The International Film Festival of the Art of Cinematography CAMERIMAGE<\/b> is not only about wonderful films and fantastic workshops, seminars, lectures or exhibitions. It is also a place where you can meet professionals from around the world who probably shot, edited or directed the films that made you love cinema, or have the potential to do that for the future generations of moviegoers. Here is the second of a few newsletters that we will send out to introduce the phenomenal guests of Camerimage 2013<\/b> – the true celebrities of our Festival. <\/p>\n
BRUNO DELBONNEL<\/b><\/span> *****<\/p>\n JOST VACANO<\/b><\/span> *****<\/p>\n STEVEN FIERBERG<\/b><\/span> *****<\/p>\n REED MORANO<\/b><\/span> *****<\/p>\n STEPHEN LIGHTHILL<\/b><\/span> *****<\/p>\n TIMO SALMINEN<\/b><\/span> <\/p>","protected":false},"excerpt":{"rendered":" The International Film Festival of the Art of Cinematography CAMERIMAGE is not only about wonderful films and fantastic workshops, seminars,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[145],"tags":[],"class_list":["post-8689","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2013"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8689"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8689"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8689\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
French cinematographer, born in 1957 in Nancy. Member of the French Society of Cinematographers. He won international acclaim with Jean-Pierre Jeunet’s<\/b>Am\u00e9lie<\/i><\/span> (European Film Award for cinematography). A Very Long Engagement<\/i><\/span> (awarded by the ASC) is yet another proof of extraordinary cooperation between these two artists. Delbonnel<\/b> skillfully combines a contrast of strongly saturated colors with a composition of images based on a play of light and shadow for creating dream-like atmosphere of characters’ inner worlds, consisting of both emotional warmth and nightmarish chill. This remarkable style brought him to work with Tim Burton<\/b> on Dark Shadows<\/i><\/span> and the soon-to-be-completed Big Eyes<\/i><\/span>. Delbonnel<\/b> was also the cinematographer of, among others, Harry Potter and the Half-Blood Prince<\/i><\/span> by David Yates<\/b>, Faust<\/i><\/span> by Aleksandr Sokurov<\/b> and Inside Llewyn Davis<\/i><\/span> by the Coen brothers<\/b>. He has been nominated for Oscar three times so far. In 2007 he won the Silver Frog<\/b> for Across the Universe<\/i><\/span> by Julie Taymor<\/b>. In 2006 and 2009 he worked as a jury member at the Camerimage Festival<\/b>. <\/p>\n
German cinematographer born in 1934, in Osnabr\u00fcck. Member of the ASC and the bvk. His filmography features over 60 titles. In an early stage of his career Vacano<\/b> cooperated with the iconic German directors Volker Schl\u00f6ndorff<\/b> and Margarethe von Trotta<\/b> shooting The Lost Honor of Katharina Blum<\/i><\/span>. His cinematography for Wolfgang Petersen’s<\/b>Das Boot<\/i><\/span> (1981) still strikes the viewer with its claustrophobic atmosphere of interior scenes as well as both realistic and spectacular shots of marine fights. This work won him an Oscar nomination and a ticket to Hollywood. He was also the cinematographer of a cult fantasy movie The NeverEnding Story<\/i><\/span> by Wolfgang Petersen<\/b>. Throughout the \u201890s Vacano<\/b> collaborated with director Paul Varhoeven<\/b> on numerous popular hits such as RoboCop<\/i><\/span>, Total Recall<\/i><\/span>, Showgirls<\/i><\/span> and Hollow Man<\/i><\/span>. Vacano<\/b> is one of the most involved among long-term friends of the Camerimage Festival<\/b>, which he has attended several times, working in various juries as well as participating in Festival debates. <\/p>\n
American cinematographer, born in Detroit. Member of the ASC. His cinematography in the TV film Attila<\/i><\/span> won him an ASC Award for Outstanding Achievement in Cinematography. Fierberg<\/b> teaches at New York University and American Film Institute. Some of the most intriguing positions in his filmography are Steven Shainberg’s<\/b>Secretary<\/i><\/span>, where both subtle and suggestive images evoke a highly sensual atmosphere of an unconventional romance, and Sally Potter’s<\/b>Rage<\/i><\/span>, which employs pure aesthetics of interview shots stripped of any decoration for development of a criminal suspense. Fierberg’s<\/b> body of work also includes such films as Joel Schumacher’s<\/b>Twelve<\/i><\/span>, Alex Cox’s<\/b>Repo Chick<\/i><\/span>, and Ed Zwick’s<\/b>Love and Other Drugs<\/i><\/span>. He has done camerawork for 25 episodes of the popular TV series Entourage<\/i><\/span>. Steven Fierberg<\/b> attended the Camerimage Festival<\/b> in 2011, where he was on the jury of the Cinematographers’ Debut Competition. <\/p>\n
American cinematographer, born in 1977 in Omaha, Nebraska. Member of the ASC, recently invited to join the Academy of Motion Picture Arts and Sciences. One of the most interesting female cinematographers of the young generation, associated mainly with independent cinema. In 2011 Morano<\/b> received Kodak Vision Award. As cinematographer she has collaborated with Courtney Hunt<\/b> on the shoot of widely recognized Frozen River<\/i><\/span>, Elgin James<\/b> on Little Birds<\/i><\/span>, twice with Rob Reiner<\/b> – on The Magic of Belle Isle<\/i><\/span> and And So It Goes<\/i><\/span> (still in post-production) – and many others. One of the most recent films she has shot, Kill Your Darlings<\/i><\/span> by John Krokidas<\/b>, will be shown at this year’s Camerimage Festival<\/b>. <\/p>\n
American cinematographer. Senior Filmmaker-in-residence at the AFI. President of the ASC in years 2012 – 2013. Among prestigious awards he has received is the President’s Award of the Society of Camera Operators (2000). Filming for CBS News and 60 Minutes<\/i><\/span>, Stephen Lighthill<\/b> created one of the first 16mm shoulder-held news cameras. Among the many documentaries he has filmed are the Maysles Brothers’<\/b>Gimme Shelter<\/i><\/span> and Mark Kitchell’s<\/b>Berkeley in the \u201860s<\/i><\/span>. Lighthill<\/b> served as director of photography on the TV series Vietnam War Story<\/i><\/span> for HBO, and the network primetime series, Earth 2<\/i><\/span>, Nash Bridges<\/i><\/span> and The Huntress<\/i><\/span>. In 2005, he returned to documentaries with HBO’s Boffo! Tinseltown’s Bombs and Blockbusters<\/i><\/span> and The Alzheimer’s Project: Caregivers<\/i><\/span>. This year Stephen Lighthill<\/b> will visit Camerimage Festival<\/b> for the third time in its history. In years 2011 and 2012 he worked as jury member of the Polish Films Competition and the Feature Documentary Films Competition accordingly. <\/p>\n
Finnish cinematographer, born in 1952 in Helsinki. He has been nominated for the European Film Award twice, and has won two Jussi awards of the Finnish Film Foundation. A long-time collaborator of director Aki Kaurism\u00e4ki<\/b>, with whom he has made more than twenty films, including Le Havre<\/i><\/span>, Lights in the Dusk<\/i><\/span>, The Man Without a Past<\/i><\/span>, Drifting Clouds<\/i><\/span> and Bohemian Life<\/i><\/span>. The visual side of all these films strikes the viewer as remarkably cohesive, combining a bit surreal choice of color with exceptionally balanced composition of images. Timo Salminen<\/b> has attended five editions of the Camerimage Festival<\/b>. In 1999, he won the Bronze Frog<\/b> award for Aki Kaurism\u00e4ki’s<\/b>Juha<\/i><\/span>. At the 12th Camerimage Festival<\/b>, he was recognized for his collaboration with this director with the Cinematographer-Director Duo Award<\/b>. The Man Without a Past<\/i><\/span> and Le Havre<\/i><\/span> were also selected for the Main Competition in 2002 and in 2011 accordingly. In 2010, Timo Salminen<\/b> was a jury member of the Directors’ Debuts Competition. <\/p>\n<\/div>\n