We are pleased to announce that this year’s Special Plus Camerimage Award to Editor With Unique Visual Sensitivity<\/b> will go to Chris Lebenzon<\/b>. <\/p>\n
Chris Lebenzon<\/p>\n
Chris Lebenzon<\/b> is a film editor with an impressive filmography in a diverse range of genres, from action\/adventure and drama to film musicals and animation. <\/p>\n
Lebenzon is the winner of the American Association of Editors Eddie Award 2008 for his work on Sweeney Todd: The Demon Barber of Fleet Street<\/i><\/span> directed by Tim Burton<\/b>. He has been nominated for two Academy Awards for his work on director Tony Scott’s<\/b>Crimson Tide<\/i><\/span> and Scott’s classic film Top Gun<\/i><\/span>. <\/p>\n The recipient of our special prize has edited all the movies directed by Tim Burton since 1991. Lebenzon made eleven production with him including so stylistically and visually different movies like Batman Returns<\/i><\/span>, Ed Wood<\/i><\/span>, Planet of the Apes<\/i><\/span>, Corps bride<\/i><\/span>, and Alice in Wonderland<\/i><\/span>. Chris has also been working for years with director Tony Scott. They have just completed the soon to be released action thriller Unstoppable<\/i><\/span>. <\/p>\n Chris has teamed up many times with award-winning producer Jerry Bruckheimer<\/b>, working with him on such films as Michael Bay’s<\/b>Pearl Harbor<\/i><\/span> and Armageddon<\/i><\/span>, Dominic Sena’s<\/b>Gone in Sixty Seconds<\/i><\/span>, and Simon West’s<\/b>Con Air<\/i><\/span>. and Tony Scott’s Days of thunder<\/i><\/span> or Enemy of the State<\/i><\/span>. <\/p>\n Chris Lebenzon is now one of the most important film editors. His work directly influences the artistic imagination of the audience around the world and serves as an example of how an original film narrative can be conducted. <\/p>\n Chris Lebenzon will attend Plus Camerimage and will meet with the festival audience. Chris will also make a special presentation of his work on Alice in Wonderland<\/i><\/span> (from storyboards, through editing the dailies, to final cut of the film). <\/p>\n SELECTED FILMOGRAPHY:<\/b><\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" We are pleased to announce that this year’s Special Plus Camerimage Award to Editor With Unique Visual Sensitivity will go…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[149],"tags":[],"class_list":["post-9426","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2010"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9426"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9426"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9426\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Chris Lebenzon collecting Eddie Award<\/p>\n
\n