Since its inception the International Film Festival of the Art of Cinematography PLUS CAMERIMAGE<\/b> has always focused on distinguishing those brilliant filmmakers who stayed in the shade of actors, directors or screenwriters – the cinematographers. We have shown their exceptional skills and visual sensitivity. We have acknowledged their input in the art of cinema. Together with them we observed the upcoming digital revolution. The 20th edition of Plus Camerimage<\/b> is not only an ideal occasion to sum it all up and reminisce the old times, but also an excellent opportunity to open a new chapter in the festival’s history. <\/p>\n
\u201cRemembering the Masters”<\/b> is a new cyclic section emerging in the festival’s program. Its aim is on the one hand to accentuate the craft of all those brilliant cinematographers who passed away, and on the other to provoke a discussion about the cinematic possibilities given by the films which over the years set the standards for what we watch today. In the moment of the digital revolution, both mental and technological, it is crucial not to forget about the always-fascinating history of cinema without which such revolution wouldn’t come. We therefore invite everyone to watch the work of true masters, and by this remember every lesson they wanted to teach us. <\/p>\n
During the 20th edition of Plus Camerimage<\/b>, the \u201cRemembering the Masters”<\/b> section will include a tribute to N\u00e9stor Almendros<\/b>, and Zygmunt Samosiuk<\/b>. Both cinematographers had their distinct visions of what the cinematic experience should be like, and they helped to create the visuals to such directors like Robert Benton, Andrzej Wajda, Alan J. Pakula, Jerzy Kawalerowicz, Terrence Malick or Walerian Borowczyk. Both Almendros<\/b> and Samosiuk<\/b> were not afraid to take up new challenges, try new styles, and open up to new ways of expression, including the documentary form. They both had their own unique cinematic language which made their films instantly recognizable. <\/p>\n
During the 20th edition of the International Film Festival of the Art of Cinematography PLUS CAMERIMAGE<\/b> the following films are going to be screened: <\/p>\n
N\u00e9stor Almendros<\/b><\/p>\n Zygmunt Samosiuk<\/b><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" Since its inception the International Film Festival of the Art of Cinematography PLUS CAMERIMAGE has always focused on distinguishing those…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[151],"tags":[],"class_list":["post-8866","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2012"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8866"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=8866"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/8866\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=8866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=8866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=8866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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