{"id":8672,"date":"2013-10-25T12:26:09","date_gmt":"2013-10-25T10:26:09","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/panorama-europejska\/"},"modified":"2013-10-25T12:26:09","modified_gmt":"2013-10-25T10:26:09","slug":"panorama-europejska","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/panorama-europejska\/","title":{"rendered":"EUROPEAN PANORAMA"},"content":{"rendered":"<p><\/p>\n<div class=\"bordered narrow\">\n<div class=\"article\"><\/div>\n<p>                             International film industry produces thousands of movies annually. Those with the best cinematography are submitted to <b>Camerimage<\/b> competitions. Our selection committee picks a mere fraction of them, which certainly does not cover all the body of work worth presenting to our audiences. The non-competition <b>European Panorama<\/b> section presents the most interesting movies with top cinematography produced in Europe during this and the previous year. <\/p>\n<ul>\n<li><b>Ana Arabia<\/b>, cin. Giora Bejach, dir. Amos Gitai\n<li><b>Animals<\/b>, cin. Eduard Grau, dir. Marcal Fores Marcal\n<li><b>Artist and the Model, The<\/b> (L&#8217;Artiste et son Modele), cin. Daniel Vilar, dir. Fernando Trueba\n<li><b>Bekas<\/b>, cin. Johan Holmqvist, dir. Karzan Kader\n<li><b>Best Offer, The<\/b> (Migliore offerta, La), cin. Fabio Zamarion, dir. Giuseppe Tornatore\n<li><b>Bright Days Ahead<\/b> (Les beaux jours), cin. Nicola Gaurin Nicola, dir. Marion Vernoux\n<li><b>Broken Circle Breakdown, The<\/b>, cin. Ruben Impens, dir. Felix Van Groenigen\n<li><b>Byzantium<\/b>, cin. Sean Bobbitt, dir. Neil Jordan\n<li><b>Child&#8217;s Pose<\/b> (Pozi\u0163ia copilului), cin. Andrei Butica, dir. Calin Peter Netzer\n<li><b>Circles<\/b> (Krugovi), cin. Aleksandra Ili\u0107, dir. Srdan Golubovic\n<li><b>Clara and the Secret of the Bears<\/b> (Clara und das Geheiminis der B\u00e4ren), cin. Michael Schreitel, dir. Tobias Ineichen\n<li><b>Deep, The<\/b> (Dj\u00fapi\u00f0), cin. Bergsteinn Bj\u00f6rg\u00falfsson, dir. Baltasar Korm\u00e1kur\n<li><b>Hush&#8230;<\/b> (Suti), cin. Mirko Pivcevic, dir. Lukas Nola\n<li><b>Jimmy P. (Psychotherapy of a Plains Indian)<\/b>, cin. St\u00e9phane  Fontaine, dir. Arnaud Desplechin\n<li><b>Kon-Tiki<\/b>, cin. Geir Hartly Andreassen, dir. Espen Sandberg, Joachim R\u00f8nning\n<li><b>Lore<\/b>, cin. Adam Arkapaw, dir. Cate Shortland\n<li><b>Love Is Blind<\/b> (Kertu), cin. Kristjan-Jaak Nuudi, dir. Ilmar Raag\n<li><b>Love Steaks<\/b>, cin. Timon Sch\u00e4ppi, dir. Jakob Lass\n<li><b>Loveless Zoritsa<\/b> (Crna Zorica), cin. Vladan Jankovic, dir. Radoslav Pavkovi\u0107, Christina Hadjicharalambous\n<li><b>Northwest<\/b> (Nordvest), cin. J\u00f8nck Magnus  Nordenhof, dir. Michael Noer\n<li><b>Nun, The<\/b> (La Religieuse), cin. Yves Cape, dir. Guillaume Nicloux\n<li><b>Ombline<\/b> (Le sens de nos peines), cin. Virginie Saint-Martin, dir. St\u00e9phane Cazes\n<li><b>Past, The<\/b> (Le passe), cin. Mahmoud Kalari, dir. Asghar Farhadi\n<li><b>Puppy Love<\/b>, cin. S\u00e9bastien Godefroy, dir. Delphine Lehericey\n<li><b>Purge<\/b> (Puhdistus), cin. Rauno Ronkainen, dir. Antti J. Jokinen Antti\n<li><b>Run &amp; Jump<\/b>, cin. Kevin Richey, dir. Steph Green\n<li><b>Tom at the Farm<\/b> (Tom a La Ferme), cin. Andr\u00e9 Turpin, dir. Xavier Dolan-Tadros\n<li><b>Two Lives<\/b> (Zwei Leben), cin. Judith Kaufmann, dir. Judith Kaufmann, Georg Maas\n<li><b>Venus in Fur<\/b> (La V\u00e9nus \u00e0 la fourrure), cin. Pawe\u0142 Edelman, dir. Roman Pola\u0144ski  <\/ul>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>International film industry produces thousands of movies annually. Those with the best cinematography are submitted to Camerimage competitions. Our selection&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[145],"tags":[],"class_list":["post-8672","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2013"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8672"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8672"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8672\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}