Land_still01-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39919 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/No-Other-Land_still01-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1440\" \/><\/a><\/p>\n<p>For half a decade, Basel Adra, a Palestinian activist, films his community of Masafer Yatta as it is destroyed by Israel\u2019s occupation of the West Bank. During this struggle, he builds an unlikely bond with a journalist from the other side who joins his fight.<\/p>\n<p><strong>Directors:<\/strong> Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor<br \/>\n<strong>Cinematographers:<\/strong> Rachel Szor<br \/>\n<strong>Produced by:<\/strong> Antipode Films, Yabayay Media<br \/>\n<strong>Country and year:<\/strong> Palestine, Norway, 2024<\/p>\n<p style=\"color: #d29600; font-size: 18pt;\">\u00a0<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">PER FOREVER<\/span><br \/>\n<\/strong><\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39920 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01.jpg\" alt=\"\" width=\"1590\" height=\"892\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01.jpg 1590w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01-300x168.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01-1024x574.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01-768x431.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01-406x228.jpg 406w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/PERFOREVER01-1536x862.jpg 1536w\" sizes=\"(max-width: 1590px) 100vw, 1590px\" \/><\/a><br \/>\n<\/em><\/p>\n<p>Per Forever offers a broad look at the life of Per Jonsson, a world champion and one of the most talented speedway riders in history. It has been over 30 years since the tragic accident that ended his sports career, but his legend lives on. This is an inspiring story with an important message, especially for the younger generation, who can learn from experiences, life, and career of a man who, despite unimaginable difficulties, never gave up.<\/p>\n<p><strong>Director:<\/strong> Tomasz Gezela<br \/>\n<strong>Cinematographers:<\/strong> Tomasz Gezela, \u0141ukasz \u015aliwa<br \/>\n<strong>Produced by:<\/strong> Red Cow Media, \u015aliwers Pic.<br \/>\n<strong>Country and year: <\/strong>Poland, Sweden, 2024<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">SUGARCANE<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Sugarcane_still01-PREFEROWANE-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39921 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Sugarcane_still01-PREFEROWANE-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1350\" \/><\/a><\/p>\n<p>A stunning tribute to the resilience of Native people and their way of life \u2013 Sugarcane, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie, is an epic cinematic portrait of a community during a moment of international reckoning. Set amidst a ground-breaking investigation into abuse and death at an Indian residential school, the film empowers participants to break cycles of intergenerational trauma by bearing witness to painful, long-ignored truths \u2013 and the love that endures within their families despite the revelation of genocide.<\/p>\n<p><strong>Directors:<\/strong> Emily Kassie, Julian Brave NoiseCat<br \/>\n<strong>Cinematographer:<\/strong> Emily Kassie, Christopher LaMarca<br \/>\n<strong>Produced by:<\/strong> Hedgehog Films, Kassie Films<br \/>\n<strong>Country and year:<\/strong> USA, Canada, 2024<\/p>\n<p style=\"text-align: center;\">\n<span style=\"font-size: 24pt; color: #d29600;\"><strong>ULA<\/strong><\/span><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39923 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01.jpg 1920w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-300x169.jpg 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-1024x576.jpg 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-768x432.jpg 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-405x228.jpg 405w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-1536x864.jpg 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Ula_still01-1600x900.jpg 1600w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p><em>Ula<\/em> is a jazz love story shot in Super 8 and a film portrait of Urszula Dudziak, one of the greatest Polish jazz vocalists of all time. It\u2019s a moving story about emancipation: of a woman, an artist and an emigrant. Woven from personal memories and home movies, it tells a story of finding one\u2019s voice, between the facts and a state of mind. And all this being set in Western Europe and New York of the \u201970s, with participation of jazz giants and voice of Jerzy Kosi\u0144ski, the author of Painted Bird.<\/p>\n<p><strong>Director:<\/strong> Agnieszka Iwa\u0144ska<br \/>\n<strong>Cinematographer:<\/strong> Urszula Dudziak<br \/>\n<strong>Produced by:<\/strong> Agencja Reklamowa Koma 2 Micha\u0142 Szymanowicz, Telewizja Polska (TVP)<br \/>\n<strong>Country and year:<\/strong> Poland, 2023<\/p>\n<p style=\"text-align: center;\">\n<strong><span style=\"color: #d29600; font-size: 24pt;\">THE WOLVES ALWAYS COME AT NIGHT<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39930 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham.png\" alt=\"\" width=\"4096\" height=\"1716\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham.png 4096w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-300x126.png 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-1024x429.png 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-768x322.png 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-544x228.png 544w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-1536x644.png 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-2048x858.png 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Wolves-Always-Come-at-Night-The_still01-photo-by-Michael-Latham-1600x670.png 1600w\" sizes=\"(max-width: 4096px) 100vw, 4096px\" \/><\/a><\/p>\n<p>After a devastating storm wrought by climate change forces them from their home in the Mongolian countryside to the city, a young couple is forced to adapt to a new way of life in this breathtaking and heartbreaking hybrid film.<\/p>\n<p><strong>Director:<\/strong> Gabrielle Brady<br \/>\n<strong>Cinematographer:<\/strong> Michael Latham<br \/>\n<strong>Produced by:<\/strong> Chromosom Film, Guru Media, Over Here Productions, Storming Donkey Productions, WeirAnderson Films<br \/>\n<strong>Country and year:<\/strong> Australia, Mongolia, Germany, 2024<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>We announce the Documentary Special Screenings of the 32nd\u00a0edition of EnergaCAMERIMAGE Film Festival. &nbsp; &nbsp; AFTERWAR The children transform into&#8230;<\/p>\n","protected":false},"author":32,"featured_media":39973,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[829,851],"tags":[],"class_list":["post-39904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-energacamerimage-2024","category-https-camerimage-pl-archiwum-wiadomosci-energacamerimage-2024-energacamerimage-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39904"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=39904"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39904\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/39973"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=39904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=39904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=39904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}