{"id":9710,"date":"2007-09-25T07:05:04","date_gmt":"2007-09-25T05:05:04","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/wystawa-vittorio-storaro-podczas-plus-camerimage-2007\/"},"modified":"2007-09-25T07:05:04","modified_gmt":"2007-09-25T05:05:04","slug":"wystawa-vittorio-storaro-podczas-plus-camerimage-2007","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/wystawa-vittorio-storaro-podczas-plus-camerimage-2007\/","title":{"rendered":"VITTORIO STORARO'S EXHIBITION AT PLUS CAMERIMAGE 2007"},"content":{"rendered":"

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Storaro: \u2018Writing with Light\u2019. Double Impressions Between Photography and Cinematography. Light, Colours, the Elements <\/b>is the innovatory project of one of the most world-acclaimed cinematographers, the recipient of three Oscars<\/b> (for Apocalypse Now, Reds <\/i>and The last Emperor<\/i>), Camerimage Festival Awards<\/b> (1994 – Golden Frog for Lifetime Achievement; 1997 – Camerimage Duo Award: Cinematographer – Director, shared with Bernardo Bertolucci; 1998 – Special Award from the President of the Polish Film State Institute for cinematography for Tango<\/i> by Carlos Saura) and many other prestigious awards. <\/p>\n

The exhibition reffering to Storaro\u2019s<\/b> film achievements highlights, in a very personal way, the relations existing amongst various forms of art: photography, film-making, painting and philosophy. It is divided into three sections, devoted to ‘Light’, ‘Colours’<\/b> and ‘the Elements’<\/b>, and is based on the trilogy of books by Vittorio Storaro. The publication together with the exhibition and the DVD film constitutes a multimedia project titled \u2018Writing with Light\u2019<\/b>. <\/p>\n

Storaro\u2019s<\/b> photographic work, although being an integral part of his involvement with film, is conceived and composed as an independent entity in its own right. The images, composed as double impressions suggest, through their dreamlike atmosphere, a highly personal interpretation of the stories presented in his films. The exhibition shows the passage of the moving image, characteristic of Cinematography, to the fixed image, specific to Photography. It also affirms the masterly use of means of expression, perfect composition and expressive use of value of light, colours and the elements. <\/p>\n

\u2018Writing with Light\u2019<\/b> is an outcome of Vittorio Storaro\u2019s <\/b>working lifetime during which he has been engaged in shooting some 40 films, and has developed his individual conception of the cinematographic language. He has worked with the best directors of the second half of the last century such as Bernardo Bertolucci, Francis Ford Coppola, Carlos Saura<\/b> and Warren Beatty<\/b>. He is a member of American Society of Cinematographers (ASC), Association of Italian Cinematographers (AIC, President from 1988 – 90), European Film Academy and American Academy of Motion Picture Arts and Sciences. His ambition is to officially secure a legal recognition of copyright for all the cinematographers in the world. This fact makes him very close to the idea behind PLUS CAMERIMAGE <\/span> Festival <\/b>. <\/p>\n

The exhibition Storaro: \u2018Writing with Light\u2019<\/b> will be officialy opened on Saturday, October 27th<\/b>, in the Museum of History of City Lodz in Poznanski Palace<\/b>, and it will be one of the greatest accompanying events of PLUS CAMERIMAGE<\/span> Festival<\/b> 2007. <\/p>\n

Storaro: ‘Writing with Light’ – The Light <\/p>\n

Storaro: ‘Writing with Light’ – The Colours<\/p>\n

Storaro: ‘Writing with Light’ – The Elements<\/p>\n

Storaro: ‘Writing with Light’ exhibition in Verona <\/p>\n

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Storaro: \u2018Writing with Light\u2019. Double Impressions Between Photography and Cinematography. Light, Colours, the Elements is the innovatory project of one…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[146],"tags":[],"class_list":["post-9710","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-plus-camerimage-2007"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9710"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9710"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9710\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}