{"id":9389,"date":"2010-09-10T06:18:17","date_gmt":"2010-09-10T04:18:17","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/michael-ballhaus-nagroda-za-caloksztalt-tworczosci\/"},"modified":"2010-09-10T06:18:17","modified_gmt":"2010-09-10T04:18:17","slug":"michael-ballhaus-nagroda-za-caloksztalt-tworczosci","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/michael-ballhaus-nagroda-za-caloksztalt-tworczosci\/","title":{"rendered":"LIFETIME ACHIEVEMENT AWARD GOES TO MICHAEL BALLHAUS"},"content":{"rendered":"

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It is our great pleasure to inform that this year’s PLUS CAMERIMAGE Lifetime Achievement Award<\/b> will be granted to Michael Ballhaus<\/b>. A special retrospective review of his films will present some of his greatest achievements and the cinematographer himself will be a guest of the Festival. <\/p>\n

18th edition of the International Film Festival of the Art of Cinematography Plus Camerimage will be held in the City of Bydgoszcz from the 27th November through 4th December 2010<\/b>. Current information about the Festival is available at www.archive.camerimage.pl<\/a><\/b><\/p>\n


Michael Ballhaus<\/b>
photo by Boris Rostami – Rabet<\/p>\n

During the fifty-year career Michael Ballhaus<\/b> worked on almost 120 movies (both feature films and documentaries). He was tree times nominated to the Oscar. <\/p>\n

Michael Ballhaus<\/b> has worked for over nine years with Rainer Werner Fassbinder’s<\/b> and worked steadily with Martin Scorsese<\/b> on seven movies. He also collaborated with many other well-known directors such as Francis Ford Copolla<\/b>, Mike Nichols<\/b>, Volker Schl\u00f6ndorff <\/b> and Robert Redford<\/b>. <\/p>\n

Michael Ballhaus<\/b> was Born on 5th August 1935 into a German family actors. Max Oph\u00fcls<\/b> was a friend to the family. He started his profession in television and by the late 1960\u00b4s he began to shoot feature films. From 1970 to 1979 he worked on 16 films directed by Rainer Werner Fassbinder<\/b> including The Marriage of Maria Braun<\/i><\/span> and Martha<\/i><\/span>. <\/p>\n

Ballhaus<\/b> arrived in Hollywood in 1982 and his first American film was Baby It’s You<\/i><\/span>, directed by John Sayles<\/b>. Two years later his long-lasting cooperation with Martin Scorsese<\/b> began. Together they made such films as After Hours<\/i><\/span>, The Color of Money<\/i><\/span>, The Last Temptation of Christ<\/i><\/span>, Age of Innocence<\/i><\/span>, Goodfellas<\/i><\/span>, Gangs of New York<\/i><\/span> and The Departed<\/i><\/span>. <\/p>\n

Ballhaus<\/b> also worked on many other well-known movies, for example Working Girl<\/i><\/span>, Postcards from the Edge<\/i><\/span>, and Primary Colors<\/i><\/span> by Mike Nichols<\/b>, Bram Stoker’s Dracula<\/i><\/span> by Francis Ford Coppola<\/b>, Quiz Show<\/i><\/span> and The Legend of Bagger Vance<\/i><\/span> by Robert Redford<\/b>, Death of a Salesman<\/i><\/span> by Volker Schl\u00f6ndorff<\/b>, The Glass Menagerie<\/i><\/span> by Paul Newman<\/b>, Air Force One<\/i><\/span>Wolfgang Petersen<\/b>, and Sleepers<\/i><\/span> by Barry Levinson<\/b>. He director of photography on music videos for example with Madonna<\/b> and Bruce Springsteen<\/b>. <\/p>\n


Michael Ballhaus<\/b>
photo from Ballhaus’s private archives <\/p>\n

Three times Michael Ballhaus<\/b> was nominated to an Oscar: Broadcast News<\/i><\/span> directed by James L. Brooks<\/b>, The Fabulous Baker Boys<\/i><\/span> directed by Steven Kloves<\/b>, and Scorsese’s<\/b>Gangs of New York<\/i><\/span>. In 2007 Michael Ballhaus received the International Achievement Award by the American Society of Cinematographers. It was the first time that a German Director of Photography was granted such an honor. <\/p>\n

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Filmography<\/span><\/b><\/p>\n

<\/span><\/b><\/p>\n

\u00a0<\/span><\/p>\n

Television Films, Documentaries, and Short Films<\/span><\/p>\n

<\/span><\/p>\n

\u00a0<\/span><\/p>\n

1958 \u00a0\u00a0\u00a0 <\/span>Traumland der Sehnsucht **<\/span><\/i> | Dreamland of Desire<\/i><\/span>| Wolfgang M\u00fcller-Sehn, director<\/span>\u00a0<\/span><\/p>\n

1959 \u00a0\u00a0\u00a0 <\/span>Alt-Heidelberg<\/span><\/i> | Peter Hamel, director\u00a0<\/span>\u00a0<\/span><\/p>\n

1959 \u00a0\u00a0\u00a0 <\/span>Der Kirschgarten<\/span><\/i> | Heinz Hilpert, director<\/span>\u00a0<\/span><\/p>\n

1959 \u00a0\u00a0\u00a0 <\/span>Entscheidung<\/span><\/i> | Walter Knaus, director<\/span>\u00a0<\/span><\/p>\n

1959 \u00a0\u00a0\u00a0 <\/span>Das Genie und die G\u00f6ttin<\/span><\/i> | Walter Rilla, director<\/span><\/p>\n

1960 \u00a0\u00a0\u00a0 <\/span>Die Kassette<\/span><\/i> | Rudolf Noelte, director<\/span><\/p>\n

1960 \u00a0\u00a0\u00a0 <\/span>Die Nachbarskinder<\/span><\/i> * <\/span>| Peter Lilienthal, director<\/span><\/p>\n

<\/span><\/p>\n

1961 \u00a0\u00a0\u00a0 <\/span>Die Nash\u00f6rner<\/span><\/i> | Gustav Rudolf Sellner, director<\/span><\/p>\n

<\/span><\/p>\n

1961 \u00a0\u00a0\u00a0 <\/span>Zwischen den Z\u00fcgen<\/span><\/i> | Peter Beauvais, director<\/span><\/p>\n

<\/span><\/p>\n

1963 \u00a0\u00a0\u00a0 <\/span>Der Klassenaufsatz<\/span><\/i> | Harald Benesch, director<\/span><\/p>\n

<\/span><\/p>\n

1964 \u00a0\u00a0\u00a0 <\/span>Das Martyrium des Peter O’Hey<\/i> | Peter Lilienthal, director<\/span><\/p>\n

<\/span><\/p>\n

1965 \u00a0\u00a0\u00a0 <\/span>Gro\u00dfe Liebe<\/i><\/span> | Johannes Schaaf, director<\/span><\/p>\n

<\/span><\/p>\n

1965 \u00a0\u00a0\u00a0 <\/span>Abschied<\/i> | Peter Lilienthal, director<\/span><\/p>\n

<\/span><\/p>\n

1965 \u00a0\u00a0\u00a0 <\/span>Ein Haus aus lauter Liebe<\/span><\/i> *<\/span> | Herbert Vesely, director<\/span><\/p>\n

<\/span><\/p>\n

1967 \u00a0\u00a0\u00a0 <\/span><\/span>Ivo<\/span><\/i> | Tom Toelle, director<\/span><\/p>\n

<\/span><\/p>\n

1968 \u00a0\u00a0\u00a0 <\/span><\/span>Ganze Tage in den B\u00e4umen<\/span><\/i> | Tom Toelle, director<\/span><\/p>\n

<\/span><\/p>\n

1968 \u00a0\u00a0\u00a0 <\/span>Gold f\u00fcr Montevasall<\/span><\/i> | Thomas Engel, director<\/span><\/p>\n

<\/span><\/p>\n

1968 \u00a0\u00a0\u00a0 <\/span>Der Eine und der Andere<\/span><\/i> | Tom Toelle, director<\/span><\/p>\n

<\/span><\/p>\n

1969 \u00a0\u00a0\u00a0 <\/span>Der Kidnapper<\/span><\/i> | Tom Toelle, director<\/span><\/p>\n

<\/span><\/p>\n

1970 \u00a0\u00a0\u00a0 <\/span>Fassbinder produziert: Film Nr. 8 **<\/i> | Michael Ballhaus & Dietmar Buchmann, directors<\/span><\/p>\n

<\/span><\/p>\n

1970 \u00a0\u00a0\u00a0 <\/span>Die Verabredung mit der Wirklichkeit<\/span><\/i> ** <\/span>| Michael Ballhaus, director<\/span><\/p>\n

<\/span><\/p>\n

1971 \u00a0\u00a0\u00a0 <\/span>Der trojanische Sessel<\/span><\/i> | G\u00fcnter Gr\u00e4wert, director<\/span><\/p>\n

<\/span><\/p>\n

1971 \u00a0\u00a0\u00a0 <\/span>Sand<\/i> | Peter Palitzsch, director<\/span><\/p>\n

<\/span><\/p>\n

1971 \u00a0\u00a0\u00a0 <\/span>Der Marquis von Keith<\/span><\/i> | Hans Lietzau, director<\/span><\/p>\n

<\/span><\/p>\n

1972 \u00a0\u00a0\u00a0 <\/span>Der Held<\/span><\/i> | Hagen Mueller-Stahl, director<\/span><\/p>\n

<\/span><\/p>\n

1972 \u00a0\u00a0\u00a0 <\/span>Adele Spitzeder<\/i> | Peer Raben, director<\/span><\/p>\n

<\/span><\/p>\n

1972 \u00a0\u00a0\u00a0 <\/span>Ich bin ein B\u00fcrger der DDR<\/i> ** | Erika Runge, director<\/span><\/p>\n

<\/span><\/p>\n

1973 \u00a0\u00a0\u00a0 <\/span><\/span>Welt am Draht<\/span><\/i> | World on a Wire<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

<\/span><\/p>\n

1973 \u00a0\u00a0\u00a0 <\/span>Martha<\/i> | Rainer Werner Fassbinder, director<\/span><\/span><\/p>\n

<\/span><\/p>\n

1973 \u00a0\u00a0\u00a0 <\/span><\/span>Tatort<\/span><\/i> [Episode: Tote brauchen keine Wohnung<\/i>] | Wolfgang Staudte, director<\/span><\/p>\n

<\/span><\/p>\n

1974 \u00a0\u00a0\u00a0 <\/span>Rosenmontag<\/i> | Peter Beauvais, director<\/span><\/p>\n

<\/span><\/p>\n

1974 \u00a0\u00a0\u00a0 <\/span>Ein Haus f\u00fcr uns<\/i> [Episodes: Aus der Familie der Panzerechsen<\/i>; Die Insel<\/i>] Wim Wenders & Peter F. Bringmann, directors<\/span><\/p>\n

<\/span><\/p>\n

1975 \u00a0\u00a0\u00a0 <\/span><\/span>Die Wahl<\/span><\/i> | Rainer Boldt, director<\/span><\/p>\n

<\/span><\/p>\n

1975 \u00a0\u00a0\u00a0 <\/span>Dorothea Merz<\/i> | Peter Beauvais, director<\/span><\/p>\n

<\/span><\/p>\n

1975\u00a0\u00a0\u00a0\u00a0 <\/span>Ich will doch nur, da\u00df ihr mich liebt<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

<\/span><\/p>\n

1976 \u00a0\u00a0\u00a0 <\/span><\/span>Curd J\u00fcrgens\u2014Der Filmstar, der vom Theater kam<\/span><\/i> ** | Bernhard Wicki, director<\/span><\/span><\/p>\n

<\/span><\/p>\n

1976 \u00a0\u00a0\u00a0 <\/span>Nur zum Spa\u00df\u2014nur zum Spiel **<\/i> | Volker Schl\u00f6ndorff, director<\/span><\/p>\n

<\/span><\/p>\n

1976\u00a0\u00a0\u00a0\u00a0 <\/span>Sonntag<\/i> | Niels-Peter Rudolph, director<\/span><\/p>\n

<\/span><\/p>\n

1976 \u00a0\u00a0\u00a0 <\/span><\/span>Auf dem Chimborazo<\/span><\/i> | Peter Beauvais, director<\/span><\/p>\n

<\/span><\/p>\n

1976 \u00a0\u00a0\u00a0 <\/span>Bolwieser<\/i> | The Stationmaster’s Wife<\/i><\/span>| Rainer Werner Fassbinder, director<\/span><\/span><\/p>\n

<\/span><\/p>\n

1977 \u00a0\u00a0\u00a0 <\/span><\/span>Frauen in New York<\/span><\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

<\/span><\/p>\n

1977\u00a0\u00a0\u00a0\u00a0 <\/span>Venedig\u2014Die Insel der Gl\u00fcckseligen am Rande des<\/i>Untergangs<\/i> ** | Christian Rischert, director<\/span><\/p>\n

<\/span><\/p>\n

1978 \u00a0\u00a0\u00a0 <\/span><\/span>Der Gehilfe<\/span><\/i> | Ludwig Cremer, director<\/span><\/p>\n

<\/span><\/p>\n

1978 \u00a0\u00a0\u00a0 <\/span>Trilogie des Wiedersehens<\/i> | Peter Stein, director<\/span><\/p>\n

<\/span><\/p>\n

1978\u00a0\u00a0\u00a0\u00a0 <\/span>Bourbon Street Blues<\/i> * | Douglas Sirk, director<\/span><\/p>\n

<\/span><\/p>\n

1979 \u00a0\u00a0\u00a0 <\/span>Gro\u00df und klein<\/i> | Big and Little<\/i> | Peter Stein, director<\/span><\/p>\n

<\/span><\/p>\n

1979 \u00a0\u00a0\u00a0 <\/span><\/span>Alpensaga<\/span><\/i> [Episode: Der deutscher Fr\u00fchling<\/i>] | Dieter Berner, director<\/span><\/p>\n

<\/span><\/p>\n

1980\u00a0\u00a0\u00a0\u00a0 <\/span>Weihnacht 80<\/i> [Episodes: Maria und Josef<\/i>; Das Menschenkindl<\/i>] Wilhelm Pevny; Hilde Berger & Dieter Berner, directors<\/span><\/p>\n

<\/span><\/p>\n

1980 \u00a0\u00a0\u00a0 <\/span>Oye Raimundo,<\/span>ad\u00f3nde vas? **|<\/span><\/i>Kindheit in Amacueca<\/i><\/span> | Jaime Carrasco, Francisco Chavez, Luis Lupone & Jes\u00fas S\u00e1nchez, directors<\/span><\/p>\n

<\/span><\/p>\n

1980 \u00a0\u00a0\u00a0 <\/span><\/span>Der Ausl\u00f6ser<\/span><\/i> | Maria Neocleous, director<\/span><\/p>\n

<\/span><\/p>\n

1986 \u00a0\u00a0\u00a0 <\/span><\/span>Landscape with Waitress<\/span><\/i> | Jeffrey Townsend, director<\/span><\/p>\n

<\/span><\/p>\n

1988 \u00a0\u00a0\u00a0 <\/span><\/span>Baja Oklahoma<\/span><\/i> | Bobby Roth, director<\/span><\/p>\n

<\/span><\/p>\n

1996 \u00a0\u00a0\u00a0 <\/span>Der Tote vom anderen Ufer<\/i> * | Lenard Fritz Krawinkel, director<\/span><\/p>\n

<\/span><\/p>\n

2000\u00a0\u00a0\u00a0\u00a0 <\/span>Gone Underground<\/i> * | Su Turhan, director<\/span><\/p>\n

<\/span><\/p>\n

2001\u00a0\u00a0\u00a0\u00a0 <\/span>Mutti<\/i> * | Mummy<\/i> | Su Turhan, director<\/span><\/p>\n

<\/span><\/p>\n

2004 \u00a0\u00a0\u00a0 <\/span>Triell\u2014Der Kurzfilm<\/i> * | Su Turhan, director<\/span><\/p>\n

<\/span><\/p>\n

2007 \u00a0\u00a0\u00a0 <\/span>Der einsame K\u00f6nig * | Tim Trachte, director<\/span><\/p>\n

<\/span><\/p>\n

2009\u00a0\u00a0\u00a0\u00a0 <\/span>Purple Sunrise<\/i> * | Nina Vukovic, director<\/span><\/p>\n

<\/span><\/p>\n

2009 \u00a0\u00a0\u00a0 <\/span>In Berlin<\/i> ** | Michael Ballhaus & Ciro Cappellari, directors<\/span><\/p>\n

<\/span><\/p>\n

<\/span><\/p>\n

<\/span>\u00a0<\/p>\n

(*) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>short film<\/span><\/p>\n

(**) \u00a0\u00a0\u00a0\u00a0 <\/span>documentary<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

***\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>***\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>***<\/span><\/p>\n

<\/span><\/span><\/u><\/b><\/p>\n

<\/span>\u00a0<\/p>\n

<\/span>\u00a0<\/p>\n

Feature Films<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

1968 \u00a0\u00a0\u00a0 <\/span>Mehrmals t\u00e4glich<\/i> | Ralf Gregan, director<\/span><\/p>\n

<\/span><\/p>\n

1969 \u00a0\u00a0\u00a0 <\/span>Deine Z\u00e4rtlichkeiten<\/i> | Peter Schamoni & Herbert Vesely, directors<\/span><\/p>\n

<\/span><\/p>\n

1969\u00a0\u00a0\u00a0\u00a0 <\/span>Wir – zwei<\/i> | We Two<\/i> | Ulrich Schamoni, director<\/span><\/p>\n

<\/span><\/p>\n

1970 \u00a0\u00a0\u00a0 <\/span>Whity<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

<\/span><\/p>\n

1970 \u00a0\u00a0\u00a0 <\/span>Warnung vor einer heiligen Nutte<\/i> | Beware of a Holy Whore<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

<\/span><\/p>\n

1972 \u00a0\u00a0\u00a0 <\/span>Die bitteren Tr\u00e4nen der Petra von Kant<\/i> | The Bitter Tears of Petra von Kant<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1972 \u00a0\u00a0\u00a0 <\/span>Tschetan, der Indianerjunge<\/i> | Chetan, Indian Boy<\/i> | Hark Bohm, director<\/span><\/p>\n

\u00a0<\/span>1973 \u00a0\u00a0\u00a0 <\/span>Das s\u00fcndige Bett<\/i><\/span><\/span><\/i>| The Sinful Bed<\/i> | Ralf Gregan, director<\/span><\/p>\n

\u00a0<\/span>1974 \u00a0\u00a0\u00a0 <\/span>Made in Germany und USA<\/i> | Rudolf Thome, director<\/span><\/p>\n

\u00a0<\/span>1974 \u00a0\u00a0\u00a0 <\/span>Faustrecht der Freiheit<\/i> | Fox and His Friends<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1974 \u00a0\u00a0\u00a0 <\/span>Das Amulett des Todes<\/i> | Cold Blood<\/i> | Ralf Gregan & G\u00fcnter Vaessen, director<\/span><\/p>\n

\u00a0<\/span>1975 \u00a0\u00a0\u00a0 <\/span>Mutter K\u00fcsters’ Fahrt zum Himmel<\/i> | Mother K\u00fcsters Goes to Heaven<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1975 \u00a0\u00a0\u00a0 <\/span>Sommerg\u00e4ste<\/i> | Summer Guests<\/i> | Peter Stein, director<\/span><\/p>\n

\u00a0<\/span>1976 \u00a0\u00a0\u00a0 <\/span>Satansbraten<\/i> | Satan’s Brew<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1976 \u00a0\u00a0\u00a0 <\/span>Chinesisches Roulette<\/i> | Chinese Roulette<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1976 \u00a0\u00a0\u00a0 <\/span>Adolf und Marlene<\/i> | Ulli Lommel, director<\/span><\/p>\n

\u00a0<\/span>1976 \u00a0\u00a0\u00a0 <\/span>Also es war so…<\/i> | Willy and the Chinese Cat<\/i> | Karin Thome, director<\/span><\/p>\n

\u00a0<\/span>1977 \u00a0\u00a0\u00a0 <\/span>Eine Reise ins Licht<\/i> | Despair<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1977 \u00a0\u00a0\u00a0 <\/span>Deutschland im Herbst<\/i> | Germany in Autumn<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1978 \u00a0\u00a0\u00a0 <\/span>Die Ehe der Maria Braun<\/i> | The Marriage of Maria Braun<\/i> | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1978 \u00a0\u00a0\u00a0 <\/span>Die erste Polka<\/i> | The First Polka<\/i> | Klaus Emmerich, director<\/span><\/p>\n

\u00a0<\/span>1979 \u00a0\u00a0\u00a0 <\/span>Der Aufstand <\/i>| La insurrecci\u00f3n<\/i> | The Uprising<\/i> | Peter Lilienthal, director<\/span><\/p>\n

\u00a0<\/span>1980 \u00a0\u00a0\u00a0 <\/span>Malou<\/i> | Jeanine Meerapfel, director<\/span><\/p>\n

\u00a0<\/span>1980 \u00a0\u00a0\u00a0 <\/span>Lili Marleen | Rainer Werner Fassbinder, director<\/span><\/p>\n

\u00a0<\/span>1980\u00a0\u00a0\u00a0\u00a0 <\/span>Looping – Der lange Traum vom kurzen Gl\u00fcck<\/i> | Walter Bockmayer & Rolf B\u00fchrmann, directors<\/span><\/p>\n

\u00a0<\/span>1981 \u00a0\u00a0\u00a0 <\/span>Der Zauberberg<\/i> | The Magic Mountain<\/i> | Hans W. Geissend\u00f6rfer, director<\/span><\/p>\n

\u00a0<\/span>1981 \u00a0\u00a0\u00a0 <\/span>Heute spielen wir den Boss<\/i> | Peer Raben, director<\/span><\/p>\n

\u00a0<\/span>1981 \u00a0\u00a0\u00a0 <\/span>Dear Mr. Wonderful<\/i> [Ruby’s Dream<\/i>] | Peter Lilienthal, director<\/span><\/p>\n

\u00a0<\/span>1982 \u00a0\u00a0\u00a0 <\/span>Baby, It’s You<\/i> | John Sayles, director<\/span><\/p>\n

\u00a0<\/span>1982 \u00a0\u00a0\u00a0 <\/span>Heller Wahn<\/i> | Sheer Madness<\/i> | L’amie<\/i> | Margarethe von Trotta, director<\/span><\/p>\n

\u00a0<\/span>1983 \u00a0\u00a0\u00a0 <\/span>Ediths Tagebuch<\/i> | Edith’s Diary<\/i> | Hans W. Geissend\u00f6rfer, director<\/span><\/p>\n

\u00a0<\/span>1983 \u00a0\u00a0\u00a0 <\/span>Reckless<\/i> | James Foley, director<\/span><\/p>\n

\u00a0<\/span>1983 \u00a0\u00a0\u00a0 <\/span>Das Autogramm<\/i> | The Autograph<\/i> | Peter Lilienthal, director<\/span><\/p>\n

\u00a0<\/span>1983 \u00a0\u00a0\u00a0 <\/span>Old Enough<\/span><\/i> | Marisa Silver, director<\/span><\/p>\n

\u00a0<\/span>1984\u00a0\u00a0\u00a0 <\/span>Heartbreakers<\/i> | Bobby Roth, director<\/span><\/p>\n

\u00a0<\/span>1985 \u00a0\u00a0\u00a0 <\/span>After Hours<\/i> | Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>1985 \u00a0\u00a0\u00a0 <\/span>Under the Cherry Moon<\/i> | Prince Rogers Nelson<\/span><\/p>\n

\u00a0<\/span>1985\u00a0\u00a0\u00a0\u00a0 <\/span>Death of a Salesman<\/i> | Volker Schl\u00f6ndorff, director<\/span><\/p>\n

\u00a0<\/span>1986 \u00a0\u00a0\u00a0 <\/span>The Color of Money<\/i> | Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>1986 \u00a0\u00a0\u00a0 <\/span>The House on Carroll Street<\/i> | Peter Yates, director<\/span><\/p>\n

\u00a0<\/span>1987 \u00a0\u00a0\u00a0 <\/span>The Glass Menagerie<\/i> | Paul Newman, director<\/span><\/p>\n

\u00a0<\/span>1987 \u00a0\u00a0\u00a0 <\/span>Broadcast News<\/i> | James L. Brooks, director<\/span><\/p>\n

\u00a0<\/span>1987 \u00a0\u00a0\u00a0 <\/span>The Last Temptation of Christ<\/i> | Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>1988 \u00a0\u00a0\u00a0 <\/span>Working Girl<\/span><\/i><\/span>| Mike Nichols, director<\/span><\/p>\n

\u00a0<\/span>1988 \u00a0\u00a0\u00a0 <\/span>Dirty Rotten Scoundrels<\/span><\/i> | Frank Oz, director<\/span><\/p>\n

\u00a0<\/span>1988 \u00a0\u00a0\u00a0 <\/span>The Fabulous Baker Boys<\/i> | Steve Kloves, director<\/span><\/p>\n

\u00a0<\/span>1989 \u00a0\u00a0\u00a0 <\/span>Goodfellas<\/i> | Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>1989 \u00a0\u00a0\u00a0 <\/span>Postcards from the Edge<\/i> | Mike Nichols, director<\/span><\/p>\n

\u00a0<\/span>1990 \u00a0\u00a0\u00a0 <\/span>Guilty by Suspicion<\/i> | Irwin Winkler, director<\/span><\/p>\n

\u00a0<\/span>1990 \u00a0\u00a0\u00a0 <\/span>What About Bob?<\/i> | Frank Oz, director<\/span><\/p>\n

\u00a0<\/span>1991 \u00a0\u00a0\u00a0 <\/span>The Mambo Kings<\/i> | Arne Glimcher, director<\/span><\/p>\n

\u00a0<\/span>1991 \u00a0\u00a0\u00a0 <\/span>Bram Stoker’s Dracula<\/i> | Francis Ford Coppola, director<\/span><\/p>\n

\u00a0<\/span>1992 \u00a0\u00a0\u00a0 <\/span>The Age of Innocence<\/i> | Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>1992 \u00a0\u00a0\u00a0 <\/span>I’ll Do Anything<\/i> | James L. Brooks, director<\/span><\/p>\n

\u00a0<\/span>1993 \u00a0\u00a0\u00a0 <\/span>Quiz Show<\/i> | Robert Redford, director<\/span><\/p>\n

\u00a0<\/span>1994 \u00a0\u00a0\u00a0 <\/span>Outbreak<\/i> | Wolfgang Petersen, director<\/span><\/p>\n

\u00a0<\/span>1995 \u00a0\u00a0\u00a0 <\/span>Sleepers<\/i> | Barry Levinson, director<\/span><\/p>\n

\u00a0<\/span>1996 \u00a0\u00a0\u00a0 <\/span><\/span>Air Force One<\/span><\/i> | Wolfgang Petersen, director<\/span><\/p>\n

\u00a0<\/span>1997 \u00a0\u00a0\u00a0 <\/span>Primary Colors<\/i> | Mike Nichols, director<\/span><\/p>\n

\u00a0<\/span>1998 \u00a0\u00a0\u00a0 <\/span>Wild Wild West<\/i> | Barry Sonnenfeld, director<\/span><\/p>\n

\u00a0<\/span>1999 \u00a0\u00a0\u00a0 <\/span>What Planet Are You From?<\/span><\/i><\/span>| Mike Nichols, director<\/span><\/p>\n

\u00a0<\/span>2000 \u00a0\u00a0\u00a0 <\/span>Gangs of New York<\/span><\/i><\/span>| Martin Scorsese, director<\/span><\/p>\n

\u00a0<\/span>2000 \u00a0\u00a0\u00a0 <\/span>The Legend of Bagger Vance<\/span><\/i><\/span>| Robert Redford, director<\/span><\/p>\n

\u00a0<\/span>2002 \u00a0\u00a0\u00a0 <\/span>Uptown Girls<\/span><\/i> [Molly Gunn<\/i>]<\/span> | Boaz Yakin, director<\/span><\/p>\n

\u00a0<\/span>2003 \u00a0\u00a0\u00a0 <\/span>Something’s Gotta Give<\/span><\/i><\/span>| Nancy Meyers, director<\/span><\/p>\n

\u00a0<\/span>2005 \u00a0\u00a0\u00a0 <\/span>Sonntagsluft <\/i>| Frank A. Buecheler, director<\/span><\/p>\n

\u00a0<\/span>2005 \u00a0\u00a0\u00a0 <\/span><\/span>The Departed<\/span><\/i> | Martin Scorsese, director<\/span><\/p>\n

<\/span>\u00a0<\/p>\n

<\/span>\u00a0<\/p>\n

<\/span>\u00a0<\/p>\n

<\/span>\u00a0<\/p>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

It is our great pleasure to inform that this year’s PLUS CAMERIMAGE Lifetime Achievement Award will be granted to Michael…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[149],"tags":[],"class_list":["post-9389","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2010"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9389"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9389"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9389\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}