{"id":39942,"date":"2024-10-30T10:00:21","date_gmt":"2024-10-30T09:00:21","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=39942"},"modified":"2024-10-30T10:00:21","modified_gmt":"2024-10-30T09:00:21","slug":"sklad-konkursu-glownego-energacamerimage-2024","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-glownego-energacamerimage-2024\/","title":{"rendered":"EnergaCAMERIMAGE 2024 Main Competition Lineup!"},"content":{"rendered":"<p><\/p>\n<p>The<strong> Main Competition<\/strong> with the <strong>Golden Frog Award<\/strong> has been the most important part of the <span style=\"color: #d29600;\"><strong>EnergaCAMERIMAGE Festival<\/strong> <\/span>from its beginning. The <strong>Competition<\/strong> exists since 1993 i.e. since the first edition of the Festival. From the very beginning the idea behind the competition is to present the feature films where the image significantly contributes to the way a story is told. The visual value of these films results from the cooperation between a director and a cinematographer and the unusual sensitivity of the author of a film image. The <strong>Main Competition<\/strong> emphasizes the enormous contribution of the cinematographer to the film work.<\/p>\n<p>The aim of the <strong>Main Competition<\/strong> is to present films with unique visual appeal which will then be evaluated by International Jury who will choose and award the authors of the best cinematography.<\/p>\n<p>Also this year we will present the most interesting phenomena of world&#8217;s cinematography, distinctive in terms of creative use of the image in film narration.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>BLITZ<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Blitz_still01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-39900\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Blitz_still01-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" \/><\/a><\/p>\n<p><em>Blitz<\/em> follows the epic journey of George(<strong>Elliott Heffernan<\/strong>), a 9-year-old boy in World War II London whose mother Rita (<strong>Saoirse Ronan<\/strong>) sends him to safety in the English countryside. George, defiant and determined to return home to his mom and his grandfather Gerald (<strong>Paul Weller<\/strong>) in East London, embarks on an adventure, only to find himself in immense peril, while a distraught Rita searches for her missing son. Written and directed by <strong>Steve<\/strong> <strong>McQueen<\/strong>, the film stars <strong>Saoirse<\/strong> <strong>Ronan<\/strong> and newcomer <strong>Elliott<\/strong> <strong>Heffernan<\/strong>, with <strong>Paul<\/strong> <strong>Weller<\/strong>, <strong>Harris<\/strong> <strong>Dickinson<\/strong>, <strong>Benjamin<\/strong> <strong>Clementine<\/strong>, <strong>Kathy<\/strong> <strong>Burke<\/strong>, <strong>Stephen<\/strong> <strong>Graham<\/strong>, <strong>Leigh<\/strong> <strong>Gill<\/strong>, <strong>Mica<\/strong> <strong>Ricketts<\/strong>, <strong>CJ<\/strong> <strong>Beckford<\/strong>, <strong>Alex<\/strong> <strong>Jennings<\/strong>, <strong>Joshua<\/strong> <strong>McGuire<\/strong>, <strong>Hayley<\/strong> <strong>Squires<\/strong>, <strong>Erin<\/strong> <strong>Kellyman<\/strong> and <strong>Sally<\/strong> <strong>Messham<\/strong> rounding out the cast.<\/p>\n<p><strong>Cinematographer: <\/strong>Yorick Le Saux<strong><br \/>\nDirector:<\/strong> Steve McQueen<br \/>\n<strong>Produced by: <\/strong>Apple Studios, Lammas Park, New Regency Productions, Working Title Films<br \/>\n<strong>Country and year:<\/strong> USA, UK, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><b>THE BRUTALIST<\/b><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Brutalist-The_still01-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39778 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Brutalist-The_still01-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1542\" \/><\/a><\/p>\n<p>Escaping post-war Europe, visionary architect L\u00e1szl\u00f3 Toth (<strong>Adrien Brody<\/strong>) arrives in America to rebuild his life, work, and marriage to his wife Erzs\u00e9bet (<strong>Felicity Jones<\/strong>) after being forced apart during wartime by shifting borders and regimes. On his own in a strange new country, L\u00e1szl\u00f3 settles in Pennsylvania, where the wealthy and prominent industrialist Harrison Lee Van Buren (<strong>Guy Pearce<\/strong>) recognizes his talent for construction. But power and legacy come at a heavy cost.<\/p>\n<p><strong>Cinematographer:<\/strong> Lol Crawley<br \/>\n<strong>Director:<\/strong> Brady Corbet<br \/>\n<strong>Produced by:<\/strong> Andrew Lauren Productions, Brookstreet Pictures, Kaplan Morrison<br \/>\n<strong>Country and year: <\/strong>UK, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">CABRINI<\/span><br \/>\n<\/strong><\/p>\n<p><em><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Cabrini_still01-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39765 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Cabrini_still01-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1057\" \/><\/a><br \/>\n<\/em><\/p>\n<p>From <strong>Alejandro<\/strong> <strong>Monteverde<\/strong>, award-winning director of <em>Sound of Freedom<\/em>, comes the powerful epic of Francesca Cabrini (<strong>Cristiana Dell&#8217;Anna<\/strong>), an Italian immigrant who arrives in New York City in 1889 and is greeted by disease, crime, and impoverished children. Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society\u2019s most vulnerable. With broken English and poor health, Cabrini builds an empire of hope unlike anything the world had ever seen.<\/p>\n<p><strong>Cinematographer:<\/strong> Gorka G\u00f3mez Andreu<br \/>\n<strong>Director:<\/strong> Alejandro Monteverde<br \/>\n<strong>Produced by:<\/strong> Angel Studios, Francesca Film Production NY<br \/>\n<strong>Country and year:<\/strong> USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #d29600; font-size: 24pt;\">CONCLAVE<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Conclave_still01-PREFEROWANE-1-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39777 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Conclave_still01-PREFEROWANE-1-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1065\" \/><\/a><\/p>\n<p>After the death of the Vatican\u2019s hated pope, cardinals from around the world gather for a conclave to elect a new leader of the Church. The proceedings are presided over by Cardinal Lawrence (<strong>Ralph Fiennes<\/strong>), whose only task is to ensure that they run smoothly. However, as the fight between two hostile fractions intensifies and discrediting secrets of their candidates begin to come to light, Lawrence is faced with a dilemma: to remain impartial and let an unworthy person be elected? Or, against the rules, get involved on one of the sides? Or perhaps look for a third solution? The opportunity arises when, just before the voting begins, the unknown Cardinal Benitez (<strong>Carlos Diehz<\/strong>), a mysterious associate of the late pope, shows up among the attendees. Who is he? Who stands behind him? What is he up to? Is the institution of the Church facing a shakeup unlike any in its history?<\/p>\n<p><strong>Cinematographer:<\/strong> St\u00e9phane Fontaine<br \/>\n<strong>Director:<\/strong> Edward Berger<br \/>\n<strong>Produced by:<\/strong> Access Entertainment, FilmNation Entertainment, House Productions, Indian Paintbrush<br \/>\n<strong>Country and year:<\/strong> UK, USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 24pt; color: #d29600;\">THE DEVIL&#8217;S BATH<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39763 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min.png\" alt=\"\" width=\"3996\" height=\"2160\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min.png 3996w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-300x162.png 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-1024x554.png 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-768x415.png 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-422x228.png 422w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-1536x830.png 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-2048x1107.png 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Devil_s-Bath-The_still01-1-min-1600x865.png 1600w\" sizes=\"(max-width: 3996px) 100vw, 3996px\" \/><\/a><\/p>\n<p>Agnes (<strong>Anja Plaschg<\/strong>) is getting married. But nothing is turning out the way she wants \u2013 her husband is not particularly interested in her, her mother-in-law criticizes her at every turn and the loan the young couple took to buy a house seems to exceed the financial capabilities of the newlyweds. The woman quickly becomes depressed. However, since the film is set in the Austrian countryside of nearly three centuries ago, everyone thinks she is possessed by Satan. <em>The Devil&#8217;s Bath<\/em> is a historically well documented folk drama that lets viewers empathize with a heroine, who is put in a no-win situation, and at the same time look at the actual life of our ancestors (and especially our female ancestors) from a slightly different perspective.<\/p>\n<p><strong>Original title:<\/strong> Des Teufels Bad<strong><br \/>\n<\/strong><strong>Cinematographer:<\/strong>\u00a0Martin Gschlacht<br \/>\n<strong>Directors:<\/strong> Severin Fiala, Veronika Franz<br \/>\n<strong>Produced by:<\/strong> Ulrich Seidl Filmproduktion<br \/>\n<strong>Country and year:<\/strong> Austria, Germany, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>DUNE: PART TWO<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Dune-Part-Two_still01-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-39899\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Dune-Part-Two_still01-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1707\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>\u00a9 2024 Warner Bros. Entertainment Inc. Wszystkie prawa zastrze\u017cone<\/em><\/p>\n<p><em>Dune: Part Two<\/em>, based on the second half of the novel, completes the cautionary tale of Paul Atreides\u2019 rise to power. Vengeance, prophecy, fervent followers and political manipulation lead Paul to abandon the pull of love and his conscience to accept a fate he knows will destroy so much.<\/p>\n<p><strong>Cinematographer:<\/strong> Greig Fraser<br \/>\n<strong>Director:<\/strong> Denis Villeneuve<br \/>\n<strong>Produced by:<\/strong> FGM, Legendary Entertainment, New Zealand Film Commission, Origo Film Studio, The Royal Film Commission, Ubisoft Abu Dhabi, Villeneuve Films, Warner Bros<br \/>\n<strong>Country and year:\u00a0<\/strong>USA, Canada, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>EMILIA P\u00c9REZ<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Emilia-Perez-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39637 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Emilia-Perez-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" \/><\/a><\/p>\n<p>Rita (<strong>Zoe Saldana<\/strong>), an underappreciated lawyer, receives an offer she can\u2019t refuse from drug lord Manitas: to organize gender reassignment formalities for him. Rita handles everything perfectly and eventually meets the title character, Emilia P\u00e9rez (<strong>Karla Sof\u00eda Gasc\u00f3n<\/strong>), who is the antithesis of Manitas \u2013 a tender, charismatic philanthropist fighting for a peaceful Mexico. But can a bloody past be truly erased? <em>Emilia P\u00e9rez<\/em> is a whimsical fairy tale about the essence of freedom, the beauty of transformation, and female solidarity. <strong>Jacques<\/strong> <strong>Audiard<\/strong> masterfully blends wild Latin dance with a touching story of love and acceptance, featuring standout performances from a stellar cast.<\/p>\n<p><strong>Cinematographer:<\/strong> Paul Guilhaume<br \/>\n<strong>Director:<\/strong> Jacques Audiard<br \/>\n<strong>Produced by:<\/strong> Page 114,\u00a0Path\u00e9,\u00a0Why Not Productions<br \/>\n<strong>Country and year:<\/strong> France, USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE FIRE INSIDE<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/The-Fire-Inside-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39641 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/The-Fire-Inside-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" \/><\/a><\/p>\n<p><em>The Fire Inside<\/em> is the inspirational true story of Claressa Shields (<strong>Ryan<\/strong>\u00a0<strong>Destiny<\/strong>), arguably the greatest female boxer of all time. Claressa, a high school Junior from Flint, Michigan, aided by her tough-love coach, Jason Crutchfield (<strong>Brian<\/strong>\u00a0<strong>Tyree<\/strong>\u00a0<strong>Henry<\/strong>), pushes past all limitations to become the first American woman to win an Olympic gold medal in boxing. But even at the pinnacle of success, Claressa has to reckon with the fact that not all dreams are created equal, and the real fight has only just begun.<\/p>\n<p><strong>Cinematographer:<\/strong> Rina Yang<br \/>\n<strong>Director:<\/strong> Rachel Morrison<br \/>\n<strong>Produced by:<\/strong> Metro Goldwyn Mayer\u00a0(MGM),\u00a0Michael De Luca Productions<br \/>\n<strong>Country and year:<\/strong> USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>THE GIRL WITH THE NEEDLE<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/DZIEWCZYNA-Z-IGLA_01-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39640 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/DZIEWCZYNA-Z-IGLA_01-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1781\" \/><\/a><\/p>\n<p>Karoline (<strong>Victoria Carmen Sonne<\/strong>), a young factory worker, finds herself abandoned and pregnant while striving to climb out of poverty in post WW1 Copenhagen. Amidst her struggles, she meets Dagmar (<strong>Trine Dyrholm<\/strong>), a charismatic woman running a hidden adoption agency within a candy store, helping poor mothers in finding foster homes for their unwanted children. To escape poverty, Karoline takes on the role of wet-nurse. A strong connection is formed between the two women, yet Karoline\u2019s world shatters as she stumbles upon the dreadful revelation of the nightmarish fate she unknowingly embraces.<\/p>\n<p><strong>Original title: <\/strong>Pigen med n\u00e5len<br \/>\n<strong>Cinematographer:<\/strong> Micha\u0142 Dymek<br \/>\n<strong>Director:<\/strong> Magnus von Horn<br \/>\n<strong>Produced by:<\/strong> Creative Alliance,\u00a0Lava Films,\u00a0Nordisk Film Production<br \/>\n<strong>Country and year:<\/strong> Denmark, Poland, Sweden, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 24pt; color: #d29600;\"><strong>GLADIATOR II<\/strong><\/span><\/p>\n<figure id=\"attachment_39901\" aria-describedby=\"caption-attachment-39901\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Gladiator-2_still01-PREFEROWANY-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39901 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Gladiator-2_still01-PREFEROWANY-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1457\" \/><\/a><figcaption id=\"caption-attachment-39901\" class=\"wp-caption-text\"><em>Paul Mescal plays Lucius in Gladiator II from Paramount Pictures.<\/em><\/figcaption><\/figure>\n<p>Years after witnessing the death of the hero Maximus at the hands of his uncle, Lucius (<strong>Paul Mescal<\/strong>) is forced to enter the Colosseum when his home is conquered by tyrannical Emperors who now lead Rome. With the future of the Empire at stake, Lucius must look to his past to return the glory of Rome to its people.<\/p>\n<p><strong>Cinematographer:<\/strong> John Mathieson<br \/>\n<strong>Director:<\/strong> Ridley Scott<br \/>\n<strong>Produced by: <\/strong>Paramount Pictures, Red Wagon Films, Scott Free Productions<br \/>\n<strong>Country and year:<\/strong> UK, USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #d29600; font-size: 24pt;\"><strong>SMALL THINGS LIKE THESE<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Small-Things-Like-These_still01-1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-39759 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/Small-Things-Like-These_still01-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" \/><\/a><\/p>\n<p>It is 1985 in the run-up to Christmas in a small town in County Wexford, Ireland. Bill Furlong (<strong>Cillian Murphy<\/strong>) toils as a coal merchant to support himself, his wife and his five daughters. Early one morning while out delivering coal at the local convent, he makes a discovery that forces him to confront his past and the complicit silence of a town controlled by the Catholic Church. Based on the novel of the same name by <strong>Claire<\/strong> <strong>Keegan<\/strong>.<\/p>\n<p style=\"text-align: left;\"><strong>Cinematographer:<\/strong> Frank van den Eeden<br \/>\n<strong>Director:<\/strong> Tim Mielants<br \/>\n<strong>Produced by:<\/strong>\u00a0Artists Equity, Big Things Films<br \/>\n<strong>Country and year:\u00a0<\/strong>Ireland, Belgium, USA, 2024<\/p>\n<p style=\"text-align: center;\">* * * * * * * * * *<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 24pt; color: #d29600;\">VERMIGLIO<\/span><br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-39798 size-full\" src=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL.png\" alt=\"\" width=\"5792\" height=\"3056\" srcset=\"https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL.png 5792w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-300x158.png 300w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-1024x540.png 1024w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-768x405.png 768w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-432x228.png 432w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-1536x810.png 1536w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-2048x1081.png 2048w, https:\/\/archive.camerimage.pl\/assets\/uploads\/2024\/10\/MAIN-STILL-1600x844.png 1600w\" sizes=\"(max-width: 5792px) 100vw, 5792px\" \/><\/a><\/p>\n<p>In four seasons nature completes its cycle. A girl can become a woman. A belly can swell and become a creature. One can lose the path that led safely home, one can sail seas towards unknown lands. In four seasons one can die and be reborn. It\u2019s 1944. In the small mountain village of Vermiglio, the war seems distant, but its presence is felt every day. The sudden appearance of Pietro (<strong>Giuseppe De Domenico<\/strong>), a deserter who is fleeing from the front, disrupts the dynamics of the local teacher&#8217;s family that lives there and changes its members forever. Set at the end of World War II, <em>Vermiglio<\/em> is a subtle and full of emotional nuances tale of family secrets that is stunning in its visual design and great acting.<\/p>\n<p><strong>Cinematographer:<\/strong> Mikhail Krichman<br \/>\n<strong>Director:<\/strong> Maura Delpero<br \/>\n<strong>Produced by:<\/strong>\u00a0Charades, Cinedora, RAI Cinema, Versus Production<br \/>\n<strong>Country and year:\u00a0<\/strong>Italy, France, Belgium, 2024<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The Main Competition with the Golden Frog Award has been the most important part of the EnergaCAMERIMAGE Festival from its&#8230;<\/p>\n","protected":false},"author":32,"featured_media":39976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[752,829,851],"tags":[],"class_list":["post-39942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wiadomosci-energacamerimage-2023","category-energacamerimage-2024","category-https-camerimage-pl-archiwum-wiadomosci-energacamerimage-2024-energacamerimage-2024"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39942"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/32"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=39942"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/39942\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media\/39976"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=39942"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=39942"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=39942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}