{"id":8294,"date":"2015-11-14T11:52:40","date_gmt":"2015-11-14T10:52:40","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/arri-na-camerimage-2015\/"},"modified":"2015-11-14T11:52:40","modified_gmt":"2015-11-14T10:52:40","slug":"arri-na-camerimage-2015","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/arri-na-camerimage-2015\/","title":{"rendered":"ARRI AT CAMERIMAGE 2015"},"content":{"rendered":"

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Join ARRI<\/strong> seminars and workshops at the 2015 Camerimage International Film Festival of the Art of Cinematography<\/strong>, and don’t hesitate to visit their booth at Camerimage Market<\/strong> in Opera Nova!<\/p>\n<\/div>\n
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WEDNESDAY 18th Nov<\/span><\/strong><\/h3>\n

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Lighting and Filming a Studio-Based Exterior Set with Oliver Stapleton BSC and special guests Covering LED lighting and the evolution of camera technology<\/strong><\/h4>\n
12:30, Workshops Center \u2013 University of Economy, Building M<\/span><\/div>\n
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Over the course of a career going back to the 1980s, acclaimed cinematographer Oliver Stapleton BSC has worked extensively on both sides of the Atlantic, shooting films such as My Beautiful Laundrette<\/span><\/em>, The Grifters<\/span><\/em>, The Cider House Rules<\/span><\/em> and Buffalo Soldiers<\/span><\/em>. During this workshop, Stapleton will illuminate a studio-based exterior set primarily with ARRI\u2019s versatile new SkyPanel LED soft light, utilizing different mounting options, accessories and color temperature settings in order to achieve various lighting effects. With the help of actors and some special guests he will set up a number of scenes, each with its own lighting and blocking challenges. By working with both an ARRICAM and an ALEXA, Stapleton will highlight the differences between these formats and demonstrate how ARRI\u2019s long history of making 35 mm film cameras helped it to create the world\u2019s most ubiquitous and cinematographer-friendly digital motion picture camera. \u201cIn this camera and lighting workshop we will explore the novel idea of using a set as a landscape, finding ways to create various kinds of daylight as well as moonlight and night lighting without obvious sources, combined with practical sources,\u201d<\/em> says Stapleton. \u201cI will project references from my own films and also some others on the big screen, explaining how to achieve similar effects with relatively simple tools and techniques.\u201d<\/em><\/div>\n
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ARRI Big Screen Experience<\/strong><\/p>\n

18:00, Opera Nova, Main Screening Room<\/span><\/p>\n

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  • ARRI: Complete Solutions for Breathtaking Images.\u00a0<\/em><\/strong>ARRI\u2019s Big Screen Experience <\/span>will showcase the company\u2019s<\/span>latest technological innovations, giving an overview of upcoming<\/span>products such as the ALEXA SXT cameras, as well as the rich<\/span>variety of productions using ALEXA and AMIRA.<\/span>This presentation includes an update on the ALEXA 65 camera<\/span>system, which was launched at Camerimage last year and has<\/span>since been utilized by the world\u2019s leading cinematographers on<\/span>a wide range of high-profile movies.<\/span>\u00a0<\/li>\n<\/ul>\n
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    • From the Set: Real-World Experiences with ARRI Cameras.<\/span>\u00a0<\/em><\/strong>Nobody can explain the advantages and benefits of ARRI<\/span>equipment better than the professionals who work with it every<\/span>day on set. French cinematographer J\u00e9r\u00f4me de Gerlache<\/strong><\/span>shares his experiences shooting music videos, documentaries,<\/span>commercials and corporate films all over the world with his<\/span>AMIRA<\/span>. Australian cinematographer Ross Emery ACS<\/strong> discusses<\/span>working with ALEXA on productions such as The Wolverine<\/em><\/span>,<\/span>The Giver <\/span><\/em>and Woman in Gold<\/span><\/em>.<\/span>\u00a0<\/span><\/li>\n<\/ul>\n
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      • Lighting the Future: The New SkyPanel LED Soft Light.<\/strong><\/em><\/span>\u00a0Steve Howard<\/strong> and Darren Smith<\/strong> of Pinewood MBS<\/span>Lighting <\/span>give an overview of the performance and merits of<\/span>the new ARRI SkyPanel LED soft light. Pinewood MBS has<\/span>purchased more SkyPanels than any other single customer,<\/span>supplying them to major feature film productions shooting at<\/span>Pinewood and Shepperton Studios.<\/span><\/li>\n<\/ul>\n

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        THURSDAY 19th\u00a0Nov<\/span><\/span>\u00a0<\/span><\/span><\/h3>\n

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        ARRI \u2013 Free-Flying Cinematography with The Helicopter Girls<\/span>\u00a0<\/span><\/span><\/strong><\/p>\n

        11:30, Opera Nova Congress Centre, 1st Floor, Seminar Room<\/span><\/p>\n

        Katya Nelhams-Wright<\/strong> and Emma Boswell<\/strong>, both former documentary markers, founded The Helicopter Girls in 2011. Having worked with multi-rotor technology since 2009, they provide aerial filming services for feature films, dramas, commercials and factual productions. Credits include Fungus the Bogeyman<\/span><\/em>(Sky), Mission: Impossible \u2013 Rogue Nation<\/span><\/em> (Paramount), Da Vinci\u2019s Demons<\/span><\/em>(Fox) and Detectorists<\/span><\/em>(BBC).<\/span>The first hour of the seminar will be spent in the seminar room, providing a general introduction to rigging the ALEXA Mini for gimbals such as the Freefly MoVI15 and drones such as the Vulcan Raven X8. Subject to weather conditions on the day, this will be followed by a further two hours of practical demonstration outside the Opera Nova. An ALEXA Mini will be flown on a drone and controlled with ARRI WCU-4 wireless hand unit, capturing sweeping aerial shots and romantic close-ups of two actors performing a scene on the bridge over the river.<\/span>\u00a0<\/span>\u201cWe fly the best aerial and stabilization systems and love working with high-end cameras like our ALEXA Minit to create beautiful, cinematic images\u201d<\/em> say Nelhams-Wright<\/strong> and Boswell<\/strong>. \u201cWith a team of highly qualified pilots we have a strong safety record, extensive aircraft and technical knowledge, and the highest regard for public safety\u201d<\/em>.\u00a0 <\/span>
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        <\/p>","protected":false},"excerpt":{"rendered":"

        Join ARRI seminars and workshops at the 2015 Camerimage International Film Festival of the Art of Cinematography, and don’t hesitate…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[143],"tags":[],"class_list":["post-8294","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2015"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8294"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8294"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8294\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}