{"id":8312,"date":"2015-11-08T11:54:43","date_gmt":"2015-11-08T10:54:43","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/przeglad-filmow-andrzeja-papuzinskiego\/"},"modified":"2015-11-08T11:54:43","modified_gmt":"2015-11-08T10:54:43","slug":"przeglad-filmow-andrzeja-papuzinskiego","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/przeglad-filmow-andrzeja-papuzinskiego\/","title":{"rendered":"ANDRZEJ PAPUZI\u0143SKI REVIEW AT CAMERIMAGE"},"content":{"rendered":"

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One who wishes to understand the poet, must go to the poet\u2019s land<\/em>. In order to understand artists, one must be an artist. Andrzej Papuzi\u0144ski<\/strong> makes films about artists, revealing their unique personalities. Their presence is a crucial element of his cinematic projects. The director exposes the world of their imagination. Through his camera, he shows people that use art to create metaphors, symbols, and mental shortcuts. In his narration, Papuzi\u0144ski employs the same concepts. By transmitting these artistic means to his films, he is able to present the artists in a way they would present themselves. By applying this method he explores their identity and becomes a poet just like them. His films deal with the mystery of art through the language of cinema. Visual artists are the creators and the substance of his narration. Because of this, his films become independent works of art. Andrzej Papuzi\u0144ski<\/strong> is an exceptional artist. There is no one quite like him. His characters are always put first, and he always comes second.<\/div>\n
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Micha\u0142 Dudziewicz, head of the documentary section<\/em><\/div>\n
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Andrzej Papuzi\u0144ski Review organized in cooperation with:<\/strong><\/div>\n
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Belly, The
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The film is a staged story, a projection of phenomena and events which had a strong impact on the artistic individuality of the famous painter Tadeusz Brzozowski.<\/div>\n
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Polish title: Brzuch<\/strong>
Director: Andrzej Papuzi\u0144ski<\/strong>
Cinemtographers: Ryszard Gajewski, Stanis\u0142aw \u015aliskowski, Jacek Zygad\u0142o<\/strong><\/div>\n
Produced by: Telewizja Polska (TVP), Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1979
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Chronicle of the Potter Factory, The
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A captivating documentary about an old painted faience factory. We enter the factory to follow the production process, which is based on the traditional technology, observe how the dishes are decorated, and admire the painters\u2019 inventiveness and experience. The film ends with a symbolic scene about the factory being shut down.<\/div>\n
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Polish title: Kronika fabryki fajansu
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Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Zbigniew Rybczy\u0144ski<\/strong><\/div>\n
Produced by: Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1974<\/strong><\/div>\n
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Counterpoint<\/strong><\/span><\/h1>\n
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The protagonist of Papuzi\u0144ski\u2019s film is Micha\u0142 Batory, born in \u0141\u00f3d\u017a and educated at the \u0141\u00f3d\u017a Academy of Fine Arts and who has been working in France since the 1980s. He has achieved the status of a renowned and well-respected artist in the field of artistic posters. The usual subjects of his designs are theatrical productions, film, ballet, the visual arts, and various kinds of musical events. Mus\u00e9e des Arts D\u00e9coratifs at the Louvre showcased a large exhibition of his in spring 2011. Micha\u0142 Batory and his art in the field of posters and graphic design are the subject of a film that is the latest attempt to create a film portrait of an artist working in the field of the visual arts.<\/div>\n
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Polish title: Kontrapunkt<\/strong><\/div>\n

Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Stanis\u0142aw \u015aliskowski
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Produced by: Film Studio Everest<\/strong>
Poland, 2014
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Glory to the Bull
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An award-winning film about the work of Franciszek Starowieyski, one of the most outstanding Polish artists \u2013 a painter, set designer, graphic designer, and the creator of the drawing theatre. He gained popularity in the 1960s by designing theatre and cinema posters. By means of unconventional visuals and creational staging, Andrzej Papuzi\u0144ski shows the artist at work. The title of the film refers to Starowieyski\u2019s pseudonym. Because of doubts concerning the spelling of his aristocratic name, he used to sign his pictures as \u2018Jan Byk\u2019.<\/div>\n
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Polish title: Bykowi chwa\u0142a
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Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Stanis\u0142aw \u015aliskowski
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Produced by: Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1971<\/strong><\/div>\n<\/div>\n
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Return from Chaos
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The reconstruction process of the central, most representative chamber of the Royal Castle in Warsaw, the Great Assembly Hall, which was constructed in the eighteenth century by Domenico Merlini under the patronage of King Stanis\u0142aw II August. Destroyed in the bombing of 1939, it was rebuilt in the period 1980 \u20131988 by the Polish Studios for Conservation of Cultural Property based on some of the fragments and furnishings saved by the employees of the Castle and the National Museum during the winter around the end of 1939. Apart from documenting the reconstruction process, the film shows the past crafting techniques and demonstrates the role of the various elements of the interior in the whole composition of the hall.<\/div>\n
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Polish title: Powr\u00f3t z chaosu
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Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographers: Mathieu Przedpe\u0142ski, J\u00f3zef Romasz<\/strong><\/div>\n
Produced by: Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1990<\/strong><\/div>\n<\/div>\n
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Seven Mysteries According to Stasys, The
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A documentary about the work of the graphic artist Stasys Eidrigevi\u010dius.<\/p>\n<\/div>\n

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Polish title: Siedem misteri\u00f3w wed\u0142ug Stasysa<\/strong><\/p>\n

Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Stanis\u0142aw \u015aliskowski
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Produced by: Lob Productions<\/strong>
Poland, 1994<\/strong><\/div>\n<\/div>\n
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Stanis\u0142aw Zagajewski – Ars Mea, Lux Mea
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A ballad about Stanis\u0142aw Zagajewski, a self-taught artist from W\u0142oc\u0142awek. The world of his imagination is shaped in fragile clay, and filled with bizarre, fantastical creatures from the plane located between dreams and reality. The film depicts a man torn between the poverty of everyday life and the wealth of fantasy. It shows the artist\u2019s alienation in his environment, love for animals, and faith in the mission of the artist and art itself.<\/div>\n
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Original title: Stanis\u0142aw Zagajewski – Ars Mea, Lux Mea<\/strong><\/p>\n

Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Janusz Po\u0142om<\/strong><\/div>\n
Produced by: Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1978<\/strong><\/div>\n<\/div>\n
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Stradivari 66
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Piotr Kubas is a representative of a trade which is incredibly rare these days \u2013 a violin maker. By filming the story of his beautiful and demanding profession, the creators present the subsequent stages of making a new violin, showing us the secrets of the trade and the methods of working with various kinds of wood that in Kubas\u2019s hands become noble musical instruments.<\/div>\n
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Original title: Stradivari 66<\/strong><\/p>\n

Director: Andrzej Papuzi\u0144ski<\/strong>
Cinematographer: Wiktor Prejs
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Produced by: Wytw\u00f3rnia Film\u00f3w O\u015bwiatowych (WFO)<\/strong>
Poland, 1966<\/strong><\/div>\n<\/div>\n
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<\/p>","protected":false},"excerpt":{"rendered":"

One who wishes to understand the poet, must go to the poet\u2019s land. In order to understand artists, one must…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[143],"tags":[],"class_list":["post-8312","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2015"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8312"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8312"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8312\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}