{"id":9553,"date":"2009-06-08T06:34:08","date_gmt":"2009-06-08T04:34:08","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/przeglady-kinematografii-krajow-europejskich\/"},"modified":"2009-06-08T06:34:08","modified_gmt":"2009-06-08T04:34:08","slug":"przeglady-kinematografii-krajow-europejskich","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/przeglady-kinematografii-krajow-europejskich\/","title":{"rendered":"EUROPEAN CINEMA REVIEW"},"content":{"rendered":"

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There is still almost 6 months left till the upcoming edition of Plus Camerimage<\/span> Film Festival<\/b>, but the organizers are already able to announce some attractions of the European cinema repertoire. This year a huge amount of exoticism in the Festival\u2019s programme will be brought in by the cinema review of two completely different countries. For most of the presented films it\u2019ll be the only chance to see them, as they were not in a broad international distribution! <\/p>\n

Quite young and a very interesting cinema of Iceland<\/b> is commonly known only by several titles.The organisers of Plus Camerimage<\/span><\/b> decided to introduce it to the festival audience by a retrospective of a great man – Fridrik Thor Fridriksson<\/b>. The founder of the first Icelandic magazine devoted to the art of film, cofounder of the Reykjavik Film Festival and a self-taught filmmaker is currently the most frequently awarded Icelandic director and at the same time a producer of a great part of the domestic films. His Children of Nature<\/i><\/span> won an Academy Award nomination for Best Foreign Language Film in 1992. <\/p>\n

Children of Nature<\/i> dir. Fridrik Thor Fridriksson <\/p>\n

Fridriksson<\/b>\u2019s other movies including Movie Days <\/i><\/span> (1994), Devil\u2019s Island<\/i><\/span> (1996), Angels of the Universe<\/i><\/span> (2000) gained a wide recognition at international film festivals and a reputation of the best Scandinavian films in the years of their release. The retrospective organized in cooperation with the Icelandic Film Centre<\/b> will present a set of the dramatic features by Fridriksson<\/b>. Apart from that, Plus Camerimage<\/span><\/b> visitors will have an opportunity to watch some of the most interesting titles produced in Iceland in recent years. <\/p>\n

White Night Wedding<\/i> dir. Baltasar Korm\u00e1kur<\/p>\n

Who does not remember a cult dance on the beach performed by Anthony Quinn<\/b>? The final scene of the legendary Zorba the Greek<\/i><\/span> by Michael Cacoyannis<\/b> is probably the most famous scene of the Greek cinema. Unfortunately, we do not hear much about the contemporary achievements of the Greece\u2019s filmmakers. The Greek Film Review<\/b>, organized at Plus Camerimage<\/span><\/b> 2009 in cooperation with Greek Film Centre<\/b> and Greek Society of Cinematographers<\/b>, will consist of a choice of productions from last ten years. All the films combine a Greek passion for spinning tales with a particular sensitivity to the beauty of the Mediterranean landscapes. <\/p>\n

The Four Seasons of the Law<\/i> dir. Dimos Avdeliodis<\/p>\n

Well Kept Secrets – Athanassia<\/i> dir. Panos Karkanevatos<\/p>\n

The reviews of the cinema of individual European countries or regions are an inherent part of Plus Camerimage<\/span> Festival<\/b>, presenting every year to the international audience the best contemporary achievements of the cinema of the Old Continent. <\/p>\n<\/div>\n

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There is still almost 6 months left till the upcoming edition of Plus Camerimage Film Festival, but the organizers are…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[148],"tags":[],"class_list":["post-9553","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2009"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9553"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9553"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9553\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}