{"id":8171,"date":"2016-09-01T11:42:03","date_gmt":"2016-09-01T09:42:03","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/mistrzowie-ktorzy-odeszli-haskell-wexler-i-vilmos-zsigmond\/"},"modified":"2016-09-01T11:42:03","modified_gmt":"2016-09-01T09:42:03","slug":"mistrzowie-ktorzy-odeszli-haskell-wexler-i-vilmos-zsigmond","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/mistrzowie-ktorzy-odeszli-haskell-wexler-i-vilmos-zsigmond\/","title":{"rendered":"REMEMBERING THE MASTERS: HASKELL WEXLER AND VILMOS ZSIGMOND"},"content":{"rendered":"

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From its first editions Camerimage Festival<\/strong> became a platform for discussion about the past, the present, and the future of cinema. By inviting hundreds of cinematographers and other film industry professionals from all over the world, we encouraged dialogue and exchange of ideas, as well as confronting oneself with the art of the best and most distinguished filmmakers around. Thus came \u201cRemembering the Masters\u201d<\/strong>, the section commenced in 2012 and is dedicated to the medium’s greatest visual poets. It is an extension of our mission, and simultaneously an act of emphasizing the way the past informs the future.<\/p>\n

\u201eRemembering the Masters\u201d<\/strong> became a celebrated Camerimage<\/strong> section, both by the industry professionals and the participants who do not work in the world of film. Throughout the years we have presented masterpieces shot by Jerzy Lipman<\/strong>, John Alcott<\/strong>, Zygmunt Samosiuk<\/strong>, N\u00e9stor Almendros<\/strong> and Gunnar Fischer<\/strong>, among others. This year the section will be somewhat special, as it will be entirely devoted to the work of Haskell Wexler<\/strong> and Vilmos Zsigmond<\/strong>, two universally acclaimed masters of light and frame, recipients of Camerimage Lifetime Achievement Awards<\/strong> and our dearest friends, who passed away a couple of months ago, leaving us all with countless, brilliant cinematic images, and the sadness of knowing that we will never see them again in person.<\/div>\n

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Vilmos Zsigmond and Haskell Wexler at Camerimage,<\/em><\/div>\n

Camerimage Archive
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You can find more about the careers and films of Haskell Wexler<\/strong> and Vilmos Zsigmond<\/strong> in essays written by David Heuring (HERE<\/a> and HERE<\/a>), but let us now invite you to the Camerimage<\/strong> screenings of their classic films.<\/div>\n

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We will show three works of Haskell Wexler<\/strong>: Milo\u0161 Forman’s\u00a0<\/strong>One Flew Over the Cuckoo’s Nest<\/em><\/span>, Norman Jewison’s\u00a0<\/strong>In the Heat of the Night<\/em><\/span>, and Mike Nichols’<\/strong>Who’s Afraid of Virginia Woolf? <\/em><\/span>; all three being landmark cinematic achievements, whether in displaying non-conformist attitudes, racial tensions in the U.S., or the beauty of black-and-white cinematography. For the last one, Wexler<\/strong> was awarded with the first of the two Oscars\u00ae<\/sup> in his career.<\/div>\n
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Haskell Wexler at Camerimage,<\/em><\/div>\n
photo by Photointime<\/em><\/div>\n

As a tribute to Vilmos Zsigmond<\/strong>, we will also screen three films. Camerimage<\/strong> participants will have the opportunity of seeing Robert Altman’s\u00a0<\/strong>McCabe & Mrs. Miller<\/em><\/span>, John Boorman’s\u00a0<\/strong>Deliverance<\/span><\/em>, and Michael Cimino’s\u00a0<\/strong>The Deer Hunter<\/em><\/span> on big screen. Each of the projects is widely different from another, and applying various means of cinematic expression \u2013 a revisionist western, an intense tale of survival, a poignant anti-war manifesto \u2013 all of them, however, being perfect encapsulations of the magic of cinema.<\/div>\n

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Vilmos Zsigmond at Camerimage,<\/em><\/div>\n
Camerimage Archive
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Out of Wexler’s<\/strong> and Zsigmond’s<\/strong> visions \u201cNew Hollywood\u201d of 1970s was born, remaining to this day a guiding light for all politically and socially oriented filmmakers who make their pictures to start a meaningful dialogue with the audiences.<\/p>\n

We will post more information about the dates and screening venues in the upcoming months, together with the details of the program of the 24th<\/sup> edition of Camerimage<\/strong>.<\/p>\n<\/div>\n

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<\/p>","protected":false},"excerpt":{"rendered":"

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