<\/p>\n
We had today an excellent opportunity to talk with the creators of the film \u201cCa\u0142a zima bez ognia”, with the cinematographer – Witold P\u0142uciennik and the director Greg Zgli\u0144ski. The movie is an fruit of cooperation of people from three countries: Switzerland, Poland and Belgium.<\/b><\/p>\n
In the title of the film we can find two artistic tools. The director used them to express the main idea of his work of art. Coloring of this film is based on the hue of cold whiteness and the color of steel, not only outdoor but also indoor. These colors are reflecting the emotional emptiness of main film\u2019s characters. The only one strong color is the red one, which is closely connected with protagonists\u2019 daughter\u2019s death. The whole actions of the film takes place in the valley and the factory. The paradox is, that the idyllic valley was a place where a tragedy happened and an infernal factory brought the solace to the protagonist. The team during the creation of the film \u201cremind itself what the contrast means”: said the director. Greg Zgli\u0144ski told also that he wanted this film not to be unequivocal, therefore he constructed the end of the film as \u201copportunity to a new beginning”. <\/p>\n
The production of film was not schematic, the scenario was not closed before the start of shooting and it was changed twelve times. <\/p>\n
Despite the fact that the team was international one, the creators of the film did not have any problems with communications. They talked in the universal word of cinema. The whole team was enthusiastic about the cooperation, French part of the team sometimes even managed to respond to the questions in polish language. <\/p>\n
The film is one of the five films nominated to Academy Awards, that are shown at Camerimage 2005. <\/p><\/div>\n
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