{"id":8115,"date":"2016-11-13T11:35:45","date_gmt":"2016-11-13T10:35:45","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/cw-sonderoptic-na-camerimage\/"},"modified":"2016-11-13T11:35:45","modified_gmt":"2016-11-13T10:35:45","slug":"cw-sonderoptic-na-camerimage","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/cw-sonderoptic-na-camerimage\/","title":{"rendered":"CW SONDEROPTIC AT CAMERIMAGE"},"content":{"rendered":"

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Join CW Sonderoptic<\/strong> seminar at the 24th<\/sup> edition of the Camerimage International Film Festival of the Art of Cinematography<\/strong>, and don’t hesitate to visit their booth at Camerimage Market<\/strong> in Opera Nova!<\/div>\n
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\u201cChoosing Lenses for Feature Films: What to Consider\u201d<\/strong>
with Michael Seresin, BSC<\/strong><\/div>\n
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Tuesday, 6:30pm<\/strong><\/div>\n
Opera Nova, Seminar Room<\/strong><\/div>\n
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Have you ever wondered how cinematographers choose lenses for their feature films? Leica Cine lens manufacturer CW Sonderoptic<\/strong> will host a discussion with cinematographer Michael Seresin, BSC<\/strong> that will offer a unique glimpse into the decision-making process for choosing the look and lenses to achieve it for a number of his feature films.<\/p>\n

The discussion will span from his early work with director Sir Alan Parker<\/strong> such as Midnight Express<\/em><\/span> (1978), through Harry Potter and the Prisoner of Azkaban<\/em><\/span> (2004), and into newer, large format films like War of the Planet of the Apes<\/em><\/span> (2017) and Jungle Book<\/em><\/span> (2018). From film, to digital, to 3D, VFX and now large format, Seresin<\/strong> has shown a willingness to experiment and tell stories in a variety of new and changing formats.<\/p>\n

This educational and experiential seminar will include a substantial section for questions from the audience and will be moderated by Seth Emmons<\/strong> of CW Sonderoptic<\/strong>.<\/div>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

Join CW Sonderoptic seminar at the 24th edition of the Camerimage International Film Festival of the Art of Cinematography, and…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[142],"tags":[],"class_list":["post-8115","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2016"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8115"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8115"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8115\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}