{"id":9181,"date":"2011-11-23T13:13:02","date_gmt":"2011-11-23T12:13:02","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/sklady-jury-plus-camerimage-2011\/"},"modified":"2011-11-23T13:13:02","modified_gmt":"2011-11-23T12:13:02","slug":"sklady-jury-plus-camerimage-2011","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/sklady-jury-plus-camerimage-2011\/","title":{"rendered":"PLUS CAMERIMAGE 2011 JURIES"},"content":{"rendered":"<p><\/p>\n<div class=\"bordered narrow\">\n<div class=\"article\"><\/div>\n<p><span><b>Main Competition<\/b><\/span><\/p>\n<p><b>Roger Donaldson<\/b> (director, writer, producer; \u201cSleeping Dogs&#8221;, \u201cThe Bounty&#8221;, \u201cThe World&#8217;s Fastest Indian&#8221;) <\/p>\n<p><b>Lilly Kilvert<\/b> (production designer; \u201cLegends of the Fall&#8221;, \u201cThe Last Samurai&#8221;, \u201cValkyrie&#8221;) <\/p>\n<p><b>Walter Lassally<\/b> (cinematographer; \u201cZorba the Greek&#8221;, \u201cHeat and Dust&#8221;, \u201cThe Bostonians&#8221;) <\/p>\n<p><b>Hannah McGill<\/b> (writer, editor, film critic, journalist, festival programmer) <\/p>\n<p><b>Elvis Mitchell<\/b> (film critic, lecturer at Harvard University) <\/p>\n<p><b>Dick Pope<\/b> (cinematographer; \u201cVera Drake&#8221;, \u201cThe Illusionist&#8221;, \u201cSecrets &amp; Lies&#8221;) <\/p>\n<p><b>Dante Spinotti<\/b> (cinematographer; \u201cManhunter&#8221;, \u201cHeat&#8221;, \u201cThe Last of the Mohicans&#8221;) <\/p>\n<p><span><b>Polish Films Competition<\/b><\/span><\/p>\n<p><b>Joel Schumacher<\/b> (director, writer, producer; \u201cFalling Down&#8221;, \u201cThe Client&#8221;, \u201cA Time to Kill&#8221;) <\/p>\n<p><b>Lawrence Grobel<\/b> (writer, lecturer in the English Department at the University of California) <\/p>\n<p><b>Stephen Lighthill<\/b> (cinematographer; \u201cNash Bridges&#8221;, \u201c60 Minutes&#8221;, \u201cGimme Shelter&#8221;) <\/p>\n<p><b>Karl Walter Lindenlaub<\/b> (cinematographer; \u201cRob Roy&#8221;, \u201cStargate&#8221;, \u201cBlack Book&#8221;) <\/p>\n<p><b>Nikki Parker<\/b> (PR specialist for the film industry) <\/p>\n<p><b>Michael Seresin<\/b> (cinematographer; \u201cHarry Potter and the Prisoner of Azkaban&#8221;, \u201cAngel Heart&#8221;, \u201cFame&#8221;) <\/p>\n<p><span><b>Student Etudes Competition<\/b><\/span><\/p>\n<p><b>Roger Spottiswoode<\/b> (director, editor, producer, writer; \u201cUnder Fire&#8221;, \u201cTomorrow Never Dies&#8221;, \u201cAir America&#8221;) <\/p>\n<p><b>Manuel Alberto Claro<\/b> (cinematographer; \u201cMelancholia&#8221;, \u201cVideocracy&#8221;, \u201cReconstruction&#8221;) <\/p>\n<p><b>Adam Holender<\/b> (cinematographer; &#8220;The Panic in Needle Park&#8221;, \u201cTo Kill a Priest&#8221;, \u201cSmoke&#8221;) <\/p>\n<p><b>Nastassja Kinski<\/b> (actress; \u201cTess&#8221;, \u201cThe Claim&#8221;, \u201cCat People&#8221;) <\/p>\n<p><b>Karl Walter Lindenlaub<\/b> (cinematographer; \u201cRob Roy&#8221;, \u201cStargate&#8221;, \u201cBlack Book&#8221;) <\/p>\n<p><b>Borys Szyc<\/b> (actor; &#8220;Symmetry&#8221;, &#8220;Vinci&#8221;, &#8220;The Mole&#8221;) <\/p>\n<p><b>Xawery \u017bu\u0142awski<\/b> (director, writer; &#8220;Chaos&#8221;, &#8220;Snow White and Russian Red&#8221;) <\/p>\n<p><span><b>Feature Length Documentary Films Competition<\/b><\/span><\/p>\n<p><b>Jay Rosenblatt<\/b> (director, master of the found-footage form, holds a Master&#8217;s Degree in Counselling Psychology; \u201cHuman Remains&#8221;, \u201cKing of the Jews&#8221;, \u201cPhantom Limb&#8221;) <\/p>\n<p><b>Alan Barker<\/b> (sound editor, cinematographer; \u201cWho Needs Sleep?&#8221;) <\/p>\n<p><b>Michael Glawogger<\/b> (director, writer, cinematographer; \u201cWorkingman&#8217;s Death&#8221;, \u201cWhore&#8217;s Glory&#8221;, \u201cSlumming&#8221;) <\/p>\n<p><b>Heiner Stadler<\/b> (director, cinematographer, producer, professor; \u201cThe End of Journey&#8221;, \u201cKriegsbilder&#8221;, \u201cThe Prospector&#8221;) <\/p>\n<p><b>Wojciech Staro\u0144<\/b> (cinematographer, director; \u201cEl Premio&#8221;, \u201cArgentinian Lesson&#8221;, \u201cSaviour Square&#8221;) <\/p>\n<p><span><b>Short Documentary Films Competition<\/b><\/span><\/p>\n<p><b>Haskell Wexler<\/b> (cinematographer, director; \u201cOne Flew Over the Cuckoo&#8217;s Nest&#8221;, \u201cIn the Heat of the Night&#8221;, \u201cWho&#8217;s Afraid of Virginia Woolf?&#8221;) <\/p>\n<p><b>Joan Churchill<\/b> (cinematographer, director, producer; \u201cGimme Shelter&#8221;, \u201cJuvenile Liaison&#8221;, \u201cPumping Iron&#8221;) <\/p>\n<p><b>Sheila Curran Bernard<\/b> (writer, director, producer) <\/p>\n<p><b>David Kwok<\/b> (programming director of Tribeca Film Festival) <\/p>\n<p><b>Piotr Stasik<\/b> (documentary filmmaker; \u201c7 x Moskwa&#8221;, \u201cPo kolei&#8221;, \u201cKoniec lata&#8221;) <\/p>\n<p><span><b>Music Videos Competition<\/b><\/span><\/p>\n<p><b>Andy Morahan<\/b> (music videos&#8217; director; \u201cNovember Rain&#8221; by Guns N&#8217;Roses, \u201cFather Figure&#8221; by George Michael, \u201cHole in My Soul&#8221; by Aerosmith) <\/p>\n<p><b>Kora<\/b> (singer, composer, songwriter, poet) <\/p>\n<p><b>Piotr Metz<\/b> (radio and music journalist) <\/p>\n<p><b>Phedon Papamichael<\/b> (cinematographer; \u201cThe Million Dollar Hotel&#8221;, \u201cWalk the Line&#8221;, \u201cSideways&#8221;) <\/p>\n<p><b>Daniel Pearl<\/b> (cinematographer of music videos; \u201cEvery Breath You Take&#8221; by The Police, \u201cNovember Rain&#8221; by Guns N&#8217;Roses, \u201cWith or Without You&#8221; by U2) <\/p>\n<p><b>Jonathan Sela<\/b> (cinematographer; \u201cThe Omen&#8221;, \u201cMax Payne&#8221;, \u201cLaw Abiding Citizen&#8221;) <\/p>\n<p><span><b>Directors&#8217; Debuts Competition<\/b><\/span><\/p>\n<p><b>Albert Hughes<\/b> (producer, director, writer; \u201cFrom Hell&#8221;, \u201cThe Book of Eli&#8221;, \u201cMenace II Society&#8221;) <\/p>\n<p><b>Malwina Grochowska<\/b> (film critic) <\/p>\n<p><b>Roberto Schaefer<\/b> (cinematographer; \u201cQuantum of Solace&#8221;, \u201cFinding Neverland&#8221;, \u201cStranger Than Fiction&#8221;) <\/p>\n<p><b>Petr Tichy<\/b> (commercial director and Vice-Chairman of the Board of Directors at the Barrandov Studios) <\/p>\n<p><b>Jost Vacano<\/b> (cinematographer; &#8220;Das Boot&#8221;, &#8220;Total Recall&#8221;, &#8220;The Neverending Story&#8221;) <\/p>\n<p><span><b>Cinematographers&#8217; Debuts Competition<\/b><\/span><\/p>\n<p><b>Vilmos Zsigmond<\/b> (cinematographer; \u201cThe Deer Hunter&#8221;, \u201cClose Encounters of the Third Kind&#8221;, \u201cThe River&#8221;) <\/p>\n<p><b>Steven Fierberg<\/b> (cinematographer; \u201cLove and Other Drugs&#8221;, \u201cTwelve&#8221;, \u201cSecretary&#8221;) <\/p>\n<p><b>Martin Gschlacht<\/b> (cinematographer, producer; \u201cLourdes&#8221;, \u201cWomen Without Men&#8221;, \u201cBreathing&#8221;)  <\/p>\n<p><b>Johannes Kirchlechner<\/b> (cinematographer of features, music videos, and TV films) <\/p>\n<p><b>Phil Meheux<\/b> (cinematographer; \u201cGoldenEye&#8221;, \u201cCasino Royale&#8221;, \u201cThe Mask of Zorro&#8221;) <\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Main Competition Roger Donaldson (director, writer, producer; \u201cSleeping Dogs&#8221;, \u201cThe Bounty&#8221;, \u201cThe World&#8217;s Fastest Indian&#8221;) Lilly Kilvert (production designer; \u201cLegends&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[150],"tags":[],"class_list":["post-9181","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2011"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9181"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9181"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9181\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}