{"id":9809,"date":"2006-09-19T07:22:38","date_gmt":"2006-09-19T05:22:38","guid":{"rendered":"http:\/\/camernew.klienci.052b.com\/on-byl-energia-wspomnienie-o-tonino-delli-colli\/"},"modified":"2006-09-19T07:22:38","modified_gmt":"2006-09-19T05:22:38","slug":"on-byl-energia-wspomnienie-o-tonino-delli-colli","status":"publish","type":"post","link":"https:\/\/archive.camerimage.pl\/en\/on-byl-energia-wspomnienie-o-tonino-delli-colli\/","title":{"rendered":"HE WAS THE ENERGY &#8211; memories of Tonino Delli Colli"},"content":{"rendered":"<p><\/p>\n<div class=\"bordered narrow\">\n<div class=\"article\"><\/div>\n<p><b>On Saturday\u2019s morning in The Grand Theater, friends of Tonino Delli Colli reminisced this genuine cinematographer. Delli Colli, who died several months ago, is a laureate of CAMERIMAGE 2005 Lifetime Achievement Award. They considered him as: &#8220;a tiny man, who managed to make enormous things for the cinema&#8221;.<\/b><\/p>\n<p> Exactly, Delli Colli played a significant part in of the history of the cinema. He is a creator of photography to the majority of Paolo Pasolini\u2019s and Dino Risi\u2019s movies. He was a cooperator of Frederico Fellini, Sergio Leone, Roman Pola\u0144ski and a cinematographer of such excellent movies like: \u201cOnce Upon a Time in America&#8221;, \u201cThe Name of the Rose&#8221;, \u201cLife is Beautiful&#8221;, \u201cBitter Moon&#8221;, \u201cDeath and The Maiden&#8221;.    <\/p>\n<p> \u201cI would like to compare him to Picasso. Picasso believed that a one half of the success is a good technique, the second half is art&#8221; &#8211; told Roberto Girometti, the director of Italian Association of Cinematographers and an old Delli Colli\u2019s friend. \u201cExactly the same was Tonino, he combined ideal technique with outstanding sense of art.\u201c According to Girometti, the Colli\u2019s masterpiece \u201cThe Name of the Rose&#8221;, that was presented on Saturday at Camerimage, is: \u201cthe most beautifully filmed movie all over the world&#8221;.            <\/p>\n<p> &#8220;He had an unique ability to \u2018get into\u2019 the story&#8221; &#8211; the second guest of this meeting , cinematographer Roberto d\u2019Ettore Piazzolli added. \u201cHis cinematography did not dominate the plot, but it also didn\u2019t play a serving role to it. It cooperated with the film perfectly \u201c saidPiazzolli.   <\/p>\n<p> Delli Colli was an extremely important person to the cinematographers society in Italy. \u201cIt was him, who in 1950 founded our cinematographers\u2019 association, as a second such assembly in the world. He should be the honorary president of our association forever&#8221; &#8211; said Girometti.   <\/p>\n<p> \u201cWe shouldn\u2019t speak of Tonino as only of the technician. He was full of humor, irony, life and energy. His cinematography was the expression of life&#8221; &#8211; said Piazzolli. \u201cHe was rather a short man, but he made great things fot the cinema&#8221; &#8211; he ended.   <\/p>\n<p> Delli Colli died suddenly a few months before the CAMERIMAGE festival. He managed to prepare a special short movie, on which he greets the festival guests.   <\/p>\n<p> The other CAMERIMAGE festival awards for special achievements in the film art will go to Polish actor GUSTAW HOLOUBEK, and the Award for the Polish Duo of Director-Cinematographer will go to KAZIMIERZ KUTZ and WIES\u0141AW ZDORT.                     <\/p><\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>On Saturday\u2019s morning in The Grand Theater, friends of Tonino Delli Colli reminisced this genuine cinematographer. Delli Colli, who died&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[153],"tags":[],"class_list":["post-9809","post","type-post","status-publish","format-standard","hentry","category-wiadomosci-camerimage-2005"],"acf":[],"_links":{"self":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9809"}],"collection":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/comments?post=9809"}],"version-history":[{"count":0,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/posts\/9809\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/media?parent=9809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/categories?post=9809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.camerimage.pl\/en\/wp-json\/wp\/v2\/tags?post=9809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}