{"id":8155,"date":"2016-10-14T11:40:23","date_gmt":"2016-10-14T09:40:23","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/panorama-europejska-camerimage-2016\/"},"modified":"2016-10-14T11:40:23","modified_gmt":"2016-10-14T09:40:23","slug":"panorama-europejska-camerimage-2016","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/panorama-europejska-camerimage-2016\/","title":{"rendered":"CAMERIMAGE 2016 EUROPEAN PANORAMA"},"content":{"rendered":"

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We announce the line-up of the European Panorama section <\/strong>of this year’s Camerimage.
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C\u00e9zanne and I
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History knows many great friendships between distinguished artists who found inspiration and support in their creative discussions and valued the thoughts exchanged during them. It was no different in the case of the relationship between writer and playwright \u00c9mile Zola and Post-Impressionist painter Paul C\u00e9zanne, both of whom introduced French art and culture (and more) into the twentieth century, with its radical movements and transformations. They were born only one year apart, both grew up in the town of Aix-en-Provence, and even died of accidental causes within only a few years of each other. C\u00e9zanne and I<\/em><\/span> is a story about their long-standing friendship, which was held in high esteem by both of them until it was irreversibly broken by one of Zola\u2019s novels. The film, which goes back and forth between two times, is full of spellbinding images and interesting dialogues that captivate the intellect and the imagination alike.<\/div>\n
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Original title: C\u00e9zanne et moi<\/strong>
Director: Dani\u00e8le Thompson<\/strong>
Cinematographer: Jean-Marie Dreujou
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Produced by: G Films<\/strong>
France, 2016<\/strong><\/div>\n
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Conspiracy of Faith, A
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The third film about two Danish homicide detectives who work in the famous Department Q, a unit that handles cold criminal cases. This time, Carl M\u00f8rck and Assad will have to find the answer to the mysterious kidnappings and murders of children, and face a ruthless serial killer whose modus operandi involves not only killing, but also making the victims\u2019 relatives lose their faith in God. Additionally, the more the atheist M\u00f8rck tries to crack the case, the more he realises that he has much more in common with the villain that he would like to openly admit. Will the protagonists be able to restore order to a world that is becoming more chaotic every single day? A Conspiracy of Faith<\/em><\/span> is a dark and ominous thriller with a hint of existential dread, influenced in more than one way by the recent wave of Nordic noir. The film offers mature entertainment, simultaneously suspenseful and poignant, but also leaves the viewer with a number of tough questions to answer.<\/div>\n
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Original title: Flaskepost fra P<\/strong>
Director: <\/strong>Hans Petter Moland<\/strong><\/strong>
Cinematographer: <\/strong>John Andreas Andersen<\/strong>
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Produced by: Zentropa Entertainments20, Zentropa Post Production, Zentropa Productions 2<\/strong><\/div>\n
Polish distributor: KINO \u015aWIAT Sp. z o. o.<\/strong>
Sweden, Denmark, Germany, Norway, 2016<\/strong><\/div>\n
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Foreign Body
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The protagonist of Foreign Body<\/em><\/span> is Wolfgang, an elderly German man whose life was saved by a kidney transplant, though he gained access to the organ illegally in Turkey. When everything seems to be getting back to normal, he receives a note from a woman who claims she was the donor, and that she now demands financial compensation. Desperate and hopeless, Wolfgang goes back to Istanbul, which he thought he would never have to see again, to be humiliated and scoffed at. Or at least that is what he thinks will happen. He meets his blackmailer, a young Ukrainian named Irina who says she did not get a penny for the sacrifice she made, and then, curiously, begins to realise that he has become somewhat attached to the woman. They come from two different worlds and are separated by many years and miles of experience, but they try to resolve the difficult situation so that nobody gets more hurt. The truth is, however, that people mainly see what they want to see, not what really is.<\/div>\n
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Original title: Fremdk\u00f6rper<\/strong>
Director: <\/strong>Christian Werner<\/strong><\/strong>
Cinematographer: <\/strong>Eva Katharina B\u00fchler<\/strong><\/strong><\/div>\n

Produced by: <\/strong>Venice Pictures<\/strong><\/strong>
Germany, 2015<\/strong><\/div>\n
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Innocents, The
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December, 1945. Poland is gradually finding its feet again after the nightmare of World War II. One day, Mathilde Beaulieu, a young medical student working for the French Red Cross, is begged by a nun to come to her convent and assist another nun in need. When she arrives, Mathilde finds out that the woman is pregnant and has practically started giving birth. After saving her and the baby\u2019s life, she leaves the convent, but starts to take an interest in what is happening there, despite the strong resistance from the mother superior and the other sisters. Mathilde discovers in horror that the nuns were repeatedly raped by Russian soldiers, which has left the deeply religious women with many permanent scars, both physical and psychological. Many events from Les Innocentes<\/em><\/span> happened in real life, in the times when morality was just another word and all selfless help raised suspicion. A minimalistic film of great emotions and poignant human tragedies.<\/div>\n
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Original title: Les Innocentes<\/strong><\/div>\n

Polish title: Niewinne<\/strong>
Director: Anne Fontaine<\/strong>
Cinematographer: Caroline Champetier
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Produced by: France 2 Cinema, Scope Pictures, Mandarin Cin\u00e9ma, Mars Films, Aeroplan Film<\/strong><\/div>\n
Polish distributor: KINO \u015aWIAT Sp. z o. o.<\/strong>
Poland, France, 2016<\/strong><\/div>\n
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Neon Demon, The
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A tale of the cult of beauty and youth in the world of high fashion, set in sunny Los Angeles, a place of countless possibilities that by night turns into a city full or predators and emotional vampires on a perpetual hunt for new victims. Yet this is a classic cinematic fairy tale, disguised as a horror movie, about an innocent, na\u00efve teenage girl who has to learn to handle the monsters around her or become one of them. Jesse moves to the City of Angels to start a career as a model. Her natural beauty, still not improved after dozens of plastic surgeries, catches the eye of many important fashion people, as well as bringing jealousy to the hearts of the women who have sacrificed their bodies in the name of career and fame. On her way, the girl meets egocentric fashion designers, indifferent photographers, desperate models, and many other people for whom the world in which they exist is the best possible drug.<\/div>\n
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Original title: The Neon Demon<\/strong>
Director: Nicolas Winding Refn<\/strong>
Cinematographer: <\/strong>Natasha Braier<\/strong>
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Produced by: Bold Films, Vendian Entertainment, Space Rocket Nation<\/strong><\/div>\n
Polish distributor: GUTEK Film Sp. z o. o.<\/strong>
Denmark, USA, France, 2016<\/strong><\/div>\n
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Son of Saul
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Saul is a Hungarian Jew trying to make ends meet in Auschwitz where he works as a member of \u2018Sonderkommando\u2019, a special work unit which has to clean up the gas chambers and crematoria, among many other things. Knowing that he cannot do anything to change his existence, Saul has chosen to immunize himself from the surrounding reality. He acts like a machine, living from one task to another, dealing with the subsequent transports of prisoners one by one. When he sees the body of what appears to be his beloved son dragged out of the gas chamber without any remorse, something changes within him, he discovers some long-forgotten part of his former self. In spite of the unimaginably horrific situation in which he exists, Saul decides to give the boy a proper burial, thus risking not only his life but also the lives of his inmates. L\u00e1szl\u00f3 Nemes\u2019s Son of Saul<\/em><\/span> is a powerful, mentally exhausting, and harrowing tale about looking for sparks of humanity in a world gone mad.<\/span><\/div>\n
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Original title: Saul fia<\/strong><\/div>\n

Polish title: Syn Szaw\u0142a<\/strong>
Director: L\u00e1szl\u00f3 Nemes<\/strong>
Cinematographer: M\u00e1ty\u00e1s Erd\u00e9ly
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Produced by: Laokoon Filmgroup <\/strong><\/div>\n
Polish distributor: GUTEK Film Sp. z o. o.<\/strong>
Hungary, 2015<\/strong><\/div>\n
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<\/p>","protected":false},"excerpt":{"rendered":"

We announce the line-up of the European Panorama section of this year’s Camerimage. \u00a0 \u00a0 C\u00e9zanne and I \u00a0 \u00a0…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[142],"tags":[],"class_list":["post-8155","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2016"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8155"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8155"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8155\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}