{"id":39985,"date":"2024-10-11T09:35:18","date_gmt":"2024-10-11T07:35:18","guid":{"rendered":"https:\/\/archive.camerimage.pl\/?p=39545"},"modified":"2024-10-11T09:35:18","modified_gmt":"2024-10-11T07:35:18","slug":"sklad-konkursu-krotkometrazowych-filmow-dokumentalnych-2024","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklad-konkursu-krotkometrazowych-filmow-dokumentalnych-2024\/","title":{"rendered":"EnergaCAMERIMAGE 2024 DOCUMENTARY SHORTS COMPETITION 2024 LINEUP"},"content":{"rendered":"

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We announce the line-up of the Documentary Shorts Competition <\/strong>of the 32nd<\/sup>\u00a0edition of the<\/span> International Film Festival of the Art of Cinematography EnergaCAMERIMAGE<\/span>.<\/strong><\/div>\n
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The aim of the competition is to recognize the art of documentary filmmaking as creative interpretation of reality. Putting emphasis on the visual and aesthetic aspects of the selected nonfiction entries, the jury awards the best cinematographers in the competition.<\/div>\n
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The prestige of Documentary Shorts Competition<\/strong> was recognized by the Academy of Motion Picture Arts and Sciences<\/strong> which has chosen EnergaCAMERIMAGE Festival<\/span> as the ACADEMY AWARD\u00ae<\/sup> qualifying festival in the Documentary Short Subject category<\/strong>. This means that the Golden Frog award winners in\u00a0 Documentary Shorts Competition<\/strong> at EnergaCAMERIMAGE<\/strong> <\/span>will qualify for consideration in the Documentary Short Subject category of the Annual Academy Awards\u00ae<\/sup> without the standard theatrical run, provided that the given film complies with other Academy rules.<\/div>\n
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\n

A BODY CALLED LIFE<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

A self-isolated young human known as “James” delves into the hidden world of microscopic organisms, forging a tender connection with these nearly invisible creatures and developing a massive online following, as he seeks to understand his own place in the cosmos and accept the scars of his past. It is a film made in collaboration with James himself, with a screenplay adapted from his Instagram posts. It is an experiment in storytelling, about a life spent observing other little lives, with a charming score by Dan Deacon.<\/p>\n

Director:<\/strong> Spencer MacDonald
\nCinematographer:<\/strong> Fabian Kimoto
\nProduced by:<\/strong> Avocados & Coconuts, Tasty Pictures
\nCountry and year: <\/strong>USA, Poland, Switzerland, 2023<\/p>\n

\nDON BENJAM\u00cdN<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

For him, the jungle has always been God, life, food, health, beauty and tradition. Now, the world in which he built a home for his family turns to smoke and ashes. Don Benjam\u00edn is a journey both raw and poetic through a magical region in danger, the Bolivian Amazon.<\/p>\n

Director:<\/strong> Iv\u00e1n Zah\u00ednos
\nCinematographer:<\/strong> Adro Molina
\nProduced by:<\/strong> En Los Confines Producciones, Medicusmundi Mediterr\u00e0nia
\nCountry and year:<\/strong> Spain, 2024<\/p>\n

\nDUST<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Konrad D\u0105browski, a 19-year-old motorcyclist, is debuting in one of the most important and dangerous rallies in the world \u2013 the Dakar Rally. He is also the youngest participant in this desert marathon. Although Marek D\u0105browski, his father and trainer, has himself won the world championship title three times, he is terrified at the thought that an accident could happen to his son. Dust<\/em> is not only a moving coming-of-age story, but most of all a tale of the tender relationship between father and son, in the context of a 14-day struggle against the endless desert, superhuman physical effort and one\u2019s own weaknesses. The film shows the deep family ties that turn a shared passion into a catalyst for really getting to know one another.<\/p>\n

Original title: <\/strong>Py\u0142
\nDirector:<\/strong> Pawe\u0142 Chorz\u0119pa
\nCinematographer:<\/strong> Pawe\u0142 Chorz\u0119pa
\nProduced by:<\/strong> Bees Film House
\nCountry and year: <\/strong>Poland, Saudi Arabia, 2024<\/p>\n

ETERNAL FATHER<\/strong><\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Nasar is 26 years older than his wife and has started a family late in life. Afraid that he won\u2019t be around to see his children grow up, he decides to be cryonically frozen upon death in the hope of coming back to life one day. As his family grapples with what it means for their lives, and whether they should follow suit, Nasar is forced to reassess what truly matters in life.<\/p>\n

Director:<\/strong> \u00d6mer Sami
\nCinematographer: <\/strong>Roxana Reiss
\nProduced by: <\/strong>National Film School of Denmark, The New Yorker
\nCountry and year:<\/strong> Denmark, 2023<\/p>\n

 <\/p>\n

READY TO DIE<\/b><\/span><\/span><\/p>\n

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Trumpets sound every morning and the troops stand in geometric rows. Two thousand young Italian citizens are training to become marshals of the Carabinieri at the “Felice Maritano” military barracks and school in Florence. They move in groups, stand in rank and file and are part of a corps that works according to strict principles and ancient tenets. As part of a group, the individuals motivate each other to improve day by day, to not lose sight of the goal and to stick together until they officially become part of the corps on the final and decisive day when the oath is taken. What happens to an individual during the process of integration into a military apparatus? What sacrifices will this oath demand in the course of their lives or, in other words, how does one prepare oneself to die?<\/p>\n

Director:<\/strong> Basilio Maritano Sailer
\nCinematographer:<\/strong> Christoph Bockisch
\nProduced by:<\/strong> Matteo Maglietti, Basilio Maritano Sailer
\nCountry and year: <\/strong>Italy, 2024<\/p>\n

\nSHOTPLAYER<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

A notorious NYC pickpocket returns to the subway system, the scene of his crimes, and in a feverish dream of memories is forced to dissect his relationship to the criminal act that has ruled his life for over forty years.<\/p>\n

Director:<\/strong> Sam Shainberg
\nCinematographer:<\/strong> J. Daniel Z\u00fa\u00f1iga
\nProduced by:<\/strong> Gummy Films
\nCountry and year:<\/strong> USA, 2024<\/p>\n

\nTROPA<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Every year, at the beginning of summer, a local community living on the edge of a protected wetland in the South of Spain prepares for a four-day journey on horseback gathering the remaining horses living in the wild. Alejandro stems from this village and will join the elders on this sacred journey. As they head out into the marshland he prays to the Virgin for protection as life in and around the marshes is threatened by the drought and forest fires that rage stronger every year.<\/p>\n

Director:<\/strong> Niels Devlieghere
\nCinematographer:<\/strong> Pauwel Billiau
\nProduced by:<\/strong> While We’re Here
\nCountry and year:<\/strong> Belgium, 2024<\/p>\n

WE BEG TO DIFFER<\/span>
\n<\/strong><\/p>\n

\"\"<\/a><\/p>\n

In the underground world of diffing, a community finds solace in their passion, as they navigate personal struggles and challenges both on and off the road.<\/p>\n

Director:<\/strong> Ruairi Bradley
\nCinematographer:<\/strong> Daniel Sedgwick
\nProduced by:<\/strong> Thomas Purdy
\nCountry and year: <\/strong>Ireland, UK, 2024<\/p>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

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