{"id":8134,"date":"2016-11-04T11:37:31","date_gmt":"2016-11-04T10:37:31","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/sklady-jury-camerimage-2016\/"},"modified":"2016-11-04T11:37:31","modified_gmt":"2016-11-04T10:37:31","slug":"sklady-jury-camerimage-2016","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklady-jury-camerimage-2016\/","title":{"rendered":"CAMERIMAGE 2016 JURIES"},"content":{"rendered":"<p><\/p>\n<div class=\"bordered narrow\">\n<div class=\"article\"><\/div>\n<h2 style=\"text-align: center\"><strong>Main Competition<\/strong><\/h2>\n<div>\u00a0<\/div>\n<div><strong>Sir Alan Parker \u2013 Jury President<\/strong> (director, screenwriter; <em>Midnight Express<\/em>, <em>Pink Floyd: The Wall<\/em><em>, <\/em><em>Angel Heart<\/em>) <\/p>\n<div>\u00a0<\/div>\n<div><strong>Michael Barrett<\/strong> (cinematographer; <em>Kiss Kiss Bang Bang<\/em>, <em>Bobby<\/em>, <em>Ted<\/em>)<\/div>\n<div>\u00a0<\/div>\n<p><strong>Neil Corbould<\/strong> (special effects supervisor; <em>Saving Private Ryan<\/em>, <em>Gladiator<\/em>, <em>Gravity<\/em>)<\/p>\n<p><strong>Michael Seresin<\/strong> (cinematographer; <em>The Life of David Gale<\/em>,\u00a0<em>Harry Potter and the Prisoner of Azkaban<\/em>, <em>Dawn of the Planet of the Apes<\/em>)<\/p>\n<p><strong>G\u00e9rard Simon<\/strong> (cinematographer; <em>Lautrec<\/em>, <em>Le roi danse<\/em>, <em>Les \u00e9motifs anonymes<\/em>)<\/p>\n<p><strong>Oliver Stapleton<\/strong> (cinematographer; <em>Restoration<\/em>, <em>The Cider House Rules<\/em>, <em>Ned Kelly<\/em>)<\/p>\n<p><strong>Robert D. Yeoman<\/strong> (cinematographer; <em>The Royal Tenenbaums<\/em>, <em>Bridesmaids<\/em>, <em>Grand Budapest Hotel<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Polish Films Competition<\/strong><\/h2>\n<p><strong>Jos Stelling \u2013 Jury <\/strong><strong>President<\/strong> (director; <em>The Illusionist<\/em>, <em>The Flying Dutchman<\/em>, <em>The Girl and Death<\/em>) <\/p>\n<div>\u00a0<\/div>\n<div><strong>Ross Emery<\/strong> (cinematographer; <em>The<\/em><em>Wolverine<\/em>, <em>The Giver<\/em>, <em>Woman in Gold<\/em>)<\/div>\n<div>\u00a0<\/div>\n<div><strong>Larry Fong<\/strong> (cinematographer; <em>300<\/em>, <em>Now You See Me<\/em>, <em>Batman v Superman: Dawn of Justice<\/em>)<\/div>\n<p><strong>Laurel Saint-Pierre<\/strong> (director of exhibitions at the Toronto International Film Festival)<\/p>\n<p><strong>Marcel Zyskind<\/strong> (cinematographer; <em>Mammoth<\/em>, <em>The Killer Inside Me<\/em>,<em> The Two Faces of January<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Student Etudes Competition<\/strong><\/h2>\n<p><strong>Michael Apted \u2013 Jury <\/strong><strong>President<\/strong> (director, screenwriter; <em>Coal Miner&#8217;s Daughter<\/em>, <em>Gorillas in the Mist: The Story of Dian Fossey<\/em>, <em>The World Is Not Enough<\/em>)<\/p>\n<p><strong>Muriel Aboulrouss<\/strong> (cinematographer; <em>Life After Death<\/em>, <em>Kamal Joumblatt, Witness and Martyr<\/em>, <em>American Caravan<\/em>) <\/p>\n<div>\u00a0<\/div>\n<div><strong>Jacqueline B. Frost<\/strong> (cinematographer;\u00a0<em>Naked Under Leather<\/em>, <em>Who We Are<\/em>, <em>Itali-Ana, Mendieta in Rome<\/em>)<\/p>\n<p><strong>Roberto Schaefer<\/strong> (cinematographer; <em>Finding Neverland<\/em>, <em>Quantum of Solace<\/em>, <em>Miles Ahead<\/em>)<\/div>\n<div>\u00a0<\/div>\n<p><strong>Bonnie Voland<\/strong> (IM Global, Head of Worldwide Marketing &amp; Publicity)<\/p>\n<h2 style=\"text-align: center\"><strong>Documentary Features Competition<\/strong><\/h2>\n<p><strong>Terry Sanders <\/strong>(director, producer; The <em>Legend of Marilyn Monroe<\/em>, <em>Maya Lin: A Strong Clear Vision<\/em>, <em>Fighting for Life<\/em>)<\/p>\n<p><strong>Louis-Philippe Cappelle<\/strong> (cinematographer;\u00a0<em>Juste une question d&#8217;amour<\/em>, <em>Black Night<\/em>, <em>Divorce et fian\u00e7ailles<\/em>) <\/p>\n<div>\u00a0<\/div>\n<p><strong>Larry Grobel<\/strong> (journalist, writer; <em>The Resurrection of Layton Cross<\/em>, <em>Conversations with Marlon Brando<\/em>)<\/p>\n<p><strong>Hans Albrecht Lusznat<\/strong> (cinematographer; <em>The Farmer and His Prince<\/em>, <em>Body and Brain<\/em>, <em>Final Traces of the Abstract Expressionists<\/em>)<\/p>\n<p><strong>Monika Pawluczuk<\/strong> (director; <em>So You Should Change<\/em>, <em>When I Am a Bird<\/em>, <em>End of the World<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Documentary Shorts Competition<\/strong><\/h2>\n<p><strong>Jay Rosenblatt <\/strong>(director, producer, editor;<em> Human Remains<\/em>, <em>Phantom Limb<\/em>, <em>The Darkness of Day<\/em>) <\/p>\n<div>\u00a0<\/div>\n<div><strong>Christian Frei<\/strong> (director, producer, editor; <em>War Photographer<\/em>, <em>Space Tourists<\/em>, <em>Sleepless in New York<\/em>)<\/div>\n<p><strong>Marcin Kosza\u0142ka<\/strong> (cinematographer, director; <em>Reverse<\/em>, <em>The Declaration of Immortality<\/em>, <em>The Red Spider<\/em>)<\/p>\n<p><strong>Suki Meden\u010devi\u0107<\/strong> (cinematographer; <em>The Pixar Story<\/em>, <em>Invisible Sister,<\/em><em>The Imagineering Story<\/em>)<\/p>\n<p><strong>Wolfgang Thaler<\/strong> (cinematographer; <em>Whore&#8217;s Glory<\/em>, <em>Paradise: Love<\/em>, <em>Theeb<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Music Videos Competition<\/strong><\/h2>\n<p><strong>Mike Figgis \u2013 Jury <\/strong><strong><strong>President<\/strong><\/strong>(director, screenwriter; <em>Leaving Las Vegas<\/em>, <em>Miss Julie<\/em>, <em>Timecode<\/em>) <\/p>\n<div>\u00a0<\/div>\n<div><strong>Simon Duggan<\/strong> (cinematographer;<em> I, Robot<\/em>, <em>The Great Gatsby<\/em>, <em>Hacksaw Ridge<\/em>)<\/div>\n<div>\u00a0<\/div>\n<p><strong>Larry Fong<\/strong> (cinematographer; <em>300<\/em>, <em>Now You See Me<\/em>, <em>Batman v Superman: Dawn of Justice<\/em>)<\/p>\n<p><strong>David Knight<\/strong> (journalist, critic, publicist)<\/p>\n<p><strong>John Perez<\/strong> (cinematographer; Alicia Keys&#8217; <em>Womans Worth<\/em>, Coldplay&#8217;s <em>Viva la Vida<\/em>, Jay Z and Alicia Keys&#8217; <em>Empire State of Mind<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Directors&#8217; Debuts Competition<\/strong><\/h2>\n<p><strong>Anthony Dod Mantle \u2013 Jury <\/strong><strong><strong>President<\/strong><\/strong>(cinematographer; <em>Festen<\/em>, <em>Slumdog Millionaire<\/em>, <em>Rush<\/em>)<\/p>\n<p><strong>Andrzej Hali\u0144ski<\/strong> (production designer:<em> With Fire and Sword<\/em>, <em>The Aryan Couple, Battle of Warsaw 1920<\/em>)<\/p>\n<p><strong>Tuomo Hutri<\/strong> (cinematographer; <em>The Visitor<\/em>, <em>Letters to Father Jacob<\/em>, <em>The Fencer<\/em>)<\/p>\n<p><strong>Anthony Pierce-Roberts<\/strong> (cinematographer; <em>A Room with a View<\/em>, <em>Howards End<\/em>,<em> The Remains of the Day<\/em>) <\/p>\n<div>\u00a0<\/div>\n<p><strong>Ma\u0142gorzata Zaj\u0105czkowska<\/strong> (actress; <em>Danton<\/em>,<em> Bullets Over Broadway<\/em>, <em>Blindness<\/em>)<\/p>\n<h2 style=\"text-align: center\"><strong>Cinematographers&#8217; Debuts Competition<\/strong><\/h2>\n<p><strong>Dick Pope \u2013 Jury <\/strong><strong>President<\/strong> (cinematographer; <em>Secrets and Lies<\/em>, <em>The Illusionist<\/em>, <em>Mr. Turner<\/em>)<\/p>\n<p><strong>Jacek Laskus<\/strong> cinematographer; <em>Square Dance<\/em>, <em>The Caine Mutiny Court-Martial<\/em>, <em>Colors Straight Up<\/em>)<\/p>\n<p><strong>Nina Kellgren<\/strong> (cinematographer; <em>Solomon and Gaenor<\/em>, <em>Young Soul Rebels<\/em>, <em>Deep Water<\/em>)<\/p>\n<p><strong>Veiko \u00d5unpuu <\/strong>(director; <em>Autumn Ball<\/em>, <em>The Temptation of St. Tony<\/em>, <em>Roukli<\/em>)<\/p>\n<p><strong>Dante Spinotti<\/strong> (cinematographer; <em>The Last of the Mohicans<\/em>, <em>Heat<\/em>, <em>L.A. Confidential<\/em>)<\/p>\n<p><\/div>\n<p>\u00a0<\/p>\n<h2 style=\"text-align: center\"><strong>First Look &#8211; TV Pilots Competition<br \/><\/strong><\/h2>\n<div>\n<p><strong>John Toll \u2013 Jury <\/strong><strong>President<\/strong> (cinematographer; <em>Braveheart<\/em>, <em>The Thin Red Line<\/em>, <em>The Adjustement Bureau<\/em>)<\/p>\n<p><strong>Carol Cuddy<\/strong> (producer; <em>Elementary<\/em>, <em>Rachel Getting Married<\/em>, <em>True Detective<\/em>)<\/div>\n<div>\u00a0<\/div>\n<div><strong>James Hawkinson<\/strong> (cinematographer; <em>Arrested Development<\/em>, <em>Hannibal<\/em>, <em>The Man in the High Castle<\/em>)<\/p>\n<p><strong>Giona A. Nazzaro<\/strong> (movie critic, writer, journalist)<\/p>\n<p><strong>Checco Varese<\/strong> (cinematographer; <em>True Blood<\/em>, <em>The Strain<\/em>, <em>The<\/em><em>33<\/em>)<\/p>\n<\/div>\n<h2 style=\"text-align: center\"><strong>Advertising Spots Competition<br \/><\/strong><\/h2>\n<p><strong>Magdalena Dani\u0142o\u015b<\/strong> (journalist, video marketing evangelist)<\/p>\n<div><strong>Filip Nocny<\/strong> (marketing specialist, coach)<\/p>\n<p><strong>Jan Majle<\/strong> (copywriter, creative director)<\/div>\n<div>\u00a0<\/div>\n<div>\u00a0<\/div>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Main Competition \u00a0 Sir Alan Parker \u2013 Jury President (director, screenwriter; Midnight Express, Pink Floyd: The Wall, Angel Heart) \u00a0&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[142],"tags":[],"class_list":["post-8134","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2016"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8134"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8134"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8134\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}