{"id":9512,"date":"2009-11-06T06:30:23","date_gmt":"2009-11-06T05:30:23","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/kino-greckie-i-islandzkie-na-plus-camerimage\/"},"modified":"2009-11-06T06:30:23","modified_gmt":"2009-11-06T05:30:23","slug":"kino-greckie-i-islandzkie-na-plus-camerimage","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/kino-greckie-i-islandzkie-na-plus-camerimage\/","title":{"rendered":"GREEK AND ICELANDIC CINEMA AT PLUS CAMERIMAGE"},"content":{"rendered":"<p><\/p>\n<div class=\"bordered narrow\">\n<div class=\"article\"><\/div>\n<p>                             The contemporary cinema of Greece, though fruitful and dynamically developing thanks to initiatives of Greek Film Centre and international co-productions, remains barely known in Poland and poorly exposed at international film festivals. <b>The Greek Cinema Review<\/b> aims to bring that part of European film production closer to attendants of <b>PLUS CAMERIMAGE Film Festival<\/b>. The Greek program will consist of six titles from the last ten years, presenting the most interesting ideas and the most contemporary themes of Greek cinema. <\/p>\n<p><b>The Greek Cinema Review<\/b> at <b>Plus Camerimage 2009<\/b> is a unique occasion to take a look at the contemporary Greek cinema from a wide perspective and learn about the present condition of film  in the motherland of master <b>Cacoyannis<\/b> and provocative <b>Costa-Gavras<\/b>.   <\/p>\n<p><b><span>DUST<\/span><\/b> (I skoni pou pefti), 2004<br \/> director: Tassos Psarras<br \/> cinematographer: Nikos Kavoukidis<\/p>\n<p><b><span>DYING IN ATHENS<\/span><\/b> (Pethainontas stin Athina), 2006<br \/> director: Nikos Panayotopoulos<br \/> cinematographer: Aris Stavroubr<\/p>\n<p><b><span>EDUART<\/span><\/b>, 2006<br \/> director: Angeliki Antoniou<br \/> cinematographer: J\u00fcrgen J\u00fcrges<\/p>\n<p><b><span>FOUR SEASONS OF THE LAW<\/span><\/b> (I earini sinaxis ton agrofilakon), 1999<br \/> director: Dimos Avdeliodis<br \/> cinematographer: Odysseus Pavlopoulos, Alekos Yannaros, Linos Meytanis, Sotiris Perreas<\/p>\n<p><b><span>PANDORA <\/span><\/b>, 2006<br \/> director: Yiorgos Stamboulopoulos<br \/> cinematographer: Kostis Gikas<\/p>\n<p><b><span>WELL KEPT SECRETS &#8211; ATHANASSIA<\/span><\/b> (Kala krymmena mystika, Athanasia), 2008<br \/> director: Panos Krakanevatos<br \/> cinematographer: Dimitris Katsaitis <\/p>\n<p> For more information on Greek Cinema Review please go <a href=\"http:\/\/www.archive.camerimage.pl\/index.php?lang=en&amp;pg=ccd51ef3c8213c3\"><b>here<\/b><\/a><\/p>\n<p><b>&#8211; ICELANDIC CINEMA &#8211;<\/b><\/p>\n<p> Iceland \u2013 a beautiful, mysterious and full of contrasts country on the edge of the world, yet considered a part of Europe. Despite rich and unique cultural tradition, the island made its debut in cinema relatively late, as the first domestic feature film production was presented to Icelanders only in 1949. Local film industry did not actually exist until the 1970&#8217;s, and the rest of the world heard about it for the first time only 17 years ago thanks to the Oscar nomination for the 1992 Best Foreign Language Film for <b>Fridrik Thor Fridriksson&#8217;s<\/b><i><span>Children of Nature<\/i><\/span>  (B\u00f6rn n\u00e1tt\u00farunnar, 1991), which was also generously awarded at international festivals. <\/p>\n<p> The contemporary richness, international recognition and dynamic development of Icelandic cinema are founded on the young but strong filmic tradition, which can serve as a reference point and polemic for new filmmakers, who often work side by side with the living legends of the Icelandic history of cinema. Revisiting the achievements of this cinema should be especially interesting now, when most promising filmmakers of Iceland are trying to find their way in Hollywood.  <\/p>\n<p><span><b>101 REYKJAVIK<\/span><\/b>, 2000<br \/> director: Baltasar Kormakur<br \/> cinematographer: <span>Peter Steuger<\/span><\/p>\n<p><span><b>CHILDREN <\/span><\/b>(B\u00f6rn), 2006<br \/> director: Ragnar Bragason<br \/> cinematographer: <span>Bergsteinn Bjorgulfsson<br \/><\/span><br \/><span><b>JAR CITY <\/span><\/b>(M\u00fdrin), 2006<br \/> director: Baltasar Kormakur<br \/> cinematographer: <span>Bergsteinn Bj\u00f6rg\u00falfsson<br \/><\/span><br \/><span><b>NOI THE ALBINO<\/span><\/b> (Noi Albinoi)<\/b>, 2003<br \/> director: Dagur Kari<br \/> cinematographer: <span>Rasmus Videb\u00e6k<br \/><\/span><br \/><span><b>PARENTS<\/span><\/b> (Foreldrar)<\/b> 2007<br \/> director: Ragnar Bragason<br \/> cinematographer: <span>Bergsteinn Bj\u00f6rg\u00falfsson<br \/><\/span><br \/><span><b>WHITE NIGHT WEDDING<\/span><\/b> (Br\u00fa\u00f0guminn),<\/b> 2008<br \/> director: Baltasar Kormakur<br \/> cinematographer: <span>Bergsteinn Bj\u00f6rg\u00falfsson<br \/><\/span><\/p>\n<p><u><b>FRIDRIK THOR FRIDRIKSSON REVIEW<\/b><\/span><\/u><\/p>\n<p><span><b>ANGELS OF THE UNIVERSE<\/span><\/b> (Englar alheimsins)<\/b>, 2000<br \/> cinematographer: <span>Harald Paulgaard<br \/><\/span><br \/><span><b>CHILDREN OF NATURE<\/span><\/b> (B\u00f6rn n\u00e1tt\u00farunnar)<\/b>, 1991<br \/> cinematographer: <span>Ari Kristinsson<br \/><\/span><br \/><span><b>COLD FEVER<\/span><\/b> (\u00c1 k\u00f6ldum klaka)<\/b> 1995<br \/> cinematographer: <span>Ari Kristinsson<br \/><\/span><br \/><span><b>DEVIL&#8217;S ISLAND<\/span><\/b> (Dj\u00f6flaeyjan)<\/b>, 1996<br \/> cinematographer: <span>Ari Kristinsson<br \/><\/span><\/span><br \/><span><b>FALCONS<\/span><\/b> (F\u00e1lkar)<\/b> 2002<br \/> cinematographer: <span>Harald Paulgaard<br \/><\/span><br \/><span><b>MOVIE DAYS<\/span><\/b> (Biodagar)<\/b>, 1994<br \/> cinematographer: <span>Ari Kristinsson<br \/><\/span><br \/><span><b>NICELAND<\/span><\/b> (POPULATION. 1.000.002) (N\u00e6sland)<\/b>, 2004<br \/> cinematographer: <span>Morten S\u00f8borg<br \/><\/span><\/p>\n<p> For more details on Icelandic Cinema Review please go <a href=\"http:\/\/www.archive.camerimage.pl\/index.php?lang=en&amp;pg=5e00f457a4d34b9\"><b>here<\/b><\/a><\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The contemporary cinema of Greece, though fruitful and dynamically developing thanks to initiatives of Greek Film Centre and international co-productions,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[148],"tags":[],"class_list":["post-9512","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2009"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9512"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9512"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9512\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}